
Kelly Clarkson CANCELS first shows of Las Vegas residency minutes before showtime
The 43-year-old singer took to her Instagram just 90 minutes before and explained she was 'devastated' to postpone the concerts following grueling rehearsals.
The Grammy winner further expressed that she needs 'to protect' her voice in order to prevent 'doing serious damage.'
Clarkson penned to her fans in a statement: 'We have been working 24/7 to make Studio Sessions the most intimate and extraordinary experience with and for my incredible fans.
'I am beyond grateful that you always show up for me and I am devastated to have to postpone tonight and tomorrow's opening at Caesars.'
Kelly said that both the 'prep and rehearsals have taken a toll on my voice' and that she wants 'the shows to be perfect for y'all.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
41 minutes ago
- Daily Mail
Madison LeCroy gives BIRTH! Southern Charm star details traumatic 48-hour labor and reveals second child's name
Southern Charm star Madison LeCroy confirmed the arrival of her second child and detailed her traumatic 48-hour labor story on Thursday. The reality TV fixture, 34, revealed to Us Weekly that she gave birth to a daughter named Teddi — her first child with husband Brett Randle, 38 — on Sunday, June 29. Madison named her newborn after her late father, Ted LeCroy, who died in 2023. The star is also mom to son, Hudson, 12, whom she shares with her first husband, Josh Hughes. Madison revealed that Teddi required time in the NICU after being born via C-section at just 34 weeks, which is roughly eight months into pregnancy. 'I was in labor for 48 hours basically [because] my water broke at home,' she said of the 'crazy' start to her birth experience. Madison, who is based in South Carolina, was thrown for a loop when she went into labor at 2:30 a.m. after attending a concert for her mother Tara LeCroy's birthday. At the time, her husband Randle was across the country in California for work. 'I ran upstairs, and I was like, 'Mom, I don't have anything packed,'' Madison recalled. 'It was funny 'cause me and her both were like in my closet trying to pick out what we were gonna wear to the hospital.' When she finally arrived to the hospital, Madison learned that she was one centimeter dilated. Being that she was only eight months into her pregnancy when her water broke, Madison said that the doctors tried as long as they could to delay Teddi's delivery. 'We kind of prolonged the labor and Brett got here and then we waited another day and had the C-section and there she was five minutes later,' she explained. After spending 48 hours in labor, Madison was forced to send Teddi to the NICU for 'a few days' because it is hospital 'protocol' for premature babies. 'She's a little. She's only five pounds, but she's breathing on her own and hasn't needed any oxygen or anything like that,' Madison shared. 'She's kind of a little trooper.' Madison said that her doctors were 'shocked with how early she was that she was gonna be this independent. So I was like, "Oh, I wasn't shocked at all."' Madison then shared what music she listened to during her C-section. 'My doctor, she's amazing. And at this point she was, like, a friend, and we were sitting there talking and we were like, "What's the playlist gonna be for this?"' Madison recalled to Us Weekly. 'And we were joking around, we're like, "Girl power, let's go Taylor Swift." So we did, we rocked out to Taylor Swift during the surgery. 'So that's what she was born to. Now don't ask me what song, because at that point I don't have no idea. But yeah, girl mode all the way.' In order to feel and look her best for Teddi's early arrival, Madison said she called in her glam squad last-minute. 'This is even crazier. Once I got [to the hospital] and I realized I didn't even have, like, a toothbrush, I ended up having like my glam come to me,' she shared. 'I did a blowout and then I did a little fast face, like, makeup natural with one of my girls.' Madison also spoke to PageSix about her newborn daughter and her reasoning for naming her after her late father, Ted. She said that she wanted her dad's name to 'live on through [her] baby,' adding, 'We might as well just make the name continue to grow.' In regards to Teddi's arrival, she told the outlet that her and Randle are 'super excited and just living in pure bliss at the moment. It doesn't even feel real.' Madison and her husband, who have married since November 2022 when they tied the knot in Mexico, shared the happy news that they were expecting in February. 'And just like that... our world is changing in the most magical way! ✨ Seeing 'Pregnant' on this @clearbluetest was the best moment of our lives. We can't wait to meet you, little one,' she captioned her Instagram post announcing the news. The reality TV star said she was 'shocked' when her pregnancy test came back positive. 'Honestly, when Brett and I were making this plan of growing our family, I was like, 'Okay, we've got to make this as easy as possible,'' she shared with People. 'So I actually started using the Clearblue ovulation test, and I got a smiley face. Once we got the smiley face, we were like, 'Okay, it's go time,' and it instantly happened.' 'I was shocked, I thought I had all summer long, but it happened and I felt actually pretty great other than some minor headaches,' LeCroy continued. 'But other than that, just eating all the food and enjoying myself.' The good news comes after Brett's diagnosis with thyroid cancer and the death of her father in 2023. 'I honestly was pinching myself because I hadn't heard good news in it felt like the last two years, so to hear something that was so positive and something that we've been wanting and looking forward to was just super exciting,' she shared. 'And of course, everybody in our family and everybody was rooting for us.' She shared how excited she is, saying she's so happy to finally share the news with her fans. 'I'm ecstatic. I just can't get enough. I'm so glad to finally be able to talk about it, she said. 'I've been in hiding for too long, and so I'm excited to be able to show the bump off.' Madison shared that the first person she told about her pregnancy was her 'best friend,' her son Hudson. He was my first one that I told,' she shared. 'And yeah, he was excited. Obviously, at first he's like, 'Eh.' 'And then we recently got a puppy, so he goes, 'Actually I really love caring, so might as well.' I was like, 'Okay. This is going to be way different, but okay,'' Since it's been 12 years since she had her first baby, LeCroy explained that things are a bit different this time around. 'It's the total opposite than what I experienced at 22 years old,' she explained. I had the glowing skin and I had all that, and this is the opposite. 'I'm exhausted, full-blown adult acne, and didn't lose any weight at the beginning, versus [with] Hudson, I was starting off in a negative. So I can just tell it's a 12-year difference.'


