From ‘Tiger King' to ‘Chimp Crazy,' Eric Goode aims to highlight animal welfare issues while preaching to the ‘unconverted'
Chimp Crazy, Goode's four-part docuseries centering on "monkey mom" Tonia Haddix, originally set out to advocate against the ownership of primates but took an unexpected turn. "I never knew this woman would kidnap a chimpanzee," he tells Gold Derby.
More from GoldDerby
Jonathan Pryce on the 'great responsibility' of playing a character with dementia in 'Slow Horses'
'The Diplomat' Season 3 teaser: Here's your first look at Bradley Whitford's first gentleman
Grammys unveil 2026 ceremony date, new categories
Goode wants his work to transcend entertainment and spark conversations about wildlife conservation and ethical treatment of animals. "Many documentaries that are very clearly advocacy documentaries, like The Cove or Blackfish, oftentimes they're great, but oftentimes they preach to the converted and have a very narrow, small audience," he says. "We want to preach to the unconverted as well. And so the only way to do that is to really make these documentaries entertaining, but always knowing that at the end, hopefully people scratch their heads and recognize that there's a more important story in here."
Photo courtesy of HBO
Goode acknowledges that while both Tiger King and Chimp Crazy follow a similar formula, that wasn't necessarily what he was aiming for. "This one happens to be the most similar to Tiger King. Not everything that I do has that same formula," Goode says. He describes casting a wide net, initially exploring multiple subcultures, including a taxidermist and a shark enthusiast. Eventually, the intriguing world of "monkey moms," and their controversial practices, unfolded naturally into the central focus of Chimp Crazy.
In the case of Tiger King, advocacy efforts resulted in the passage of the Big Cat Public Safety Act. Goode hopes for similar results with Chimp Crazy via passing of pending legislation like "The Primate Public Safety Act," which he believes would prevent people from recklessly purchasing chimpanzees or other primates that inevitably suffer as domestic pets. "All of these primates make for terrible pets," says Goode, explaining that their lives typically end in misery, with their owners facing regret — a truth that Chimp Crazy highlights with startling clarity.
One of the central figures in Chimp Crazy is Haddix, whose relationship with Goode presents an intriguing dichotomy. On the one hand, her willingness to let Goode and his team into her deeply personal life allowed the story to take shape. On the other, her ethical treatment of animals, particularly Tonka the chimpanzee, has been widely criticized.
'Well, I think if anyone's tracked her since Chimp Crazy came out… she'll talk to anyone, and she has no filter, and that's sort of her Achilles' heel," Goode says. For many months, Haddix was at the center of Goode's work and even welcomed his crew into unusual facets of her life, whether they followed her to tanning booths or eyelash appointments. "I am very grateful that she allowed us into her more intimate parts of her life," Goode reflects, acknowledging her openness despite ongoing conflicts.
Photo courtesy of HBO
At the heart of the story is Tonka, a chimpanzee Haddix kept in captivity under conditions many experts described as isolated and far from ideal. Goode consulted with renowned primatologists like Craig Stanford and Russell Mittermeier, who affirmed that while Haddix provided Tonka with certain comforts — a television, air conditioning, and junk food — the lack of socialization with other chimps was profoundly damaging. "It's like us… if you don't have the ability to hang out with other people, you're going to be very lonely and isolated," Goode explains.
After Haddix tells the film crew Tonka has died (and even shared some of his fake ashes), audiences witness the dramatic revelation of Tonka's existence, followed by his transfer to Save the Chimps sanctuary, where he now thrives on a three-acre island among 17 other chimpanzees.
Photo courtesy of HBO
While Goode continues to communicate with Haddix, their relationship remains fraught. 'I always told her... try to make a compromise [with PETA]," he says, referring to the organization's offer to waive $250,000 in fines if she stopped exploiting exotic animals. Despite Goode's advice, Haddix refused unless she could reclaim Tonka, a position that has left her in ongoing legal trouble. "She's kind of brought it on herself," Goode remarks.
