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What to watch on TV and streaming today: The Zoo, Let Him Go and Long Way Home

What to watch on TV and streaming today: The Zoo, Let Him Go and Long Way Home

URC Live RTÉ2, 7pm
Munster face Ulster in the penultimate round of fixtures at Thomond Park, with both teams in with a shout of securing a spot in the play-offs.
The Zoo RTÉ One, 8.30pm
Get your hankies at the ready for more tales of triumph and heartache as orang-utan Mujur goes into labour.
Have I Got News for You BBC One, 9pm
You can run but you can't hide from David Tennant at the moment. As well as hosting Genius Game on Virgin Media One, he's presenting the latest edition of the satirical quiz. Miles Jupp also appears as a panellist alongside Ian Hislop and Paul Merton.
Let Him Go TG4, 9.15pm
Kevin Costner and Diane Lane star in a gripping 1960s-set crime drama as George and Margaret, who are devastated when their son is killed in a freak accident. Matters get even worse after their daughter-in-law remarries a violent man, prompting the couple to rescue their grandson from his clutches.
The Family Man RTÉ One, 11.15pm
A heartless banker is transported into an alternate universe to find out how his life may have developed had he not walked out on a loving relationship. Drama starring Nicolas Cage and Téa Leoni.
Long Way Home AppleTV+, streaming now
For 20 years, Ewan McGregor and his mate Charley have straddled their bikes to traverse far-flung lands. This time, they're careening around 17 European destinations closer to home.
Forever Netflix, streaming now
Mara Brock Akil has adapted Judy Blume's seminal 1975 book for a new generation. Set in 2018 LA, it's an epic love story about two black teenagers who explore their identities via the seismic experience of being each other's firsts.
Untold: Shooting Guards Netflix, streaming now
We're getting treated to our annual dose of Untold a little bit earlier this year. Usually released in the autumn, the always revelatory and expertly shot documentary series continues to chronicle the untold aspects of some of sport's darkest stories. With three all-new films releasing weekly across May 6, 13, and 20, this new series kicks off with an anatomy of former Washington Wizards teammates Gilbert Arenas and Javaris Crittenton. Their collective claim to fame is jarring the world of basketball by drawing guns on each other in their NBA locker room in 2009. Through raw first-hand accounts, Arenas and Crittenton unpack the events that had a life-altering impact on both men, which ultimately led Crittenton down a dark and tragic path. Keeping with sporting releases, season two of Full Speed has landed, chronicling all the drama surrounding the 2024 NASCAR championship.
The Devil's Plan: Death Room Netflix, streaming now
Prepare to be amazed, enraged, and very confused at certain junctures as a clutch of new contenders convene for a new battle of minds (and those all-important pieces). From a poker pro to the mandatory 'Go' legend, to a Hollywood actor and another lawyer, who will triumph through this season's endless challenges?
Star Wars: Tales Of The Underworld Disney+, streaming now
Where else would you be getting yet more unsolicited Star Wars-related viewing? This time it's animated and features the tribulations of bounty hunter Asajj Ventress and outlaw Cad Bane over six episodes.
The Handmaid's Tale Prime Video, streaming now
While I still can't bring myself to watch it, for those of you fully immersed in the 'fictional' realm of Gilead, the sixth and final season is now available. The Four Seasons Netflix, streaming now
Three couples — Kate (Tina Fey) and Jack (Will Forte), Nick (Steve Carell) and Anne (Kerri Kenney-Silver), plus Danny (Colman Domingo) and Claude (Marco Calvani) — face serious introspection when one of the couples announces their split. For more saccharine aspirational viewing, Prime Video has released Another Simple Favour, starring Anna Kendrick and Blake Lively.
A Complete Unknown Disney+, streaming now
Arriving in 1960s New York armed with his guitar, 19-year-old Bob Dylan (portrayed by Timothée Chalamet's impressive jawline) is set to revolutionise American music. Angi: Fake Life, True Crime Netflix, streaming now
In 2008, the remains of 35-year-old designer Ana Páez were discovered in Barcelona. Dubbed 'The Almost Perfect Crime', this documentary revisits the case and explores the dark past of María Ángeles Molina ('Angi') and her late husband. In other European offerings, the final instalment of Lost Bullet arrives Wednesday, while AppleTV+ is now offering pastry, espionage, and Bridgerton levels of fornication in Carême.

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What time and TV channel is Limerick v Cork on today in the Munster SHC final?
What time and TV channel is Limerick v Cork on today in the Munster SHC final?

