
Chappell Roan reflects on backlash after Outside Lands debut: ‘It makes me cry'
It's been nearly a year since Chappell Roan scolded Outside Lands festivalgoers in the VIP section for thinking they're 'way too cool' to dance during her set at Golden Gate Park. Now the singer is sharing how the subsequent backlash took an emotional toll.
'I didn't realize I'd care so much,' Roan said in conversation with R&B singer SZA for Interview Magazine published Tuesday, June 17. 'When it comes to my art, I'm like, 'Bitch, you can think whatever you want. You are allowed to hate it with all your guts.' But when it comes to me and my personality, it's like, 'Damn. Am I the most insufferable bitch of our generation?''
The 'Pink Pony Club' singer experienced a meteoric rise to fame last summer following the release of her debut album, 'The Rise and Fall of a Midwest Princess.' It led to her highly-anticipated main stage Outside Lands festival debut, which attracted a reported 50,000 for her afternoon set.
But a clip of Roan calling out fans in the VIP section of Outside Lands for not joining in on the choreographed 'Hot To Go!' dance — a 'YMCA'-style routine she taught mid-set — went viral last August, fueling criticism of her personality. While she said she has been able to brush off musical critiques, she admitted that the more personal criticisms have been harder to cope with.
Roan — whose real name is Kayleigh Amstutz — quickly made headlines for being outspoken, whether snapping at disrespectful fans and photographers or standing up for LGBTQ+ rights.
She responded by sharing several social media videos airing her grievances with sudden fame, explaining that she felt 'unsafe' and wanted to 'set boundaries' with fans. But some interpreted her remarks as the singer being ungrateful.
'When it's not about my art anymore, it's like, 'They hate me because I'm Kayleigh, not because they hate the songs that I make,'' she told SZA. 'I give a f— and it makes me cry. I don't know if it will ever feel okay to hear someone say something really hateful about me.'
Though she spent some time out of the public eye after winning her first Grammy Award at the start of the year, Roan is working on her sophomore album and has returned to the festival circuit. During recent appearances, she has even reportedly performed her new country-tinged song, 'The Giver.'
Her next festival set is scheduled for Aug. 6 in Oslo, Norway at Øyafestivalen.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Los Angeles Times
5 hours ago
- Los Angeles Times
Sabrina Claudio wants to evolve. She's starting by letting people in
Sabrina Claudio is not the same person she was a year ago — much less eight years ago when she first introduced herself with a shimmering neo-soul EP, titled 'Confidently Lost.' Now, having amassed millions of fans with sultry, golden-hour slow jams and trips down melancholy lane, she's presenting her most earnest songwriting yet in her newest album, 'Fall In Love With Her,' released June 9 on Atlantic Records. 'I think in the past couple years, people in my life that I love have helped me get out of my shell and shown me how important vulnerability is,' she says. 'Now I'm like, you know what? I'm gonna tell y'all everything, how about that?' For her fifth studio LP, Claudio steered her R&B sound into a less-traveled, alternative direction that showcases her deft pen and ethereal vocals in a novel guise. Her longtime producer, Ajay 'Stint' Bhattacharyya, cited shoegaze bands like Cocteau Twins and Slowdive as influences that came up during recording sessions. For Claudio, wading into those uncharted waters became part of a larger shift in her career. Until recently, the Cuban and Puerto Rican singer-songwriter — who in 2023, earned a Grammy Award for Best Traditional R&B Performance as a songwriter on Beyoncé's slick 'Renaissance' cut, 'Plastic Off the Sofa' — preferred to toil in privacy, channeling her expression into songwriting more than social media. But this year, she's inviting the outside world to experience her personality with a new interview series on YouTube titled 'Fall In Love With…' To hear her tell it, she's eager for the effort to help fans and listeners see the person she is behind the music. 'I hope that people can listen to [the album] knowing that, yes, [I'm singing about what] I experienced, but I just pray that they are able to interpret it and relate it to their own life however they possibly can,' she says. Come July, she'll embark on a U.S. tour with rappers Russ and Big Sean; soon after, she'll make her acting debut in a short film directed by filmmaker and best friend Jazmin Garcia-Larracuente, who was inspired by early drafts of songs off 'Fall In Love With Her' to write a script. 'I'm very proud of myself,' Claudio says. 'I think I killed it, and I'm excited for everybody to see it.' In her latest interview with the Times, she speaks of the intimacy required in songwriting with others, the possibility of an all-Spanish EP and her approach to storytelling. This interview has been edited and condensed for length and clarity. After releasing your last album, 2022's 'Based On A Feeling,' you focused on writing for other artists. Is that usually how it goes between albums for you?Typically [after] I finish an album, I always go through the phase [when] I need to take a break because creatively I'm worn out. I wouldn't do anything, which actually only emphasized the lack of motivation to continue and make more music. But this time around, I wanted to remain creative, and the best way to do that was to get in rooms with other creatives to help them get into their world, rather than always having to focus on mine. I thought it was going to be difficult for me, because I'm not a natural collaborator. Before I was very anti-having songwriters in my room. It was a whole ego