logo
Rachel Zegler sparks dating rumors with mystery man during PDA at Hyde Park Sabrina Carpenter concert

Rachel Zegler sparks dating rumors with mystery man during PDA at Hyde Park Sabrina Carpenter concert

Express Tribune5 days ago
Rachel Zegler was spotted packing on the PDA with a mystery man during Sabrina Carpenter's sold-out BST Hyde Park concert on Sunday, sparking fresh romance speculation. The 24-year-old Snow White actress, who is currently starring as Eva Peron in Jamie Lloyd's West End adaptation of Evita, appeared smitten as she danced and embraced her new companion in the crowd.
Zegler looked effortlessly stylish in a black lace mini-dress and oversized leather jacket, while her unidentified date hugged her from behind before the two shared a kiss. The sighting comes eight months after fans began speculating that Zegler had ended her three-year relationship with fellow actor Josh Andrés Rivera. Although the breakup was never publicly confirmed, Zegler had quietly removed photos of Rivera from her Instagram, fueling online buzz.
Her cozy festival appearance marked a sharp contrast to her formerly private relationship with Rivera, whom she met on the set of West Side Story in 2021. The pair later starred together in The Hunger Games: The Ballad of Songbirds & Snakes. At the time, Zegler openly expressed admiration for Rivera in multiple heartfelt social media posts.
The festival PDA has reignited public interest in Zegler's love life, with fans taking to social media to identify the mystery man. One fan on X (formerly Twitter) wrote, 'Who is Rachel Zegler's new boyfriend and how do I apply?'
MailOnline has contacted Zegler's representatives for comment. Meanwhile, the actress continues to enjoy a busy professional schedule while keeping fans guessing about her new romantic chapter.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Yasir Hussain slams discrimination at elite Karachi restaurant
Yasir Hussain slams discrimination at elite Karachi restaurant

Express Tribune

time12 hours ago

  • Express Tribune

Yasir Hussain slams discrimination at elite Karachi restaurant

Actor and director Yasir Hussain has raised his voice against discriminatory treatment reported at some of Karachi's upscale clubs and restaurants, where patrons wearing traditional attire are allegedly being denied service. In an Instagram Story posted on Friday, Hussain responded to reports that a man was turned away from a restaurant in Karachi for wearing shalwar kameez, the national dress of Pakistan. 'There is increasing disrespect towards shalwar kameez. This drama has started in many clubs and fine-dining restaurants,' he wrote, labelling them as 'Wannabe Angrez.' Actor Mishi Khan also publicly criticised the same establishment. In a video posted on her Instagram, she said, 'I am shocked. Can you believe they called our national dress cheap? We're running on foreign funding, paying double the debt, we lack jobs and resources, and just look at their attitude! As if they're from Switzerland!' The outrage is justified, as she questions what exactly these people deem as appropriate dress: 'What are we supposed to wear now? Should we wear bikinis or hot pants just to be allowed in? I will definitely find out which restaurant this is, and I will reveal its name to you.' This controversy involved a man reportedly identified as Advocate Abdul Latif, who alleged that he was turned away and that the staff told him, 'We don't serve pendus,' using a derogatory term for rural or unfashionable people. Latif said that after facing humiliation, he sent a legal notice to the restaurant, but the administration has yet to respond. He has now approached the Consumer Court, seeking action against the restaurant. The shalwar kameez is Pakistan's national dress and a cultural symbol. Yet, private venues enforcing Western dress codes have sparked debate over class-based discrimination and cultural erasure. Hussain pointedly remarked that venue owners have adopted an attitude towards traditional dress similar to their attitude towards Urdu. The matter has drawn public backlash. Social media users have demanded identification and a boycott of the restaurant. One user wrote, 'Truly boycott such restaurants — they will remember their place. Speak to them in their own language, and they will stay within their limits.' Another user echoed, 'Agreed. We should take a stand on this!' Have something to add to the story? Share it in the comments below.

On 'Swag,' Justin Bieber proves he is no one's punchline
On 'Swag,' Justin Bieber proves he is no one's punchline

