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The Miz Gets Candid Regarding R-Truth's WWE Release

The Miz Gets Candid Regarding R-Truth's WWE Release

Yahoo4 hours ago

The friendship between The Miz and R-Truth is very real.
WWE Superstar The Miz was a recent guest on The Rich Eisen Show. When asked about R-Truth's contract not being renewed, Miz gave a heartfelt message when it comes to how he feels about Truth and believes we haven't seen the last of his former Awesome Truth tag team partner.
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'I've had some of my greatest moments in a ring with R-Truth,' The Miz said. 'Winning the tag team titles, standing on a ladder at WrestleMania, and literally hugging him and looking him in his eyes like, 'This moment is yours.' Because it was, we built that moment for R-Truth.
'He's an amazing talent not just inside the ring, but if you listen to any of his music on Spotify or Amazon, and you want to support him. Definitely go and get his music because it's incredible. He's an incredible human being in the locker room, not just in the ring, but what you see outside of the ring. He's a positive aura, and I don't think we've seen the last of R-Truth, Ron Killings. I think that he's an immense talent, and I think the future is bright for him.' [H/T: Fightful]
READ MORE: Report: Why The Miz Is Going On A WWE Hiatus
What do you make of The Miz's comments? Do you think WWE should reconsider not renewing R-Truth's contract? Let us know your thoughts by sounding off in the comments section below.
The post The Miz Gets Candid Regarding R-Truth's WWE Release appeared first on Wrestlezone.

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WrestleMania 42 will be at Allegiant Stadium in Las Vegas on April 18-19, WWE announces
WrestleMania 42 will be at Allegiant Stadium in Las Vegas on April 18-19, WWE announces

Yahoo

time9 minutes ago

  • Yahoo

WrestleMania 42 will be at Allegiant Stadium in Las Vegas on April 18-19, WWE announces

WWE will hold its WrestleMania event in Las Vegas for the second consecutive year. (Photo by Rich Wade/WWE via Getty Images) WrestleMania 42 will be held at Allegiant Stadium in Las Vegas, WWE announced on Saturday. The promotion's showcase event will return to Las Vegas for the second consecutive year, chief content officer Paul Levesque confirmed during the "Money in the Bank" broadcast. This will be the second time that WWE will present WrestleMania at the same venue for two straight years. WrestleMania IV and WrestleMania V were both held at the Atlantic City Convention Hall in New Jersey in 1988 and 1989. Advertisement WrestleMania 42 will be on April 18-19, 2026 with several WWE events also scheduled for that weekend in Las Vegas, including "SmackDown," the Hall of Fame ceremony, "NXT Stand and Deliver" and "Raw After WrestleMania" at nearby T-Mobile Arena. WWE's signature event was originally scheduled to be held in New Orleans on April 11-12, 2026. WrestleMania 42 will reportedly be moved back a week due to a scheduling conflict with a concert event at Allegiant Stadium. The reason for taking the event out of New Orleans was not reported, though there have been rumblings that WWE management believes more money is to be made in Las Vegas after drawing 117,380 fans across both nights of WrestleMania 41 this year. Additionally, WWE received $4.24 million in tax breaks from the city, according to the Las Vegas Review-Journal. Advertisement New Orleans has reportedly been promised a future WrestleMania by WWE, in addition to a "Money in the Bank" next year. The city has hosted a WrestleMania previously in 2018 and drew 78,240 fans to the Caesars Superdome. Before Las Vegas was confirmed, other cities that were rumored for possible new locations were London and Saudi Arabia.

Matt Chapman's walk-off homer sends Giants to a fourth consecutive one-run victory
Matt Chapman's walk-off homer sends Giants to a fourth consecutive one-run victory

New York Times

time12 minutes ago

  • New York Times

Matt Chapman's walk-off homer sends Giants to a fourth consecutive one-run victory

