
Director Francis Ford Coppola doing fine after medical procedure in Rome
Filmmaker says on social media he "is fine"
Coppola was promoting latest film "Megalopolis" in Italy
Representative says procedure was scheduled, not emergency
LOS ANGELES, Aug 5 (Reuters) - Francis Ford Coppola, the acclaimed American director of "The Godfather" movies and "Apocalypse Now," underwent a non-emergency medical procedure by appointment at a hospital in Rome and is doing fine, he and a U.S.-based representative said on Tuesday.
"Mr. Coppola went in for a scheduled update procedure with acclaimed Dr. Andrea Natale, his doctor of over 30 years, and is resting nicely," the representative said in response to Italian media reports that the director was hospitalized. "All is well."
The 86-year-old filmmaker was admitted on Tuesday to the Policlinico Tor Vergata, a public hospital in the Italian capital, news agency ANSA reported.
The U.S. based representative declined to give any details about the nature of Coppola's medical procedure, but said: "There was not an emergency. He went to the hospital in a car."
Coppola posted a photograph of himself on Instagram appearing relaxed and smiling with a message reassuring fans, "I am well."
"Da Dada (what my kids call me) is fine, taking an opportunity while in Rome to do the update of my 30-year-old afib procedure with its inventor, a great Italian doctor - Dr. Andrea Natale," it said. He did not elaborate further.
His U.S. representative specifically disputed as "not true" a report from the Italian website repubblica.it that Coppola had suffered atrial fibrillation, a type of irregular heartbeat, before entering the operating room for what was to have been a long-planned surgical procedure.
A spokesperson for the hospital did not immediately respond to an emailed request for comment.
Coppola was in Italy to promote his latest movie, the sci-fi epic "Megalopolis," a $120 million self-funded production about a visionary architect's quest to transform a fictional future version of New York City called New Rome into a utopian community.
The film, which has drawn mixed reviews and struggled at the box office following its 2024 debut at the Cannes Film Festival, was reported to have received a special screening at the Magna Graecia Film Festival in Catanzaro, Italy.
The Italian-American director, who has won five Academy Awards, four of them for his work on the first two films in "The Godfather" trilogy, widely considered by cinema buffs to rank among the greatest movies of all time. (Reporting by Giselda Vagnoni, Editing by Rosalba O'Brien and Michael Perry)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
5 hours ago
- Time of India
Kurt van der Basch paints Delhi in watercolours
Kurt van der Basch with the Director of Italian Embassy Cultural Centre Andrea Anastasio The Embassy of the Czech Republic in New Delhi, in collaboration with the Director of the Italian Embassy Cultural Centre, recently invited art lovers to a unique exhibition titled "Away to Stay" - a showcase of evocative watercolour paintings by Czech-Canadian artist Kurt van der Basch. The exhibition was held earlier this week at the Embassy of the Czech Republic in New Delhi. Away to Stay Known internationally for his work as a Hollywood storyboard artist, he has spent over two decades sketching cinematic visions for the silver screen. But during a transformative three-and-a-half-year stay in India, he turned his attention away from film sets and toward the world outside his window - bustling streets, quiet corners, everyday people and fleeting moments - all captured through the delicate immediacy of watercolour painting. Attendees said that they found Away to Stay is a deeply personal body of work. The paintings offer not only a glimpse into van der Basch's evolving artistic practice, but also a rare outsider's view into the rhythms and textures of life across the India - rendered with warmth, sensitivity, and an eye for detail honed by years in visual storytelling. The exhibition was a celebration of cross-cultural experience, quiet observation, and the timeless appeal of watercolour as a medium. Kurt van der Basch is a Prague-based storyboard artist and illustrator Away to Stay Away to Stay 'Away to Stay' 'Away to Stay' Away to Stay exhibition Kurt has also worked on dozens of television commercials. Kurt's recent projects include the Netflix hit "Extraction 2" starring Chris Hemsworth and Jon Chu's "WICKED" starring Ariana Grande and Jonathan Bailey. Kurt regularly teaches workshops for film and illustration students.