thing for me … but I loved it so much that I ended up doing it for much longer than I was anticipating. I find so much inspiration being in rooms with artists for other projects. On this album you worked on some of the tracks with a songwriter, Nasri Atweh. I'm curious if there was hesitation to share your own process with someone else?There was a time in my life when I [felt] obligated to have writers in my room. My guard was up. It's not because I don't think that these songwriters were amazing, because they were. Some of my favorite songs I wrote with another person, like 'Problem With You' off [my album] 'Truth Is.' But for some reason, my brain would say if I didn't do it 100 percent, then it's not mine. And that's so not the reality of making art. With Nasri, he's my manager's brother. I met Nasri 10 years ago. I'm glad that it happened when it did. Being the songwriter in the room for other people put things into perspective, because I realized how important collaboration was. Nasri was able to eject things from me that I didn't even know existed. I'm on a different wavelength now. Working with a songwriter is like an intimate therapy session.I'm an extremely private person. I think the past couple years, people in my life have helped me to get out of my shell and have shown me how important vulnerability is. I didn't even want to expose myself, which is why I tend to write from experiences that I technically didn't experience, or from conversations with others, or movies. It was a protective layer. But now I'm like, you know what? I'm gonna tell y'all everything, how about that? [laughs] And it's worked out! You've said that when it comes to songwriting, you usually let yourself be led by the music, then the lyrics. Can you tell me more about 'One Word' and how that track came to be? It's one of the most powerful songs on the album.I wrote that during a heartbreak. I wanted to talk about an experience I had with a person I felt very deeply for, [who] essentially didn't fight for me to stay. But it was the biggest act of love that he could have done for me. I worked with my producer Stint, [who] I work with all the time, and Heavy Mellow. He was heavy on this project, no pun intended. I was venting,; I was really heartbroken. I was finding comfort in these men that I've known and trying to get their perspective on things. Another song is 'Worse Than Me,' which sounds completely different from the rest of the tracks. It's a little more assertive and seductive, with trip-hop-inspired drums. How did that come to be?Before I discovered the new sound [of] the album, I still was gravitating towards my typical R&B, neo-soul-type vibes. I was just trying to get back in the groove of Sabrina Claudio, quote-unquote, because I was just coming out of writing for everybody else. I was trying to tap back into my own world. And I think I needed one sassy song. [laughs] That's kind of what I'm known for: the sass, the crying, or the sexy. And I just felt like if I didn't have the sexy, I at least needed to have the sassy. This is the first time you've really worked with a more alternative sound — did you find yourself accessing parts of yourself that the traditional R&B sound didn't?Oh, absolutely! I love working with Stint and all of my producers because they have such a wide palette when it comes to music. Genres I never grew up listening to — all these sounds are new. It pulls different things out of me that I wouldn't be able to get if it was my traditional R&B sound. And naturally, I'm always going to do that because that's just how I am, but it was interesting to hear where my R&B and soul brain goes over these more alternative rock/indie vibes. For example, 'Detoxing' — I wrote that song with Nasri, but we didn't have the outro. So I took it to Stint, and he pulled up all these references of bands [like Radiohead], and he was teaching me so much. And then he [said], 'You know what, at the end I want to do something really big and really rock. I want to break it down. But then I want people to be shocked. I want you to belt, and I want you to say something, and I want you to purge, and I want you to take the concept of the song and really just yell it like you're just trying to get rid of something.' I listened back, and I'm even shocked at some of the things that I was able to tap into. I don't belt! [laughs] I didn't even know I could do that! You have the song 'Mi Luz' on the album, which is the first time you've included a Spanish song in an LP. What made you feel this was the right time to finally do that?First of all, I don't understand why I've never added a Spanish record to any of my albums. I listen to a lot of Spanish music in my daily life, a lot of reggaetón. You'd be surprised, my music is so calm and emotional … and then I'm twerking in my car listening to reggaetón. [laughs] So I felt in the sense of wanting to evolve, I feel now's the time. And the process is really interesting, because my brain doesn't actually think in Spanish, especially when it comes to songwriting. Any Spanish record [of mine] you've heard, I've done with Alejandra Alberti, who is also Cuban. She's from Miami, she's a Virgo, so we connected on all those things. I tell her what I want to say, and she just computes it in her brain and she translates it in a way that has taught me. 