logo
Even Kristen Stewart Had Trouble Getting Her First Feature Financed

Even Kristen Stewart Had Trouble Getting Her First Feature Financed

Yahoo19-05-2025

In 2018 at the Cannes Film Festival, Kristen Stewart joined Ava DuVernay, Agnes Varda, Jane Fonda and over 80 other women in a protest on the steps of the Palais to draw attention to the lack of female directors programmed in the line-up. That year, only three out of the 21 competition films were directed by women.
Seven years later, Stewart is back at the festival with her directorial debut The Chronology of Water, but the journey was not an easy one. 'We had to leave the United States to make this possible,' said Stewart of trying to get the film financed.
More from The Hollywood Reporter
'Die My Love' Review: Jennifer Lawrence Spirals Into Psychosis While Robert Pattinson Plunges Into Despair in Lynne Ramsay's Jarring Character Study
At 'Die, My Love' Cannes Premiere, Person Dressed as Bird Flies in Face of Festival Red Carpet Rules
Cannes: Lynne Ramsay/Jennifer Lawrence Collab 'Die, My Love,' Sales Title in Competition, Draws Six-Minute Standing Ovation
Stewart was on hand for a May 16 conversation with Chronolgy actor and musician Kim Gordon at Hyde Beach by Campari held by Breaking Through Lens. The non-profit group is focused on helping any filmmakers who experience marginalization due to their gender get their projects financed. At the event, Simbelle Productions founder Lauren Melinda announced the Simbelle Impact Award, a $10,000 unrestricted grant given to one finalist of the next Breaking Through Lens grant cycle whose project exemplifies social impact and artistic clarity.
Despite being one of Hollywood's biggest stars, Stewart had to go to Europe to get Chronology made. Based on Lidia Yuknavitch's 2011 memoir of the same name, the film follows a once-hopeful Olympic swimmer as she loses her scholarship and battles addiction while discovering her own sexuality and love of literature.
Stewart knew she was not right to play Yuknavitch, but her choosing not to star in the debut made finding money all the more difficult. 'The list of women and men [actors] that can finance a movie in the entertainment industry are so beyond me. They change so quickly and I don't understand them at all,' she said. Ultimately, Stewart cast Imogen Poots in the film.
Stewart spoke just hours before the film's May 16 premiere in the Un Certain Regard section at this year's Cannes. This year's fest features seven films directed by women in its twenty-two-film competition line-up, nowhere near parity.
As for her future directing ambitions, Stewart said, 'I would love to [act] in something I direct, and I will do it soon, I hope.' But, for now, she is happy to finally see Chronology screen in front of an audience: 'I feel like I am watching my kid in kindergarten like, 'Look at her go!''
Best of The Hollywood Reporter
'The Goonies' Cast, Then and Now
"A Nutless Monkey Could Do Your Job": From Abusive to Angst-Ridden, 16 Memorable Studio Exec Portrayals in Film and TV
The 10 Best Baseball Movies of All Time, Ranked

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Gkids Takes North America For Cannes & Annecy Title ‘Little Amélie Or The Character Of Rain'
Gkids Takes North America For Cannes & Annecy Title ‘Little Amélie Or The Character Of Rain'

Yahoo

time2 hours ago

  • Yahoo

Gkids Takes North America For Cannes & Annecy Title ‘Little Amélie Or The Character Of Rain'

