Disney reveals first look at new £826million cruise ship - with brand new show and a water attraction
Named Disney Destiny, the ship will be the newest addition to Disney's fleet and fans can expect to see many of their favourite characters featured onboard.
The ship, which is Disney's seventh, is set to launch in November 2025 and has capacity for 4,000 passengers.
Its grand hall will be Marvel-themed and feature a statue of Black Panther hero King T'Challa.
Minnie Mouse will stand on the ship's bow in a hero-like pose while there will be a Spider-Man sculpture on the stern.
Entertainment will include Broadway-style stage shows with interactive performances.
While classic Disney shows, such as Frozen, are likely to feature onboard, passengers will also be able to watch a new show, Disney Hercules.
The exclusive new performance will tell the tale of Hercules' adventures with plenty of special effects.
Disney says that the show will also feature a 'heartfelt ballad' that was 'originally penned for the movie' but 'left out of the final cut'.
Holidaymakers will also be able to take part in activities themed around Disney's heroes and villains.
Children can team up with Star Wars' Chewbacca to prep for a mission in a galaxy far, far away.
And when it comes to dining, the most exciting new addition is a Lion-King themed restaurant set to be an immersive experience.
Musicians and actors will tell the tale of Simba's rise from cub to king while diners tuck into themed culinary treats.
Meanwhile, Edna A La Mode, an iconic character from The Incredibles films, will have her own sweet shop on the ship.
Disney's AquaMouse water-coaster ride will also have a new storyline on Destiny, with Mickey and Minnie leading passengers on a trek to Villain Mountain's peak.
And adults who want to get in touch with their 'villainous' side, can head to De Vil's Hollywood inspired piano lounge for a cocktail.
Edna A La Mode, an iconic character from The Incredibles films, will have her own sweet shop on the ship
Disney says: 'Indulge in trendy martinis, old-fashioned cocktails or high-end bubblies while swaying to the sultry tunes of a black-and-white spotted piano.'
The ship's upper decks will have 10 pools and water play areas including the Toy Story-themed Splash Zone.
Disney Destiny will set sail on its maiden voyage from Port Everglades in Fort Lauderdale on November 20.
The ship will offer four and five night cruises to the Bahamas and the Western Caribbean, including stops at Disney's private ports, Castaway Cay and Lighthouse Point.
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Scottish Sun
26 minutes ago
- Scottish Sun
Clip of glam Sydney Sweeney expertly shooting targets goes viral as her ‘secret MAGA life' emerges after anti-woke ad
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The Guardian
an hour ago
- The Guardian
‘I couldn't get rid of Finchy': Ralph Ineson on The Office – and becoming a Hollywood superstar at 55
How do you portray Galactus, a gigantic, amoral, immortal superbeing who thrives by draining planets of their energy? If you're making a film of any part of Marvel's Fantastic Four journey, your best bet is probably to depict him as a cloud. That's what happened in 2007, and even though fans complained about it a bit, it solved a lot of problems. Matt Shakman, director of the new The Fantastic Four: First Steps, cast Ralph Ineson, who still sounds faintly surprised by the move. 'I've been working for a long time,' he says. His first role was a small part in Spender, the Jimmy Nail vehicle, in 1991, and he's in a similar mould to Nail: tall with a handsome, rough-hewn face, a guy who looks as if he knows how to do guy stuff. 'I've been a jobbing actor for a long time,' he continues, with the same disbelieving, 'how the hell did I wind up in this huge movie?' tone of voice. 'There's no denying it's really nice to have a huge trailer. And it was huge. Bigger than mine and my wife's first flat.' (He married Ali Milner, a radio host, in 2003.) 'Nice trailers, nice cars, and a paycheck. But it's a privilege and an honour to be the first person to bring this character to life. Twelve-year-old me wouldn't have believed some of this shit. I don't have any snobbery about it. I loved it.' Then Ineson describes what it took to make this character, in terms I could already hear, after five minutes, were extremely true to form: stressing the industry and professionalism of everyone on set (including the two people whose job it was to blow cold air into each of his gauntlets between takes) except himself, the dude who just has to show up and try not to sweat. 'They had to shoot me on a white background, with lots of bright light, and I'm wearing this enormous costume, so it was incredibly hot and there was nowhere for the heat to escape. Obviously, Galactus can't sweat. So I had a Formula One pit crew of people around me.' It sounds like a nightmare, I suggest. 