Feast your eyes upon these stunning award-winning food photos
An image of five elderly women having a giggle while sharing spring rolls in a quiet corner of Sichuan has been crowned the world's best food photograph.
Titled simply as "The Elderly Having Delicious Food", the heartwarming photo by Chinese photographer Xiaoling Li has taken the top prize at this year's World Food Photography Awards, beating nearly 10,000 entries from 70 countries.
Shot in Shuangliu Ancient Town, the image captures what Li describes as a 'Dragon Gate formation' - a Chinese phrase for neighbours gathering to chat, gossip, and share stories over food. 'They eat the famous Sichuan snack 'spring rolls,'' says Li. 'Food makes these people happy; they enjoy a beautiful and joyful life.'
The awards, sponsored by Tenderstem® Bimi®, were announced in a glittering ceremony at London's Mall Galleries, hosted by chef and author Yotam Ottolenghi. The competition spans 25 categories - from 'Bring Home the Harvest' to 'Food in the Field' - and celebrates the many ways food weaves through our lives, cultures, and stories.
'These Awards showcase the power of photography in telling incredible food stories from around the world,' said Dave Samuels, Brand Director at Tenderstem® Bimi®. 'No matter how the world changes, food remains at the heart of our lives.'
A selection of the winning images will be on display at Fortnum & Mason from 2 June and the Museum of the Home from 3 June to 7 September.
Below, feast your eyes upon a few of our favourite winning images from this year's competition.
The most watched shows in the US have been revealed by ratings company Nielsen, and Netflix rules the top of the chart. To assert its clear dominance over TV viewing, precisely half of the Top 20 come from the streaming juggernaut.
Nielsen, which historically charts broadcast viewership, has released multi-platform viewing figures for the first time for the 2024-25 TV season.
Top of the list of 100, reported by Variety, is Netflix's Squid Game (27.1million viewers), closely followed by the streamer's British hit Adolescence (19million).
Squid Game and Adolescence were also the top two shows among the Adult 18-49 demographic, considered the most important for broadcasters.
CBS action-drama Tracker was the highest rated show from a traditional broadcaster, with 17.4million viewers.
Here are Top 20 shows of 2024-25 (Total Viewers):
1. Squid Game (Netflix, 27.1million viewers)
2. Adolescence (Netflix, 19million)
3. Tracker (CBS, 17.4million)
4. Reacher (Prime Video, 17.4million)
5. High Potential (ABC, 16.1million)
6. Matlock (CBS, 16million)
7. Landman (Paramount+, 15.8million)
8. (Tied) Monsters: The Lyle And Eric Menendez Story (Netflix, 15.7million)
8. (Tied) Zero Day (Netflix, 15.7million)
10. Nobody Wants This (Netflix, 15.2million)
11. The Night Agent (Netflix, 14.8million)
12. American Primeval (Netflix, 13.8million)
13. Running Point (Netflix, 13.1million)
14. The Residence (Netflix, 12.8million)
15. A Man On The Inside (Netflix, 12.4million)
16. (Tied) George And Mandy's First Marriage (CBS, 12.1million)
16. (Tied) Ghosts (CBS, 12.1million)
16. (Tied) Yellowstone (Paramount Network/CBS, 12.1million)
19. 1923 (Paramount+, 11.9million)
20. The White Lotus (HBO, 11.6million)
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
France 24
18 hours ago
- France 24
TV graphics put fun into South Korean election count
"Harry Potter", "Squid Game", a rigorous spinning class... no reference is too small or too bizarre to be mined by broadcaster SBS for outlandish CGI-animated graphics to attract viewers -- and, the journalists behind it say, make politics more accessible and engaging. Thanks to a dozens-strong specialist team at SBS, the dry work of tallying millions of ballots on the evening of June 3, after South Koreans vote for their next leader, will be transformed into an Olympic-level spectacle. "The pressure is on," SBS broadcast journalist Son Hyoung-an, who has been working on the election graphics team since before the poll was announced, told AFP. "Everyone is asking us what we will do next, and they are excited to see what we'll bring to the table," said Son. The tradition began around a decade ago, when South Korean networks noticed they could get more eyeballs on election night by leaning into the country's strong K-pop and K-drama tradition, and by trying to make politics fun and entertaining. It started with simple 2D visuals -- the most striking of which showed candidates walking up a building horizontally -- but, with an enthusiastic response, it has grown in scale and scope. Now, most Korean networks run sophisticated animated sequences that show the candidates' faces and body movements -- with their permission -- using actors to create the movements, then splicing the real faces on top. Snap election This year's poll posed a particular challenge, as it is a snap election after ex-president Yoon Suk Yeol was impeached and stripped of office over his abortive martial law declaration, meaning that SBS's election team had hardly any time to prepare. "We need to do five months worth of work in a matter of weeks," Son told AFP, adding that convincing the super-busy candidates to spare them a few minutes to film their faces for the graphics was tough. The front-runner, liberal Lee Jae-myung, ran in 2022 and lost to Yoon by the narrowest margin in the country's history -- meaning SBS already had footage of him from their previous coverage. The challenge was with Kim Moon-soo, the