EXCLUSIVE: Oscar-winning animation producer and distributor Gkids has acquired North American rights for Little Amélie Or The Character Of Rain, following its world premiere at the Cannes Film Festival in May. Titled Amélie et la Métaphysique des tubes in French, the work is the feature directorial debut of French filmmakers Maïlys Vallade and Liane-Cho Han. More from Deadline Nickelodeon Acquires Animated Kids' Show 'Mr. Crocodile' From Joann Sfar's Magical Society & Mediawan 'The Amazing Maurice' Producer Cantilever Media & ReDefine Originals Strike Animated Movie Pact Xilam Group & TF1 Team On Animated Kids' Series 'Turbo Twins' It was unveiled as a Special Screening in Cannes and will be back on the festival circuit next week, playing in competition at the Annecy International Animation Film Festival. The feature is adapted from The Character of Rain, the autobiographical novel of award-winning Belgian writer Amélie Nothomb, which is inspired by her own early years in Japan. The young protagonist Amèlie finds the world a perplexing, peaceful mystery until a miraculous encounter with chocolate ignites her wild sense of curiosity. As she develops a deep attachment to her family's housekeeper, Nishio-san, Amélie discovers the wonders of nature as well as the emotional truths hidden beneath the surface of her family's idyllic life as foreigners in post-war Japan. Vallade previously took storyboard artist credits on the Oscar-nominated feature I Lost My Body and Calamity, A Childhood of Martha Jane Cannary, while Han was animation director on the latter film and Long Way North. 'The emotional intelligence and visual creativity of Little Amélie or the Character of Rain stunned us,' said Rodney Uhler, Gkid Director of Acquisitions and Development. 'The film is an engrossing story of how a young person grapples with the confusing reality of the world she's brought into, but her discoveries will resonate with audiences of every age. The film feels like a beautiful gift from Vallade, Han and their team, and we cannot wait for audiences to discover its magic.' The deal was negotiated between Uhler and Jason Bressand of Goodfellas Animation. The feature is produced by Nidia Santiago and Edwina Liard for Ikki Films, and, Claire La Combe and Henri Magalon for Maybe Movies. Screenwriters were Han, Aude Py, Vallade, and Eddine Noël, who is also Art Director, while Ludovic Versace is the editor. The French-language voice cast features Loïse Charpentier, Victoria Grobois, Laetitia Coryn, Yumi Fujimori, Marc Arnaud, and Emmylou Homs. Best of Deadline 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series 'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out? 'Stick' Release Guide: When Do New Episodes Come Out?

Annecy Contender ‘Death Does Not Exist' by Félix Dufour-Laperrière Gets Political: ‘There's Urgency to Redistribute Wealth'
Annecy Contender ‘Death Does Not Exist' by Félix Dufour-Laperrière Gets Political: ‘There's Urgency to Redistribute Wealth'

Yahoo

time4 hours ago

  • Yahoo

Annecy Contender ‘Death Does Not Exist' by Félix Dufour-Laperrière Gets Political: ‘There's Urgency to Redistribute Wealth'

Annecy main comoetition contender 'Death Does Not Exist' is a political film. And Quebec director Félix Dufour-Laperrière isn't afraid to admit it. 'There's urgency to redistribute wealth. There's urgency to keep this world decent. I'm a father of two: a middle-class white man with a beautiful family, and one of my deepest desires is that my kids grow up in a livable world. On the other hand, there's a legitimate anger about the state of the world that needs to be addressed. Mine and yours, and obviously our American neighbors,' he tells Variety about his latest animated feature. More from Variety Guillermo del Toro-Backed El Taller del Chucho, Fasten Films, Martfilms Team on 'Sira and the Secret of the Park,' From Adrià García, Ángeles Cruz (EXCLUSIVE) Bread Zombies, Operatic Tapeworms, Nuclear Fallout and Storm Trooper Trauma Feature in our 10 Shorts Not to Miss at Annecy 2025 Anime-Inspired 'Miraculous' Spinoff 'Miraculous Stellar Force' Acquired by Disney With a 2025 Special and 2027 Series Launch Planned (EXCLUSIVE) 'The film comes from all these contradictions. It's crucial to take care of what you love, but it's not sufficient when we have a collective responsibility toward the world. It's a tragic tale about violence, but also about commitment, convictions, loyalty and connections.' In 'Death Does Not Exist' – which premiered in Cannes Directors' Fortnight – an idealistic girl, Hélène, flees to the forest after a botched armed attack on an uber-wealthy family. Her comrades are gone, but visions of one of them, Manon, continue to haunt her. Just like her personal and political choices. 'I wanted to focus on her paradoxical loyalty towards her moral beliefs, friendship and love. And to show direct consequences of violence: for those who suffer from it and for those who commit it,' notes Dufour-Laperrière. As Hélène ventures deeper and deeper into wild nature, not unlike Tarkovsky's 'The Zone' – 'Stalker' is one of my fetish films' – she makes a 'Faustian pact' with Manon. 'It's very dense at the beginning and very dense at the end, and there's a more reflexive moment in the middle. In my eyes, there's a reality to it even if it's dreamlike. They witness their desires coming to life. Conscious ones, like political and social upheavals, but also unconscious desire of starting something new.' He adds: 'In the realm of animation, everything is real.' 'It has been said before: form IS political. The way you look at things and people, it is political. A still drawing works, but it's obvious: a moving image is unstable and evolving. I like the idea that in animation, you can embody concepts and feelings, but it's all in movement. You can only grasp a part of it.' His protagonist, while not exactly your usual hero and fueled by 'tragic courage,' gets to confront some of the people she's been rallying against. 'Visually, they share the same context, the same color. But they also share some truths. I have mixed feelings towards what these kids are doing, but it says something about their convictions and their beliefs. I'm certainly not encouraging acts of violence or excusing them, but violence exists. Also, the word is being confiscated – by a minority. And those who get their part confiscated cannot just let it go.' At first, his film was much darker. 'It was a very, very fatalistic tale. Later, I tried to open it up a bit to give more space to life, connections. I did try to be honest with my own experiences and beliefs while writing it. I'm a pessimistic guy, but I love life,' he admits. In 2021, Dufour-Laperrière was awarded at Annecy for 'Archipelago.' But with its political flair, 'Death Does Not Exist' wasn't exactly an easy sell. 'We're lucky to have pretty strong public funding in Quebec and Canada. And once it's funded, we go all in. That's the reason why I produced it myself, with my brother Nicolas [for Embuscade Films]. To own the production means to put all the money on screen.' Emmanuel-Alain Raynal (Miyu Productions) and Pierre Baussaron (Miyu Distribution) are also on board, alongside Best Friend Forever and UFO Distribution. 'With our partners, we all know that we won't get rich selling this film. But it will be a fun ride.' Fun and serious, he underlines. 'In adult animation, we're all adults – we should be able to talk about the world and the things that move us. Being an adult is also about trying to name the depth of our shared experience and films, in my view, should do that as well. When my kids ask why I make them, I say: 'It's a way to live my life.' It's a beautiful way,' he says. 'Without wanting to sound pretentious, for me, art is a serious matter.' Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'

