Stagecoach Festival 2025: Lineup, daily schedule, where to watch live
The 2025 Stagecoach Festival has arrived.
The country music festival kicks off April 25 with some of the biggest names in country music hitting the stage for a three-day extravaganza at the Empire Polo Club in Indio, California.
This year's festival will be headlined by Zach Bryan, Jelly Roll and Luke Combs, and will also feature performances from the likes of Lana Del Rey, Sturgill Simpson, Shaboozey, Sammy Hagar, and Scotty McCreery, among many others.
Here's what you need to know about this year's Stagecoach Festival, including the full lineup and how to watch it from home. Festival organizers announced on social media on April 4 that the festival is sold out.
The headliners of this year's Stagecoach Festival are Zach Bryan on April 25, Jelly Roll on April 26, and Luke Combs on April 27.
Festival news: Billy McFarland says he's selling Fyre brand, including 'Caribbean festival location'
Festival organizers unveiled this year's musical lineup on social media in September 2024. The full list of performers can be found on the festival website.
According to the festival's official Instagram page and website, tickets are officially sold out for this year's Stagecoach. Fans who are hoping to snag tickets can join the ticket waitlist.
The full, daily schedule for Stagecoach 2025 can be found on the festival's website.
Stagecoach performances will be available to livestream on the festival's website via Amazon Music.
Gabe Hauari is a national trending news reporter at USA TODAY. You can follow him on X @GabeHauari or email him at Gdhauari@gannett.com.
This article originally appeared on USA TODAY: Stagecoach Festival 2025: Lineup, daily schedule, where to watch
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
USA Today
25 minutes ago
- USA Today
It's a toxic lesbian vampire summer: ‘Bury Our Bones' is V.E. Schwab at her realest
It's a toxic lesbian vampire summer: 'Bury Our Bones' is V.E. Schwab at her realest V.E. Schwab is hungry. The bestselling author of 2020 breakout 'The Invisible Life of Addie LaRue' has spent most of her career assimilating, presenting herself as less feminine and less queer. She used a pseudonym for her first name, Victoria, in part as a gender-neutral appeal to fantasy readers, a historically male-dominated genre. She was told to temper her ambition. She was told to want less. Over a dozen novels later, Schwab says she's done filtering herself. She's starving to be her most creatively uninhibited self and 'Bury Our Bones in the Midnight Soil' (out now from Macmillan) is her meal ticket there. 'The thing you realize when you spend so many years just trying to be what everybody else wants and trying not to rock the boat is that you're the only one that drowns,' Schwab tells USA TODAY. 'Bones' lets messy LGBTQ+ villains bite "Bones," which Schwab calls 'three novellas in a trench coat,' follows three vampires – one in 16th-century Spain, one in London in the 1800s and another in Boston, circa 2019. It's a toxic love triangle, a cautionary tale of vengeful exes and a thrilling, genre-defying ode to queer want. It's her most explicitly queer novel yet. After she saw how LGBTQ+ characters in spy thriller series 'Killing Eve' and AMC's remake of 'Interview with the Vampire' were embraced, Schwab was inspired to write a story centering messy, queer villains. Historically, LGBTQ+ characters are typically killed off (see the 'bury your gays' phenomenon) or sanitized. But as queer representation increases in media, audiences crave different, more complex stories. 'I just desperately wanted to write messy people, because when we insist that queer characters be perfect citizens, we say that their queer analogs in reality also can't make mistakes,' Schwab says. 'It's so reductive, it doesn't allow for complexity, it doesn't allow for nuance. It doesn't allow us to take up the same amount of space in the world as our straight counterparts.' Vampires on page and onscreen have long had queer undertones, especially with social outcast, androgyny, seduction and desire not embraced by larger society. Schwab calls 'the turn' from human to vampire the perfect metaphor for queer awakening. She's not the only one ready for more frank representation. AMC's 2022 remake of 'Interview with the Vampire' focused explicitly on queerness, where the original novel and 1994 movie left it up to fans to decode. 'Bones' takes that a step further by centering on female vampires. 'I felt like (vampire stories) often centered men, or if there were female vampires, they kind of were just objects of sexual desire on the periphery,' Schwab says. 'There is an inherent violence to moving through the world in a feminine body. You invite violence by simply existing, you are marked prey by the world. And I thought about the ultimate liberation of moving from prey to predator.' Schwab's characters are liberated – after they turn, they can live authentically. They also all deal with their vampirism differently, an apt metaphor for how coming out can affect people differently. All three characters share a common desire for more than their old life could offer. 'When I say that this is a book about hunger, I mean everything – it's the hunger to be loved, it's the hunger to be seen, it's the hunger to be understood, it's the hunger to take up space in the world, it's the hunger to take what you want as well as what you need. And hunger in the wrong hands is violence. Hunger in the right hands is romance,' Schwab says. 'Hunger, to me, is one of the most universal sensations. … it could be a meal or a life.' New book isn't 'Addie LaRue' – and Schwab is OK with that Still, the leadup to 'Bones' hasn't always felt so joyous. Every time Schwab teases information about the book, people ask her to write a sequel to 'Addie LaRue' instead. She's seen some readers declare 'Bones' an automatic skip because it has lesbian characters. She isn't letting it deter her. 