Cannes Film Festival Photos Day 9: Paul Mescal, Elle Fanning, Renate Reinsve, ‘The History of Sound' & ‘Sentimental Value' Premieres
Guests at the premiere for The History of Sound included Teri Hatcher, Taraji P. Henson, Aja Naomi King, John C. Reilly, Julian Assange, Michelle Rodriguez, Edward Enninful, Naomi Campbell, Jenny Slate
More from Deadline
Mubi Acquires Kleber Mendonça Filho's Cannes Competition Title 'The Secret Agent'
Joachim Trier's 'Sentimental Value' Wows Cannes In Premiere, Gets Extraordinary 19-Minute Ovation
Cannes Film Festival 2025: Read All Of Deadline's Movie Reviews
RELATED: 'Eddington' Cannes Film Festival Premiere Photos: Joaquin Phoenix, Pedro Pascal, Emma Stone, Austin Butler & More
Mescal stars as Lionel, a gifted singer from rural Kentucky, who leaves his family farm in 1917 to attend the Boston Music Conservatory. There, he meets David (O'Connor), a charming music student soon drafted into the war. In 1920, the two spend the winter in Maine, passionately collecting folk songs. As Lionel builds a successful life in Europe, he's continually drawn back to the profound, lingering impact of his brief time with David, eventually uncovering why their connection resonated so deeply.
Sentimental Value follows sisters Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas) as they reconnect with their estranged father, Gustav (Stellan Skarsgård), a once-celebrated director. Gustav, still charismatic, offers stage actress Nora a leading role in what he hopes will be his triumphant comeback film.
However, when Nora declines, she's blindsided to learn he's handed her part to an eager young Hollywood star. Suddenly, the sisters are forced to confront their complicated relationship with their father, all while grappling with the chaotic arrival of an American star thrust into their already complex family dynamic. The cast also features Elle Fanning, Bjørn Alexander and Jesper Christensen.
Pressers and photocalls today at Palais des Festivals included Fuori; Un Simple Accident; The Disappearance of Josef Mengele; Homebound, and A Private Life.
RELATED: Cannes Film Festival 2025: Read All Of Deadline's Movie Reviews
Buzzy world premieres this week have included Spike Lee's Highest 2 Lowest; A Private Life starring Jody Foster; Ari Aster's star-studded film Eddington, starring Joaquin Phoenix, Pedro Pascal, and Emma Stone; Die My Love, with Robert Pattinson and Jennifer Lawrence; New Wave, directed by Richard Linklater, starring Guillaume Marbeck, Aubry Dullin, and Zoey Deutch; Kristen Stewart's directorial debut The Chronology of Water; and director Dominik Moll's Dossier 137 starring Léa Drucker.
RELATED: Deadline Studio at Cannes Film Festival 2025
Over the past two weeks, the jury, led by Juliette Binoche, will evaluate the 21 films in competition and award the Palme d'Or, Grand Prix, Jury Prize, Best Director, Best Actress, and Best Actor. The winners will be announced at the closing ceremony on May 24, immediately followed by the screening of Momoko Sato's Dandelion's Odyssey.
Check back for up-to-date photos from the festival of the parties, press junkets, and premieres from the Cannes Film Festival that runs from May 13-24.
Best of Deadline
Every 'The Voice' Winner Since Season 1, Including 9 Team Blake Champions
Everything We Know About 'Jurassic World: Rebirth' So Far
'Nine Perfect Strangers' Season 2 Release Schedule: When Do New Episodes Come Out?
