logo
'Bridgerton' Season 4: The plot, new cast members, release date and more. What we know so far about Benedict's love story.

'Bridgerton' Season 4: The plot, new cast members, release date and more. What we know so far about Benedict's love story.

Yahoo21-05-2025

If you get your tea from Lady Whistledown's Society Papers, you're in the right place for the unmasking of what to anticipate for Bridgerton Season 4 on Netflix.
The Cinderella-esque romance plot involving forbidden love will be at the center of this high-society social season in Mayfair.
Do grab your parasol — let us promenade and discuss.
At the end of Bridgerton Season 3, Penelope Featherington came clean about being Lady Whistledown, the ton's detailer of gossip and builder-destroyer of relationships extraordinaire. Penelope's truth came out in the middle of a ball attended by Queen Charlotte, who had been pursuing Lady Whistledown's identity throughout the show's seasons.
This cleared up a few conundrums:
Penelope and her husband, Colin, no longer had to keep such a deep secret.
Cressida, who discovered Penelope's true identity, could no longer blackmail Penelope in exchange for money.
Lady Featherington, who was accused of fraud by a solicitor, now believes the Featheringtons' money came from Lady Whistledown's earnings
Penelope also promised Queen Charlotte that she would use this writing power more responsibly and issued her first paper under her real name: Penelope Bridgerton, "previous wallflower, current columnist, and observer."
Francesca Bridgerton (Hannah Dodd) married John Stirling (Victor Alli) rather quickly at a small wedding at the Bridgerton family home. The Season 3 finale revealed a plot twist in Francesca's love story when John introduces her to his cousin, Michaela Stirling (Masali Baduza). Sparks of chemistry fly for Francesca upon meeting Michaela, marking the first time a queer romance will play out in the Bridgerton series.
Francesca and John are headed to Scotland, where the Stirling home is located. They are joined by Michaela and Eloise Bridgerton, Francesca's sister.
What we do know, dear readers, is that Bridgerton Season 4 will be Netflix's event of the season in 2026, consisting of eight episodes.
We regret to inform you that we don't yet know the exact date. The streaming service confirmed production started in September 2024, while filming was scheduled to wrap in April 2025.
Season 4 is inspired by the third book in the Bridgerton series, An Offer From a Gentleman, by Julia Quinn.
It will focus on the long-awaited love story of Benedict Bridgerton (Luke Thompson), the second eldest of the Bridgerton siblings, who is portrayed as a 'bohemian,' not bound by societal expectations when it comes to love.
While his older and younger brothers are happily married, Benedict is dragging his feet to settle down. In the first episode of the new season, he meets his love interest, a mysterious 'lady in silver,' at his mother's famed masquerade ball. Her name is Sophie Baek (Yerin Ha), and she is revealed to be a maid with a hidden past.
"The main thing we can expect [this season] is a really nice mix of fairy tale and reality," Thompson said. "We've got this fairy tale love story, yes, but it's also got the Bridgerton element of trying to tether [that story] to some sort of reality as well.'
Thompson as Benedict Bridgerton and Ha as Sophie Baek will be the diamonds of this season. In the books, Benedict's love interest is named Sophie Beckett. Netflix confirmed the character's name was changed to Baek in order to reflect the actress's Korean heritage.
"To make Sophie's name fit someone who looks like me is really empowering," Ha said. "It's a really nice way for me to feel like the role is fit for me, rather than me having to fit a certain mold."
The following fan favorites will also reprise their roles for Season 4:
'Kanthony': Simone Ashley as Kate Sharma and Jonathan Bailey as Anthony Bridgerton (Benedict's older brother)
'Polin': Nicola Coughlan as Penelope Featherington (aka Lady Whistledown) and Luke Newton as Colin Bridgerton (Benedict's younger brother)
Claudia Jessie as Eloise Bridgerton (Penelope's bestie)
Ruth Gemmell as Lady Violet Bridgerton (Benedict's mom)
Adjoa Andoh as Lady Danbury (Lady Violet Bridgerton's bestie)
Daniel Francis as Lord Marcus Anderson (Lady Violet's potential love interest and Lady Danbury's brother)
Golda Rosheuvel as Queen Charlotte (deemer of debutante diamonds)
Julie Andrews as Lady Whistledown (the show's narrator)
Netflix offers a complete list of who else is set to return in Season 4.
Fans can expect some delicious drama from three new characters associated with Sophie's backstory, according to Netflix:
Lady Araminta Gun (Katie Leung): Sophie's stepmother is a twice-widowed noblewoman who is debuting her two other daughters on the marriage mart. She's determined to get at least one of them married off to a nobleman in high society.
Rosamund Li (Michelle Mao): One of Sophie's stepsisters, who is Araminta's eldest daughter. Like her mother, she is determined to get what she wants and has set her sights on Benedict this social season.
Posy Li (Isabella Wei): Sophie's other stepsister who is also making her debut into society — but Lady Araminta rarely puts the spotlight on her.
A newly constructed lot of Shepperton Studios outside of London features replicas of Georgian and Regency architecture, including homes, buildings and bustling Mayfair Street.
Yes! Netflix announced this month that Bridgerton will return for Seasons 5 and 6.
The first three seasons of Bridgerton are currently streaming on Netflix, should you want to re-binge or watch them for the first time! You can also watch the love story of a young Queen Charlotte and King George of England in the limited Netflix series Queen Charlotte: A Bridgerton Story.
If period drama shows are your cup of tea, Season 3 of The Gilded Age also drops on HBO Max on June 22, 2025, to help tide you over until 2026.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How ‘The Studio,' ‘Yellowjackets,' ‘Monsters' and ‘White Lotus' Make Bad Behavior Appealing
How ‘The Studio,' ‘Yellowjackets,' ‘Monsters' and ‘White Lotus' Make Bad Behavior Appealing

