logo
Harold & Kumar to get another sequel! Creators of the cult classic stoner film confirm; everything to know

Harold & Kumar to get another sequel! Creators of the cult classic stoner film confirm; everything to know

Hindustan Times19-06-2025
Remember Harold & Kumar Go to White Castle? (2004) Well, everyone's favourite stoner cult classic is now getting a fourth part as the creators behind Netflix's Cobra Kai — Jon Hurwitz, Hayden Schlossberg, and Josh Heald — have officially signed on to write a new installment of the franchise. Hurwitz and Schlossberg will also direct the film, which is currently in development under Lionsgate's Mandate Pictures. It's a homecoming of sorts for the duo, whose Hollywood careers were launched by scripting the 2004 original and then directing its 2008 follow-up, Harold & Kumar Escape from Guantanamo Bay. The franchise also boasts a third film — A Very Harold & Kumar 3D Christmas, directed by Todd Strauss-Schulson.
John Cho and Kal Penn, who famously played the uptight Harold Lee and the carefree Kumar Patel, are expected to return, but no contracts have been finalised. Neil Patrick Harris, who played a drugged-up, fictionalised version of himself in the series, has not yet been confirmed either.
The original Harold & Kumar film, directed by Danny Leiner, follows the two unlikely best friends as they embark on a late-night quest for White Castle burgers. Fueled by marijuana and munchies, they stumble into absurd scenarios, from racist cops and escaped cheetahs to a drug-fueled Neil Patrick Harris joyride.
While the announcement has stirred up excitement among nostalgic fans, not everyone is sold on the idea of a fourth film. 'The first one was great. The second one was mostly boring but had a few funny moments. The third one is absolute trash. I'm not particularly excited for a fourth movie,' one fan admitted on X. Others speculated about the plot, guessing everything from an ICE-themed satire to Harold & Kumar's midlife crisis. But most expressed confusion over the announcement coming before the leads had officially signed on. 'Weird to announce it when the two stars haven't signed deals,' one user pointed out. 'They must be very close or Kal and John have a leg up in negotiations and the studio's pressuring them by announcing it,' reasoned another.
For many, the idea of seeing Harold and Kumar return, even to a suburban nightmare instead of a burger joint, is enough to spark some cautious excitement.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Business of films: Why Aamir Khan took Sitaare Zameen Par to YouTube
Business of films: Why Aamir Khan took Sitaare Zameen Par to YouTube