PETA plays a pivotal role in Chimp Crazy, often appearing as an antagonist but also as an instrumental voice for enforcing change. Goode is transparent about the fact that his dedication to animal welfare diverges in many ways from PETA's staunch animal rights philosophy. "I'm not vegan and I drink milk and eat eggs and wear leather," Goode says. "I would say I fall into the category of a conservation biologist who wants to see endangered species survive on this planet." Nonetheless, when it comes to chimpanzees in captivity, their objectives aligned.
Goode worked closely with PETA but admitted that sensitive moments forced certain collaborative discussions off-camera, particularly to protect individuals like Dwayne Cunningham. Cunningham, while acting as a "proxy director" for the documentary, earned Haddix's trust and accessed crucial information about Tonka's location. Goode pushed PETA to remain discreet in order to protect Cunningham. "We were just trying to be sensitive to protect Dwayne from any retaliation because… they can be dangerous."
The making of Chimp Crazy came with unique challenges, particularly in terms of the extensive and unpredictable filming schedule. "In this genre of documentary filmmaking… you have to be very fluid and mobile and spontaneous and be filming everything," Goode explains. His team filmed over 300 days, capturing countless moments that might otherwise go unnoticed. "Some of the least, what feel like they're going to be the least important moments, become the most important moments," he notes.
However, not every story made it into the final cut — a reality Goode describes as "a learning lesson." For every story included, far more subjects fell to the cutting room floor, as was the case in Tiger King. "You'll get a great interview at a great moment, but you've got to make those decisions not to put those stories into the documentary."
For Goode, his passion transcends Chimp Crazy. Known for his conservation efforts involving endangered turtles, Goode reveals that he's completed another project that took over 10 years to finalize. While he can't share many details yet, he admits it deals with wildlife trade issues and should be released sometime in the coming year.
As for Chimp Crazy, Goode hopes its impact will lead to legislative and societal change, much like Tiger King eventually did. "Let's hope Chimp Crazy makes a difference," he says. "If we can change laws and make a difference on that level, it's a big deal."
Best of GoldDerby
'Cross' star Aldis Hodge on building an aspirational hero — who's not a superhero
Jonathan Pryce on the 'great responsibility' of playing a character with dementia in 'Slow Horses'
'Feel good about not conforming': Christina Ricci reflects on her iconic roles, from Wednesday Addams to Misty Quigley
Click here to read the full article.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Business Insider
8 minutes ago
- Business Insider
A guide to every historical figure who's been on 'The Gilded Age'
"The Gilded Age" was renewed for a fourth season ahead of the season three finale. While some of its characters are fictional, the show is populated with real people from the era. Oscar Wilde, Booker T. Washington, and J. P. Morgan have all popped up on the show. There are few eras that have captivated people more than the Gilded Age, a period in the late 19th century characterized by extreme wealth (and wealth inequality), progress, immigration, and a certain ruthlessness from the businessmen of the age. And now, any history buff can tune into HBO's " The Gilded Age," which concludes its third season on August 10, to see this iconic time period brought to life. The show is populated by a mix of real-life historical figures, completely fictional creations, and a few characters who differ in name only from real people of the time. Here's a guide to every real person who made the jump from history books to HBO in "The Gilded Age." Carrie Coon plays Bertha Russell, who's based on Alva Vanderbilt. Alva Vanderbilt Belmont was a Gilded Age socialite who married a Vanderbilt railroad heir, William K. Vanderbilt. In 1882, the couple built a mansion that took up a whole city block on Fifth Avenue in New York City — much like the mansion the Russells move into in the series premiere. Bertha isn't exactly Alva, but the similarities are there, including Alva's hunger and determination to be accepted by the upper crust of New York society, her strong personality, and love of the opera. Vera Farmiga plays Bertha's daughter Gladys, based on Alva's daughter Consuelo. If there was any doubt that Bertha and Gladys were based on