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Boston Globe
4 hours ago
- Boston Globe
Terence Stamp, luminary of 1960s British cinema, dies at 87
And he could act: The role brought Mr. Stamp an Oscar nomination and a Golden Globe Award for most promising newcomer. Advertisement He presented a very different image three years later, playing a dark-haired psychopath who loves butterflies but decides to move up to capturing humans in 'The Collector' (1965). Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up As he carried a bottle of chloroform toward a beautiful art student (Samantha Eggar), those startlingly blue eyes now seemed terrifying. In The New York Herald Tribune, critic Judith Crist called his performance 'brilliant in its gauge' of madness. He received the best actor award at the Cannes Film Festival. He grew a sinister black mustache to play the sadistic Sergeant Troy, who mistreats the heroine (Julie Christie) in 'Far From the Madding Crowd' (1967), based on Thomas Hardy's novel. Reviews were mixed, but Roger Ebert praised Mr. Stamp's performance as 'suitably vile.' Looking back in 2015, a writer for The Guardian observed, 'Stamp has an animation and conviction in this role that he never equaled elsewhere.' Advertisement Not long after that, Mr. Stamp largely disappeared for almost a decade. He came back as a character actor. When he made his entrance in Richard Donner's 'Superman II' (1980), boldly crashing through a White House roof, audiences saw the young man who had been called the face of the '60s, now with a seriously receding hairline, devilish facial hair, and a newly mature persona. His character, Zod, an alien supervillain with a burning desire to rule the world, also appeared in the first 'Superman' movie. Mr. Stamp had a busy career for the next half-century, perhaps most memorably in 'The Adventures of Priscilla, Queen of the Desert' (1994), with yet another new on-screen look. His character, Bernadette, a middle-aged transgender woman, wore dangly earrings, a grayish-blond pageboy, tasteful neutrals, and not quite enough makeup to hide the age lines. 'I've got a kind of more developed feminine side of my nature,' he said in 2019 when asked about the role in a Reuters interview, 'so it was a chance to knowingly explore that.' 'I had to think about what it would be like to be born into the wrong body,' he added, 'and born into a body that wasn't the same as one's emotions.' Terence Henry Stamp was born July 22, 1938, in London, one of five children of Thomas Stamp, a tugboat stoker with the Merchant Navy, and Ethel (Perrott) Stamp. In the low-income neighborhoods of the East End where the Stamps lived, expectations were low. 'When I asked for career guidance at school, they recommended bricklaying as a good, regular job,' Mr. Stamp recalled in a 2011 interview with the Irish newspaper The Sunday Business Post, 'although someone did think I might make a good Woolworths' manager.' Advertisement After leaving school, Mr. Stamp worked in advertising agencies, but he secretly wanted to become an actor and began lessons at the Webber Douglas Academy of Dramatic Art in London. 'Billy Budd' is usually referred to as his first film, but in England, 'Term of Trial,' in which he appeared as a young tough alongside Laurence Olivier and Simone Signoret, was released a month earlier. (In the United States, 'Billy Budd' opened first.) He did theater work in England but had only one Broadway experience — a disaster. He played the title role in 'Alfie!,' a play about a callous young South London bachelor, which opened in December 1964 and closed three weeks later. Shawn Levy, in his book 'Ready, Steady, Go!,' had an explanation: 'It was so dark and frank and mean and true and generally disharmonious with the optimistic, up-tempo tenor of the moment.' But moments pass. Mr. Stamp turned down the same role in the 1966 film version, and Michael Caine — who happened to be his flatmate — took it instead. It made him a star. Mr. Stamp did star in 'Modesty Blaise' (1966), as a secret agent's Cockney sidekick; Ken Loach's 'Poor Cow' (1967), as a sensitive working-class guy; and Pier Paolo Pasolini's 'Theorem' (1968), as a mysterious stranger who beds every single member of a household, including the maid. Federico Fellini directed him as a self-destructive, alcoholic actor in 'Spirits of the Dead' (1968). Advertisement In 1969, Mr. Stamp moved to an ashram in India and became a swami. Some said it was because of a romantic breakup, but he professed a simpler motive: He couldn't find work. Although he was barely in his 30s, casting agents were already looking for 'a young Terence Stamp.' Around eight years later, he received a message from his agent about the 'Superman' movie. He accepted, he often said, because he wanted to