
Squid Game creator: 'It's an allegory of the modern world'
The director and lead actor of the sinister Korean thriller Squid Game visited the UK for the first time. They told ITV News Entertainment Reporter Rishi Davda that making the show has had some unusual side-effects.
The eerie Korean jingle that accompanies the violent 'Red Light, Green Light' challenge, still randomly finds it's way into my mind on a monthly basis.
Squid Game raised the stakes of child's play, where hundreds of indebted individuals take on life or death adolescent obstacles with the promise of great wealth if they win.
The first season of the show, which came out in 2021, is still Netflix's most popular show ever - that includes both English and foreign language content.
It stacked up 265,200,000 views, while season 2 has 192,600,000.
Whether it's the violence, the games, the whacky outfits or the intrigue of Korean content, Squid Game is a big deal when it comes to the world of watching TV.
The writer and director Hwang Dong-hyuk first created the concept of a feature film back in 2009, but 12 years later it was released to the world as a streaming series.
He sees the characters and their decisions about how far they are willing to go for money, as a commentary on society, inequality and morality.
"I think that is one of the main reasons Squid Game is so widely loved," he tells me.
"Many thought that it's just a strange survival show, that's very entertaining and something to kill time, but once you watch the series, you realise that it is a satire and an allegory of the modern world."
Adding, "it gives you food for thought and topics for discussion."
Squid Game has won six Primetime Emmy Awards and a Golden Globe, much of that is down to it's lead actor Lee Jung-jae.
As player 456, he's anchored the show's global success - a success which has boosted the number of people around the world learning the Korean language.
Following the release of season 2, language learning app Duolingo noted a 63% increase in British people studying Korean.
Lee Jung Jae was surprised by the statistic, saying "I never expected that to happen, especially because Korean is only usually used in Korea.
"When we want to learn a language, we learn one that we can use in many countries.
"To know that so many people nowadays want to learn Korean, I feel so grateful and I love to hear it."
The third and final season of Squid Game is out on Friday 27 June on Netflix.
Following in the footsteps of the previous 2, there will be no shortage of death, blood and violence.
For director Hwang, the years he's spent working on the project has taken a pretty significant toll... especially on his teeth.
"While I was making season one, I lost a lot of teeth," he reflects.
"I had to take out 7 or 8. That is how much physical stress I was under.
"Working on season 2 and 3, it was more physically demanding, because it look longer to film.
"After that I had to take out 2 more teeth. Once everything was done, I let out a sigh of relief because I knew I would be out of that physical stress."
Now, spoilers are bad at any time but a Squid Game spoiler could really ruin a whole session of binging... don't worry, I won't be spoiling anything.
Season 3 was filmed straight after season 2, but the releases have been staggered, so Lee Jung-jae has been sitting on some secrets for quite a while.
"Especially my close friends and people around me, they ask me for a lot of spoilers," he laughs.
"They would ask me, 'Is season 3 really the final season?' or one of their favourite questions to ask is, 'When do you die?'
"Of course, my lips are sealed, I will never tell them, I'm very strict about that."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time Out
38 minutes ago
- Time Out
Only one New York restaurant made it on the World's 50 Best Restaurants List
A few weeks back, the food-loving folks behind the World's 50 Best list unveiled the back-half of this year's 100 Best Restaurants ranking, and two stellar New York spots out of eight North American entries managed to make the coveted lineup. Making a splash at No. 98 was César, the elegant, seafood-focused restaurant from chef César Ramirez, while midtown fine-dining mainstay Le Bernardin clocked in at No. 90. And though those illustrious local dining rooms were joined on the full list by only one NYC restaurant in the top 50, they're at least in very good company: "New Korean" stunner Atomix was ranked No. 12 in this year's culinary pecking order, which were announced during a ceremony in Turin, Italy on June 19. It's not the first time that the creative Korean spot—the flagship restaurant of husband-and-wife duo, chef Junghyun "JP" Park and manager Ellia Park, who also oversee fellow New York spots including Atoboy, Naro and Seoul Salon—has been honored by World's 50 Best: In 2023, Atomic came in at No. 8 and rose to No. 6 one year later. Praised as the "ultimate gastronomic manifestation of the K-wave phenomenon" and "Korean dining at its very finest" with "dishes grounded in heritage, but distinct and innovative," per the World's 50 Best organizers, Atomix is the sole U.S. restaurant to make the main 50 Best list, and one of only three North American entries this year. (It's joined by Jorge Vallejo's boundary-pushing Quintonil and Elena Reygadas's Mexican-meets-Mediterranean beaut Rosetta, both located in Mexico City.) Elsewhere on the list, Lima had an exceptionally strong showing, with Maido from chef Mitsuharu "Micha" Tsumura—an upmarket Japanese-Peruvian restaurant serving an innovative take on Nikkei cuisine—finally claiming the top spot after a decade of being featured on the World's 50 Best list. Rounding out the top five was second-place finisher Asador Etxebarri of Atxondo, Spain; Diverxo of Madrid, Spain in the fourth-place spot; and Alchemist of Copenhagen, Denmark at No. 5.