Alva and Consuelo, that ended when Gladys married off to a British duke against her will, in order to bring her family status and credibility. If you don't want to know what could happen to Gladys, skip ahead. In real life, Consuelo's marriage to Charles Spencer-Churchill, 9th Duke of Marlborough, was largely an unhappy one, though she and her husband mostly lived separately. They separated in 1906 and were officially divorced in 1921. The marriage was annulled in 1926. However, Bertha's husband George (Morgan Spector) isn't based on a Vanderbilt. Much of his character comes from Jay Gould. George is portrayed as a full-blown robber baron, much like Gould was. In fact, Gould is remembered as one of the most cutthroat railroad tycoons of the Gilded Age. As his Encyclopedia Britannica entry notes, he "remained ruthless, unscrupulous, and friendless to the end" before his death in 1892. George is similarly unafraid to cross anyone, as long as it benefits his bottom line. And much like Gould, while George spares no feelings for his competition, he does love his wife and children — and, as fans of the show have pointed out, is quite handsome. They even call him " Railroad Daddy." Peggy Scott, as played by Denée Benton, is inspired by a few real women, including Julia C. Collins. One of the first things we learn about Peggy is that she's an aspiring writer, and a talented one at that. It's clear that "Gilded Age" creator Julian Fellowes was inspired by Julia C. Collins, the first Black female author to publish a novel. Collins' book, "The Curse of Caste; or The Slave Bride," was published in serial form across eight months in 1865. However, she died of tuberculosis before she was able to finish it. Thankfully, Peggy has fully recovered from the illness she contracted at the beginning of season three. Donna Murphy plays Caroline Schermerhorn Astor, the queen of New York high society. During the Gilded Age, the undisputed queen of New York was Caroline Schermerhorn Astor, who, despite the enormous wealth of her husband, William Backhouse Astor Jr., was actually the richer of the two due to her family's wealth dating back to the first settlement of Manhattan by Dutch colonists in the 1600s. Astor was the leader of a group called the Four Hundred, a list that contained anyone who was anyone in the late 1800s. Perhaps coincidentally, her townhouse's ballroom could fit up to 400 people comfortably. Murphy, a two-time Tony Award winner, brings needed gravitas to the role. Caroline's youngest daughter, Carrie Astor, is played by Amy Forsyth. Carrie Astor has had a recurring role across "The Gilded Age," popping up across three seasons mainly to convince her mother to let the Russells become part of their elite group of friends. If the show follows what happened in real life, Carrie's future marriage to banker Marshall Orme Wilson will cause quite a stir, as her parents did not approve of the match. In fact, according to a biography of the Astors, Carrie "starved herself into bulimia" until her mother acquiesced. One of the show's more eclectic characters is Mamie Fish, played by Ashlie Atkinson. Fish is one of the first people we meet in "The Gilded Age," as Bertha and George's son Larry is invited to vacation at her home in Rhode Island. In real life, Fish was another one of the most powerful socialites of the era alongside Alva Vanderbilt and Tessie Fair. The three ruled as the "Triumvirate" after Caroline Astor's death in 1908. In both fiction and real life, Fish loved to throw a lavish party. Caroline Astor's right-hand man, Ward McAllister, is played by Nathan Lane, distinct mustache and all. While trying to make it as a writer, Peggy meets Timothy Thomas Fortune, played by Sullivan Jones. After deciding not to take her name off her writing to be published in white newspapers, Peggy meets Fortune, the real publisher of The New York Age, a leading Black newspaper of the day (called The New York Globe in the show). In both the show and reality, Fortune was married by the time of "The Gilded Age," but it didn't stop Peggy and Fortune from developing a relationship during season two. John Sanders plays the famous (and problematic) architect, Stanford White. If you've ever walked around Washington Square Park in Manhattan, you've seen one of White's most renowned pieces of work: the Washington Square Arch. In the show, White is also responsible for designing the Russells' behemoth of a townhouse on Fifth Avenue. In real life, White was involved in one of the era's biggest scandals. When he was 48, he was accused of drugging and sexually assaulting 16-year-old Evelyn Nesbit, a model and