SAN FRANCISCO — Major league clubhouses undergo renovations so often that HGTV could make an episodic series out of it. Teams are forever juggling office space, making room for new technology, seeking to inspire a new vibe, responding to the whims and preferences of a new front office or coaching staff. They've even been known to consult a feng shui expert or two. Advertisement It was no different for the Giants after Buster Posey took over as president of baseball operations this past October. The previous administration gradually mothballed most of the signage and emblems that commemorated the franchise's three World Series championships from 2010 to 2014. Perhaps there was a constructive thought behind the conscious decision to mute clubhouse reminders of that decade-old dynastic run. When nostalgia becomes a narcotic, it might blur your purpose in the present day. Or maybe it got awkward to see daily reminders of a gloried past that you had nothing to do with. Posey, of course, had everything to do with those three World Series championships. And he appreciates the power of nostalgia, in its proper dosage, to the mind of a major league player. So after barely a month on the job, Posey expressed a resolve to redecorate the clubhouse — beginning with the office space adjacent to the front door that had been converted to a hub for the analytics staff. 'It'll change,' Posey said in November. 'I want to be clear: They're a valuable piece to the entire picture. But trying to figure out where they can be available for the coaches and the players where maybe it's not right when you walk in the door? That's going to be a good thing.' The office shuffling was not meant to be punitive. It was meant to reestablish a primacy of purpose: competing to win, no matter how it was arrived at or what it looked like or how a computer modeled it. Now when you enter the Giants clubhouse, look to your left and you'll find a mini lounge with a chessboard and a Golden Tee arcade console. And in the hallway, you won't merely find a framed photo or tacked-up replica pennants to commemorate the three World Series titles. The Giants spent some money, kicked up some gypsum dust and installed three recessed and backlit display cases. The shiny circle-of-flags trophies are the first things that players see when they walk into the clubhouse and the last things they see when they head to the field. Advertisement Nostalgia doesn't have to be an escape from reality. Not when it can help to model the present. The Giants were down to their final out in yet another one-run game on Saturday when Matt Chapman's two-run home run sent them to an exhilarating, 3-2 victory over the Atlanta Braves. See if any of these postgame comments sound familiar: 'They all come down to the last pitch,' Giants manager Bob Melvin said. 'Seems like every game does.' 'I wouldn't love to play them every single day, but, yeah, it's going to serve us because we know how to play those games,' Chapman said. 'We know what it takes to come out on top. When the pressure is on, you got to make a play or take a good at-bat. Everything's heightened in those moments.' 'Yeah, torture,' Logan Webb said. 'It's torture baseball here.' You cannot reincarnate a World Series championship season like 2010, when the Giants eked and squeaked their way to so many nail-biters that announcer Duane Kuiper made on-air appeals to the Geneva Convention. You cannot define every contour of a season, either, when 98 games remain on the schedule. But this current team continues to groove to a tune that includes some heavy sampling from its past. The Giants played their sixth consecutive one-run game on Saturday — their longest streak since an eight-game run in 2014, when they won their last World Series championship. Their 27 one-run games this season are tied with the Braves for the most in the major leagues. The difference is that the Braves are 9-18 in those games, and by now, conditioned for calamity. The Giants, after winning four consecutive one-run games, are 15-12 in them and perhaps beginning to develop a muscle memory for coming out ahead. 'But it seems like we've played them for three weeks straight,' Chapman said. 'So I think everybody would prefer to score some more runs.' Advertisement That's what the players said in 2010, too. All the way to a dogpile on the mound in Texas. 'That's why you keep playing, keep fighting,' said Melvin, after managing his 13th consecutive game that was decided by two runs or fewer. 