Mint
5 hours ago
- Mint
A new book looks at Michael Douglas and the confused American man
Gift this article Director Oliver Stone's 2010 film Wall Street: Money Never Sleeps saw him return to one of the most memorable characters he'd created: the ruthless, glib corporate raider Gordon Gekko from the 1987 film Wall Street. After serving time for insider trading. Gekko, played by Michael Douglas, is supposedly reformed. But soon, he's saying things like, 'I tell you, the government's worse than a wife. They got all the power, they got half the money. Now they're working on getting the other half." Director Oliver Stone's 2010 film Wall Street: Money Never Sleeps saw him return to one of the most memorable characters he'd created: the ruthless, glib corporate raider Gordon Gekko from the 1987 film Wall Street. After serving time for insider trading. Gekko, played by Michael Douglas, is supposedly reformed. But soon, he's saying things like, 'I tell you, the government's worse than a wife. They got all the power, they got half the money. Now they're working on getting the other half." The American right-wingers of today lionize Gekko unironically, completely ignoring the fact that he was written as a cautionary figure. This is not a phenomenon restricted to the social media era. Popular movies have always been used as a loudspeaker to propagate our worst impulses, which is one reason I liked the central conceit of Jessa Crispin's new book of criticism, What Is Wrong With Men: Patriarchy, the Crisis of Masculinity, and How (Of Course) Michael Douglas Films Explain Everything. The US ushered in a number of legislative and societal reforms in the 1960s and '70s, the goal being equal rights for women. Crispin locates Douglas as representative of a certain kind of liberal man who struggles to cope with the shifting role of men in such a landscape (in an inspired bit of comparative reading, she likens Douglas to Bill Clinton, who was born around the same time and had much the same personal failings as several Douglas characters from the 1980s and '90s do). Also Read | Longform: Comics that force our attention to the little details 'He certainly wasn't on the side of the conservatives and the religious extremists who were outraged by the feminist movement, condemning the civil rights campaign as a tool of the devil," she writes. 'But he also didn't seem to think that the feminist movement and the changes happening in the political and cultural reality of women had anything to do with him. And in that way, he was a kind of cinematic stand-in for a lot of men of the time: liberal, tolerant and clueless." This is a brilliant strategy for a cultural critic, because the failings of liberalism are far more subtle and instructive in the feminist context than any evisceration of straight-up conservatism would have been. Crispin rightly compares Douglas to the female 'hysteria" patients of 19th century France, who 'performed" for an audience under hypnosis. In her interpretation, Douglas is the 'performing hysteric" for the men of the 1980s and '90s, confused and disoriented as a distinctly corporate brand of feminism threatens to upend their world order (as seen in the Douglas films Fatal Attraction and Disclosure). A still from 'Fatal Attraction' Crispin is very good at linking the individual trials and tribulations of the characters played by Douglas to the larger societal upheavals of America. For example, the chapter on Wall Street and its 2010 sequel blossoms into a jeremiad on the sense of betrayal the American public felt when President Barack Obama bailed out the deeply corrupt banking institutions responsible for the 2007-08 financial crisis. Disclosure and Basic Instinct are both revisited in the light of the ongoing 'Andrew Tate era", with a straight line drawn between the incel talking points of today and the more insidious forms of misogyny depicted in those films. Also Read | Bette Howland, the writer who returned from oblivion Towards the end of the book, Crispin suspends her initial approach of taking things one movie , one issue at a time, and commences a flat-out assault on contemporary 'manosphere' politics. She is a little less convincing in this section, perhaps because her strongest suit remains the extrapolation of popular culture into on-ground politics (how that process works, the danger it poses, the challenges it places before our collective imagination). However, every now and then she pulls out a bravura passage out of nowhere, and this usually papers over any analytical cracks in her framework. 