Daily Mirror
3 hours ago
- Daily Mirror
Eighties film icon unimpressed by 'gratuitous' modern day sex scenes
Greta Scacchi did not hold back on her thoughts on bedroom scenes and intimacy coordinators English-Italian actor Greta Scacchi says she wouldn't have benefited from an intimacy coordinator when she started her career in the 80s in Hollywood films including White Mischief, Heat and Dust and The Player. Asked if it would have helped, Greta, 65, said: 'I don't at all. Actors don't want to be choreographed into positions unless there's a real antipathy or a communication problem. Luckily, I didn't have that. The most discomfort I've had in those situations was with directors and their own… appetites, let's say. It sometimes gets muddied by voyeurism, and that leads to us being shown stuff that a lot of us don't want to see. That's where you need the intimacy coordinator.' Since 2022 Greta's screen appearances have been a little different. In cozy Australian murder mystery Darby and Joan on U&Drama in the UK, she stars as widowed English nurse Joan Kirkhope. She teams up with Australian ex-detective Jack Darby (played by Bryan Brown). The pair have a will-they, won't-they relationship in the series but Greta says both actors think it would be a mistake if their characters got together. Asked if things have changed today on TV, Greta highlighted in the Radio Times that sex scenes on screen were now very different. She said: 'In my 20s, the female voice was still struggling to emerge, directors were mostly male and simulated lovemaking was obligatory. But in the 80s, it was soft focus and made to look beautiful and slowed down, whereas now I find it really gratuitous – this explicit rutting stuff is very odd to see. I find it so uninteresting, ugly and very compromising for the actors. It sounds funny coming from me, because I got labelled for nudity and sex scenes, but I don't believe it was a deserved label. 'I had a bed scene with Laurence Olivier [in 1984's The Ebony Tower] and that's where it started. I got that label. It made me wish I'd used a stage name.' Last year when promoting her work for Netflix show Bodies, Greta also looked back at her earlier work on screen. She told the Guardian: 'It was very clear to me even then that I was always being invited to play a male fantasy. I had to work very hard to punch some integrity into the idea of being a woman when I was placed inside that male gaze. "I've seen that change a lot, and there are so many more female directors getting attention, which is great, but the way older women get portrayed is often still very odd. Where are the glamorous – or even not glamorous – representations of today's older women? Where are the women who went through women's lib?' Greta was born in Milan, Italy but spent her childhood in England. She began working in theatre when she spent two years of her teens in Australia, where she began working in theatre. Her films include White Mischief, The Player and Emma. In 2024 Scacchi played Mrs Hardcastle in a 1930s-style update of Goldsmith's She Stoops to Conquer at the Orange Tree theatre, Richmond. On theatre work, she said: 'It's like my sacred space. As you get older, life itself continues to throw more challenges and dramas your way, and doing theatre, with its pace, its timings of rehearsals and its rules, makes me feel a bit more in control.' Greta has been in two long term relationships that resulted in children. She had a four year relationship with actor Vincent D'Onofrio, with whom she has a daughter named Leila George. They split soon after they had their first child in 1992. The split reportedly left her so distraught she was unable to work for four years - just when her Hollywood career was taking off. Later, she began a relationship with her first cousin, Carlo Mantegazza, and they have a son Matteo, born in 1997. This relationship ended more than a decade ago but was only confirmed years later in 2022 by her publicist. * The full interview with Greta is in the Radio Times, out now.


ITV News
4 hours ago
- ITV News
Squid Game creator: 'It's an allegory of the modern world'
The director and lead actor of the sinister Korean thriller Squid Game visited the UK for the first time. They told ITV News Entertainment Reporter Rishi Davda that making the show has had some unusual side-effects. The eerie Korean jingle that accompanies the violent 'Red Light, Green Light' challenge, still randomly finds it's way into my mind on a monthly basis. Squid Game raised the stakes of child's play, where hundreds of indebted individuals take on life or death adolescent obstacles with the promise of great wealth if they win. The first season of the show, which came out in 2021, is still Netflix's most popular show ever - that includes both English and foreign language content. It stacked up 265,200,000 views, while season 2 has 192,600,000. Whether it's the violence, the games, the whacky outfits or the intrigue of Korean content, Squid Game is a big deal when it comes to the world of watching TV. The writer and director Hwang Dong-hyuk first created the concept of a feature film back in 2009, but 12 years later it was released to the world as a streaming series. He sees the characters and their decisions about how far they are willing to go for money, as a commentary on society, inequality and morality. "I think that is one of the main reasons Squid Game is so widely loved," he tells me. "Many thought that it's just a strange survival show, that's very entertaining and something to kill time, but once you watch the series, you realise that it is a satire and an allegory of the modern world." Adding, "it gives you food for thought and topics for discussion." Squid Game has won six Primetime Emmy Awards and a Golden Globe, much of that is down to it's lead actor Lee Jung-jae. As player 456, he's anchored the show's global success - a success which has boosted the number of people around the world learning the Korean language. Following the release of season 2, language learning app Duolingo noted a 63% increase in British people studying Korean. Lee Jung Jae was surprised by the statistic, saying "I never expected that to happen, especially because Korean is only usually used in Korea. "When we want to learn a language, we learn one that we can use in many countries. "To know that so many people nowadays want to learn Korean, I feel so grateful and I love to hear it." The third and final season of Squid Game is out on Friday 27 June on Netflix. Following in the footsteps of the previous 2, there will be no shortage of death, blood and violence. For director Hwang, the years he's spent working on the project has taken a pretty significant toll... especially on his teeth. "While I was making season one, I lost a lot of teeth," he reflects. "I had to take out 7 or 8. That is how much physical stress I was under. "Working on season 2 and 3, it was more physically demanding, because it look longer to film. "After that I had to take out 2 more teeth. Once everything was done, I let out a sigh of relief because I knew I would be out of that physical stress." Now, spoilers are bad at any time but a Squid Game spoiler could really ruin a whole session of binging... don't worry, I won't be spoiling anything. Season 3 was filmed straight after season 2, but the releases have been staggered, so Lee Jung-jae has been sitting on some secrets for quite a while. "Especially my close friends and people around me, they ask me for a lot of spoilers," he laughs. "They would ask me, 'Is season 3 really the final season?' or one of their favourite questions to ask is, 'When do you die?' "Of course, my lips are sealed, I will never tell them, I'm very strict about that."