work with Marlon Brando, who played Jor-El, Superman's father. Between 1978 and 2019, Mr. Stamp appeared in more than 50 films. He received particular praise for Steven Soderbergh's 'The Limey' (1999), in which he played an ex-con on the trail of a drug-trafficking record producer (Peter Fonda) as he avenges his daughter's death. He also had roles in 'Legal Eagles' (1986), 'Wall Street' (1987), 'Young Guns' (1988), 'Alien Nation' (1988), and 'Star Wars: Episode 1 — The Phantom Menace' (1999), as chancellor of the Galactic Republic. In 'Unfinished Song' (2012, originally 'Song for Marion'), he played a gruff pensioner with a dying wife (Vanessa Redgrave). After having been a Superman-franchise villain, Mr. Stamp was the voice of the superhero's noble Kryptonian father in the television series 'Smallville.' His final film was the horror thriller 'Last Night in Soho' (2021). A Times review called his entrance alone 'a master class in minimalist menace.' In the 1960s, Mr. Stamp had highly publicized romances with British supermodel Jean Shrimpton and with Christie. In 2002, at age 64, he married Elizabeth O'Rourke, a 29-year-old Australian pharmacist; they divorced in 2008. Information on survivors was not immediately available. Looking back philosophically in 2017 on his life's ups and downs, Mr. Stamp told The Telegraph, 'The thing that has been constant is that from the very beginning I always seemed to be the opposite to everybody else.' Advertisement This article originally appeared in
Yahoo
4 hours ago
- Yahoo
BLACKPINK at Wembley Stadium review: The world's biggest girl group are at the top of their game
Olivia Rodrigo owning Glastonbury, Sabrina Carpenter playing two nights at Hyde Park, Charli XCX's Brat victory lap, 2025 has undoubtedly been the summer of the pop girlies. It's only right then that BLACKPINK, the biggest girl band in the world, get in on the action. The K-pop titans' Deadline world tour took over London's Wembley Stadium for the first of two shows on Friday night, following an 18-month hiatus where the four-piece worked on solo projects. Each member was given plenty of space to flex during the two-hour show. Jisoo performed her dreamy Your Love accompanied by confetti and chairography, Jennie was every bit the swaggering rockstar for her snarling viral hit Like Jennie. Lisa couldn't have been more different to her softly-spoken The White Lotus character during a trio of brilliant, high-energy tracks from debut solo album Alter Ego while Rosé went full '00s for the snotty pop-punk inspired Toxic and a surprisingly chaotic APT.. All four are clearly stars and looked very comfortable on their own in the spotlight but together, they're on a whole other level. Previous BLACKPINK tours have been incredibly choreographed events, performed with an eventual concert movie in mind. Deadline was a far more relaxed affair – well, as relaxed as a six-act stadium show with a curved runway, fireworks and an entire dance academy can really be. There was still plenty of polish and no one could accuse the group of phoning it in, but they spent as much energy interacting with the crowd and trying to make each other laugh as they did recreating their slick music videos. The whole thrilling gig was wonderfully playful. At one-point FKA Twigs joined Rosé backstage for a scone and a shot. Why? Why not. A live band gave earlier, more polite tracks WHISTLE and BOOMBAYAH an added bite while the obnoxiously OTT pop of Pink Venom and Pretty Savage were clearly written to make a stadium full of people dance. Their music has always been ambitious, taking the best bits of countless different genres to create perfectly-formed pop spectaculars, but there was a joyous, infectious energy that came with performing it in one of the biggest venues around. As the first K-pop group to headline Wembley Stadium, BLACKPINK made sure to have the most fun possible, but they also took every opportunity to soak up the 'surreal' and 'insane' achievement. 'It really is such an honour,' said Jennie, thanking the crowd for supporting the band over the past nine years. There have been rumours circulating online that BLACKPINK will go on a more permanent hiatus after this tour, but at no point during the show did it feel like things were winding down. 'I wanted to do a song that felt like a goodbye, just for the meantime,' Rosé said before the tender Dance All Night, deliberately hinting at a return, while the mini-movies that were played during the gig were a celebration of the girls coming back together. Despite their historic legacy it was the recently released Jump, an urgent mash-up of Spice Girls camaraderie and the energy of a sweaty rave, that got the biggest reaction of the night. It's such a banger, it was played twice. What more could you possibly want?