The Guardian
2 hours ago
- The Guardian
Mother Play review – Sigrid Thornton is terrific as a gin-soaked, monstrous matriarch
Poisonous and heavily self-medicating mothers are a standard in the theatre, from Mary Tyrone in Long Day's Journey into Night to Violet Weston in August: Osage County. Self-absorbed, vain and hypercritical, they tend to stalk their stages like injured lionesses, their own offspring the convenient targets of their abuse and cynicism. US playwright Paula Vogel adds Phyllis Herman (Sigrid Thornton) to this list, as monstrous and brittle as any of them. While Mother Play (the subtitle is A Play in Five Evictions) flirts with the toxicity and histrionics of those antecedents, it feels closer in spirit to Tennessee Williams' 'memory play' The Glass Menagerie. Where Williams created the character of Tom as an authorial surrogate, Vogel gives us Martha (Yael Stone), who is likewise desperate to escape her mother's clutches while trying to understand what makes her tick. There's a deep melancholy working under the play, a sense of all that's been lost to the ravages of time and forgetting. Like Williams, Vogel is mining a lot of her own biography here – her mother was also named Phyllis, and worked as a secretary for the Postal Service after the breakdown of her marriage – and she traces the outline of a family in slow decline with poignancy and skill. The rot sets in during the first eviction, as Martha and her elder brother Carl (Ash Flanders) move boxes and furniture around while Phyllis drinks herself into a state of grotesque self-pity. The kids are only 12 and 14, and yet already they seem like the parents to a stubborn and petulant child. Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning As the play progresses and the narrative moves inexorably through the decades – it opens in the early 60s and ends in the present day – this parental imbalance only worsens. Gin-soaked and combative, Phyllis alternately berates, guilts and clings to her children like resented support structures; one moment she is rejecting them for being gay, the next grasping for their approval. She's fiendish and cruel, but Vogel also lets us see the damage done to her, the ways in which she is shaped by the casual cruelties of others. It isn't so much a cycle of abuse as a long sputtering out, levelled by great reserves of forgiveness and stoicism from the kids. Thornton is terrific, constantly alive to the character's gaping flaws without once losing the central pathos that keeps us engaged and sympathetic. She has a harsh, steely quality under the gaucheness and impropriety that softens as the play progresses, eventually reaching a kind of weary dignity and poise. Stone finds great depth and complexity in Martha, pained by her mother's sadism but determined to see beyond it. Flanders is solid in the lesser part of Carl, and together the cast paint a convincing and intricate family dynamic. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Director Lee Lewis gets many things right, which makes the ones she gets wrong seem more egregious, somehow. Those performances are beautifully calibrated and expertly pitched, but Vogel's startling tonal shifts and narrative longueurs seem to trip Lewis up; too often the production falters, pitching into silliness and camp. One scene in a gay bar – where Phyllis starts dancing a conga line with her adult children – feels desperate, and the less said about a giant cockroach that waves at the audience the better. This reticence seeps into Christina Smith's design, which is surprisingly banal and unwieldy – although not her costumes, which are little treasure troves of period wit and personality. The family's five different abodes are simultaneously underdone and overly complicated, necessitating some clunky transitions. Niklas Pajanti's inventive lighting helps, pitching from glamorous to desolate as the family's fortunes change. Kelly Ryall's compositions are similarly mercurial, jaunty one minute and plaintive the next. Vogel is a fascinating and idiosyncratic playwright, and if this production of Mother Play doesn't quite coalesce, it still achieves moments of beauty and quiet awe. That temporal scope allows the actors to track the emotional beats of their characters' lives like pins on a map, and if political and social events tend to disappear into the background, their effect on the family's interpersonal relationships is forcefully underlined. The moral battle between liberalism and conservatism, those ideological polarities currently tearing the US apart, are depicted here as fissures of the self and the family unit, a long time coming. Memory plays are by definition fragmentary and elliptical, so perhaps the staccato rhythms and jolting tonal shifts are necessary. The cliche of the monstrous feminine, where the mother becomes the repository of all the family's sickness and perversion, is subtly but surely unpacked and debunked. What we're left with is a mother and a daughter tremulously reaching for care, compassion and connection. In this way, it feels vital and contemporary. Mother Play, by the Melbourne Theatre Company, is on at the Sumner theatre until 2 August