Indian Express

time2 hours ago

  • Indian Express

Business of films: Why Aamir Khan took Sitaare Zameen Par to YouTube

Actor-filmmaker Aamir Khan this month released his Sitaare Zameen Par on the Google-owned video-sharing platform YouTube, rather than an over-the-top (OTT) platform such as Netflix or Amazon Prime Video, after the film had completed its theatrical run. The film, in the genre of comedy-drama known as 'dramedy', earned Rs 216 crore at the box office worldwide. Since August 1, it has been available for rent on YouTube for Rs 100 (and for half that price from August 15-17). What is the business logic for Aamir Khan's decision? Theatre owners were upset: multiplex giant PVR INOX said Sircar had 'vitiated the atmosphere of mutual partnership' between theatres and filmmakers. But amid the Covid-19 lockdown, direct-to-OTT was a fait accompli of sorts. Prime announced plans for six more digital-only premieres of Malayalam, Tamil, and Kannada films. In 2021, more than 100 films had opted for direct-to-OTT releases. But this Covid-era momentum faded quickly. In 2024, only 60 films were released directly on digital platforms — a more-than-42% decline compared to 2022, according to a report by the trade association FICCI and multinational accounting firm EY published this year. Direct-to-OTT films have not done particularly well either. Between January and June this year, 30 films in multiple languages were released on OTT platforms, of which only five ranked among the 50 most-watched streaming originals, Ormax Media, a Mumbai-based research firm, reported. The number of films being released in theatres first and subsequently on OTT has steadily increased — doubling from 217 in 2022 to 440 in 2024, according to FICCI-EY reports of 2024 and 2025. Filmmakers are confronted with two broad realities: 🔴 Footfall in theatres has recovered from pandemic-driven lows, but has been declining generally — having fallen from 994 million in 2022 to 857 million in 2024, according to the 2025 FICCI-EY report. This has been attributed to the narrowing theatre-to-OTT window: the availability of films on OTT platforms soon after their theatrical release is believed to depress theatre footfall. But this allows the OTT platforms to benefit from the theatre-marketing buzz. 🔴 The FICCI-EY report noted that 'cost pressures' led to subdued digital releases in 2024. With OTT platforms now focused on profitability, 'tentpole' films — big-budget productions that are expected to perform well — and small-budget ones were in demand, but mid-sized films had few takers. In some cases, it was 'understood that theatrical performance was required to market the film for OTT platforms as well', the FICCI-EY report said. Aamir's decision to go to YouTube effectively adds another distribution channel for films. 'We need a 'pay-per-view' (PPV) window between theatrical and OTT, and that's what I am pushing to create,' he told Matthew Beloni on the podcast The Town. In the PPV model, viewers essentially pay only for what they want to watch, not for a subscription. 'Once the theatrical run is exhausted, that's when I want to come on pay-per-view, and that's a window [for the theatrical run] that can be flexible. It should certainly not be below six weeks. And then, you should give pay-per-view a good three months, and then the film can come on OTT. That's the ideal window,' Aamir said. According to Aamir, the 'bulk of India does not subscribe to OTT platforms', and YouTube potentially has greater reach, including globally. He also suggested that YouTube could offer a more favourable deal than the traditional 50-50 split between the production house and theatres, and that the PPV model could open a path for younger filmmakers and smaller-budget films that do not get distribution in theatres. In 2024, only 30% of all films were released on OTTs (including digital-first and theatre-first), according to the FICCI-EY report. As such, there are a large number of unsold films that could find audiences on AVOD (advertising-based video-on-demand) and TVOD (transactional video-on-demand) platforms such as YouTube. AVOD allows free access to videos, but with advertisements. TVOD, which is the same as PPV, allows viewers to pay a one-time rent for a specific piece of content. The FICCI-EY report points out that TVOD releases (parallel to or shortly after theatre runs) would get audiences in regions with limited theatre access. Also, a Rs 100 rent fee is less than the average ticket price of Rs 139 (in 2024). Several factors work in favour of YouTube as the platform of choice for filmmakers. 🔴 YouTube accounted for 92% of all online video consumption in 2024; 🔴 It has the highest penetration in India among social media platforms, according to a 2024 report by Comscore, a media analytics company; 🔴 It is popular across generations — 91% of Gen Z and more than 80% of millennials and Gen X were on YouTube; 🔴 While the majority of YouTube consumption is on mobile phones, it also has an expanding CTV (connected TV) base: between March 2023 and March 2024, it was the most-watched streaming service on Indian CTV. There is not much publicly available data on YouTube's TVOD offerings. In 2024, TVOD revenues were more than Rs 13 billion in India, lagging behind SVOD (subscription video on demand) revenue from services like Netflix or JioHotstar, which charge an annual or monthly subscription fee for access to a large volume of content. According to a report by accounting firm PwC, SVOD accounted for 75% of OTT revenue in India in 2023, while TVOD and AVOD accounted for 5% and 20% respectively. However, the FICCI-EY report said TVOD is expected to scale amid rising OTT subscription costs and CTV penetration. Smaller OTT platforms may opt for TVOD models, with films that were previously unsold, and more major players may start offering a mix of SVOD and TVOD, following in the footsteps of Prime and Apple TV.

What to Watch This Weekend: New movies and shows to stream on Netflix, Disney+, HBO Max, Hulu, Prime Video, Apple TV+, Peacock, Starz, Tubi
What to Watch This Weekend: New movies and shows to stream on Netflix, Disney+, HBO Max, Hulu, Prime Video, Apple TV+, Peacock, Starz, Tubi

Economic Times

time4 hours ago

  • Economic Times

What to Watch This Weekend: New movies and shows to stream on Netflix, Disney+, HBO Max, Hulu, Prime Video, Apple TV+, Peacock, Starz, Tubi