Express Tribune

time12 hours ago

  • Express Tribune

On 'Swag,' Justin Bieber proves he is no one's punchline

Just in case it's not clocking to you, Justin Bieber is standing on business right now. And by business, he means music. His surprise seventh studio album Swag arrives after months of relentless tabloid fodder, spiraling TikTok theories, and a level of public scrutiny that borders on madness. To be clear, Bieber has always been a headline magnet, but the build-up to this album felt suffocating in a way that even he couldn't seem to deflect. Collages of him seemingly 'slipping out of control,' alongside speculation about his marriage, mental and physical health, alleged substance use, and even his son, have been inescapable lately. If he so much as blinked too slowly, someone had an answer for why. It was a kind of media circus matched only by the meltdown of Britney Spears, circa the shaved head era. So, how did he respond? He dropped a record instead. And for an artist who once measured his relevance by the velocity of his chart-toppers, (we all remember him telling fans to stream Yummy even in their sleep), Swag feels like a left turn. There was no rollout, no single, no promotional teaser, not even a cryptic Instagram countdown. And in the world of Bieber, that says everything you need to know about this album. Because here is an artist who is declaring that he is here to reclaim his space, entirely. The choice to work with long-term collaborators speaks as much: producer Harv lays the groundwork, while Carter Lang, Eddie Benjamin, Dijon, and - who have worked with him on several remixes and standout tracks on Justice - return as trusted caretakers of the album. Sonically, he draws from the style that has always served him best - slow-burning R&B with 80s and 90s influences, marked by smooth grooves and slick production. Even the way he uses his voice, lingering in falsettos and letting phrases trail off, reminds us that this is an artist who no longer needs to prove he can sing - only that he still wants to. So, when it works, it really works. Devotion feels like warm air on the skin - subtle, inviting, layered with just enough vulnerability to feel earned. Yukon and Daisies glow with signature guitar tones and warped production, evoking a retro dreaminess without falling into full nostalgia. All I Can Take opens the album with syncopated drums while Butterflies builds into one of the most melodically generous songs Bieber has released in years. Zuma House is a stripped-down 83 seconds, acoustic-guitar ballad in the mode of Neil Young's Hitchhiker, while Glory Voice Memo is a bluesy micro-jam that sounds straight out of his phone's voice memos app. Even the guest verses - Sexyy Red, Gunna, Cash Cobain, Lil B - arrive like passing figures contributing to his show, rather than attention-grabbing detours. No one overstays their welcome and no one overshadows him. The writing on the album reflects the same reclamation. On Go Baby, he praises his wife, Hailey, with the kind of casual intimacy only a husband could get away with, calling her 'iconic' and nodding to her billion-dollar beauty brand. On Walking Away, he drops the guard completely, admitting, 'We better stop before we say some some sh*t,' a line that stings quietly like an argument that never ended. Dadz Love is equally confessional, full of wide-eyed gratitude and awkward pride as he reflects on fatherhood. None of it is polished, and admittedly, some of it barely works. Lyrically, this may well be the weakest album he's made - but ironically, that's exactly why it works. Even the interludes with Druski, cringe as they may seem, circle back to something honest. The now-viral snippet of Bieber lamenting, 'People are always asking if I'm okay… it starts to make me feel like I'm the one with issues and everyone else is perfect', says more than any armchair psychologist on the internet ever could. So, even when the words don't land, you at least hear that directly from him. Certainly, Swag is not flawless. But it is never trying to be. It is an honest attempt from an artist to own all his mess. And in doing so, Bieber reminds you who he really is - a pop titan, bruised - but forever burning bright.

‘Behroopia' writer accuses team of distorting script
‘Behroopia' writer accuses team of distorting script

Express Tribune

time14 hours ago

  • Express Tribune

‘Behroopia' writer accuses team of distorting script

Screenwriter Rida Bilal has publicly distanced herself from the TV series Behroopia, stating that the story currently airing no longer reflects her work. In a strongly worded Instagram post on Friday, Rida alleged that her script had been significantly altered without her consent. 'When your name is on something that no longer reflects your voice, it's time to speak up,' she wrote. 'Scenes changed, characters twisted, and intentions lost. The writing you see now? It's not mine.' With Faysal Quraishi and Madiha Imam in lead roles, Behroopia centres on Mahnoor, a woman who enters a second marriage only to discover that her new husband harbours a disturbing secret. Framed as a psychological thriller, the series explores themes of deception, betrayal, and societal taboos surrounding divorce and remarriage. In her post, Rida claimed the story has now veered far from her vision. 'I have tried to state a lot of things in a dignified manner before, but everyone has their limit and I have finally reached mine,' she wrote. 'Behroopia no longer reflects my ideas, writing, or the emotion with which it was created for the audiences.' Rida further criticised the network and director, writing, 'It, however, does reflect the channel's lack of ownership, the director's unfulfilled desires and his knack for writing, which he should practise more often so that the industry can completely go down the drain.' This is not the first time a writer in the Pakistani television industry has raised concerns about creative interference. Bee Gul has previously stated similar challenges. Her 2014 series Zid, which centred on a woman resisting forced marriage and societal pressure, was reportedly undermined by producer interference. Gul said the pressure compromised the show's potential and contributed to its critical failure. Rida's post has drawn widespread attention online, with many industry professionals and viewers expressing support. As of Saturday, neither the private channel nor the director of Behroopia issued a public response. Rida is known for her work on dramas such as Khudgarz and Do Bol, and has often been praised for her character-driven narratives and emotionally grounded writing.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store