'One swing can do it. We've seen it happen many times. What is that, our eighth walkoff? So we're used to these types of games. It feels like with as many as we've had like this, we're battle-tested to the end. And until the last out, we have a chance.' They only have that chance because their bullpen leads the major leagues with the lowest ERA (2.30 entering Saturday) as well as baserunners per inning (1.07). Their frontline trio of Camilo Doval, Randy Rodriguez and Tyler Rogers has been both effective and efficient, which is important because it's kept them on the table for Melvin to use without multiple days off. Those frontline relievers have been needed so often because the Giants rotation seldom pitches the team out of a game. Their starters rank seventh in the majors with a 3.50 ERA, Robbie Ray is coming off Pitcher of the Month honors for May, and Webb, who was already a perennial presence on Cy Young ballots, is discovering ways to become even better on the mound. Webb continued to assert his reinvention as a strikeout pitcher on Saturday while delivering another dominant home start. He struck out 10 in six innings; of his 11 career double-digit strikeout games, four have come this season. It was Webb's fifth career start with double-digit strikeouts and no walks. He's one of three pitchers in franchise history to meet those qualifications at least five times. (If you're looking for more 2010 parallels, the other two are Tim Lincecum (5) and Madison Bumgarner (12).) 'He doesn't need a double play at times,' Melvin said of Webb, who also drastically addressed past issues holding runners and has had one base stolen against him all season. 'Instead of getting a ground ball, he gets a couple punchouts. He's just a better pitcher now.' Webb would pledge every spring to boost his strikeout rate and embellish the effectiveness of his grounder-inducing sinker. But who could've seen this coming? A third of the way into the season, Webb already has struck out 101 batters. The only pitchers with more are the Nationals' Mackenzie Gore and the Tigers' Tarik Skubal. Advertisement What's the difference now? It's not like Webb's velocity is spiking through the roof. So is it the cutter he added to the mix? Throwing more two-strike four-seam fastballs at the top of the zone? Recapturing a changeup that faded in all the wrong respects at times over the past two seasons? Maybe it's all of the above. Mostly, it's getting consistently ahead in counts and giving Webb a chance to sharpen his knives. 'There's the scouting part of it, throwing the right pitches at the right time, setting guys up,' Webb said. 'As a collection, we've done a really good job of that.' Webb credited catcher Patrick Bailey, pitching coach J.P. Martinez and assistant pitching coach Garvin Alston with those enhanced scouting reports and game preparation. Webb also credited two unofficial coaches who are former Cy Young Award winners — teammates Ray and Justin Verlander — for helping him hone his strikeout mentality. 'I'm not necessarily trying to strike everybody out. I just think I'm setting people up better for it,' Webb said. 'I always think about what Greg Maddux says about getting to 0-2. You get one chance to strike them out and then you go back to just trying to get them out. That's always been part of my mindset.' The team's mindset and mood were different following Webb's previous start against the San Diego Padres when they lost 1-0 and their lack of offensive production was threatening to drag down their season. Then changes were made. Perhaps it's more than a coincidence that the Giants haven't lost in four games since replacing LaMonte Wade Jr. with Dom Smith at first base in addition to adding backup catcher Andrew Knizner and outfielder Daniel Johnson. Smith has made the most noticeable impact with his situational at-bats as well as his defensive contributions at first base. He caught a foul pop against the netting in Friday's extra-inning victory over the Braves. On Saturday, he helped to snuff out a potentially troublesome ninth inning behind Tyler Rogers when he made a diving attempt at a ground ball and somehow recovered in time to take a throw from second baseman Casey Schmitt. That defensive effort helped the Giants maintain a one-run deficit. They only managed three hits, including a home run from Wilmer Flores, in eight innings against Braves right-hander Bryce Elder. But Atlanta stayed away from closer Raisel Iglesias, who had a 6.75 ERA after blowing the last of a six-run lead to the Arizona Diamondbacks on Thursday. Instead, the Braves handed the assignment to right-handed curveball specialist Pierce Johnson, who had thrown a game-ending wild pitch the previous night. Advertisement Johnson gave up a one-out single to Heliot Ramos and retired Flores to bring the Giants to their last gasp. Then Johnson did worse than bounce another curveball. With a 1-1 count to Chapman, he hung one. 'His go-to is that curveball,' said Chapman, whose drive landed in the third row of the left field bleachers. 'I had a feeling that's what he was going to lean on in that situation.' Chapman circled the bases to a cacophony of cheers, then arrived home to a water-splashing, jersey-ripping pile of bodies. It was his first walk-off hit as a Giant and his third career walk-off home run. He'd hit a pair of them for Melvin with the Oakland A's over a six-week span in 2019. 'I think Chappy's going to hit a home run any time,' Webb said. 'I thought Flo was going to do it, too. But I guess it was Chapman's day.' Chapman was asked for his thoughts about the Giants' winning streak coming on the heels of a mini roster overhaul. Did those moves stir a sense of urgency in the clubhouse? 'It's funny, you know?' Chapman said. 'How things can change super quickly.' (Top Photo by Thearon W. Henderson/Getty Images)

