
Eurovision 2025: First semi-final line-up, running order and how to watch
Eurovision 2025: First semi-final line-up, running order and how to watch
The first semi-final of this year's Eurovision will be taking place tonight, Tuesday, May 13 and will help decide the first batch of countries who will be performing in this weekend's grand final.
Scott Mills and Rylan will be presenting this year's Eurovision semi-finals on behalf of the UK
(Image: BBC )
It's that time of year again, and the Eurovision Song Contest 2025 is well underway with the big event just days away. But, before they can do that, they need to decide which lucky 26 countries will be performing.
The first semi-final of this year's Eurovision will be taking place tonight, Tuesday, May 13. It will feature 15 different countries battling it out to even get a chance at competing for the big prize, becoming the winner of Eurovision 2025 and having the pleasure of hosting next year's competition in their home country.
You'll be able to watch the show broadcasted live from Basel on BBC One and BBC iPlayer from 8pm until 10.20pm. For the latest TV and showbiz gossip sign up to our newsletter .
Here is everything you need to know for the first semi-final of the Eurovision Song Contest 2025.
The star-studded line up of acts in the semi-finals will be commentated and presented across BBC One and BBC iPlayer by Scott Mills and Rylan. However, they will also be available to listen to on BBC Radio 2 and BBC Sounds which will be presented by Richie Anderson and Sara Cox.
In this year's semi-finals, the Big 5 (France, Germany, Italy, Spain and the United Kingdom) and this year's host country (Switzerland) will perform as part of the show, even though they are already pre-qualified for the Grand Final. Semi-final one will see Spain, Italy and Switzerland's performances.
Article continues below
The line-up and running order (including performances from the Big Five):
1. Iceland: VÆB – RÓA
2. Poland: Justyna Steczkowska – GAJA
3. Slovenia: Klemen – How Much Time Do We Have Left
4. Estonia: Tommy Cash – Espresso Macchiato
Spain: Melody – ESA DIVA
5. Ukraine: Ziferblat – Bird of Pray
6. Sweden: KAJ – Bara Bada Bastu
7. Portugal: NAPA – Deslocado
8. Norway: Kyle Alessandro – Lighter
9. Belgium: Red Sebastian – Strobe Lights
Italy: Lucio Corsi – Volevo Essere Un Duro
10. Azerbaijan: Mamagama - Run With U
11. San Marino: Gabry Ponte – Tutta L'Italia
12. Albania: Shkodra Elektronike – Zjerm
13. Netherlands: Claude – C'est La Vie
14. Croatia: Marko Bošnjak – Poison Cake
Switzerland: Zoë Më – Voyage
Article continues below
15. Cyprus: Theo Evan – Shh
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Wales Online
22 minutes ago
- Wales Online
BBC viewers say 'I gave it a try' as they 'switch off' Death Valley within minutes
BBC viewers say 'I gave it a try' as they 'switch off' Death Valley within minutes The third episode of Death Valley aired on BBC One on Sunday evening, and it was safe to say that viewers were far from impressed Death Valley: Official trailer Death Valley's third episode left some viewers "switching off" on Sunday night. The episode, which aired on Sunday (June 8), saw John Chapel (portrayed by Timothy Spall) and DS Janie Mallowan (Gwyneth Keyworth) investigating the premature death of a best man, reports the Express. However, it seemed to attract attention for all the wrong reasons. One disgruntled viewer took to social media to vent their frustration: "What on earth is this s*** #DeathValley. "No wonder everyone is talking about it... It's utter drivel and woke toboot. Refund the BBC if this is the best they can s**t out." Another chimed in, " I heard it was bad, but jeez, it's horrendously bad. The lead lady is so irritating, and the script is chronically unfunny. It's a new low for BBC Sunday night viewing, absolutely horrendous." Death Valley was swamped with complaints (Image: BBC ) Article continues below One viewer even admitted to turning off the programme, stating, "Caught up with #DeathValley on BBC1. I love stuff staring Timothy Spall but just had to turn off after a few minutes due to the awful co-star detective played by Gwyneth Keyworth shouting all the time. She must be one of the most annoying TV characters ever." A