conservative former labour minister and ruling People Power Party nominee -- but his team said he was too busy and kept rejecting the election graphics team requests. Eventually, they secured three minutes with him in front of a green screen. Then they just had to come up with the graphics. One of this year's themes is "Squid Game", with the animations showing Lee and Kim competing in classic childhood games from the hit Netflix series, from "red light, green light" to "ddakji". "Even the smallest ideas are welcome," SBS journalist Kim Deok-hyun, told AFP. "We gather personal memories, joyful moments – anything the team finds entertaining –- without filtering or holding back." One team member had a particularly good spinning class and suggested it could work for election night. In the graphic, both candidates' heads bob furiously as they ride indoor bicycles, their vote share rising with each pedal stroke. For voters frustrated by the country's political turmoil, another sequence features a sound effect known in Korean as 'bbeong' -- the noise a fizzy drink makes when opened, or the thwack of a football, or the gurgle when a toilet is unclogged. Rap battle SBS is particularly well-known for its election graphics, but all South Korean networks do it -- with one rival channel going viral last year for a rap battle between candidates. "It does make you wonder, can we go this far with people who might become the president?" said Kim. But the journalists behind SBS's offerings say that the purpose of the graphics is to create a "flow" to engage viewers and keep them hooked on the democratic process. Early in the day while voting is underway, coverage is more restrained, but once exit polls are out "we'll roll out fast-paced, high-energy items, with rapid-fire summaries to help viewers follow the evolving picture", said Kim. "We want people to look forward to our election night coverage, the way they anticipate a new film, thinking, 'I can't wait to see what they do this time'." Experts agree that graphics can help keep viewers -- and voters -- engaged. "Eye-catching graphics could be valuable, if they serve to draw attention not just to visuals but to substantive content that helps elevate the political discourse in our country," Kim Seo-joong, a professor at Sungkonghoe University told AFP.
Euronews
3 days ago
- Euronews
Feast your eyes upon these stunning award-winning food photos
An image of five elderly women having a giggle while sharing spring rolls in a quiet corner of Sichuan has been crowned the world's best food photograph. Titled simply as "The Elderly Having Delicious Food", the heartwarming photo by Chinese photographer Xiaoling Li has taken the top prize at this year's World Food Photography Awards, beating nearly 10,000 entries from 70 countries. Shot in Shuangliu Ancient Town, the image captures what Li describes as a 'Dragon Gate formation' - a Chinese phrase for neighbours gathering to chat, gossip, and share stories over food. 'They eat the famous Sichuan snack 'spring rolls,'' says Li. 'Food makes these people happy; they enjoy a beautiful and joyful life.' The awards, sponsored by Tenderstem® Bimi®, were announced in a glittering ceremony at London's Mall Galleries, hosted by chef and author Yotam Ottolenghi. The competition spans 25 categories - from 'Bring Home the Harvest' to 'Food in the Field' - and celebrates the many ways food weaves through our lives, cultures, and stories. 'These Awards showcase the power of photography in telling incredible food stories from around the world,' said Dave Samuels, Brand Director at Tenderstem® Bimi®. 'No matter how the world changes, food remains at the heart of our lives.' A selection of the winning images will be on display at Fortnum & Mason from 2 June and the Museum of the Home from 3 June to 7 September. Below, feast your eyes upon a few of our favourite winning images from this year's competition. The most watched shows in the US have been revealed by ratings company Nielsen, and Netflix rules the top of the chart. To assert its clear dominance over TV viewing, precisely half of the Top 20 come from the streaming juggernaut. Nielsen, which historically charts broadcast viewership, has released multi-platform viewing figures for the first time for the 2024-25 TV season. Top of the list of 100, reported by Variety, is Netflix's Squid Game (27.1million viewers), closely followed by the streamer's British hit Adolescence (19million). Squid Game and Adolescence were also the top two shows among the Adult 18-49 demographic, considered the most important for broadcasters. CBS action-drama Tracker was the highest rated show from a traditional broadcaster, with 17.4million viewers. Here are Top 20 shows of 2024-25 (Total Viewers): 1. Squid Game (Netflix, 27.1million viewers) 2. Adolescence (Netflix, 19million) 3. Tracker (CBS, 17.4million) 4. Reacher (Prime Video, 17.4million) 5. High Potential (ABC, 16.1million) 6. Matlock (CBS, 16million) 7. Landman (Paramount+, 15.8million) 8. (Tied) Monsters: The Lyle And Eric Menendez Story (Netflix, 15.7million) 8. (Tied) Zero Day (Netflix, 15.7million) 10. Nobody Wants This (Netflix, 15.2million) 11. The Night Agent (Netflix, 14.8million) 12. American Primeval (Netflix, 13.8million) 13. Running Point (Netflix, 13.1million) 14. The Residence (Netflix, 12.8million) 15. A Man On The Inside (Netflix, 12.4million) 16. (Tied) George And Mandy's First Marriage (CBS, 12.1million) 16. (Tied) Ghosts (CBS, 12.1million) 16. (Tied) Yellowstone (Paramount Network/CBS, 12.1million) 19. 1923 (Paramount+, 11.9million) 20. The White Lotus (HBO, 11.6million)