Irish Daily Mirror

time4 hours ago

  • Irish Daily Mirror

What time and TV channel is Limerick v Cork on today in the Munster SHC final?

The hype around Cork has dampened considerably since their last visit to Shannonside three weeks ago, and Pat Ryan will be thankful for that, if not at the manner of the beating they took to bring that about. Limerick went all out last time and if they come unstuck here, that policy will be questioned. It's unthinkable that Cork will be so meek again and a far more engaging contest is to be expected. Maybe even one that will go beyond the regulation 70 minutes. Limerick may be more vulnerable to Cork in Croke Park later in the summer but, for now, playing at home and in a better vein of form, they look set for seven-in-a-row. Verdict: Limerick Where is the game being played? The game is being played at the TUS Gaelic Grounds in Limerick. What time is throw-in? Throw in is at 6pm. Can I watch the game on TV? Yes, it is live on The Saturday Game on RTÉ 2, with coverage starting at 5.15pm. Is the game being streamed online? Yes, it will be streamed live on the RTÉ Player. Betting Odds: Limerick: 4/9 Draw: 8/1 Cork: 23/10

Today's top TV and streaming choices: Billy Joel Night, Poltergeist and Tyler Perry's Straw
Today's top TV and streaming choices: Billy Joel Night, Poltergeist and Tyler Perry's Straw

Irish Independent

time4 hours ago

  • Irish Independent

Today's top TV and streaming choices: Billy Joel Night, Poltergeist and Tyler Perry's Straw

Women Under Hitler's Flag RTÉ2, 8.15pm First in a two-part documentary examining the part played by women in Nazi Germany, revealing that some were just as brutal, if not more so, than their better-known male counterparts. Billy Joel Night BBC Two, from 8.40pm An evening dedicated to the singer-songwriter begins with archive clips in Billy Joel at the BBC. It's followed by concert footage in The 100th Live at Madison Square Garden, before the night ends with a chance to see Joel in action in the Old Grey Whistle Test, recorded in 1978. The long-running sci-fi series' future is reportedly in doubt, but that isn't going to stop showrunner Russell T Davies celebrating the 20th anniversary of its return to our screens. He discusses the programme alongside cast and crew past and present, including David Tennant and Billie Piper. The Guard RTÉ One, 9.25pm John Michael McDonagh's wonderful comedy-thriller stars Brendan Gleeson (above) as a Garda whose laidback lifestyle is disturbed by the arrival on his patch of an uptight FBI agent (Don Cheadle) who needs his help to bring down an international drugs ring. Poltergeist RTÉ2, 11.25pm Smash-hit evergreen horror focusing on a family whose move to their dream home turns into a nightmare when their young daughter is kidnapped by the property's resident ghosts. JoBeth Williams, Craig T Nelson and Heather O'Rourke head the cast. The Survivors Netflix, streaming now We're mostly used to two types of Australian viewing: soaps and super-dry (to the point of cringe) comedy. This is different. The drama follows Kieran Elliott's life after two people drown in his hometown of Evelyn Bay, Australia. To top it off, a young girl also went missing. Returning with his family 15 years later, the simmering guilt resurfaces, especially when the body of a young woman is found on the beach… K.O. Netflix, streaming now No one does visceral city grit like the French. Bastien has lived as a recluse since accidentally killing his opponent Enzo in an MMA fight three years ago. Now, Enzo's widow tracks him down as, essentially, he owes her one. Her request? Find her missing teenage son. Tyler Perry's Straw Netflix, streaming now Between this and last month's release of She the People, Mr Tyler Perry is getting himself around. This offering, however, is far more stark than May's fare. Here, one mum's day unfurls as it goes from tricky to catastrophic. Pushed to the precipice by a world that seems indifferent to her plight (until they can livestream it), she soon gets attention when she unwittingly holds up a bank.

Only in UK could we be forced to pay for BBC then have to cough up for best TV on streaming services – it's got to stop
Only in UK could we be forced to pay for BBC then have to cough up for best TV on streaming services – it's got to stop

The Irish Sun

time12 hours ago

  • The Irish Sun

Only in UK could we be forced to pay for BBC then have to cough up for best TV on streaming services – it's got to stop

