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Amal Clooney Channeled Rita Hayworth With Bouncy Waves at the 2025 Tony Awards

Amal Clooney Channeled Rita Hayworth With Bouncy Waves at the 2025 Tony Awards

Yahooa day ago

All products featured on Glamour are independently selected by Glamour editors. However, when you buy something through our retail links, Condé Nast may earn an affiliate commission.If there's one thing Amal Clooney is going to do, she's going to show up with some of the best glam at any event. From gala looks to her recent Cannes Film Festival dress-code-breaking style, Clooney goes all out on the red carpet—and looks good doing it. And her appearance at the Tony Awards was no different. At this year's 78th annual Tony Awards, held at Radio City Music Hall in New York City on June 8, Clooney walked the red carpet in an Old Hollywood–style pearl-adorned dress with a big, glam blowout to match.
Though she was there to support husband George Clooney, who was nominated for best performance by an actor in a leading role in a play for his performance as Edward Murrow in Good Night, and Good Luck (it was also his Broadway debut!), Amal Clooney really stole the show.
We've been saying that super-long waves are back for the season, and based on last night's look, it looks as though Clooney is on board with it too. Channeling 1940s actor Rita Hayworth, celebrity hairstylist and colorist Dimitris Giannetos created her glamorous look for the evening. 'Inspired by the pearls [on her dress] and Old Hollywood dress, I wanted to give her classic Rita Hayworth glam,' Giannetos said in a press release. And that he did: Clooney walked the carpet with big, bouncy, and loose waves, showing off some bronde highlights to brighten things up around her face. Her hair's slight side part further let her inner Rita Hayworth shine through.
To get the look, he 'started with towel-dried hair and blow-dried it using a round brush to create volume,' Giannetos explained in the release. Then, 'I placed her hair in rollers and let them set.' He left the rollers in until her makeup was done. The longer you leave hair rollers in, the curlier your hair will look and the longer-lasting the waves will be.
'Once makeup was done, I removed the rollers and brushed out her hair using a paddle brush,' Giannetos further explained. 'To hold the style and keep everything frizz-free for the red carpet, I finished with plenty of L'Oréal Paris Elnett Hairspray.' He didn't say exactly which Elnett spray he used, but we love the original scented version of the hairspray (if you want to wear a perfume or hair mist, opt for the unscented one).
$16.00, Amazon
Usually celebs have separate hair and makeup artists to do their glam before an event, but Clooney kept things streamlined and simple for the Tony Awards. Giannetos was on double duty last night—not only did he create that Old Hollywood hair, but he also did her makeup in between.
So while her hair was setting in rollers, he went in with Charlotte Tilbury products to complete the vintage glam look. 'The vibe we were going for was a soft Old Hollywood glamour with neutral coral tones,' Giannetos said in the release. After her skin was prepped with products, including editor-loved Charlotte's Magic Cream, he used Unreal Skin Sheer Glow Tint Hydrating Foundation and Airbrush Flawless Setting Spray, among other makeup products, for a radiant, healthy glow that lasted Clooney all night.
$38.00, Nordstrom
$65.00, Sephora
Catharine Malzahn is the contributing associate beauty editor at Glamour.
Originally Appeared on Glamour
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‘Surviving Ohio State' Review: HBO's Sexual Abuse Doc Is Thorough and Persuasive, but Lacks a New Smoking Gun
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‘Surviving Ohio State' Review: HBO's Sexual Abuse Doc Is Thorough and Persuasive, but Lacks a New Smoking Gun

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Tom Felton's Viral Comments On J.K. Rowling & Harry Potter Are Bad — Here's Why
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time2 hours ago

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Tom Felton's Viral Comments On J.K. Rowling & Harry Potter Are Bad — Here's Why

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The Goofus in Charge of HBO Max Is Out of Ideas—and It's a Crisis for American Culture
The Goofus in Charge of HBO Max Is Out of Ideas—and It's a Crisis for American Culture

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time4 hours ago

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The Goofus in Charge of HBO Max Is Out of Ideas—and It's a Crisis for American Culture

Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. This weekend seemed like a good one for Warner Bros. Discovery. Having secured national broadcasting rights for Good Night, and Good Luck—the megahit Broadway play adapted from George Clooney's 2005 film—the entertainment giant scheduled a much-anticipated, widely accessible livestream of the show's penultimate performance on Saturday night. Interested audiences could catch it on CNN's cable broadcast, stream it via HBO Max (fka Max, fka HBO Max), or, if they subscribed to neither service, view it for free on CNN's website. Making history as the first Broadway play to ever get a live telecast on American TV, Good Night, and Good Luck reintroduced the righteous saga of Edward R. 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The second, to be known as Global Networks and headed by Wiedenfels, will take over the company's cable assets, including Discovery, CNN, Turner Classic Movies, Animal Planet, TLC, Food Network, TBS, TNT Sports, Bleacher Report, U.S. broadcast rights for sports like NCAA basketball, and various European channels. It'll also assume a heaping stack of corporate debt worth tens of billions of dollars. Coupled with the HBO Max reversion that occurred just last month, the redivision of WBD might be yet another obvious indication that Zaslav should probably not have custody of so much American cultural history. Zaslav had been CEO of Discovery Communications for 16 years before the merger with WarnerMedia closed in 2022. Now, however, he's given up everything from Discovery, just two years after his HBO Max–to–Max rebranding set the stage for HBO and Discovery properties to exist together online. 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Now he's even un-consolidating his media empire, instead of consolidating further—likely so he can hoard the company's current and future moneymakers as a bulwark against economic headwinds, and also no longer worry about the debt accrued during the $43 billion acquisition, whose payback installments are still subject to those high interest rates. It's only been a few months into this Trump term. As I noted late last year, Zaslav had already spent much of his 2024 chipping away at the Warner Bros. Discovery portfolio. Beyond purging classic titles like Looney Tunes from the HBO Max corpus (and then taking advantage of the tax write-offs), the WBD executive suite started selling off many of its international cable channels and canceling ongoing arrangements with institutions like Sesame Street. On top of that, Zaslav demonstrated his explicit contempt for one of WBD's most pricey, yet valuable, advantages: domestic rights for NBA broadcasts via TNT. 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Last year saw Paramount shut down and lay off staffers from its in-house TV studio, while devaluing the worth of its cable offerings by billions of dollars. (Just this week, the embattled studio axed another 3.5 percent of its American workforce following an executive shakeup.) Comcast spun off the bulk of its traditional TV assets—minus Bravo and Telemundo and the core NBC brand—into a 'SpinCo' firm (now known as Versant), while pointedly keeping its streaming and cinema ventures, Peacock and Universal, inside the house. So Zaslav has a more focused media group via Streaming & Studios, but leaving HBO Max in his hands will inevitably winnow down its once rich library even further. (Zaslav himself has admitted that the TV networks he's spinning off collectively make for a quarter of HBO Max viewership.) The future of Warner Bros.' film-and-TV biz is even less certain. To his credit, Zaslav did what other studios wouldn't and bid for Ryan Coogler's Sinners in spite of the director's controversial film-ownership demands, ultimately giving Warner Bros. the highest-grossing non-IP movie of the decade thus far. (Perhaps a suitable complement to the actual second-highest-grossing flick of the year, the WBD video game adaptation known as A Minecraft Movie.) But much of his time has been defined by completed movies that get axed prior to release, the halfhearted releases of new projects from veterans like Clint Eastwood, the typical overreliance on IP that Zaslav has made clear will continue, and the arbitrary favors called in for personal friends—like Nicholas Pileggi, the Goodfellas-inspiring author whose latest Zaslav-approved film, The Alto Knights, bombed pretty drastically. So maybe Zaslav thinks he'll get the haters and the feds off his back by offloading his news and sports holdings, along with his cable-channel stack, and granting them all to 'Global Networks' along with a hefty helping of debt. But the entire saga of his WBD takeover, his decisions and backtracks, and now, finally, the unwinding of the media megamerger he was supposed to build up even further—there's no reason to believe he'll do any better in the future. The guy is all out of ideas, and it's American culture that has suffered for it. Good night, and good luck, to all of us.

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