A Sikh Captain America? Why religious diversity matters in the comics universe
A Sikh Captain America? Why religious diversity matters in the comics universe

Yahoo

time20 minutes ago

  • Yahoo

A Sikh Captain America? Why religious diversity matters in the comics universe

'Captain America doesn't wear a beard and a turban, and he's white.' Vishavjit Singh looked at the boy who uttered those words, and then he looked at himself — a skinny, bespectacled, turbaned, bearded Sikh in a Captain America suit. 'I wasn't offended, because I knew that this kid was going to have this image of me, a Sikh Captain America, forever in his mind,' Singh said. 'This image has so much power to it that it opens up conversations about what it means to be American.' Representation of non-Abrahamic religions and spiritual traditions, particularly in the mainstream comics universe, is minimal. Even when they are portrayed in comics, their presentation, as Singh and others in the field point out, is often inauthentic and sometimes negative. Recently, however, comic book writers and academics who study the intersection of religion and comics observe a renaissance of sorts, which they say is happening because people close to these faith traditions are telling these stories with a reverence and sincerity that resonate with a wider audience. A Sikh superhero with a message Singh's journey to make that connection began after the attacks of Sept. 11, 2001, triggered anti-Sikh hate incidents. Having faced hate and exclusion throughout his life, he decided to spread his message of kindness and inclusion by capitalizing on the appeal of comics and superheroes — an area where he found Sikh representation to be 'virtually zero.' He suited up as Captain Sikh America in Manhattan for the first time in summer 2013 — one year after a self-proclaimed white supremacist opened fire inside a Sikh temple in Oak Creek, Wisconsin, killing six and injuring four others. New York's reaction to Captain Sikh America was joyous. 'Strangers came up and hugged me,' Singh said. 'Police officers wanted photos with me. A couple wanted me to be part of their wedding ceremony. I felt I had a certain privilege I'd never had before.' In 2016, Singh gave up his full-time job to travel around the country to schools, government agencies and corporations to share his story and educate youth about his culture and faith. He doesn't speak directly about religion but rather the core values of Sikhism. 'I talk about equality, justice and about the universal light being present in every speck of creation,' he said. Africana religions in comics Marvel's Black Panther heralded better representation for Africana religions in the U.S., according to Yvonne Chireau, a professor of religion at Swarthmore College in Pennsylvania. However what is seen in Black Panther or other comics is a synthesis of different African religions and cultural practices, she said. For example, one page might talk about the Orishas, divine spirits that play a key role in the Yoruba faith of West Africa, while another might feature Egyptian gods. One of the first superheroes with African religious roots, Chireau said, was Brother Voodoo, created in the 1970s by Marvel publisher Stan Lee, writer Len Wein and artist John Romita. He was the first Haitian superhero. The turn of the last century was a time of revival for Black-centric comics, she said, adding that immigration from African and Caribbean countries, including Haiti, led to increased understanding of religious practices originating in those places. 'It's definitely gotten a lot better and much more authentic because the people who are telling these stories care about those religious practices,' she said. Incorporating Black mythology and spirituality Brooklyn-born Haitian American comic book writer Greg Anderson Elysée said he didn't learn about African and Caribbean religious traditions until he was a teenager. Elysée was raised Catholic, but he now considers himself agnostic. For the past decade, he's written comics about Is'nana, the son of Anansi the Spider, the god of wisdom, knowledge and mischief in the Akan religion of West Africa. What drives his vision and his creativity, Elysée said, is the need to see more Black mythology, deities and spirituality showcased with the same level of respect as European fairy tales and Greek mythology. 'When I went looking for anything on African spirituality in the bookstore, I found it in the occult section as opposed to the religion or mythology section,' he said. Common depictions of African faith as voodoo and witchcraft are colonialist narratives aimed at demonizing Indigenous spiritual practices, he added. 'When I started going to ceremonies and rituals, I saw how much power there is in it. When we know who we are — whether you believe in the religion or not — it fills you with joy, a purpose and a sense of being.' Elysée is excited and relieved by the reaction to his work. 'While this is entertainment, you also don't want to offend those who believe in it and truly get so much power from it,' he said. 