'Mi Luz' [was] the first time I contributed lyrically in Spanish. And it was always something that I was afraid of doing, because I'm always afraid of sounding dumb. I don't know why, but I have that fear. But I felt very comfortable, very safe with Ale. Would you release an EP of Spanish tracks?I think I would! If I have Ale, I think we could probably knock out an EP very quickly. I'd be down. You said in your recent Genius video that you really want reciprocal love because there's only so much self-love you can give yourself. Is there any difference in your work depending on how your personal life is going, or do you manage to block out the noise?I get very consumed by whatever I'm most passionate about in the moment. When I'm talking to somebody or I'm dating somebody, I do have the tendency to revolve my world around whatever we're building. So when I'm dealing with that, I do find that I put my career second. Because I crave love very badly — which is toxic for me — I'm willing to nurture. I'm pretty confident in my career. It's the one thing I have control over. Everything's amazing, and I get to make music whenever I want. But I don't necessarily have control over the relationship that I'm trying to build, so I get very consumed and I put that first. But I'm hoping that if I get into something else that's much healthier and not destroying our mental health, then I can do both at the same time! I just have to find that person first. You've acknowledged that you're a private artist, but I really like what I've seen so far from your new interview series, 'Fall In Love With…' Can you tell me how the idea of doing that came about?I have to say I was anti-miniseries, but my manager, Alyce, told me in the beginning stages of [making] this album, 'The music, as vulnerable as it is — nobody's going to relate to it or feel the depth of it if they don't know who you are as a human.' She said, 'Nobody knows that you're funny; nobody knows that you're outgoing. You're not this mysterious person that you think you are, and you need to show people that.' So at first, it annoyed me, because I was like, ugh, not me having to do things online. [laughs] I think doing this type of content was uncomfortable for me. I said, 'If you guys want me to do this, I don't want to be doing 20 episodes. I want four episodes, and I want it to be with people I know and I love and I will be comfortable with.' And it turned into 'Fall In Love With…' and I just thought it was special. I love to give credit to the people who have loved me through every stage of my life. And in the midst of it, my fans are able to see who I am as a person and how deeply I love, how loyal I am. And that opened the door to just so many other things. I just became so much more open-minded.


USA Today
10 hours ago
- USA Today
Panthers' post-Stanley Cup song choice was an epic Oilers troll job
Panthers' post-Stanley Cup song choice was an epic Oilers troll job The Florida Panthers are Stanley Cup champions once again, and with a second straight victory over the Edmonton Oilers, they're certainly not above some trolling. As the NHL champs celebrated for a second year in their locker room, some folks noticed a certain song playing as they smoked cigars, danced and drank some bubbly stuff: that would be Chappell Roan's instant classic, Pink Pony Club. That wouldn't be so significant ... except that Pink Pony Club happens to be the song that the Oilers adopted after wins this season. So if the Panthers knew that -- and I would assume they would -- that is some high-level trolling right there. Take a look: Wow. Insult to injury right there, I'd say. And I can't imagine the Oilers are going to bring back that as their victory song, since it was sort of a 2024-25 season kind of thing.

Cosmopolitan
11 hours ago
- Cosmopolitan
Chappell Roan Admits Backlash Gets to Her: 'It Makes Me Cry'
Chappell Roan is fierce all around, whether through her larger-than-life music, drag-inspired fashion, or how she publicly stands up for herself. While she has spoken her mind multiple times, the Grammy winner recently opened up about the constant criticism she receives and how it sits with her during a conversation with SZA for Interview magazine. 'I guess I wondered if you gave a fuck about the backlash,' the SOS singer asked, to which Chappell responded, 'I didn't, until people started hating me for me and not for my art.' The 'Pink Pony Club' hitmaker, whose real name is Kayleigh Rose Amstutz, continued, 'When it's not about my art anymore, it's like, 'They hate me because I'm Kayleigh, not because they hate the songs that I make.' That's when it changed.' She added that while people know her as her public, on-stage persona, they don't know who she really is deep down. 'But when things are taken out of context, people assume so much about you. I didn't realize I'd care so much. When it comes to my art, I'm like, 'Bitch, you can think whatever you want. You are allowed to hate it with all your guts,'' she shared. 'But when it comes to me and my personality, it's like, 'Damn. Am I the most insufferable bitch of our generation?'' SZA, who initially rose to fame in the 2010s because of her booming music career, shared a similar sentiment. Upon hearing Chappell's confession, the One of Them Days star revealed she 'felt relieved' that she 'gives a fuck' and reassured her that it's beautiful to feel deeply. 'I felt like I was a punk bitch for feeling the way that I feel, because I'm just like, 'Oh, maybe I'm just not cut out for this shit,'' SZA said, referencing her fame. 'Because everybody else who's cut out for this shit doesn't give a fuck. But that's not true.' 'The Giver' singer then said that reading backlash aimed at her sometimes brings her to tears. 'It makes me cry,' she admitted. 'I don't know if it will ever feel okay to hear someone say something really hateful about me.' Elsewhere in the interview, the stars chatted about believing in magic and gushed about their mutual admiration for each other. Earlier this year, SZA reacted to Chappell naming her as a dream collaboration on Call Her Daddy, saying, 'Actually didn't believe this quote when I saw it written til I saw it come out her mouth jus now CAUSE DEAD ASS SAME.' She added, 'pls we must.' And with that, we will be (im)patiently waiting for an inevitable collab from these icons.