Dixie D'Amelio Embraces Sheer Trend in Georges Hobeika Gown at Cannes Film Festival 2025 Party
Dixie D'Amelio Embraces Sheer Trend in Georges Hobeika Gown at Cannes Film Festival 2025 Party

Yahoo

time10 hours ago

  • Yahoo

Dixie D'Amelio Embraces Sheer Trend in Georges Hobeika Gown at Cannes Film Festival 2025 Party

Dixie D'Amelio is the latest celebrity to embrace the sheer trend during the Cannes Film Festival. The social media star was seen at Le Majestic Hotel on Tuesday in Cannes for a special event by APM Monaco amid the ongoing film festival. D'Amelio opted for a sleeveless sheer floor-length dress by Georges Hobeika featuring nude fabric and embellished with floral elements on the bodice and skirt. The dress included a formfitting silhouette and a high neckline for added drama. More from WWD Elsa Hosk Revives Mugler's Mesh Knit Gown Worn by Claudia Schiffer in 1995 at the 2025 Cannes Film Festival Ciara Pairs Sequins With Chocolate Brown Sandals for Cannes Film Festival Premiere 2025 Scarlett Johansson Pops in Hot White Prada Pumps at 2025 Cannes Film Festival Embroidered throughout the bodice and top half of D'Amelio's skirt, green botanical-inspired flowers and stems, some evocative of '60s aesthetic, adorned the influencer's dress. The sheer skirt flowed to the floor. D'Amelio completed her look with sandal heels by Gianvito Rossi. As for her jewelry, D'Amelio went relatively minimalist save for a pair of earrings. The influencer regularly collaborates with stylist Siena Montesano Gones, who also curated D'Amelio's Global Gift Gala look from Monday's event. For the occasion, D'Amelio wore a custom Balenciaga dress in a berry tone with APM Monaco jewelry. D'Amelio's hair was styled by Marty Harper for Monday's event, while her makeup look was curated by artist Valeria Ferreira. With Tuesday's look, D'Amelio joins the likes of Dakota Johnson, Kristen Stewart and more who've styled sheer looks for their attire during the 2025 Cannes Film Festival. Johnson wore a sheer Gucci dress to the 2025 Kering Women in Motion Awards on Sunday, while Stewart styled a sheer look from Chanel for the photo call of her directorial debut with 'The Chronology of Water.' The 2025 Cannes Film Festival concludes on Saturday. Films premiering at this year's festival include Wes Anderson's 'The Phoenician Scheme,' Julia Ducournau's 'Alpha' and Lynne Ramsay's 'Die, My Love.' View Gallery Launch Gallery: Sheer Looks at Cannes Film Festival 2025: Dakota Johnson, Imogen Poots and More Celebrity Style, Photos Best of WWD Inside Jackie Kennedy's Three Engagement Rings: Untold Stories of the Love, Loss and Luxury Behind Her Iconic Jewelry Vittoria Ceretti's Runway Modeling & Red Carpet Photos Through the Years [PHOTOS] Zara Tindall's Royal Style Through the Years: Equestrian Influences, Formal Occasions and More, Photos

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store