fourth viewer echoed these sentiments: "I'm on the third episode of "Death Valley" - I really gave it a try, but it really doesn't get on me. I can't stand the main characters, they are cringe... in general I really like those shows, but this I'll skip and that Ludwig will return soon." (sic) Someone else declared: "#DeathValley on BBC1 is one of the worst programmes I've ever sat through!". Despite the mixed reviews, Death Valley drew in nearly three million viewers on its debut (Image: BBC ) In contrast, some viewers expressed their enjoyment of the series, with one spectator stating: "I know a lot of people seem to enjoy slagging off #DeathValley, and I admit that when I saw the initial trailer, I thought it looked poor. "However, having binged the series the other day, I can quash my original reticence & say that I loved it. Daft, funny, cosy & Welsh." Another added: "Enjoying #DeathValley too. It's Sunday night viewing and I remember 'By the Sword Divided' and 'The Pallisers' so this is quite fun." The third episode of Death Valley aired on BBC One on Sunday evening (Image: BBC/BBC Studios/Simon Ridgway ) Amidst varying opinions on Death Valley, the BBC has shared the impressive viewer statistics following the show's premiere at the end of May. Article continues below The first instalment of Death Valley, broadcast on 25 May, pulled in an audience of 2.9 million on its first showing on BBC One, firmly establishing it as the most successful debut for a new BBC Scripted Comedy in the past five years – even eclipsing the launch figures for Ludwig, which aired last September to 2.8 million viewers. You can catch up on Death Valley on BBC iPlayer


The Guardian
2 hours ago
- The Guardian
The radio debut of the House of Commons: ‘there could be a long-running series here' – archive, 1975
Permanent radio broadcasts from the House of Commons began on 3 April 1978, and from the House of Lords on 4 April. Television broadcasts began on 21 November 1989. 10 June 1975 Ed Boyle, the commercial radio commentator for the first broadcast of parliament, yesterday spent two hours cooped up in a tiny glass box at a temperature of nearly 90 degrees, wearing a jacket, tie, and buttoned up collar, suffering from a particularly ferocious type of dysentery which has already brought his weight down to eight stone. Just to add a touch of challenge to the job, he was operating a new type of microphone kindly supplied by the BBC with operating instructions entirely in Japanese. In spite of this, Mr Boyle and his BBC colleague, David Holmes, who were trapped together in the same tiny glass box, managed somehow to give composed and informative account of the proceedings. Mr Holmes admitted afterwards that the heat had been so great that at times he had thought he would not be able to carry on, and though listeners may have noticed his voice fading occasionally, he always remained strikingly coherent and apparently in command. Mr Boyle now intends to make a few swift changes to make life slightly more bearable. Apart from sartorial changes to Bermuda shorts, for himself, he plans to make commentating easier by fading out some members when the discussion gets too technical. 'Some of the questions are really on very minor and erudite issues, and I guess the MPs won't mind if we turn them down occasionally so as to explain to the listeners what is happening.' Yesterday the two broadcasters were blessed by a good chunk of pungent topical debates, with Tony Benn using industry questions as the chance to prove himself a good Euro-democrat, and with splendid quotations like: 'If the opposition wants any head on a charger, the leader of the Conservative party will have to be a lot more seductive as a Salome than she has been so far.' At the same time, there were highly complex questions about, for example, the funding of the new pod for the stretched version of the Rolls-Royce RB 211 – a matter of great importance, but one which cannot be explained in the few seconds between question and answer. Both commentators had to trim down their remarks to within a second or so either way: Mr Holmes reckoned that if he did not spot immediately whether the speaker was calling an MP for a supplementary or for the next question on the order paper, he would lose two of the four or five vital seconds of explaining time. Time was so tight that Mr Boyle had to make a definite policy decision to give the first name of each MP as well as his surname and party. Often their time was so limited they could only say: 'This is a question about Europe' or, 'This is about British Leyland.' Mr Holmes hopes to grab a few more seconds of talking time while MPs are laughing and cheering between answers. But both men were pleased with the way things had gone, and came out of the box easier in mind if not in body than they had been when they went in. 