TURN on your TV today and you'll find schedules filled with true crime thrillers and celebrity reality shows or, at the other extreme, indulgent tripe pandering to Gen Z snowflakes. But unless the Big Five channels stop making so much b****ks and grow some balls, they're going to kill British TV as we know it. 5 Blind Date, a much-loved TV ­format that was once on ITV but has now been snapped up by Disney+ Credit: Getty Images - Getty 5 Subscription services are now making the most electrifying programmes on the planet, pictured hit White Lotus Credit: AP 5 Netflix's gritty drama ­Adolescence could easily have been done by Channel 4 Credit: Netflix Because BBC One and BBC Two, ITV , Channel 4 and 5 — whose listings increasingly read like a suicide note — are entering the final stages of a fight for their survival. They're up against Netflix, Sky , Prime Video and countless other corporations with deep pockets and big ambitions. Proof came this week in the unlikely form of Blind Date, a much-loved TV ­format that was once on ITV but has now been Only in Britain could we be forced by law to shell out for a home-grown broadcasting service, only to find the best TV shows are increasingly made by largely foreign-owned streamers Rod Yeah, that's right, Disney+. Paying through nose Years ago, the subscription services started out providing an alternative to ­traditional telly, then they began copying the traditional providers and, recently, they've started stealing their big-name ­talent — Jeremy Clarkson, Emma Willis, Amanda Holden, Holly Willoughby. Now the Blind Date deal shows that the super streamers are literally out to thrash the Big Five at their own game. The gloves have come off . . . but the increased competition won't stop us p­­aying through the nose. Only in Britain could we be forced by law to shell out for a home-grown broadcasting service, only to find the best TV shows are increasingly made by largely foreign-owned streamers. Then — in the ultimate rip-off — we have to cough up even more money to watch them. That's the enraging situation we find ourselves in in the year 2025. Although there are some notable exceptions on the BBC , ITV and Channel 4, the consensus is that subscription services are now making the most electrifying programmes on the planet. Brassic Bids Farewell: Michelle Keegan's Final Series Think about it. Dramas including ­Adolescence, Baby Reindeer, Rivals, The White Lotus, Slow Horses. And consider the shows that have given us the biggest laughs over the past few years — hits like Last One Laughing, None of the above was delivered by the traditional Big Five terrestrials. So, why can't the channels we already pay for make more of the TV that gets us excited? The obvious response from the top UK channels would be that they are still ­giving us blockbusters — Strictly, I'm A Celebrity , Bake Off, The Traitors, Love Island and dramas like Happy Valley or Mr Bates Vs The Post Office . 5 Last One Laughing, on Amazon Prime Video, has been giving us more laughs than anything on the traditional Big Five terrestrials Credit: Supplied 5 Why can't the channels we already pay for make more of the TV that gets us excited like Brassic? Credit: Sky UK Limited. They are all, to be fair, brilliant. But so much of it is old now. It's ­predictable. And the new hits are few and far between. Though the streamers obviously have pots of cash to spend, it's not just a money problem either. Look no further than the recent ­co-production between Disney+ and the BBC on Doctor Who. It's easy to understand why other shows that are laden with CGI and big ­Hollywood stars end up on the streamers, but why is it that comedies like Ted Lasso never seem to pop up on ITV? Rod It was, by most people's ­standards, an unmitigated disaster. The studio giant pumped millions into cutting-edge special effects, sets that ­dazzled rather than wobbled and ­genuinely monstrous monsters. And what did the BBC do? They ­squandered it by turning a sci-fi classic into a series of woke lectures that had viewers turning off in droves. Now the Disney+ deal is hanging in the balance and they're having to bring back David ­Tennant. It's easy to understand why other shows that are laden with CGI and big ­Hollywood stars end up on the streamers, but why is it that comedies like Ted Lasso never seem to pop up on ITV? ITV, by the way, recently spent millions launching The Genius Game, with And the one thing I thought while watching the brilliant, gritty drama ­Adolescence was, this could easily have been done by Channel 4. Neither Adolescence nor Ted Lasso would have cost that much to produce, surely? It's not Star Wars or Bridgerton. Pure extortion Part of the problem, it seems, is that a lot of creatives and execs now don't just chase the money — they also chase trends and credibility. At last month's TV Baftas, around a third of the nominations went to streamers — a figure that's been growing rapidly over the past decade. That, too, could reach a tipping point in a couple of years. The solution is glaringly obvious, but not easy. If Disney+ steal Blind Date, come up with the next Blind Date. If they lose Clarkson to Prime Video, find the next Jeremy. If Netflix do ­Bridgerton, come up with another twist on the period drama. They need to stop the rot in terrestrial telly, because one day a cluster of these streamers will start offering a one-price-buys-all subscription deal that will make the licence fee look like pure extortion. Then public service broadcasting's days really will be numbered.

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