Ana de Armas wants 'external boundaries' between her private and professional lives
Ana de Armas wants to set "external boundaries" between her public and private life.
The 37-year-old actress - who has been linked to Tom Cruise in recent months, with neither star commenting on the speculation - has insisted her "public persona" should be kept separate from her real life away from the public eye.
She told ELLE Spain magazine: "Over the years, you get more used to it. You learn to find your corners, your privacy, your way of doing things, your lifestyle...
"I'm one of those who think there should be external boundaries, a barrier that's quite visible to others and to oneself.
"Making it clear, 'This is as far as I go with my work, my public persona, what's expected of me, and what I want to share with viewers and fans.'
"That's wonderful, and I want to do it."
Ana - who will star in 'John Wick' spin-off 'Ballerina' this summer - also reflected on life in the limelight, and the idea of everyone deserving "that minimum of respect".
She explained: "You can't let the negative side of fame upset you, because then you won't enjoy the beautiful aspects, but it's essential to separate.
"We're all people and we need that privacy, consideration, and space. It seems incredible to have to say it, but we've forgotten that minimum of respect for others.
"Sometimes we have to make an abrupt stop so others are aware of your reality, but, well, I find my way. When I want to disappear from the map, I do."
Meanwhile, Ana has suggested she's excited to work with Tom as she continues to explore action movie roles.
She told 'Good Morning America': "It's so much fun. We're definitely working on a lot of things.
"It's not just one, but a few projects — with [directors] Doug Liman and Christopher McQuarrie and, of course, Tom. And I'm so excited."
And 'Mission: Impossible - The Final Reckoning' star Tom has been full of praise when asked about Ana during the promotional tour.
Speaking to Extra, he said: "Very talented, great dramatic actress, comedic, tremendous ability, learns quickly."
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From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. 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Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch. From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. His presence serves to both connect the new character to that film franchises's universe, but also hands the torch over to a very capable successor, probably studio insurance in case Keanu decides he's too old to pretend to be a karate expert assassin. De Armas also plays a professional assassin and as the film opens we begin with her origin story, as the younger Eve (Victoria Comte) who has her idyllic island life destroyed with the arrival of a mysterious gang of black-clad killers, each carrying a heavy 'X' scar on their arms. Her lighthouse keeper dad is apparently also a retired assassin in hiding, having stolen baby Eve away from this crew that were intending to bring her up as a future killer. Dad once again saves Eve from this crew, particularly its enigmatic leader The Chancellor (Gabriel Byrne), but at the cost of his own life. It seems that killing is to be Eve's destiny anyways, as years later we meet the grown-up Eve (De Armas), placed in the care of The Director (Angelica Huston), who runs an assassin training academy disguised as a professional theatre school. It is here that Eve learns the ballet skills that give the film its name, dance being just a part of the curriculum that teaches these future death machines quick reflexes and incredible strength. And it is here that Eve first meets John Wick, a former student and member of the assassin clan Ruska Roma that The Director is the head of. Eve isn't just any baby killing machine though, she has her own vendetta against her father's killers driving her and vows to stay and continue learning only as a means to find the mysterious crew with the X scar. And she eventually does, and it doesn't go well for anybody. Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch. From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. His presence serves to both connect the new character to that film franchises's universe, but also hands the torch over to a very capable successor, probably studio insurance in case Keanu decides he's too old to pretend to be a karate expert assassin. De Armas also plays a professional assassin and as the film opens we begin with her origin story, as the younger Eve (Victoria Comte) who has her idyllic island life destroyed with the arrival of a mysterious gang of black-clad killers, each carrying a heavy 'X' scar on their arms. Her lighthouse keeper dad is apparently also a retired assassin in hiding, having stolen baby Eve away from this crew that were intending to bring her up as a future killer. Dad once again saves Eve from this crew, particularly its enigmatic leader The Chancellor (Gabriel Byrne), but at the cost of his own life. It seems that killing is to be Eve's destiny anyways, as years later we meet the grown-up Eve (De Armas), placed in the care of The Director (Angelica Huston), who runs an assassin training academy disguised as a professional theatre school. It is here that Eve learns the ballet skills that give the film its name, dance being just a part of the curriculum that teaches these future death machines quick reflexes and incredible strength. And it is here that Eve first meets John Wick, a former student and member of the assassin clan Ruska Roma that The Director is the head of. Eve isn't just any baby killing machine though, she has her own vendetta against her father's killers driving her and vows to stay and continue learning only as a means to find the mysterious crew with the X scar. And she eventually does, and it doesn't go well for anybody. Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch. From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. His presence serves to both connect the new character to that film franchises's universe, but also hands the torch over to a very capable successor, probably studio insurance in case Keanu decides he's too old to pretend to be a karate expert assassin. De Armas also plays a professional assassin and as the film opens we begin with her origin story, as the younger Eve (Victoria Comte) who has her idyllic island life destroyed with the arrival of a mysterious gang of black-clad killers, each carrying a heavy 'X' scar on their arms. Her lighthouse keeper dad is apparently also a retired assassin in hiding, having stolen baby Eve away from this crew that were intending to bring her up as a future killer. Dad once again saves Eve from this crew, particularly its enigmatic leader The Chancellor (Gabriel Byrne), but at the cost of his own life. It seems that killing is to be Eve's destiny anyways, as years later we meet the grown-up Eve (De Armas), placed in the care of The Director (Angelica Huston), who runs an assassin training academy disguised as a professional theatre school. It is here that Eve learns the ballet skills that give the film its name, dance being just a part of the curriculum that teaches these future death machines quick reflexes and incredible strength. And it is here that Eve first meets John Wick, a former student and member of the assassin clan Ruska Roma that The Director is the head of. Eve isn't just any baby killing machine though, she has her own vendetta against her father's killers driving her and vows to stay and continue learning only as a means to find the mysterious crew with the X scar. And she eventually does, and it doesn't go well for anybody. Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch.
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Ana De Armas loves her Ballerina character
Ana De Armas has loved becoming part of the 'John Wick' franchise. The 37-year-old actress plays Eve Macarro, a ballerina who trains as an assassin, in 'Ballerina', the new 'John Wick' spin-off film, and Ana has relished becoming part of the action franchise. She told The Hollywood Reporter: "I love the character and I think we can go anywhere from where we left it." Ana hailed Chad Stahelski, the director of the 'John Wick' movies, and Keanu Reeves - who plays the legendary hitman - for helping to establish the film franchise. And Ana is now excited to see what the future holds. The actress - who worked with Keanu on 2015's 'Knock Knock' and 2016's 'Exposed' - said: "It's really cool. I really like this character and the story and the universe and everything that Chad and Keanu created with the 'John Wick' films, and now to be a part of it, it's really special." Ana pushed herself to her physical limits in preparation for her role in 'Ballerina'. The Hollywood star admitted that the role was more physically taxing than anything she's done previously. She shared: "Every day tested my limits, just endurance and the level of discipline and commitment and focus that you have to have to take on a movie like this is something that I had never done before, and especially for a long period of time." Keanu, 60, reprised the role of John Wick to star in the new movie, and he admitted to being wowed by Ana's action skills. The actor acknowledged that his co-star is "really great at action". Asked when he felt most impressed by Ana, Keanu replied: "When we would go from training to then when we would start - after they say action and you get into it - to see her go into that next level, where you really saw her joy for the action and filling action with her character." Ana is a long-time fan of the 'John Wick' franchise, and she recently admitted that she jumped at the chance to star in 'Ballerina'. Speaking to HeyUGuys, Ana explained: "As a fan of the 'John Wick' franchise, and everything Keanu Reeves and Chad Stahelski had done, I was like ... I have a great foundation there. And I think our movie is just so very organic and in a really good place for us to carry on with this world. And I love the character. "So, I was just like ... tick, tick, tick. This makes sense." Despite this, Ana had to spend "months and months" preparing for the project. She explained: "Everything was so challenging. And the training especially. "Stepping into the training period was kind of like ... it was not like I was underestimating what I was going to have to do, but it took me a moment to realise the discipline that it requires to take on something like this."