'What's encouraging is that it looks as if we can do a proper job without the house having to change its way of going about business or even the tempo of its debates, so no one need feel that we are interfering in any way,' said Mr Holmes. The commercial company plans to use more material than the BBC will use, with prime minister's questions live every Tuesday and Thursday, plus special debates. It will also have an hour of extracts and highlights each morning – twice as long as the BBC – with an instant feedback service from a panel of MPs who took part in the debate; and possibly a Saturday morning edition giving chunks of the week's committees. Val Arnold-Forster, our radio critic, adds: It was a lucky day for broadcasters, according to David Holmes at the end of the transmission – audibly breathing a sigh of relief. It was too, it was a well or luckily chosen parliamentary day. At first, both Holmes and his opposite number, Ed Boyle of IRN, seemed to feel a trifle defensive about parliament. Well they might, for BBC listeners anyway missed not only some of Woman's Hour and a play, but since political events always seem to invade children's entertainment, they also missed Listen with Mother. Before the actual live broadcast started, both political editors showed us round like keen members of a parent-teachers association displaying their school: eager to tell us about the hallowed tradition, the problems that the whole institution had in a changing society, and the usefulness of the work done. The leader of the house, Edward Short, appeared on both channels in his headmasterly capacity to say that this was a particularly noisy House of Commons, but he hoped that the MPs would be on their best behaviour. A bit unruly, he thought, and not only the MPs either. There would have been more room, said Mr Short, in the tiny broadcaster's box if IRN and BBC had done the decent thing and agreed to a joint transmission. Nobody need have worried: from the moment question time started we were in capable hands. Both David Holmes and Ed Boyle chipped into the debate sotto voce, to identify and give party allegiances and explanations. Both tried valiantly to feed the listener with the details that make the House of Commons come alive. 'Mr Bidwell, chairman of the Tribune Group … Mr Denis Skinner, always a lively performer … Mr Benn is smiling to himself.' But they need not really have bothered: the proceedings were jolly enough. For those of us used to hearing politicians debating cautiously in front of untried audiences or answering laboured questions and phone-ins, it was an entertaining experience to hear such skilful parliamentary technicians as Harold Wilson and Tony Benn, parrying questions, riposting, joking, and scolding. The jokes were not always very good, but that's true of other radio comedians. Perhaps the laughter and applause sometimes seemed excessive but the barbed retorts were well placed and, as in other radio shows, what seemed like impromptu repartee must have been rehearsed, if only in the bath. 'I do not require lessons in political morality from an honourable member who regularly signs the oath of allegiance and snipes continually at the royal family,' snapped Tony Benn to Willie Hamilton. The uproar which worried Edward Short was cheerful mostly. The general cosiness, which came through strikingly as everyone complimented everyone else on performances in the referendum debate, seemed as easy to grasp as the Archers: we could become as familiar with William Whitelaw's idiosyncrasies as Walter Gabriel's. Final verdict: early days yet, but there could be a compulsive, long-running series here.