actor. In 1905, when Nesbit was 21, she married another prominent New York figure, Henry Kendall Thaw. When Thaw learned what White had done to his wife, he murdered him during a performance at Madison Square Garden (a building he designed). The subsequent trial was a media circus and was even dubbed the trial of the century. Public opinion of White plummeted during the trial when the public learned about his private life. According to The New York Times, Vanity Fair even ran this headline: "Stanford White, Voluptuary and Pervert, Dies the Death of a Dog." Clara Barton, as played by Linda Emond, appeared in the first season. In season one, Marian (Louisa Jacobson) takes her aunts to a talk being given by Barton, a Civil War nurse, voting rights and equal rights activist, and key member of the American Red Cross. J. P. Morgan, as played by Bill Camp, joined the cast in season three. The real Morgan was considered the greatest banker who ever lived, so it shouldn't be surprising that George, in need of capital, would turn to him for help. Jordan Waller played Oscar Wilde in a season two episode. The famous playwright and author of "The Portrait of Dorian Gray" popped up in season two while his play "Vera; or, The Nihilists" premiered in New York. Of course, he found time to hit on John Adams (Claybourne Elder), as well. Emily Warren Roebling, one of the engineers of the Brooklyn Bridge, was played by Liz Wisan in season two. Roebling essentially took over for her husband, Washington Roebling, as chief engineer of the Brooklyn Bridge after he developed decompression sickness and became bedridden. The Brooklyn Bridge is unveiled during a season two episode, and George sends his son, Larry (Harry Richardson), to represent him at a trustees meeting, when he discovers that Emily is the one running the show. Suffragist Sarah J. Garnet, as played by Melanie Nicholls-King, appears in season two as well. Nicholls-King appeared in three episodes of season two as Garnet, a landmark figure in Black history, as she was a principal, the founder of the Equal Suffrage League, and owned her own seamstress shop. Booker T. Washington, played by Michael Braugher, also appeared in two episodes of season two. Washington is known for his work in advancing the education of Black Americans in a post-Civil War America, including as the first leader of the Tuskegee Institute, which is now the HBCU (Historically Black College or University), Tuskegee University. Washington is in two episodes of the second season, when Peggy and Fortune make their way to Tuskegee to report on it for the newspaper. Gladys gets her portrait done by artist John Singer Sargent (played by Bobby Steggert). Sargent's season three appearance is in 1883, just before he became famous for his painting "Portrait of Madame X" in 1884 — in fact, he mentions the then-scandalous painting while speaking with Bertha, who notes that some scandal will only make him more expensive. Gladys' husband, Hector Vere, the Duke of Buckingham, is based on Charles Spencer-Churchill, the Duke of Marlborough. He's played by Ben Lamb. In the show and real life, this duke is desperate for a sizable dowry so he can continue upkeep on his castle (Sidmouth Castle in the show, Blenheim Palace in real life). However, Hector seems like he'll (hopefully) be a better husband to Gladys than Charles Spencer-Churchill was to Consuelo Vanderbilt. Frances Ellen Watkins Harper is played by LisaGay Hamilton in season three. Peggy brings Harper to a ladies' tea she's hosting to help drum up support for the suffrage movement, much to the displeasure of the conservative Elizabeth Kirkland (Phylicia Rashad). Harper was one of the first Black female authors to be published — and left behind a large body of work — and also was an activist for suffrage, temperance, and abolition. Russell Risley Sage, played by Peter McRobbie, joined the show in season three. When George is summoned to a meeting by J. P. Morgan, he meets other financiers, including Sage. Sage, in real life, worked closely with Jay Gould (if you'll recall, the basis for George's character). The two managed railroads together. However, in "The Gilded Age," the two have a much more adversarial relationship. Sage is perhaps most famous for surviving an assassination attempt at his office by using one of his employees, William R. Laidlaw Jr., as a human shield. Laidlaw survived but sued Sage after he was permanently disabled. As The New York Times put it, Sage was found to owe him $25,000, "simply because he used William R. Laidlaw, Jr., as a shield to save his gray hairs from being brought prematurely to the grave."