'What Is Wrong with Men': By Jessa Crispin, Penguin Random House, 288 pages, $27 (approx. ₹ 2,367) In one such passage, she explains how the messaging around domestic work and caregiving completely changed after the 'women's lib" era. Previously, advertisements, songs and movies painted domesticity as a huge positive, and the fictional women who transgressed these boundaries were duly punished—now those same realms of human endeavour were painted as 'emasculating" or 'gay" because men were suddenly expected to find meaning there. This was textbook reactionary behavior. What is Wrong With Men never loses its sense of playfulness and whimsy as it wades through the filmography of Michael Douglas. The man himself continues to be a cinematic metonym for Uncle Sam—just last year, he portrayed Benjamin Franklin, one of the most quintessentially American men of all time. At 80 years of age, I think Douglas remains mindful of the way his legacy is intertwined with that of America. Luckily for us, Crispin understands this all too well. Aditya Mani Jha is a Delhi-based journalist. Topics You May Be Interested In


Indian Express
6 hours ago
- Indian Express
Napoleon's son Dhanoosh gets married again in US in ‘American style' wedding months after tying the knot in Japan. Watch
Veteran Tamil actor Napoleon's son, Dhanoosh, has recently remarried his wife Akshaya, one year after their first wedding ceremony in Japan. The actor and his family, who relocated to the US a few years ago for Dhanoosh's medical treatment, as he suffers from muscular dystrophy, conducted the newlywed couple's second nuptials in 'American style'. Napoleon took to social media to share the happy news with his fans worldwide. Sharing a video of the ceremony on Instagram, the senior actor noted that the event was organised at the Sri Ganesha Temple in Nashville and was attended by their relatives and friends living in the capital city of the state of Tennessee. Officiated by a person authorised by the US government, Napoleon said, the wedding took place with the blessings of senior priests at the shrine. Having obtained a marriage license from the US government, he noted that the ceremony was held according to American customs. The eldest of Napoleon and Jayasudha's two sons, Dhanoosh, was diagnosed with muscular dystrophy at a young age. The family eventually settled in the US for his treatment. A few days ago, Napoleon celebrated Dhanoosh's birthday in grand style and shared photos and videos from the event. Dhanoosh and Akshaya first tied the knot in November 2024 during a grand ceremony in Japan, which was attended by actors such as Karthi, Sarath Kumar, Meena, Khushbu and Suhasini Maniratnam. Around 100 guests from both India and the US, as well as 50 from Japan, were present for the celebration. In a video from the ceremony that went viral on social media, Napoleon was seen getting emotional and tearing up in joy. The wedding festivities included haldi, mehandi and sangeet functions. A post shared by Nepoleon Duraisamy (@nepoleon_duraisamy) A post shared by Nepoleon Duraisamy (@nepoleon_duraisamy) Following his acting debut playing the antagonist in legendary filmmaker Bharathiraja's Pudhu Nellu Pudhu Naathu (1991), Napoleon went on to appear in many movies. He was a leading actor in Tamil cinema in the 90s and delivered many hit films. Some of his most notable works are MGR Nagaril, Bharathan, Oor Mariyadhai, Yajaman, Minmini Poochigal, Dharma Seelan, Maravan, Kizhakku Cheemayile, Vanaja Girija, Ettupatti Rasa, Pokkiri and Dasavathaaram, among others. He has also worked in Malayalam, Telugu, Kannada and English languages, delivering strong performances in movies like Devasuram, Hello Brother, Ravanaprabhu and Devil's Night: Dawn of the Nain Rouge. Previously a member of the Dravida Munnetra Kazhagam (DMK), Napoleon served as the Villivakkam constituency MLA from 2001-2006, and then as a member of Perambalur Lok Sabha constituency from 2009-2014. During his tenure as a parliamentarian, he also served as the Minister of State for Social Justice and Empowerment. He joined the BJP in 2014.