'For me, there's something quite masochistic about acting. Sometimes you only really get the good stuff when you're at the edge of something, either mentally, emotionally or physically. It unlocks stuff.' And then, mindful that he has skated way closer to pretension than he'd prefer, 'Occasionally I had to have the physio at my knees, because I'm 55 and falling apart.' His calling, as an actor, has been playing one bad guy after another, but he is one of the most personable people you could ever meet. Ineson grew up in Leeds in the 1970s, when he 'felt as if acting was something that was almost shameful, or maybe that's too strong a word. But it wasn't really something to be proud of, when I was a kid.' His parents were supportive in the sense that they would never miss a show, but nobody thought it was a serious career prospect, and after doing theatre studies at Furness college in Lancaster, he worked as a drama teacher at a sixth-form college in York. He got involved with the York Mystery Plays – a tradition that's been going, on and off, since the mid-14th century: a Bible story told every year, once performed on a roaming cart, then, by the time Ineson did it in 1992, at the York Theatre Royal. All the characters were played by the people of York, except for one professional actor, who that year was Robson Green. 'He was pretty lonely on his own, sat in his hotel. We'd go out for a drink and I ended up sharing a dressing room with him. And he said: 'You're not wedded to being a teacher, are you?' I wasn't, although I did enjoy it, but I hadn't been to drama school, I wasn't classically trained. He said: 'Go home and watch TV tonight, look at the characters you could play.' So I watched a soap, I watched the nine o'clock drama, and there were about five people I thought I could play.' He describes the next phase as a series of lucky strikes: meeting an agent through Green and getting the part in Spender, 'basically because I could ride off-road motorbikes – the character was a professional motocross rider'. Then another agent, more parts, but still 'I don't think I realised I wanted to be an actor until I'd been doing it for 20 years,' he says. 'Shoots were something I really enjoyed, but almost pretended I didn't. Then, I was sitting on a horse on the plains outside Santa Fe, dressed as the man in black, a posse leader' – that was The Ballad of Buster Scruggs, a Coen brothers film. 'And I thought: 'This is exactly what I have always wanted to do.' I just didn't realise it until I was in my mid-40s.' But that was 2018, and quite a lot had happened in the years before that. 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It's not a nice skin!' It didn't end with regular human interactions, either – 'career-wise, it was a bit of pain. I just got offered wankers, racists, misogynists and homophobes.' Before The Office, he was always having to recount his CV for people in the street – they'd come up and go, 'what have I seen you in?', and he'd have to size them up and figure out whether they remembered him from Goodnight Sweetheart or an episode of The Bill. He remembers thinking it would be nice to have something so major that nobody would have to ask. 'Be careful what you wish for, because then I got Finchy and I couldn't get rid of him for about 20 years. At least Galactus simply exists, he's a cosmic force. He doesn't do it out of malice. You can't really get much worse than Chris Finch.' He remains a big fan of The Office, which I smoke out by getting him to adjudicate between the British and American versions – he didn't watch the US one for ages, because he caught snatches of it and thought: 'No, they're doing it wrong.' Five years ago, his daughter watched the whole thing and he realised, 'it's different, but it is good. Because I have a slightly twisted sense of humour, I prefer the British Office, it's darker. You would actually let Michael Scott [Gervais's US counterpart, played by Steve Carell] look after your 18-year-old daughter, whereas I'm not sure you'd let Ricky Gervais's character look after your 18-year-old daughter. Same with my character, he's a lot darker than Todd Packer, the American version. Whether that makes it better or worse, I don't know. It's nastier underneath, which I kind of like.' The late 00s were taken up at least partly with the Harry Potter movies, in which he played the dark wizard Amycus Carrow. His son was 10 and his daughter was six when he shot Half-Blood Prince in 2008. It was the perfect age, you get the impression he'd have done it just so they could meet Daniel Radcliffe. He also got to hang out with Michael Gambon for days on end. 'He's the best storyteller in the world, ever. Joke-teller, raconteur, everything. He told me this joke that lasted a whole week; I could tell it in 15 seconds. It was one of the best weeks of my life.' Nevertheless, he had no lines at all, 'a supporting artist, basically'. The producers enticed him in with the next two books, in which there's more meat on Carrow's bones. But when they came to make the astronomically long Deathly Hallows, parts one and two, the plot had been very slightly tweaked to remove the pivotal moment when his character spits in Professor McGonagall's face and unleashes hell. 