Daily Mail
2 hours ago
- Daily Mail
Rose McGowan leads celebrity tributes for Julian McMahon as Charmed cast grieves their Australian co-star: 'A force of brilliance'
US actress Rose McGowan leads the celebrity tributes for Julian McMahon, who has died, aged 56, after a private health battle. The former Home and Away star's wife, Kelly Paniagua, revealed on Friday that he had passed away after secretly battling cancer. News of the beloved actor's death has sent shockwaves through Hollywood, with celebrities taking to social media to offer heartfelt tributes. Rose, 51, who starred alongside Julian in the hit series Charmed, took to Instagram on Saturday to pay homage to the star. She re-shared an illustration of Julian wearing what appeared to be angel wings. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. Captioning the image, Rose remembered Julian as a 'force of brilliance.' 'Oh Julian, you force of brilliance,' she wrote. 'For you, your family, and your loving fans all over the world, I pray for comfort.' Rose also commented on the original post from artist 'Stagwarlock'. 'Beautiful art of a beautiful soul,' she wrote, to which the artist replied: '@rosemcgowan as sad as he was magnetic.' Fellow Charmed co-star Brian Krause, who played Leo Wyatt on the hit series, also shared his condolences. He posted a photo of Julian beaming broadly while remembering the actor as a 'kind soul'. 'Sad day for our Charmed family!' Brian captioned the image. 'Julian was one of the funniest, devilishly handsome and kind souls! Prayers to his family and close friends. He will surely be missed!' Brian wrote. His post was met with an outpouring of condolences from fans and followers. 'RIP JULIAN, our Cole Turner, gone too soon, now reunited with Shannen in Heaven,' one fan wrote, referring to fellow Chamed star Shannen Doherty who passed away in July 2024. Another chimed in with a similar: 'Nooo! Not Cole!!! So heartbreaking. F-Cancer. The only comfort is that I'm sure Shannen welcomed him with open arms. 'What a tremendously amazing actor. He could play a hero or villain beautifully. Gone too soon. Condolences to his family.' Holly Marie Combs, who starred as Piper Halliwell on the hit show, joined her Charmed alumni with a tribute. She shared a clip from a fan account that showed a montage of Julian behind-the-scenes from the filming of Charmed. The video shows the Aussie actor hamming it up with castmates including Alyssa Milano and Shannen Doherty. 'Sad day for our Charmed family!' he wrote. 'My favourite pain in the a** ever,' she wrote, augmenting the sentiment with silver heart emojis. Julian starred alongside Shannen Doherty and Alyssa Milano on the cult Aaron Spelling-created magical drama. He played Cole Turner, the half-demon ex-husband of Alyssa's character Phoebe Halliwell. Quickly becoming a fan-favourite, Julian had a starring role in the series for three seasons before returning in the seventh season in a guest capacity. During his time on Charmed, Julian was also romantically linked to Doherty, with the pair dating briefly during the show's third season in 2000–2001. Most recently, Julian starred alongside Nicholas Cage in Stan original film The Surfer. 'We're heartbroken to hear of the passing of Julian McMahon. His extraordinary talent and presence left a lasting mark on everyone he worked with, including the team behind The Surfer,' the Stan official Instagram account posted on Saturday. 'These words from Australian Producer Robert Connolly reflect the deep respect and affection he inspired.' Connolly penned: 'Julian was an exceptional gentleman, a consummate professional, a stunning actor and an absolute delight to work with. 'His performance in The Surfer is a triumph – one among many great performances in an incredible career – and a tour de force celebration of his skill and presence on our screens. 'His huge commitment to the film took Julian from the beaches of Western Australia, to its world premiere in Cannes, to the US and beyond, and we were all so very lucky to have shared this journey with such a gifted and exceptional performer. 'A true gift in all our careers to have had the chance to work together with such a wonderful person.' Julian's wife of 11 years, Kelly Paniagua, gave a statement to Deadline on Friday which read: 'With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer.' Kelly - whom he married in 2014 - continued by expressing the love Julian had for his fans and those around him and what being an actor meant to him during his life. 'Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible,' she said. 'We ask for support during this time to allow our family to grieve in privacy. And we wish for all of those to whom Julian brought joy, to continue to find joy in life. We are grateful for the memories,' she added.