'Some of my portrayals of these religions in my comics may not be 100% authentic, but there is a level of research and respect that goes into every piece of it.' Zen comics that heal, ground and center Zen Buddhism has informed much of John Porcellino's work. For over three decades, he has produced and self-published King-Cat Comics and Stories, a largely autobiographical mini-comic series. Porcellino was drawn to Buddhism in his 20s after what he describes as a period of intense mental suffering and health problems. As a punk rock fan, Porcellino saw commonalities between punk and Zen because 'they are both concerned with the essence of things rather than appearances.' Both are ways of life — simple yet nuanced. He gave the example of a wordless story titled 'October,' featured in King-Cat's 30th issue, that shows him as a high school student walking home one night from school. When he gets home, his mom asks him to take the dog outside; as he steps out, he sees the stars. 'It's the experience of being in everyday, mundane life ... and then suddenly breaking through to some kind of transcendence,' he said. Porcellino views these comics as a healing presence in his life. 'They are an important part of my spiritual practice,' he said. 'Any time I have a major crisis in my life, my first reaction is to sit down and start making comics and put my focus into that. It just helps ground me.' Why representation matters for children Teresa Robeson, who wrote a graphic novel about the 14th Dalai Lama, said that even though her mother was Catholic and raised her in the faith, her grandmother was Buddhist. She grew up in Hong Kong, with memories of relatives praying to Buddhist gods, taking in the fragrance of burning incense and the sound of Buddhist chants. Though she practices neither Catholicism nor Buddhism at this time, Robeson jumped at the opportunity to tell the story of the Dalai Lama in graphic novel form because the book focused on a pivotal moment in the spiritual leader's life, when he fled Tibet for India after the Chinese occupation. Robeson liked the idea of representing a religion and culture that do not get much attention in media. 'Children's books are like mirrors and windows for kids,' she said. 'It's helpful especially for children of immigrants who don't often see themselves in mainstream literature. They don't see anyone who looks like them or prays like them. At the same time, it also helps kids who are not Asian or Buddhist to learn something about those communities.' The comics renaissance in India Amar Chitra Katha was a comic book company started by the late Anant Pai in Mumbai in 1967 as a way to teach Indian children about their own mythology and culture. The first title was 'Krishna,' an important god in Hinduism and protagonist of the Bhagavad Gita, one of the religion's main sacred texts. Pai was an engineer turned comic books seller who used varied marketing techniques, including walking around with planks, nails and hammers in his bag so he could build shelves for bookstores that refused to display his comics because they lacked shelf space, said Reena I. Puri, the company's executive editor and a 35-year veteran of the business. Pai started with Hindu mythology and gods but soon expanded to other faiths, releasing a globally successful comic titled 'Jesus Christ' and others about Buddha, Sikh gurus and Mahavira, who founded Jainism. Later came secular comics about historical figures and folktales. But religion remains the mainstay of Amar Chitra Katha, and books that teach children about faith, history and culture are also the most popular in the diaspora, Puri said. 'Most recently we've also portrayed (Indigenous) religions and have gathered folktales relating to these traditions from all over India,' she said. Amar Chitra Katha comics faced criticism in the past for their portrayal of gods as fair-skinned and 'asuras' — often the antagonists to the gods — as dark-skinned with demonic facial features. But that has changed, Puri said. 'We've educated ourselves and realized that our ancient texts were not as racist or colorist as we may be today,' she said. 'We're correcting those misconceptions now.' Atheism, paganism and ... Lucifer British comic book writer Mike Carey is known for his 2000-2006 DC Comics series 'Lucifer,' which depicts the titular character's adventures on Earth, in Heaven and in various realms after abandoning Hell. Carey counts himself an atheist who went to Sunday school only 'for the fun, stories and chocolate.' Carey portrayed Lucifer as the 'son of God, but as a rebellious disobedient son who wants to find himself as distinct from his father.' He has also explored pagan themes, particularly what he called the 'weird interface between British folklore and British religious traditions.' Carey delved into the concepts of faith, God and morality in a series titled 'My Faith in Frankie,' which tells the story of a teenager with a personal god called Jeriven who gets jealous of her boyfriend. Even though many of his comics and novels explore religion and ethics, Carey said, he has never 'felt any temptation whatsoever to believe.' 'I've become more and more entrenched in that position, because organized religions are like any organization that sustain themselves, amass power, wealth and authority,' he said. 'So I've never really grappled with religious issues. What I do sometimes is explore, play with and tease out moral issues that were important and meaningful to me.' ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. ___ This story has been updated to correct that Reena Puri's title is executive editor, not managing director. Deepa Bharath, The Associated Press

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