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Netflix and Brazilian Tourism Board Embratur Announce Cooperation Agreement to Boost Film-TV Tourism in Brazil

Netflix and Brazilian Tourism Board Embratur Announce Cooperation Agreement to Boost Film-TV Tourism in Brazil

Yahoo01-06-2025
RIO DE JANEIRO – Netflix and Embratur, the Brazilian Tourism Board, announced Friday a cooperation agreement aimed at boosting tourism through Brazilian audiovisual productions, establishing a model which could be used in other countries.
Embratur President Marcelo Freixo and Netflix Director of Public Policy for Brazil Mariana Polidorio announced the deal during a panel at Rio2C, Latin America's largest creativity event that is running over May 27 to June 1 in Rio. The panel also counted on Fernanda Souza, host of Netflix hit reality show 'Stranded With My Mother-In-Law.'
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The partnership marks a bet on the power and settings of Brazilian stories to attract tourists from around the world.
Inspired by the success of some of Netflix's biggest plays in countries such as France and Spain, the initiative takes in a promotional video which plays on the tourist potential of settings from productions that have captivated global audiences – such as 'Invisible City,' lensed in the Amazon rainforest, or 'Love Is Blind Brazil,' with seasons shot at destinations such as Trancoso, Bahia, and Bom Jardim da Serra, Santa Catarina, nd 'Sintonia,' highlighting the urban landscapes of São Paulo's outskirts.
'Audiovisual content is a powerful tool and a key asset for tourism promotion. Many people choose their travel destinations based on a movie or series they've watched. Brazilian content and talent are globally recognized for their quality, they carry our cultural identity, and they continue to win hearts all over the world. This partnership is a way to turn the strength of Brazilian stories into real-life connections,' said Freixo said.
The partnership also includes the launch of a travel guide featuring itineraries and tourist experiences inspired by top-performing Netflix titles with strong local and global engagement – titles that reflect the main cultural assets Embratur aims to promote. The guide will be released later this year and will highlight the natural and cultural resources promoted by Embratur.
'We are committed to Brazil in the long term. We know that the stories we tell help project the country to the world and have a direct impact on the local economy, Brazilian culture, and tourism — both for domestic and international audiences,' said Polidorio.
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I've watched 43 shows in 2025 so far — here's the 7 worth watching right now on Netflix, Hulu and more
I've watched 43 shows in 2025 so far — here's the 7 worth watching right now on Netflix, Hulu and more

Tom's Guide

time10 minutes ago

  • Tom's Guide

I've watched 43 shows in 2025 so far — here's the 7 worth watching right now on Netflix, Hulu and more

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How 'KPop Demon Hunters' became the surprise hit of the summer
How 'KPop Demon Hunters' became the surprise hit of the summer

Yahoo

timean hour ago

  • Yahoo

How 'KPop Demon Hunters' became the surprise hit of the summer

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'KPop Demon Hunters' is the highest charting soundtrack of 2025, with eight of its songs landing on the Billboard Hot 100. It peaked at No. 2 on the all-genre Billboard 200. To put that in perspective: Lorde's 'Virgin' and Justin Bieber's 'Swag' did the same. In some ways, it recalls Disney's 'Encanto,' which topped the Billboard 200 and produced a No. 1 hit, 'We Don't Talk About Bruno ' in 2022. Similarly, 'KPop Demon Hunters' embraces 'the original soundtrack, which is a lost art form,' adds Benjamin. Tamar Herman, a music journalist and author of the 'Notes on K-pop' newsletter, says the movie succeeds because it embraces animated musical tradition and authentic K-pop music production styles in equal measure. She considers 'Kpop Demon Hunters' to be 'a musical with songs inspired by K-pop,' not unlike a Jukebox musical, where the songs of ABBA are reimagined for 'Mamma Mia.' Audiences hunger for something new The novelty of the film, too, seems to be resonating. Where many animated films rely on adapting existing intellectual property, 'KPop Demon Hunters' is original. And it comes from an original perspective. 'It's not completely Korean, it's not completely Western and it's kind of right in that middle,' says Kang. 'It's like not pulled from one side; it's kind of flavors of both. So, I think that's what makes the movie feels a little different.' And 'the core story is what's drawing everybody in,' says Kang. San Francisco-based cosplayer and content creator Nanci Alcántar, who goes by Naanny Lee online agrees. 'It's not only a K-pop group, but it also tells a story of their journey, of how they transform into powerful warriors,' said Alcántar in Spanish. For her, it goes beyond K-pop — it's about the narrative. Kang's approach to cultural authenticity, too, may have contributed to the film's crossover appeal. Rather than explaining Korean elements like HUNTR/X's visit to a traditional medicine clinic or translating K-pop light stick culture for Western audiences, she opted for full immersion. 'We just wanted everybody to just accept that they were in Korea,' Kang said. The director said this method of 'throwing people into the deep end of a culture' breaks down barriers better than heavy-handed explanation. 'We just wanted to keep everything feeling normal,' she explained. 'If you don't shine a light on it, it just becomes more easily accepted.' Inventive animation connects Zabrinah Santiago, a San Diego-based longtime K-pop fan and freelance illustrator who goes by ItmeZ online, was so inspired by the animation style of the movie that she raced to make fan art. She sold illustrated fan cards of HUNTR/X and Saja Boys at her booth at the Los Angeles Anime Expo, held in July, two weeks after the movie was released on Netflix. And she wasn't the only one. A search of #kpopdemonhunters on Instagram yields thousands of fan illustrations of HUNTR/X and Saja Boys. Japan-based Youtuber Emily Sim, also known as Emirichu online, says the character designs and original plot drew her to the movie. Sim, with more than 3.5 million subscribers on YouTube, posted a 35-minute video about the movie. In a week-and-a-half, it garnered nearly 450,000 views. 'I love seeing all the fan art and just the ways that this movie has creatively inspired people,' Sim said. Kang says for 'KPop Demon Hunters,' her team wanted to bring together demons and Jeoseung Saja — the grim reaper in Korean mythology — for a film that could look both very traditional and modernized — what she says is common in K-dramas but not in animation. Herman compares the movie to another Sony animation: 'Spider-Man: Into the Spider-Verse,' which also attracted a broad audience with its creative animation. 'And it's a fun, animated musical, which we haven't had in a while,' she says. 'It's campy, it's engaging, it's universal.' And K-pop fans see themselves represented Santiago was initially skeptical of the title 'KPop Demon Hunters.' 'I feel like with big companies they kind of like to use K-pop as a bait. They kind of like to take advantage of K-pop fans' sincerity,' said Santiago. 'But I felt like with this one, it was such like kind of a love letter to K-pop fans.' Indeed — if the film wasn't authentic to K-pop fans' experience, or mocked them, it is unlikely to have become so popular, says Benjamin. Instead, there are Easter eggs for the dedicated K-pop listener. Herman agrees, and says that the film has in-jokes for K-pop fans, not unlike a children's movie that features some humor meant to appeal specifically to parents. 'Figuring out what makes K-pop tick in a way that resonates with musical fans was really important to this movie,' said Herman. For Kang, that was always at the heart of the project. 'Fandom plays a huge part in the world being saved at the end of the movie,' she said. 'So, we were really confident that we were doing that justice.' ___ Karena Phan reported from Los Angeles. Juwon Park reported from Seoul. Maria Sherman, Karena Phan And Juwon Park, The Associated Press

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