Daily Mail
3 hours ago
- Daily Mail
Fans stunned by Celine Dion appearance at Coldplay concert amid stiff-person syndrome battle
Celine Dion sent fans into a frenzy as she made a surprise appearance at Coldplay 's Las Vegas concert over the weekend amid her ongoing health battle with stiff-person syndrome. The Grammy winner, 57 - who recently shared a moving message amid Eurovision's semi-finals - was spotted in the stands at Allegiant Stadium and received a sweet serenade from Coldplay frontman Chris Martin. In a TikTok video taken by one of the concertgoers, a camera panned to the songstress at one point during the evening - causing the crowd to break out into loud cheers and applause. Dion became emotional as she took in the warm reception and stood up to send a friendly wave before placing a hand over her heart. The Fix You hitmaker then began to give a special shoutout to the star as he sang, 'Oh Celine, my beautiful sister. You make my heart go on and on. 'Near. Far. You're a total superstar. Let's hear it for the legendary Celine Dion!' Martin concluded. She also appeared to be accompanied by her three sons Rene-Charles, 24, and twins Nelson and Eddy, 14 - whom she welcomed with late husband Rene Angelil. Another snippet showed Celine dancing on her feet as the band performed one of their hit tracks. Dion wore a pair of blue glasses as she grooved to the upbeat song and was also filmed making a heart symbol with her hands towards nearby fans. The Power Of Love songstress also shared photos from her time at the concert to both her Instagram and X accounts. In the caption, she penned to her followers: 'What an unforgettable evening with @Coldplay at @AllegiantStadium…My heart is still singing! 'A heartfelt thanks to the band and their amazing team for welcoming my family with warmth and kindness. It was all…fantastique❤️.' Social media users flocked to the comment section of the posts to share their excitement over seeing Dion at the concert with her children. One penned, 'What a special night! Thank you for gracing us Queen Celine!' while another typed, 'Wow Two musical giants in one space!' View this post on Instagram A post shared by Céline Dion (@celinedion) In a TikTok video taken by one of the concertgoers, a camera panned to the songstress at one point during the evening - causing the crowd to break out into loud cheers and applause Social media users flocked to the comment sections of the posts to share their excitement over seeing Dion at the concert with her children 'You look so beautiful so happy to see you!!!!!' a fan wrote, and one shared, 'Couldn't be more happy for seeing you having fun with your sons' Another added, 'So glad to see you having fun and looking so good,' while one commented, 'This is so precious. you look so beautiful and full of joy! You deserve it all. Love you xx' 'You look so beautiful so happy to see you!!!!!' a fan wrote, and one shared, 'Couldn't be more happy for seeing you having fun with your sons.' Another added, 'So glad to see you having fun and looking so good,' while one commented, 'This is so precious. you look so beautiful and full of joy! You deserve it all. Love you xx.' 'She is the most humble and beloved artist in the music industry,' a fan penned, and one shared, 'It's so good to see Celine out and about enjoying herself with her boys and looking fabulous.' Over on X, others also gushed about the singer's rare appearance as one expressed their wish for a Celine and Coldplay collaboration: 'Please perform a song together with Coldplay.' 'Just two of the biggest music inspirations of my entire life together nbd,' another typed, and one added, 'I'm glad you had an amazing time Celine.' A fan wrote, 'The humblest music legend on earth. Long live the Queen of Vegas. We miss you!!' 'This is how you respect legends,' another penned as they referenced to the standing ovation Dion received as well as Chris Martin's tribute. During the concert, Dion put on a stylish display wearing a chic gray suit while her locks were pulled back into a sleek bun. Back in 2022, Celine revealed her stiff-person syndrome diagnosis and canceled her remaining tour dates at the time. Stiff-person syndrome is a rare neurological disorder which 'causes muscle stiffness and painful spasms that come and go and can worsen over time,' per John Hopkins Medicine. In a video uploaded to her Instagram page, the singer had emotionally explained, 'Unfortunately, these spasms affect every aspect of my daily life. 'Sometimes causing difficulties when I walk and not allowing me to use my vocal cords to sing the way I'm used to.' Dion added, 'I'm working hard with my sports medicine therapist every day to build back my strength and my ability to perform again, but I have to admit it's been a struggle. 'All I know is singing. It's what I've done all my life, and it's what I love to do the most,' the mom-of-three continued. Last year in May, Celine gave a health update during an interview with Vogue and expressed that her 'happiness has come back.' She continued, 'It has been a big burden on my shoulders, and a lot of that weight's now I can just focus on reality. That's wonderful.' And during an appearance on Today also last year, the performer stated, 'I believe in myself, in my bravery' while adding that she will not let the disorder 'control my life'; seen above at 2024 Grammy Awards in L.A. And during an appearance on Today also last year, the performer stated, 'I believe in myself, in my bravery' while adding that she will not let the disorder 'control my life.' 'I'm going to come onstage because I'm ready. And my vocal cords will not scare me because I'm going to be ready, and I'm going to hit those notes.' Celine - whose experience with the disease was shown in her documentary I Am: Celine Dion - gave a moving performance at the opening ceremony of the 2024 Paris Olympics as she belted out L'Hymne à L'Amour by Edith Piaf. She also presented the Album of the Year award to Taylor Swift at the 2024 Grammy Awards.