'If I couldn't translate the success of Addie LaRue into sheer unapologetic storytelling, then it was a disservice to that book,' Schwab says. 'There is an inclination when you have such a large success to conform to it.' Instead, she says she wrote 'Bones' for her and hopes readers find her where she is. Early rave reviews confirm her hopes. 'Addie LaRue' taught her to abandon perfectionism and instead focus on purpose. Schwab wants to see both publishing and readers make room for other queer writers, who she says are 'always told to hunger for less or just settle.' In a landscape of exceptionalism where few marginalized writers break through to mainstream success, Schwab's rallying cry is 'more.' 'I'm hungry for stories, I'm hungry for art, I'm hungry for music that makes me want to make (art), I'm hungry for books. I have a voracious appetite for anything artistic,' Schwab says. 'Men are told to hunger, women are told to feed. And I think it's totally OK to hunger.' Biggest books of the summer: Taylor Jenkins Reid surprised herself with 'Atmosphere' Clare Mulroy is USA TODAY's Books Reporter, where she covers buzzy releases, chats with authors and dives into the culture of reading. Find her on Instagram, subscribe to our weekly Books newsletter or tell her what you're reading at cmulroy@
The Hill
39 minutes ago
- The Hill
‘Star Trek's' George Takei: Trump is the ‘biggest Klingon around'
George Takei is targeting President Trump with the ultimate Trekkie insult, calling the commander in chief the 'biggest Klingon around.' 'Change is constant and change will come,' Takei, a frequent critic of Trump and the Republican Party, said in an interview with USA Today published Tuesday. 'I'm working to make sure that we participate in making it a better, more responsible democracy,' said the 88-year-old 'Star Trek' actor while promoting his new graphic novel 'It Rhymes with Takei.' 'No more Klingons,' the LGBTQ activist said, referring to the science fiction series' villainous humanoids. Takei, who said in 2019 that the U.S. had hit a 'new low' during Trump's first term in office, expressed some optimism about the future. 'The Republicans are starting to fight amongst themselves,' he told the paper. His project with Steven Scott and Justin Eisinger and illustrated by Harmony Becker, details the story of Takei's 'life in the closet, his decision to come out as gay at the age of 68, and the way that moment transformed everything,' according to publisher Penguin Random House.
USA Today
2 hours ago
- USA Today
'With a Vengeance' by Riley Sager is a tense mystery on a train: Review
'With a Vengeance' by Riley Sager is a tense mystery on a train: Review Justice is best served cold — after a luxury overnight train ride, of course. That's the premise of "With A Vengeance" (Dutton, ★★★ out of four), the newest novel from bestselling author Riley Sager. It's is a locked-room mystery that takes us back to 1954 as a trap is being set. Anna Matheson's plan was simple, and she has put all her energy — and money — into every last detail. Get the people responsible for her family's downfall during the war onto a train where there's no escape, confront them and find out why they did what they did and then deliver them right to authorities waiting at the train's destination. But her meticulous plans are, well, derailed shortly after the train departs Philadelphia. Anna has managed, through anonymous invitations (and mild threats), to lure the six people who were behind destroying her family onto the luxe, and suspiciously empty, Phoenix train for a nonstop overnight ride bound for Chicago. More: USA TODAY's best-selling booklist She's prepared for this moment, prepared to face them all with what she's uncovered about their crimes, but she's unprepared for what comes after. Anna might want justice, but someone on the train apparently wants them dead and is killing Anna's captives, one by one. Now, she is in a literal race against the clock to not only figure out who's behind the murders, but also help protect the people she despises so they can be alive to face the justice they deserve. Sager's novel, which takes readers through each of the 13 hours from the train's departure to its arrival, brings easy comparisons to Agatha Christie's "Murder on the Orient Express" and "And Then There Were None." But there's also familiarity from Sager's previous novels: the panicky main character making messy moves, hints of romance past and present, uncovered family secrets and many twists. The journey through "Vengeance" almost loses its way along the tracks setting up some of those twists. Like real train trips, initial excitement can wane as the adventure gets underway and you settle in for the ride. Will it remain fun, or will the repetition rock you to sleep? There's plenty, though, to capture a reader's interest along the way. The tension between the characters, the tightness of the quarters on the train are visceral and sharp. You might not understand why Anna makes some of her choices, but you can understand her grief for the loss of her family and her desperation for closure and justice. That along with the story's short timeframe factor add to the urge to find out what happens next as the mystery deepens and the action escalates. More: Celebrate Pride Month with one of these 10 new books, from romance to nonfiction And Anna is surrounded by characters with more interesting backstories than her own: Her Aunt Retta, glimpsed through flashbacks, who had little patience for weakness, or her late beloved brother, Tommy, the kind and charming youth who joined the military and the war effort both seem worthy of novels of their own. "Vengeance" is not merely the final destination — the answers to whodunit or how — but the whole journey: observing the passing scenery, the setting, the passengers and seeing where the ride takes you.