Yahoo

time26 minutes ago

  • Yahoo

How ‘The Studio,' ‘Yellowjackets,' ‘Monsters' and ‘White Lotus' Make Bad Behavior Appealing

If you analyze the list of reprehensible acts committed by Shauna on 'Yellowjackets' – from everyday betrayals of those closest to her (e.g., sleeping with her best friend's boyfriend in the series' first episode) to serious crimes – you can safely say that she is an objectively horrible person who should be serving a long stretch in prison. But not if you're Melanie Lynskey, the actor who's played the character on the Showtime series for the past three seasons. More from Variety Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations 'The White Lotus': How Editing and Sound Helped Make Thailand a Character in the Story 'I feel so the opposite of that,' says Lynskey when confronted with the idea that Shauna is a horrible person. 'It's so easy for me to find the humanity in her.' Finding the humanity in a character, no matter how morally objectionable, is a core task of an actor's job. And since Tony Soprano (James Gandolfini) bada-binged his way on to TV screens in 'The Sopranos' in 1999, that task has become increasingly more daunting for both actors and audiences as they've been confronted by a growing horde of emotionally toxic and downright dangerous anti-heroes, from Walter White in 'Breaking Bad' to virtually every character in 'Succession.'In comedy, that's the case too. It's not easy to craft a character who both causes audiences to yell at the screen and root for at the same time. Yet 'The Studio' does just that with Seth Rogen's Matt Remick, who after getting a major promotion seems to make every wrong decision he can. Still, it's impossible not to hope he finds a way to succeed. Often, actors can't help but feel protective of their characters. Lynskey says she's been bewildered by the fans who've directed online vitriol at Shauna this season, while seemingly forgiving the sins of Shauna's husband Jeff (Warren Cole) and the heinous crimes committed by Misty (Christina Ricci). It's suggested to Lynskey that the difference is that Misty's brand is cuckoo, while Shauna is effectively the eyes and the ears of the viewer. 'Yeah, I guess there is a difference,' concedes Lynskey, who plays the character as an adult, while Sophie Nélisse plays her as a teen. 'I think that that the reason why people feel so upset and betrayed is because [Shauna] is like the audience surrogate who we all relate to. She seems like moms that I know. She seems like my mom. She thinks like me and then she's actually somebody who's capable of doing very crazy and really vicious things.' As Lyle Menendez in Netflix's 'Monsters: The Lyle and Erik Menendez Story,' Nicholas Alexander Chavez is that arrogant, spoiled rich kid we've all known – right up until the moment he and his brother Erik (Cooper Koch) kill their parents Jose and Kitty (Javier Bardem and Chloë Sevigny). But unlike Shauna in 'Yellowjackets,' if you take away the cold-blooded murder, Lyle is still, well … a privileged douche. Right? 'I would have a really tough time calling him that, only because it's impossible for me to put that kind of judgment on him,' insists Chavez. 'I see him more so as a wounded boy whose emotional and psychological development was probably stunted around the age of 8 or 9 or 10, but who ultimately felt like he had to behave like his dad. And I think that if you asked any 10-year-old to act like a 40-year-old record label executive, they would have a lot of anger and feel a lot of inadequacy because they don't have the means by which to actually do that job.' For Season 3 of HBO Max's 'The White Lotus,' Michelle Monaghan looked deep into the soul of not a murderer, but a famous actress like herself – specifically, a fictitious TV star named Jaclyn who manipulates and betrays her two childhood friends (Leslie Bibb and Carrie Coon) while on girls' trip to a luxury resort in Thailand – a process she admits she felt 'confronted' by. '[As actors], 'a lot of our self-worth is dependent on external validation,' observes Monaghan. 'I think because that's the way in which [Jaclyn] lives her life and that that's where she places her value, when she's not getting that validation or that stimulation that she needs, she goes looking for it in all the wrong places. And at the end of the day, what I hope we see is someone who probably really needs authentic connection. And I don't think she's malicious; I don't think she's manipulative, I think she's naughty.' Monaghan believes that, instead of turning viewers off, a character's bad behavior can actually draw them in. 'I think it allows for audiences to be seen in a way, because maybe [the character's] moral compass is a little off in a way that can oftentimes mirror their own,' she says. 'I like that feeling of being able to kind of take the audience on a ride that feels maybe a little confronting for them and one that they're emotionally invested in.' Getting inside the head of Menendez and staying there was a less pleasant experience for Chavez at times, particularly when he had to shoot a scene where he was was locked in a closet, naked and covered in simulated feces. 'When I'm working on a role, it'll work on me in almost a subconscious way,' says Chavez. 'There will be subtle drifts in my personality towards a certain behavior pattern over the course of two or three or four months. I do this almost unknowingly, which makes a lot of sense because you're filming five days a week for anywhere between eight to 14 hours a day. Now, it's not to the point where I'm out to dinner with my friends after a day of shooting and I'm introducing myself as Lyle. I think that that sort of stuff is a bit ridiculous. But I'd say I was about four months out, like late January of this year, is when I started to actually let go [of Lyle] and feel like myself again.' But, just as often, it's good for an actor to be bad. Lynskey points to her stunt-filled fight scene from Season 3 of 'Yellowjackets' where she bites off a piece of Melissa's (Hillary Swank) arm and forces her to eat it as being particularly enjoyable. 'It's very fun when the stakes are high and there's a really dangerous element to it,' says Lynskey. 'And it's fun to play someone who's unpredictable. Honestly, I don't know what the scripts are going to give me.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?

‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?
‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?

Yahoo

time26 minutes ago

  • Yahoo

‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?

Hollywood seems to always take that cliché 'write what you know' to heart when it comes to producing scripts about Hollywood. I enjoy those tales, of course, but that's because my chosen profession is to report on this fascinating business. There's clearly enough money, creativity, mystery, farce, scandal, glamour and spectacle for us to cover every single day at Variety. And all of the stuff that makes for good copy also makes for entertaining TV and film plot lines. So perhaps we shouldn't be surprised that three of this year's biggest Emmy comedy contenders play in that space: 'Hacks,' 'The Studio' and 'Only Murders in the Building.' All three have quite a bit of fun with industry tropes, and come a little too close for comfort with some of its satire. And they even crash into each other: 'Hacks' creators Lucia Aniello, Jen Statsky and Paul W. Downs cameo as themselves on an episode of 'The Studio,' while Ron Howard is among this year's hot TV trends, playing himself on both 'The Studio' and 'Only Murders.' More from Variety How 'The Studio,' 'Yellowjackets,' 'Monsters' and 'White Lotus' Make Bad Behavior Appealing Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations So, we always ask, do audiences outside Hollywood get the jokes, or care? Sometimes, yes. The entertainment business as a series setting goes back to the early days of TV, as even 'I Love Lucy' had a bit of showbiz as its backdrop. Then came 'The Dick Van Dyke Show,' a TV show about the making of a TV show that won the outstanding comedy Emmy three times. HBO built an entire network partly on the premise of shows about show biz — 'The Larry Sanders Show,' 'Entourage,' 'Curb Your Enthusiasm,' 'The Comeback.' (I'm not including 'The Idol' there, for obvious reasons.) One of Netflix's best early shows was the animated 'BoJack Horseman.' But just as often, it seems like shows about the biz nail it with critics and awards, but audiences are less interested. In TV circles, we still talk about Fox's groundbreaking 1999 comedy 'Action,' about a nasty Hollywood producer played by Jay Mohr, but it was canceled after eight episodes. They added a laugh track to ABC's 'Sports Night' in a desperate attempt to make it work. NBC's '30 Rock' won three consecutive comedy Emmys and is beloved by many — yet was never a megahit. Comedy Central and HBO Max gave us three fantastic seasons of 'The Other Two,' but I'm still angry at all of you who didn't watch. I think audiences are watching 'Hacks' (especially this season as Deborah Vance tackles talk), 'The Studio' (the best biz parody in years) and 'Only Murders' (which addressed Hollywood this season) because they're just damn good. But in the industry, they're elevated because we feel a special kinship with them — and that's OK. I'm hearing from a lot of execs in the business who bristle at 'The Studio' because some of its cringe is a little too close to home. I decided to do an experiment on LinkedIn and ask other industry folk whether these shows give them PTSD. I was delighted to learn that, for the most part, it's a no, that they enjoy seeing the satire. 'It's fun for this 10-year Warner Bros. vet to get more glimpses of that classic old lot,' one exec says of 'Hacks.' Former CBS research exec Eric Steinberg says he sees 'lots of relatable moments in 'Hacks' now that the main character has her own show. It will be no surprise to you that I found the audience research episode particularly fun. And, the exteriors at TV City bring back lots of memories. PTSD? Hardly!' Communications exec Stacey Luchs adds, 'There are moments that really hit home — the kind of thing people outside the entertainment world probably wouldn't believe. Sometimes it feels like I'm in on an inside joke, and it just makes me smile.' My former (and longtime) Variety colleague Steve Gaydos perhaps says it best: 'The writers of 'Hacks' and 'The Studio' have been reading our mail. But Billy Wilder turned it into art 75 years ago with 'Sunset Boulevard.' He didn't just shoot fish in a barrel. His fish had souls, and their fates mattered — then and just as much now, on stage with music and on screens of all sizes in black and white. That's the ultimate achievement and though these current TV shows contain moments of pathos, it will take time before we can measure their memorability.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Sci-Fi Surges, FYC Crunch Pressure, and Comedy Category Shakeups Across 94 Races