Yahoo
4 hours ago
- Yahoo
Quentin Tarantino reveals 'crazy' reason he scrapped his final film 'The Movie Critic'
Quentin Tarantino may have backed out of his swan song, but it wasn't because of stage fright. The Oscar-winning filmmaker, who was slated to conclude his esteemed directing career with "The Movie Critic," opened up about the film's cancellation in an Aug. 15 interview on "The Church of Tarantino" podcast. "It's a little crazy to listen to podcasts and hear all these amateur psychiatrists psychoanalyze as if they (expletive) know what they're talking about," Tarantino, 62, said. "About what's going on with me, about how I'm so scared of my 10th film. ... 'Oh my God. I'm so fragile about my legacy.'" Tarantino, who previously said he planned to retire after his 10th film, told Deadline in 2023 that the film was set in California in 1977 and based on a real-life film critic who wrote "movie reviews for a porno rag." Brad Pitt, who won an Oscar for his role in Tarantino's 2019 film "Once Upon a Time... in Hollywood," was reportedly in talks to star in the film. Tarantino said the film started as a limited, eight-episode series. While the "Pulp Fiction" director was satisfied with the show's script, he later decided to adapt it into a film format: "No one's waiting for this thing, per se. I mean, I can do it whenever I want. I mean, it's already written. So OK, let me just not start it right now." "Let me try writing it as a movie and let me see if it's better that way. ... And I was like, 'Oh, OK. No, I think this is going to be the movie.' And then it wasn't," Tarantino continued. "I pulled the plug on it. And the reason I pulled the plug is a little crazy." Throughout his nearly four-decade career, Tarantino has become an icon of cinema thanks to his colorful neo-noir style, which often includes graphic violence and frequent references to popular culture. Some of his best-known films are "Reservoir Dogs," "Pulp Fiction" the "Kill Bill" franchise, and "Inglourious Basterds." 'The Movie Critic': What Quentin Tarantino has said about Brad Pitt-led film Why Quentin Tarantino didn't move forward with 'The Movie Critic' When it comes to movie magic, Tarantino isn't one to repeat himself. The director told "Church of Tarantino" host Reverend Scott K. that he gave himself a "challenge" with the subject of "The Movie Critic," which fueled much of his creative interest in the film. "Can I take the most boring profession in the world and make it an interesting movie?" Tarantino said. "Who wants to see a movie called 'The Movie Critic'? ... If I can actually make a movie or a TV show about somebody who watches movies interesting, that is an accomplishment." Quentin Tarantino's movies, ranked: From 'Reservoir Dogs' to 'Once Upon a Time... in Hollywood' And while Tarantino felt he met that goal, he said the film's production process bore too many similarities to "Once Upon a Time... in Hollywood," which is also set in a retro period of Los Angeles. "I wasn't really that excited about dramatizing what I wrote when I was in pre-production," Tarantino said. "There was nothing to figure out 'cause I already kind of knew, more or less, how to turn LA into an older time. So, it was too much like the last one." As for what the future holds, Tarantino shared that his upcoming projects include an untitled play and "The Adventures of Cliff Booth," a sequel to "Once Upon a Time... in Hollywood" written and co-produced by Tarantino, directed by David Fincher, and starring Pitt as the title character. "I won't be on the set every day and everything, but I'll be around if they need me to do something," said Tarantino, adding with a laugh: "It's a little more like I've given David a gigantic novel written in screenplay form, and it's his job." Contributing: Brendan Morrow, USA TODAY This article originally appeared on USA TODAY: Quentin Tarantino explains why he cancelled 'The Movie Critic'