Yahoo
2 hours ago
- Yahoo
Kim Cattrall Shades ‘And Just Like That' Cancellation With Cryptic Post
And just like that, the Sex and the City reboot has reached a bitter end—and Kim Cattrall is breathing a sigh of relief. And Just Like That, the follow-up to the award-winning HBO series, reunited original stars Sarah Jessica Parker, Kristin Davis, and Cynthia Nixon. Cattrall, who played fan favorite character Samantha Jones, was absent from the spin-off due to her public feud with Parker. Cattrall seemed to shade the series' end with a picture of a sunset and the caption: 'It's the end of a very long week' alongside a red heart and kiss emoji. Fans were quick to pick up on the viral diss. 'Kim, we need a fabulous new series just for you,' one said. 'Real ones knew.' 'Without 'Samantha' it is the end of a very loooonnnngggg three seasons!' another chimed in. 'Translation: finally this thing is over (in a Samantha voice),' a third commented alongside a winky emoji. Cattrall has accused Parker of behaving cruelly toward her during the original series and said that the two had never really been friends. Cattrall said Parker was not genuine in her condolences after Cattrall's brother died in 2018. Parker has called the feud 'very painful.' 'We did not ask her to be part of this [And Just Like That] because she made it clear that that wasn't something she wanted to pursue, and it no longer felt comfortable for us, and so it didn't occur to us,' Parker told The Hollywood Reporter in 2022. 'That's not 'slamming' her, it's just learning' And Just Like That showrunner Michael Patrick King announced the series' end after its third season, hours before Cattrall's post. 'It's with great gratitude we thank all the viewers who have let these characters into their homes and their hearts over these many years,' he said. He added that he held off on announcing the news until now 'because we didn't want the word 'final' to overshadow the fun of watching the season.' Although Cattrall, 68, made a brief cameo in the season 2 finale, she otherwise steered clear of the reboot. Cattrall's short cameo, where she calls Parker's character, Carrie Bradshaw, was filmed separately and without involving the other cast members. The other actresses expressed sadness and the series' end. Davis said she was 'profoundly sad' about the show's ending, and Nixon said that the filming had been 'such a delight from start to finish.' Parker, 60, posted a montage reel of her character's moments on Instagram. Carrie 'changed homes, time zones, boyfriends, her mind, her shoes, her hair, but never her love and devotion to New York City,' she wrote. 'I am better for every single day I spent with you,' she said to her fans. 'It will be forever before I forget. The whole thing. Thank you all. I love you so. I hope you love these final two episodes as much as we all do.' Solve the daily Crossword


Forbes
2 hours ago
- Forbes
Taylor Swift's Album Cut Jumps 6,000% In Sales
Even when Taylor Swift is between album cycles, she finds a way to manage impressive feats on the charts. With no new singles out and fans still speculating about her next move, one of her album cuts has returned to the spotlight, proving once again that even her lesser-known songs can become big wins under the right circumstances. Taylor Swift Syncs With 'And Just Like That' On the July 25 episode of HBO's And Just Like That – which is set to end with its third season, according to a recent announcement – an emotional farewell between Carrie Bradshaw and her beau Aidan was set to the soundtrack of 'How Did It End?' The track, originally released as a bonus cut from The Tortured Poets Department: The Anthology Edition, played during the episode's closing moments, and that meaningful sync helped the tune surge on streaming platforms and download stores. A Sky-High Sales Boost Thanks to the high-profile placement, 'How Did It End?' experienced a massive uptick in purchases. According to Billboard, from July 25 to 28, the song sold more than 500 copies in the United States (per Luminate). That's a 6,000% jump from the previous week. Streaming Numbers Rise as Well While the bump in streaming was less dramatic when compared to sales, it was still significant. The track pulled in 391,000 official on-demand streams over that same four-day period, up 22% week-over-week. For a deluxe edition track that debuted more than a year ago and which wasn't pushed as a single, that's a solid showing. A Deluxe Edition Track That's Still Popular 'How Did It End?' made its first chart appearance back in April 2024, when it debuted at No. 35 on the Hot 100 when The Tortured Poets Department: The Anthology Edition arrived. It's not common for an album cut from a deluxe reissue to break into the top 40 on the chart, but nothing about Swift's career is common.