LeMonde
3 days ago
- LeMonde
Loretta Swit, Emmy-winning 'M.A.S.H.' actress, has died at 87
Loretta Swit, who won two Emmy Awards playing Major Margaret Houlihan, the demanding head nurse of a behind-the-lines surgical unit during the Korean War on the pioneering hit TV series M.A.S.H., has died. She was 87. Publicist Harlan Boll says Swit died Friday, May 30, at her home in New York City, likely from natural causes. Swit and Alan Alda were the longest-serving cast members on M.A.S.H., which was based on Robert Altman's 1970 film, which was itself based on a novel by Richard Hooker, the pseudonym of H. Richard Hornberger. The CBS show aired for 11 years from 1972 to 1983, revolving around life at the 4077th Mobile Army Surgical Hospital, which gave the show its name. The two-and-a-half-hour finale on Feb. 28, 1983, lured over 100 million viewers, the most-watched episode of any scripted series ever. Rolling Stone magazine put M.A.S.H. at No. 25 of the best TV shows of all time, while Time Out put it at No. 35. It won the Impact Award at the 2009 TV Land annual awards. It won a Peabody Award in 1975 "for the depth of its humor and the manner in which comedy is used to lift the spirit and, as well, to offer a profound statement on the nature of war." From caricature to real person In Altman's 1970 film, Houlihan was a one-dimensional character – a sex-crazed bimbo who earned the nickname "Hot Lips." Her intimate moments were broadcast to the entire camp after somebody planted a microphone under her bed. Sally Kellerman played Houlihan in the movie version and Swit took it over for TV, eventually deepening and creating her into a much fuller character. The sexual appetite was played down and she wasn't even called "Hot Lips" in the later years. The growing awareness of feminism in the '70s spurred Houlihan's transformation from caricature to real person, but a lot of the change was due to Swit's influence on the scriptwriters. "Around the second or third year, I decided to try to play her as a real person, in an intelligent fashion, even if it meant hurting the jokes," Swit told Suzy Kalter, author of The Complete Book of M.A.S.H."To oversimplify it, I took each traumatic change that happened in her life and kept it. I didn't go into the next episode as if it were a different character in a different play. She was a character in constant flux; she never stopped developing." M.A.S.H. wasn't an instant hit. It finished its first season in 46th place, out of 75 network TV series, but it nabbed nine Emmy nominations. It was rewarded with a better time slot for its sophomore season, paired on Saturday nights with "All in the Family," then TV's highest-rated show. At the 1974 Emmys, it was crowned best comedy, with Alda winning as best comedy actor. The series also survived despite cast churn. In addition to Swit and Alda, the first season featured Wayne Rogers, McLean Stevenson, Larry Linville and Gary Burghoff. Harry Morgan, Mike Farrell and David Ogden Stiers would later be added, while Jamie Farr and William Christopher had expanded roles. Swit appeared in all but 11 episodes of the series, nearly four times longer than the Korean War itself, exploring issues like PTSD, sexism and racism. Swit pushed for a better representation for women. "One of the things I liked, with Loretta's prodding, was every time I had a chance to write for her character, we'd get away from the Hot Lips angle and find out more about who Margaret was. She became more of a real person," Alda told The Hollywood Reporter in 2018. The series ended on a happy note for Houlihan, who spends much of the finale debating whether she wants to head to Tokyo or Belgium for her next overseas post. Ultimately she opts to return to America and work at a hospital, citing her father – a career Army man. Swit didn't personally agree that was the correct decision for a military-minded official: "I didn't think that was correct for my Margaret," she told Yahoo Entertainment in 2023. "I think her next move was Vietnam. So I didn't agree with that, but that's what they wanted her to do." Toward the end, Swit was tempted to leave the show. She played the role of Chris Cagney in a 1981 television movie, Cagney & Lacey, and was offered the part when it was picked up as a mid-season series for the spring of 1982. But producers insisted she stay with M.A.S.H. for its last two seasons. Vocal animal welfare activist After the TV series, Swit became a vocal animal welfare activist, selling SwitHeart perfume and her memoir through her official website, with proceeds benefiting various animal-related nonprofit groups. In 1983, she married actor Dennis Holahan, whom she'd met when he was a guest star on M.A.S.H. They divorced in 1995. Born in Passaic, New Jersey, the daughter of Polish immigrants, Swit enrolled in the American Academy of Dramatic Arts, then paid her dues for years in touring productions. In 1969, she arrived in Hollywood and was soon seen in series such as Gunsmoke, Hawaii Five-O, Mission Impossible and Bonanza. Then in 1972, she got her big break when she was asked to audition for the role of Hot Lips. She would regularly return to theater, starring on Broadway in 1975 in Same Time, Next Year and The Mystery of Edwin Drood in 1986. She was in Amorous Crossing, a romantic comedy, at Alhambra Theatre & Dining in 2010 and in North Carolina Theatre's production of Mame in 2003.