'I did three Harry Potter films without saying a single line.' As the father in The Witch, Robert Eggers's acclaimed, hypnotising horror movie, which won lots of indie film awards, including best director for Eggers at Sundance, Ineson felt that he'd got the first part with its own arc. This was 2015, when he was in his mid-40s, realising he actually was an actor, perhaps relatedly, at around the time the industry realised how good he was. He speaks so highly of his co-star, Kate Dickie – 'she should be a dame, she's that good,' he crescendoes a little surprisingly. But his collaboration with Eggers was intense. Ineson sat at the director's shoulder while the other actors were cast. 'It was a weird experience – it felt terribly unfaithful, as if I was cheating on my profession.' They worked together again on The Northman in 2022, which had a broader canvas visually and emotionally, but had the same feeling of The Witch, a film that had an immense amount of knowledge go into it, only a fraction of which you could pin down. 'I have got no idea how Rob has managed to read so much in his lifetime, it feels as if he has an encyclopaedic knowledge of almost every period in history.' If Ineson was never prepared, post-Office, to give in to being typecast as a wanker, he's pretty comfortable with being a supervillain. 'I think with my size, face and voice, 90% of the time I've been on the bad guy side of the line anyway. I would be fighting a losing battle if I was trying to get myself into romcoms. Some things are beyond the realms of casting.' If The Fantastic Four: First Steps is a turning point, the difference is mainly one of scale. 'Although I've been involved with big films before, I've never played a character that is this important to the film and the franchise,' he says, with an amount of trepidation. It's true – there are other people in the movie (Pedro Pascal! Vanessa Kirby!), but if the villain doesn't work, nothing does. 'So if it doesn't make a profit, it's my fault? Is that what you're saying?', he says, mock petrified. The film is already doing fine at the box office. He should relax.
South Wales Argus
6 hours ago
- South Wales Argus
A kids day out Horrible Histories-style that won't break the bank
The word "oubliette" is a gift to anyone trying to make history thrilling for kids. Exotic and mysterious, it rolls off the tongue like a spell: oo-blee-ET. It comes from the French "oublier," meaning "to forget," and was used to describe hidden vertical dungeons where prisoners were dropped and left to rot. No doors, no windows, just a pit of despair, said to be a bit like Swansea! Though Chepstow and Caldicot Castles do not have archaeological evidence of oubliettes, they do have shadowy alcoves, spiral stairs disappearing into gloom, trapdoors you swear lead somewhere creepier than Port Talbot, if that's possible. To hook kids into medieval grimness, all you need is a dark corner or a pit and a question like: 'What do you think they used it for?' Lean into the mystery, because sometimes, legend and suggestion can be better than truth. Chepstow Castle (Image: NQ) If you're guiding kids on a Horrible Histories-style day out, you can absolutely lean into the mystery. Add a little theatrical gasp, and you've got them hooked. Here's a "Route of Grim" for a Horrible Histories day out in Gwent, with added facts for kids to research: Chepstow Castle: Start with tales of its most famous prisoner, the Regicide, Sir Henry Marten. Explore the towers and ask kids to spot 'the ghostly prisoner.' Don't forget to mention the phantom onion smells. Creepy and hilarious. Tintern Abbey: Ruined by Henry VIII, it's full of secret burials and ghostly monks. Tell the story of the disabled woman and two children buried in the cloisters, a real archaeological find. Caldicot Castle: Again, no oubliette, but plenty of ghost hunts and tales of Lady Alianore de Bohun watching from the battlements. The keep's dark corners and winding stairs are perfect for 'what if' stories. Blaenavon Ironworks: Kids worked here in dangerous furnaces. Nearby, the cholera cemetery shows how disease spread through grim industrial towns. Blaenavon's Big Pit: Don't forget to mention squeaky noises that children who worked in the dark as 'trappers' would have heard – the rats, the only companions of little children working the doors. Newport Medieval Ship: A 15th-century ship abandoned mid-repair. Ask: 'Did someone forget it… like an oubliette for boats?' Big Pitt (Image: NQ) Here's a horrid history scavenger hunt that won't hurt your pocket: Horrible Histories Scavenger Hunt, Gwent Edition: Find a door that leads to nowhere - was it once a prison entrance? Spot a carving of a face in stone - is it watching or warning? Count how many steps lead down into darkness - who might've walked them last? Search for bones or grave markers - what story might they tell? Listen quietly: can you hear dripping water or distant whispers? Find a barred window or iron ring on a wall - prisoner leftovers? Snap a photo of the spookiest shadow - where does it fall? Ask a guide or adult what their creepiest castle tale is - then retell it better. Don't forget Caerleon! Four fun facts to get them started on research:
