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GTA 4 Remastered could arrive this year according to leaks, and it needs it

GTA 4 Remastered could arrive this year according to leaks, and it needs it

Daily Mirror13-05-2025
Leaks are claiming that a new remaster for GTA 4 could touch down before 2025 is out, and it couldn't be a better time to capitalize on a game that sorely needs a new lick of paint.
A new rumour has appeared thanks to one GTA leaker, who claims that GTA 4 Remastered could be on the way before the end of the year.
It's hard to deny that GTA is the franchise of the hour – and frankly, the last few decades. When Rockstar Games so much as twitches, it sends shockwaves through the entire gaming industry, which makes the fact that it revealed a major GTA 6 delay and the long-awaited GTA 6 trailer 2 all in the space of a week all the more surprising. The gaming company pulled out all of the stops to ensure that the disappointment of receiving history's most anticipated game was alleviated, and it seems as though they may have just managed it.

There's no surprise that the title has so much pressure on it – GTA 6 is the latest instalment of gaming's biggest franchise ever, following on from a lineage of games that seem to transcend iconic. They're a beast of their own, and all eyes are on the new title. But as it seems, players should be keeping an eye on the past.

New leaks have appeared from a leaker widely considered to be the closest to Rockstar Games on the internet, and they indicate that Grand Theft Auto's past could be about to get a new lick of paint.
Return to Liberty City
Even though Grand Theft Auto: The Trilogy – The Definitive Edition was an unmitigated disaster when it launched, it looks like Rockstar Games is taking up a new opportunity to reboot a game in dire need of some changes, as a GTA leaker has claimed that GTA 4 Remastered could be on the way. Taking to GTAForums, notable leaker Tez2 has responded to a question about the potential of a remake or remaster of Niko Bellic's adventure, and they seem to expect a new port for the game.
'Someone at R* hinted at the IV port, and by now it should've gone up a year in development,' they say. 'We may end up seeing it drop later this year. And it's one more reason, in addition to existing reasons, the LCPP mod was taken down. If they still follow their plan laid out from the pandemic days, they'll do an MP3 port after IV. So that is an opportunity to do a bundle or a Definitive Edition. Max Payne 1 & 2 remakes, and a Max Payne 3 port.'
It's a surprising revelation, especially when many players would hope that the entire Rockstar Games workforce would be trying to push GTA 6 over the line, but there's no doubt that GTA 4 is deserving of a new lick of paint. The game's vehicle controls are loose and wobbly, and its visuals are a little overexposed, which suits its art style, but doesn't feel particularly modern. GTA 4 Remastered's arrival by the end of the year would be a treat for many players, especially if it tidies up a number of issues that make the game's brilliant story a little hard to access these days.
Take the leaks with a pinch of salt, as even Tez2 could be wrong – but there's little doubt that it's an exciting implication. It looks like we're going to have a very GTA-heavy couple of years.
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Ibiza Rocks selling party tickets despite suspending events after balcony plunge deaths
Ibiza Rocks selling party tickets despite suspending events after balcony plunge deaths

Daily Record

time2 hours ago

  • Daily Record

Ibiza Rocks selling party tickets despite suspending events after balcony plunge deaths

Evan Thomson, of Aberdeen, and Gary Kelly, from Dundee, died this month after falling from their hotel balcony in Ibiza. The Ibiza hotel where two Scots fell to their deaths within weeks of one another are still selling party tickets despite saying they were pausing future events. ‌ Evan Thomson, from Aberdeen, fell to his death from his Ibiza Rocks hotel balcony on Monday July 7. The 26-year-old tragically fell from the sixth floor while on holiday celebrating his birthday. ‌ Just two weeks later, on Monday, Gary Kelly, 19, from Dundee died after he fell from the third-floor of the hotel just after midnight. ‌ Following their tragic deaths, Ibiza Rocks announced that they would be suspending all events. In a statement, the hotel said: "We are deeply shocked and devastated by the recent incidents that have tragically occurred. ‌ "Our priority is to support those affected and their loved ones during this incredibly difficult time, and to fully assist the authorities with their investigations. "The safety and wellbeing of our guests has, and always will remain, our highest priority. Given the seriousness of the situation and out of respect for those involved, we believe it is right to pause our advertised events programme at this time. "All customers will be informed directly via email." ‌ However, tickets for events from this Saturday are still available to purchase online, starting with their weekly LoveJuice Ibiza Day Party. Ibiza Rocks are charging holidaymakers £17.35 for general admission and £26 for a Daylife pass, which includes a food and drink voucher. ‌ The hotel is hosting an R&B Affair Day Party on Sunday, which promises to be the island's biggest R&B party, which is priced the same as the previous day's event. ‌ Dizzee Rascal was scheduled to play at the hotel yesterday as part of the venue's '20th birthday celebrations' but that was postponed. However, Rudimental are still set to perform on July 30 for the anniversary, with tickets still available to purchase online. Following Evan's death his loved ones raised questions about the hotel safety, slamming how the party destination handled the situation. Evan's friend Blair Robertson slammed the hotel, saying they tried hard to 'get things back to normal' following the death. ‌ He added: 'Security took us away to front desk. Paramedics didn't arrive for about 30 minutes. Forensic officers didn't speak English. We were just standing there, not knowing what was going on. Reception gave us false hope. "We heard the jet washes cleaning the ground where Evan died. That was the worst thing for us" ‌ While Evan's sister Teila said that there needed to be 'higher safety precautions', adding: "Once it did happen, the hotel's response was just completely heartbreaking; almost as if it never happened. I pray no other family has to go through this." Yesterday, Ibiza Rocks issued a safety notice on their social media following the deaths, saying their thoughts 'remained with the families' of Evan and Gary. They wrote: "The tragic incidents of the past few weeks have deeply affected many. We continue to work closely with the authorities and our thoughts and support remain with everyone impacted. ‌ "Much of the hard work that goes into safety and security in hotels and venues across the world happens behind the scenes. With thousands of guests passing through our doors every summer, it takes a collective effort from our team, security and local partners to maximise safety for all. "In times like these, care matters - but so does action. We have zero tolerance for any behaviour that puts our guests or our team at risk and we are building on the strong work we already do to go even further. ‌ "Out of respect and privacy for the people involved, we don't usually comment on individual reports posted online, but that certainly doesn't mean we're not always listening. We're committed to working with anyone who raises solid concerns so that we can establish the facts and take the appropriate steps. "Our hotel remains open and more information on a future events programme will be shared as soon as possible." The hotel also noted that it is working to improve balcony safety. They continued: "Balcony safety is something we take very seriously, and our hotel meets all the applicable building regulations. "Alongside that, we're introducing further safety measures and working to raise more guest awareness to help encourage responsible use and keep everyone safe." Ibiza Rocks did not respond to the Record's request for comment.

Malcolm-Jamal Warner was a TV big brother and an off-screen gentleman. He'll be forever missed
Malcolm-Jamal Warner was a TV big brother and an off-screen gentleman. He'll be forever missed

The Guardian

time6 hours ago

  • The Guardian

Malcolm-Jamal Warner was a TV big brother and an off-screen gentleman. He'll be forever missed

The last time I saw Malcolm-Jamal Warner was on a bittersweet night in Atlanta. This was after one of his gigs at Buteco, the east side Brazilian joint that Warner took over on the first Thursday of every month. He would magically transform it into the kind of classic Black TV hotspot that he himself might have walked on to back in the day. (Think of Natalie's, the New York Undercover hangout.) Warner's Buteco Nights had become a rallying cry among my guy friends to break away from family routines and kick back and catch up for a few hours in a house full of fellow creatives. All the while, Warner would reinterpret funk and R&B jams on the electric bass with his band, Biological Misfits. When two friends announced they were leaving Atlanta for good, this balmy night in April became a final hurrah. I didn't yet know just how final. Just when the night seemed as if it couldn't be stretched any longer, I caught Warner as he and the band were packing up at closing time. I asked about his daughter (whom I fondly remember being carried out of Buteco after a recent gig ran past her bedtime), and suddenly – as ever with Warner, always so thoughtful and intentional in his interactions – we were going deep. We joked about being older dads and the adventures and adversities that come with raising Black children in this American day and age. He was so insanely proud of the job his wife and daughter were doing in homeschool, studying ancient Egypt and other Black history. He was especially excited about an upcoming family trip to Costa Rica, because it meant he could bring the classroom to the beach. After 20 or so minutes of catching up, we bro-hugged and parted ways. I had no reason to expect I'd never see him again. I was scrolling through Twitter on Monday when I saw Warner's name trending, and I've been numb ever since learning that he died in a drowning accident on that very family trip to Costa Rica, while swimming with his daughter. Like the sudden deaths of Chadwick Boseman and Kobe Bryant, Warner's passing is a profound shock that makes absolutely no sense to me whatsoever. Here was a guy who became a household name as a teenager and somehow wasn't turned into another tragic child star, who tarried in the industry over five decades making TV, movies, music and poetry without generating negative headlines or rumors – who, on the last night I saw him, looked for all the world like a man who had it all figured out and was at peace with the final answers. For it all to end now, as he was exactly where he wanted to be in life, just feels unspeakably cruel. Warner's is no ordinary celebrity tragedy. It's the beginning of the end of an era, of a time when TV stars were still so near and dear to us. For those of us who grew up watching the Cosby Show, my original Thursday night routine, he was more than a fictive relative. As Theo Huxtable, the respectful (if mischievous) teen who overcame dyslexia on the way to an NYU psychology major and job helping kids like himself at the community center, he showcased a range of Black masculinity that was alien at the time and still a strange sight on screen today. Just the sight of his name flashing in the opening credits was like seeing a Black fist come through the screen. How could Gil Scott-Heron say the revolution would not be televised when our man was right here, in dreads and kente patterns, repping Malcolm X and Mumia Abu-Jamal in prime time? Not just on the Cosby Show, mind you, but on The Resident and 9-1-1, too. Warner's loss has hit like a death in the family and, make no mistake, his family was immense. The welter of tributes – from Beyoncé (who remembered Warner on the front page of her official website) to Kate Hudson (who recalled her time working with Warner on Fool's Gold) to Tyrese Gibson (who paid tribute to Warner in a Facebook poem) – speak not only to his long and varied career in the industry (an NPR Tiny Desk, directing credits on music videos for Whitney Houston and New Edition) but to his monumental kindness, fundamental decency and unwavering professionalism. That sense of character, a fixture on and off screen, really shined through when Bill Cosby was subsumed by sexual assault allegations during the #MeToo era. While other industry peers rushed to distance themselves from Cosby, Warner found a way to walk a line between denouncing Cosby's conduct and reasserting his gratitude to his mentor and TV dad without anyone really questioning his loyalty. Reacting to Warner's death earlier this week Cosby's spokesperson, Andrew Wyatt, likened the bombshell news to the 1997 murder of Cosby's flesh-and-blood son, Ennis – a close friend of Warner's, as it happened. 'When we talk about why the good people are taken away from us,' Warner reflected in a recent podcast interview with the media personality Melyssa Ford, 'I go: 'Maybe they're being rewarded or something.'' More than his body work – which, again, is simply staggering – Malcolm should be remembered for actually living up to the Cosby Show's lofty ideals. His Thursday Buteco nights were pretty special too, a natural landing spot for other Black Hollywood icons who happened to be passing through town. But the real privilege wasn't watching Danny Glover or another star drop by to pay respect. It was sharing in some good, clean fun with a room full of people – a not insignificant number of them Black men who took to their responsibilities as fathers, spouses and good citizens in large part because of the dude on the bass, jammin' on the one. That's the Warner I'll remember: the sage who elevated people as he brought them together with his bright smile, deep voice and bottomless warmth. I'll mourn him terribly, though not even half as much as his family members, friends, former castmates and bandmates who knew him far better. Suffice to say: Thursday Buteco nights won't be the same with him gone, but there's some comfort in thinking of his absence as its own reward when you know that's what it may have meant to him.

Malcolm-Jamal Warner was a TV big brother and an off-screen gentleman. He'll be forever missed
Malcolm-Jamal Warner was a TV big brother and an off-screen gentleman. He'll be forever missed

The Guardian

timea day ago

  • The Guardian

Malcolm-Jamal Warner was a TV big brother and an off-screen gentleman. He'll be forever missed

The last time I saw Malcolm-Jamal Warner was on a bittersweet night in Atlanta. This was after one of his gigs at Buteco, the east side Brazilian joint that Warner took over on the first Thursday of every month. He would magically transform it into the kind of classic Black TV hotspot that he himself might have walked onto back in the day. (Think of Natalie's, the New York Undercover hangout.) Warner's Buteco Nights had become a rallying cry among my guy friends to break away from family routines and kick back and catch up for a few hours in a house full of fellow creatives. All the while, Warner would reinterpret funk and R&B jams on the electric bass with his band, Biological Misfits. When two friends announced they were leaving Atlanta for good, this balmy night in April became a final hurrah. I didn't yet know just how final. Just when the night seemed as if it couldn't be stretched any longer, I caught Warner as he and the band were packing up at closing time. I asked about his daughter (whom I fondly remember being carried out of Buteco after a recent gig ran past her bedtime), and suddenly – as ever with Warner, always so thoughtful and intentional in his interactions – we were going deep. We joked about being older dads and the adventures and adversities that come with raising Black children in this American day and age. He was so insanely proud of the job his wife and daughter were doing in homeschool, studying Ancient Egypt and other Black history. He was especially excited about an upcoming family trip to Costa Rica, because it meant he could bring the classroom to the beach. After 20 or so minutes of catching up, we bro-hugged and parted ways. I had no reason to expect I'd never see him again. I was scrolling through Twitter on Monday when I saw Warner's name trending, and I've been numb ever since learning that he died in a drowning accident on that very family trip to Costa Rica, while swimming with his daughter. Like the sudden deaths of Chadwick Boseman and Kobe Bryant, Warner's passing is a profound shock that makes absolutely no sense to me whatsoever. Here was a guy who became a household name as a teenager and somehow wasn't turned into another tragic child star, who tarried in the industry over five decades making TV, movies, music and poetry without generating negative headlines or rumors – who, on the last night I saw him, looked for all the world like a man who had it all figured out and was at peace with the final answers. For it all to end now, as he was exactly where he wanted to be in life, just feels unspeakably cruel. Warner's is no ordinary celebrity tragedy. It's the beginning of the end of an era, of a time when TV stars were still so near and dear to us. For those of us who grew up watching the Cosby Show, my original Thursday night routine, he was more than a fictive relative. As Theo Huxtable, the respectful (if mischievous) teen who overcame dyslexia on the way to an NYU psychology major and job helping kids like himself at the community center, he showcased a range of Black masculinity that was alien at the time and still a strange sight on screen today. Just the sight of his name flashing in the opening credits was like seeing a Black fist come through the screen. How could Gil Scott-Heron say the revolution would not be televised when our man was right here, in dreads and kente patterns, repping Malcolm X and Mumia Abu-Jamal in primetime? Not just on the Cosby Show, mind you, but on The Resident and 9-1-1, too. Warner's loss has hit like a death in the family and, make no mistake, his family was immense. The welter of tributes – from Beyoncé (who remembered Warner on the front page of her official web site) to Kate Hudson (who recalled her time working with Warner on Fool's Gold) to Tyrese Gibson (who paid tribute to Warner in a Facebook poem) – speak not only to his long and varied career in the industry (an NPR Tiny Desk, directing credits on music videos for Whitney Houston and New Edition) but to his monumental kindness, fundamental decency and unwavering professionalism. That sense of character, a fixture on and off screen, really shined through when Bill Cosby was subsumed by sexual assault allegations during the #MeToo era. While other industry peers rushed to distance themselves from Cosby, Warner found a way to walk a line between denouncing Cosby's conduct and reasserting his gratitude to his mentor and TV dad without anyone really questioning his loyalty. Reacting to Warner's death earlier this week Cosby's spokesperson, Andrew Wyatt, likened the bombshell news to the 1997 murder of Cosby's flesh-and-blood son, Ennis – a close friend of Warner's, as it happened. 'When we talk about why the good people are taken away from us,' Warner reflected in a recent podcast interview with the media personality Melyssa Ford, 'I go: 'Maybe they're being rewarded or something.'' More than his body work – which, again, is simply staggering – Malcolm should be remembered for actually living up to the Cosby Show's lofty ideals. His Thursday Buteco nights were pretty special too, a natural landing spot for other Black Hollywood icons who happened to be passing through town. But the real privilege wasn't watching Danny Glover or another star drop by to pay respect. It was sharing in some good, clean fun with a room full of people – a not insignificant number of them Black men who took to their responsibilities as fathers, spouses and good citizens in large part because of the dude on the bass, jammin' on the one. That's the Warner I'll remember: the sage who elevated people as he brought them together with his bright smile, deep voice and bottomless warmth. I'll mourn him terribly, though not even half as much as his family members, friends, former castmates and bandmates who knew him far better. Suffice to say: Thursday Buteco nights won't be the same with him gone, but there's some comfort in thinking of his absence as its own reward when you know that's what it may have meant to him.

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