Synopsis What to watch this weekend on Netflix, Disney+, HBO Max, Hulu, Prime Video, Apple TV+, Peacock, Starz and Tubi. Several new movies and shows will be available to watch across major streaming platforms. Fresh content, including films, series, and documentaries have been added. Highlights include Night Always Comes, Limitless: Live Better Now, The Legend of Ochi, and popular franchise titles. TIL Creatives What to Watch This Weekend: A selection of new movies and shows now available on Netflix, Disney+, HBO Max, Hulu, Prime Video, Apple TV+, Peacock and other platforms for streaming this weekend. What to watch this weekend on streaming platforms as a variety of movies, shows, and documentaries are releasing. Viewers can find drama, action, fantasy, comedy, and real-life stories across Netflix, Disney+, HBO Max, Hulu, Prime Video, Apple TV+, Peacock, and more. The schedule includes new premieres, returning series, and popular movie collections. In the Mud (AR) Netflix Series Miss Governor: Season 1 Part 2 Netflix Series Mononoke The Movie: Chapter II – The Ashes of Rage (JP) Netflix Anime Quantum Leap: Seasons 1–2 Fit for TV: The Reality of the Biggest Loser Netflix Documentary Night Always Comes Netflix Film The Echoes of Survivors: Inside Korea's Tragedies (KR) Netflix Documentary 2 Fast 2 Furious Fast Five Fast & Furious 6 Fast & Furious Presents: Hobbs & Shaw Furious 7 The Fast and the Furious The Fast and the Furious: Tokyo Drift Project Runway: Season 21 – Episode 4 at 10pm PT New to Disney+ Limitless: Live Better Now: Premiere – All Episodes Streaming Disney+ Original Stand Up to Cancer 2025: Streaming live at 5pm PT Live on Disney+ Disney Jr. Ariel – The Little Mermaid: Songs from the Crystal Cavern: Shorts (S1, 10 episodes) Hop, Season 1D (Max Original) Marcial Maciel: The Wolf of God (Max Original) Stand Up to Cancer The Legend of Ochi (A24) The Prince, Season 2 (Max Original, Turkey) Mammals, Season 1 (BBC) The House (HBO, 2017) The Serial Killer's Apprentice (ID, 2025) Also Read: Netflix Wednesday Season 3: Here's major filming update for upcoming season Bringing Down The House (2003) Cheaper By The Dozen (2003) Hollywood Demons: Complete Season 1 Little Boy Lost: An ID Mystery: Complete Season 1 (Discovery) Like Mike (2002) Mysteries Unearthed with Danny Trejo: Complete Season 1 Road Wars: Complete Season 4 See No Evil: Complete Season 7 Stuck On You (2003) Tales From Oak Island: Complete Season 1 (A&E) The Dangers in My Heart: Complete Seasons 1 and 2 (Subbed & Dubbed) The UnBelievable with Dan Aykroyd: Complete Season 2 Blippi's Ultimate Playdate – Part 2: Complete Season 1 (Moonbug) It Feeds (2025) John Wick (2014) John Wick 2 (2017) John Wick: Chapter 3 – Parabellum (2019) John Wick: Chapter 4 (2023) Killer Elite (2011) LOL Live with Devon Walker (2025) LOL Live with Sydnee Washington (2025) Stand Up To Cancer 2025: Livestream The Host (2013) YAIBA: Samurai Legend: Complete S1A (Dubbed) YAIBA: Samurai Legend (Spanish): Complete S1A (Dubbed) Cold Case Files: Murder in the Bayou: Complete Season 1 Interrogation Raw: Complete Season 3 My Evil Sister: Complete Season 1 See No Evil: Complete Seasons 5–6 The Curious Case of…: Complete Season 1 (Discovery) Waco: Madman or Messiah: Complete Season 1 Betty La Fea: La Historia Continúa (Season 2) NWSL The Siege at Thorn High Snoopy Presents: A Summer Musical BMF: Season 4, Episode 10 Magic City: An American Fantasy: Episode 101 Outlander: Blood of My Blood: Episodes 103 Also Read: Trump Putin Alaska Summit goes viral on social media. Here's funny memes, AI-generated videos, key meeting updates and full explainer Resident Alien, Season 4 – Finale (USA) The Rainmaker, Season 1 – Premiere (USA) Can't Have It All Tubi Original Ouija: Origin Of Evil Eddington Superman Smurfs Marlee Matlin: Not Alone Anymore Under Fire (2025) Greyhound The Banker Descendent Star People A Spartan Dream Red Sonja (2025) Mr. Blake At Your Service! Operation Friendship Hierarchy No Tears in Hell The Elephant in the Room Stalkers (2025) Treading Water The Love Script The Final Run Day of a Lion Dawn Dusk What is the main Netflix release for August 15, 2025? The main Netflix release is Night Always Comes, starring Vanessa Kirby, about a woman racing against time to save her family's home. Which platforms are streaming Stand Up to Cancer 2025? Stand Up to Cancer 2025 is streaming on Disney+ and HBO Max, with live coverage on August 15, 2025.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store