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EastEnders confirms new romance in early iPlayer release as passion erupts

EastEnders confirms new romance in early iPlayer release as passion erupts

Metro2 days ago
George has potentially found someone else… (Picture: BBC/Jack Barnes/Kieron McCarron)
This article contains spoilers for tonight's episode of EastEnders, which airs on BBC One at 7.30pm or can be streamed now on iPlayer.
George Knight (Colin Salmon) has moved on from wife Elaine (Harriet Thorpe) – with an unlikely local.
The two separated earlier this year, when she believed he'd been unfaithful at Christmas with his ex-wife Sabrina. Son Junior (Micah Balfour) dropped the revelation out of the blue, with no real motive to expose his father other than wanting Elaine to know what he'd done.
She was enraged to hear that Sabrina had tried to kiss him, and George didn't exactly make things better when he turned to his other ex-wife, Cindy Beale (Michelle Collins), for a shoulder to cry on.
Elaine contacted old mate Drew Peacock (Paul Clayton) for a pep talk, and when he told her to take consideration of her own self-worth, she made the brutal decision to sleep with a stranger she'd just met moments before.
Guilt-ridden, she couldn't keep quiet any longer and confessed all to George. His attempts at making amends and apologising fell flat, as she wasn't willing to take half of the blame.
In the aftermath, his world has dropped apart.
He's lost his home and job at The Queen Vic after the boozer was sold to Kat Moon (Jessie Wallace), and he's had to move in with brother Kojo Asare (Dayo Koleosho).
He separated from wife Elaine earlier in the year (Picture: BBC/Jack Barnes/Kieron McCarron)
George came dangerously close to discovering Harry's secret (Picture: BBC/Jack Barnes/Kieron McCarron)
Little does he realise, Kojo has become entwined in his housemate Harry Mitchell's (Elijah Holloway) drug dealing, after flushing a stash down the loo.
Harry has been forced into selling the narcotics for Ravi Gulati (Aaron Thiara), as the original lot belonged to him.
To make matters worse, Ravi and his associate Okie (Aayan Ibikunle Shoderu) have begun to use Kojo's flat as a base for their operations – and in today's instalment, which can be streamed now, George came dangerously close to finding out.
He'd announced his intention to leave the flat and move in with best mate Phil Mitchell (Steve McFadden), but by the time Harry showed up to prepare for Okie's arrival, George still hadn't vacated the property.
It didn't take long for Nicola to seduce him! (Picture: BBC/Jack Barnes/Kieron McCarron)
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Thinking fast, Harry told him that his mum Nicola (Laura Doddington) was holding interviews for a new bar manager at her nightclub, and that he should head down and apply.
Upon arrival at Harry's Barn, he discovered that Nic' was actually searching for a bouncer, something which George wasn't interested in.
She knew that she had to buy time, and after offering him a drink and having a heart to heart about recent events, seduced him!
George couldn't resist her temptations, and it wasn't long before they were tearing one another's clothes off.
Is this the start of a new relationship?
Arrow MORE: George's new EastEnders love interest 'confirmed' after Elaine
Arrow MORE: Nicola issues a dark warning to Ravi in EastEnders – and he'll soon learn she was right
Arrow MORE: EastEnders confirms character return as a family is left in tatters
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Mrs Brown's Boys makes return to BBC tonight as controversial show divides viewers
Mrs Brown's Boys makes return to BBC tonight as controversial show divides viewers

Daily Mirror

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  • Daily Mirror

Mrs Brown's Boys makes return to BBC tonight as controversial show divides viewers

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Mrs Brown's Boys BBC: who is in season 5 cast
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Mrs Brown's Boys BBC: who is in season 5 cast

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River City's Jimmy Chisholm back on stage in new Fringe play
River City's Jimmy Chisholm back on stage in new Fringe play

Scotsman

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River City's Jimmy Chisholm back on stage in new Fringe play