2025 Emmys Animated Series Predictions
2025 Emmys Animated Series Predictions

Yahoo

time27 minutes ago

  • Yahoo

2025 Emmys Animated Series Predictions

Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety chief awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday. More from Variety 'There Is No Feud': Walton Goggins and Aimee Lou Wood Tell All on Their 'White Lotus' Connection, a Cut Love Scene and Yes, Why He Unfollowed Her on Instagram 'The Boys' Mocks 'The Last of Us,' 'House of The Dragon' and 'The Bear' in 'Superclass' FYC Clip (EXCLUSIVE) Could AI Help the Emmys? Why the TV Community Is 'Curious, but Not Yet Committed' Outstanding Animated Program Commentary (Updated: June 5, 2025): After seven acclaimed seasons and more than 50 Emmy nominations, 'Big Mouth' could finally claim the trophy for Outstanding Animated Program with its eighth and final installment. Since its 2017 debut on Netflix, the irreverent adult comedy has pushed boundaries with its bold mix of raunchy humor and heartfelt exploration of puberty, identity and growing up. With Maya Rudolph already a four-time Emmy winner for her role as Connie the Hormone Monstress and a voice cast that includes 222 star-studded guests, the show has become a cultural force in animation. Nick Kroll has also been making the rounds, giving heartfelt interviews that have garnered headlines and increased awareness for the show. Netflix is also juggling the former winner, 'Arcane,' and the new series 'Devil May Cry,' which could also break through and dominate the category. The last time a network or studio picked up three nominations in this category in the same year was 2012 — Fox's 'American Dad!,' 'Bob's Burgers,' and 'The Simpsons' — which all lost to Nickelodeon's 'The Penguins of Madagascar.' Speaking of Fox, they'll have the record-breaking 'The Simpsons' in the mix, which holds the record for most nominations (33) and wins (12) in this category, that could come in and take it home once more. There's also a pathway for Paramount's 'Star Trek: Lower Decks' to also nab a spot, which has been close on a few times, but hasn't received recognition yet. The Emmys eligibility period ends on May 31. Nomination voting runs from June 12 to June 23, with official nominations set to be announced July 15. Awards Circuit: Emmys!function(){'use strict'; 0!== e= t in r,i=0;r=e[i];i++)if( d= !function(){'use strict'; 0!== e= t in r,i=0;r=e[i];i++)if( d= !function(){'use strict'; 0!== e= t in r,i=0;r=e[i];i++)if( d= The Primetime Emmy Awards, commonly known as the Emmys, are awarded by the Academy of Television Arts & Sciences (ATAS). Established in 1949, these celebrate outstanding achievements in American primetime television. The Emmys are categorized into three divisions: the Primetime Emmy Awards for performance and production excellence; the Primetime Creative Arts Emmy Awards, recognizing achievements in artistry and craftsmanship; and the Primetime Engineering Emmy Awards, which honor significant engineering and technological advancements. The eligibility period typically extends from June 1 to May 31 each year. The Television Academy hosts the Emmys and has over 20,000 members across 30 professional peer groups, including performers, directors, producers, art directors, artisans and executives. Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: With One Week Until Voting Opens, Declining Submissions Create Tight Acting and Series Races 2025 Tony Winners Predictions: A Starry, Stacked Broadway Season Sets the Stage for an Unpredictable Ceremony

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store