Leonardo DiCaprio Shows Off His ‘One Battle After Another' Tantrums in Sneak Peek of PTA's Crime Epic
Leonardo DiCaprio returned to the CinemaCon stage on Tuesday to present Paul Thomas Anderson's crime epic 'One Battle After Another.''He's tapped into something politically and culturally that has burrowed beneath our psyche. But it also a film that is so epic in scope and scale,' he said alongside Teyana Taylor and Regina Hall, who play two fellow fighters in a revolutionary group that reunites for the first time in 16 years to rescue the daughter of Bob Ferguson, played by DiCaprio.
In the extended sneak peek, we see DiCaprio as Bob having an anxious phone conversation as he tries to find the location of his daughter from a contact who won't reveal information if he won't 'tell the time.' He pleads and threatens and insults the contact, named Comrade Joshua, to tell him what he wants to know.
'I want your commanding officer, or I'm calling in a Grayhawk Ten,' he hisses through restrained tears into the microphone while Comrade Joshua complains that Bob is attacking him with 'noise triggers.'
If you want an idea of what Bob Ferguson's like, think of DiCaprio's performance as past-his-prime Hollywood star Rick Dalton in 'Once Upon a Time in Hollywood,' constantly on the verge of a breakdown and trapped in a situation outside of his control no matter how many tantrums he throws.
We also see a first look at Sean Penn as Colonel Steven Lockjaw, who is asked whether he has failed to protect the world as a military leader. Lockjaw coldly says that anyone who says that is a 'liar who doesn't belong in society.' Gunfights and explosions are also shown in the sneak peek of the film, which will be released in Imax 70mm and VistaVision this fall.
The post Leonardo DiCaprio Shows Off His 'One Battle After Another' Tantrums in Sneak Peek of PTA's Crime Epic appeared first on TheWrap.
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Unlike many of the 2025 Tony nominees, Hecht's show Eureka Day, isn't currently on Broadway, completing its limited run earlier this year. The show, which is also nominated for Best Revival of a Play, focused on the five members of a private school's PTA board, navigating a vaccine policy in the wake of a mumps outbreak. Hecht's Suzanne often serves as the comic relief during the first act of the play before her much darker backstory is revealed towards the end of the play. Since this is Hecht's third Tony nomination, she knows the perks of both being a nominee as well as the downsides of the month-long press tour leading up to Broadway's big night. "If you don't get nominated," she tells us, "You have like 24 hours, maybe 48 at the most, kind of like, 'Oh, I guess I just paled in comparison,' but you deal with it. You say to yourself, 'But I do feel proud of my work.' I very rarely get nominated for certain kinds of awards, almost never. 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Ahead of the Tony Awards, Parade chatted with Jessica Hecht about her pre-show rituals, working with Scarlett Johansson and her many appearances on Law & Order. Read the full interview below: Related: Did it feel different getting nominated this time for versus the other two times? The first time was for an Arthur Miller play [in the 2010 production of A View From the Bridge], and being with Liev [Schreiber] and Scarlett [Johansson] was so precious, because Arthur is my truly favorite writer. And there's something about elevating your sense of self because you're doing that kind of work, that you think [awards] shouldn't matter. Then, to be honest, when I was doing Summer, 1976Laura [Linney, who was not nominated for a Tony that year,] was my goddess, so I wish we had experienced that together. It just goes to show that it's random, because she was just made the whole thing work. This one was really delicious, but this ensemble is fire, as my kids would say. Many times as we were doing the play, I just looked around and thought, "This is the most kick ass ensemble I have ever been with." They would throw things at you, so alive. I owe them such a debt of gratitude. What was it like with the five of you off stage? Did you hang out? There's the sense of the community that you already have here. Bill [Irwin], I knew a bit from the New York theater scene, and I feel a reverence for Him, and he's extraordinary. Each person had a different place in my history here. We didn't hang out a ton because I'm not a big hanger outer, but Bill arranged a couple of beautiful meals for us. Your character is so funny in most of the play, but then has a few very dramatic moments towards the end. You get to really show the breadth of what you can do as an actor. What is it like figuring out a character that complex? Well, I think people who have experienced terrible tragedies often create a really complex and meticulous way of overriding that. 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Then the second half of the play, when she reveals to someone who she thinks is her friend, the rationale for her beliefs, I couldn't quite figure that out. Anna [D. Shapiro, the director] was so gracious, helping and guiding me, but not telling me what it should be. That was an extraordinary part of our rehearsal process. Related: Do you have any pre-show rituals? I do. I sing show tunes. I'm not a great singer, but I can carry a tune. I have a little library of show tunes that I don't realize I have. When I go backstage, or even in the dressing room, I just kind of let them out. Most of my casts really indulge that. I'm very silly backstage. I was silly until the moment we go on, because I get super nervous, and the only antidote for that, for me, is silliness. What show tune do you sing most often? I go to a lot of different ones. "Start Spreading the News." Sometimes when it's cold, we do "Steam Heat." We do anything that is the old, like, "Whatever Lola Wants." The only musical I've ever done is Fiddler [on the Roof], so I do that. It makes me so happy. Because 's limited run ended in the winter, have you been able to see some of the other nominees? Yes! Oh my gosh! I saw Operation Mincemeat last week. Isn't it awesome? It's so good! They were so wonderfully creative. I saw English right before it closed, which is exceptional. I saw John Proctor, which I loved. I have a few things for this week, so I'm catching up. To pivot, you're in the movie , which premiered at Cannes in May. You work with June Squibb who is an icon. What was it like working with her? First of all, she was a huge theater star. People don't realize that she was a hoofer. She was iconic in these wonderful character parts and musicals. She goes to Sardi's every weekend if she's here shooting, and so she had these Sunday night dinners. I went a couple of times, and I brought the actors that I'm friendly with, who were like, "How do you know June Squibb?" All these people who really know theater history just love her. The exquisite thing about the way she works is she's actually very clear. She doesn't mess around. She makes a decision, and if she feels maybe that's not right, at least she'll try. If you give her a direction, she'll always try it, or she'll say, "You know what, I don't think I'd do that the way you're describing," and we move on to a new idea. She knows herself, and she has such a way of focusing everything. She's also just a beautiful energy. She's so present. It was incredible to work with her. Related: Scarlett Johansson is the director, and this is the first movie that she's directed. How was it having her direct? Absolutely wonderful. First of all, she's very girlfriendy. The first few minutes is talking about your outfit and what you want to eat. Then she's very specific about what it should be. She understands filmmaking so precisely, and so the way she directs is utterly doable and also really helps to make the scene as perfect a storytelling vehicle as possible. She drops you into such a human and specific place. She's wonderful. She's my hero. You're also in , which is one of my favorite movies. You guys are all staying in this big house and doing these crossword puzzle competitions, what was it like filming that? Awesome, oh my God. Peter Hedges is a great director, and he had us doing all this family stuff to get into the character of the family. The family was Amy Ryan, one of the greatest actors ever. She's my great friend as well. Norbert [Leo Butz]. John Mahoney was the dad. Diane Wiest was the mom. We sat around the first couple days. We sang the Bob Dylan songs as a family, and ate pancakes, and then Juliette [Binoche] came, and she's actually very girlfriendy and wonderful. I couldn't believe I was with Juliette Binoche. It was as advertised, great. 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