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'I mean, yes, I love TV – well, I loved playing Sonny – but, to me, theatre describes acting because you're there from start to finish. And no matter what happens you have to deal with that and go through it, and, you know, there's a sort of 'take me by the hand' suggestion to an audience which you don't get to do through a camera – it's more like modelling, you're just presenting an attitude, a line, an image, whereas it's all linked from beginning to end in a theatre and the audience see it all, the magic – and the mistakes!" Jimmy Chisholm with fellow Hingin' Oan Fir Googsie cast members Alan Ireby, left, Amy Fraser and writer John McColl, right (Picture: Liam Rudden Media) Chisholm has worked with some of the most prestigious companies in the UK, including the Royal Shakespeare Company, and in London's West End West, as well as making many appearances in the Lyceum Theatre in Edinburgh, to name but a few. However, he is also a champion of the importance of small local theatres to entertain audiences. He said: 'I think, like everything else, theatre has been confused with profit, whereas, to me, it's a community service. To me it's a part of society to be able to sit down next to total strangers and watch something and be able to turn round to a stranger and know you're feeling the same thing at the same time. Again, it's like a belonging – which is a major theme of Hingin' Oan Fir Googsie – a feeling of oneness. I think that's why people are struggling so much with loneliness at the moment. We're not prepared to go as ourselves to a strange environment and become part of a bigger environment. That's what theatre is asking you to do and I think that's very very important in this day and age. 'Nothing does that better than the Fringe with so many small venues. There's no reason for why someone chooses your show on the day, but the point is that out of the one or two million people who are randomly walking about looking for something to see in the Festival they pick yours and they tell someone in the pub that night, 'don't go to that show, it's rubbish', or 'go to that, it's brilliant'. And that is how most shows operate in the Festival, apart from the big conglomerates that have taken over the Festival now.' Advertisement Hide Ad Advertisement Hide Ad All that said, Chisholm is, of course, hoping they choose his show... 'They'd be very foolish if they didn't," he said with a smile. 'Hingin' Oan Fir Googsie is a play, shall we say, inspired by another play called Waiting For Godot. It discusses similar themes but, at the same time, it is very different. It is theatre of the absurd. It's not saying anything is fact, it's not saying anything is a lie, but it is asking you to think and I think any audience will be constantly reminded that this is a story about the human condition rather than anything else, and you'll recognise that in yourself without it being laid on with a trowel. 'It's a very poignant play, but also very funny and that is where the absurd comes in. You might laugh at something and then, ten seconds later, you're going 'God, that could be me'. Yet what you're watching doesn't bear any relation to you or your life. But it's what they're saying, what they feel... It's theatre, it's storytelling. I think it is beautifully written and, to me, it's engaging from start to finish, and I hope it will be to the audience.' But despite Chisholm's love affair with theatre, there is no doubt that featuring in Braveheart with Mel Gibson was a big highlight in his career and he tells a story of his first meeting with Gibson that reveals not only the young Inverness lad's rising fame, but also his burgeoning confidence in the acting business. Advertisement Hide Ad Advertisement Hide Ad 'Getting a chance to be on set with Mel Gibson in a film that was so well received was brilliant. It's probably the most famous thing I've done,' he said. Gibson by that time, of course, was an international film star, but he quickly found out that the Chisholm was also a household name in Scotland. 'When I walked into the hotel room for my interview for the job, there was Mel Gibson sitting on the couch and he got up and shook my hand and I was totally tongue-tied. I'd never met anyone as famous in my life. He sort of went, 'Hi, I'm Mel Gibson,' and I said, 'Yes, I know'! Then I said, 'I'm Jimmy Chisholm' and he said, 'Yes, I know'! Then I realised I was still holding his hand! 'I let it go and he said 'please have a seat, there's not much to this interview, I hear you could do this job falling off a log, so if you want it, it's yours.' And I said, 'lovely, thanks'. And he said, 'right I'll get you down in the lift, I've got to go out and check some locations for the film'. Advertisement Hide Ad Advertisement Hide Ad 'When we got out of the lift, there were these two women with a huge metal trolley for cleaning, and one of them looked at me, then turned to the other and whispered and it was obvious they recognised me from Take the High Road – this was the Eighties – and so they came running over shouting 'Jimmy Blair, Jimmy Blair!' They hadn't spotted who was coming out of the door with me at this point, so Mel Gibson said, 'Oh it's nice to have a celebrity on the show!' And I said to him, 'Don't worry, Mel, this'll happen to you one day!'' There is no doubt that Chisholm will secure TV appearances in the future. He has been so much in demand that he holds the record for guest appearances in Taggart. As Chisholm puts it: 'I've been killed more times in Taggart than anyone else!' But for now, the theatre's the thing once again as he looks forward to playing in John McColl's Hingin' Oan Fir Googsie. Chisholm regards it as a real treat to be back in a small Fringe venue. We suspect audiences will feel the same.

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