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Dublin buzzing ahead of Oasis' return to Ireland

Dublin buzzing ahead of Oasis' return to Ireland

The Advertiser4 days ago
Dublin is "buzzing" as Oasis return to Ireland for the first time in 16 years.
Tens of thousands of fans descended on the Irish capital for the first of two sold-out gigs at the country's largest stadium.
The 90s Britpop superstars will perform to 80,000 people at Croke Park on Saturday and Sunday nights.
Fans will enjoy the music in temperatures above 20C.
Health officials advised revellers to wear their bucket hats, with high UV levels predicted.
The band's first gig in the country since 2009, the Dublin leg of the reunion world tour will hold a special meaning for once-feuding brothers Noel and Liam Gallagher.
The Mancunian brothers have spoken about their ties to Ireland through their Irish-born parents, Peggy and Thomas.
Sarah and Neil Charlton travelled from Southampton to see the band, after a determined search for standing tickets saw them clinching access in Dublin.
Charlton said they have both been waiting a long time to see the band reunite - having seen Oasis multiple times before their extended hiatus.
"It's just so nostalgic - all the songs and all the music from when we were growing up," Charlton said.
"When we first started seeing each other, we went to a gig and so it's always been a part of our lives together."
Oasis formed part of the romantic story for Lisa and Alan Roe too, who said their love of the band dates back to when they got married in the 1990s.
He said the band's reunion was an emotional time.
"That brings an aura about in everybody and a buzz and the memories of growing up in Dublin with them - it's absolutely out of this world," he said.
Sinead Millea from Kilkenny previously saw the band in Limerick in 1996 and is glad the brothers have patched things up.
"Maybe we're all going through a bit of a midlife crisis - I turned 50 this year, and look, Noel and Liam, they're in their 50s as well," she said.
"And maybe things just dawned on them that life is too short and just, let's put grievances to bed. They seem to be getting on great, and it's fabulous. And at the end of the day, music transcends everything."
The support acts for the Dublin dates are Richard Ashcroft from The Verve and Cast, formed by John Power after he left The La's.
The set list has crowd-pleasing hits such as Cigarettes And Alcohol and Wonderwall.
Fans have also been treated to favourites including Acquiesce, Some Might Say and Morning Glory - before a Don't Look Back In Anger and Champagne Supernova crescendo.
Oasis announced their reunion tour in August last year, 16 years after their dramatic split in 2009, when Noel quit after a backstage brawl at the Rock en Seine festival in Paris.
The highly anticipated 41-date run has already seen the band play Cardiff, Manchester, London and Edinburgh.
They are also headed to the US, Canada, Mexico, Australia and Japan.
Dublin is "buzzing" as Oasis return to Ireland for the first time in 16 years.
Tens of thousands of fans descended on the Irish capital for the first of two sold-out gigs at the country's largest stadium.
The 90s Britpop superstars will perform to 80,000 people at Croke Park on Saturday and Sunday nights.
Fans will enjoy the music in temperatures above 20C.
Health officials advised revellers to wear their bucket hats, with high UV levels predicted.
The band's first gig in the country since 2009, the Dublin leg of the reunion world tour will hold a special meaning for once-feuding brothers Noel and Liam Gallagher.
The Mancunian brothers have spoken about their ties to Ireland through their Irish-born parents, Peggy and Thomas.
Sarah and Neil Charlton travelled from Southampton to see the band, after a determined search for standing tickets saw them clinching access in Dublin.
Charlton said they have both been waiting a long time to see the band reunite - having seen Oasis multiple times before their extended hiatus.
"It's just so nostalgic - all the songs and all the music from when we were growing up," Charlton said.
"When we first started seeing each other, we went to a gig and so it's always been a part of our lives together."
Oasis formed part of the romantic story for Lisa and Alan Roe too, who said their love of the band dates back to when they got married in the 1990s.
He said the band's reunion was an emotional time.
"That brings an aura about in everybody and a buzz and the memories of growing up in Dublin with them - it's absolutely out of this world," he said.
Sinead Millea from Kilkenny previously saw the band in Limerick in 1996 and is glad the brothers have patched things up.
"Maybe we're all going through a bit of a midlife crisis - I turned 50 this year, and look, Noel and Liam, they're in their 50s as well," she said.
"And maybe things just dawned on them that life is too short and just, let's put grievances to bed. They seem to be getting on great, and it's fabulous. And at the end of the day, music transcends everything."
The support acts for the Dublin dates are Richard Ashcroft from The Verve and Cast, formed by John Power after he left The La's.
The set list has crowd-pleasing hits such as Cigarettes And Alcohol and Wonderwall.
Fans have also been treated to favourites including Acquiesce, Some Might Say and Morning Glory - before a Don't Look Back In Anger and Champagne Supernova crescendo.
Oasis announced their reunion tour in August last year, 16 years after their dramatic split in 2009, when Noel quit after a backstage brawl at the Rock en Seine festival in Paris.
The highly anticipated 41-date run has already seen the band play Cardiff, Manchester, London and Edinburgh.
They are also headed to the US, Canada, Mexico, Australia and Japan.
Dublin is "buzzing" as Oasis return to Ireland for the first time in 16 years.
Tens of thousands of fans descended on the Irish capital for the first of two sold-out gigs at the country's largest stadium.
The 90s Britpop superstars will perform to 80,000 people at Croke Park on Saturday and Sunday nights.
Fans will enjoy the music in temperatures above 20C.
Health officials advised revellers to wear their bucket hats, with high UV levels predicted.
The band's first gig in the country since 2009, the Dublin leg of the reunion world tour will hold a special meaning for once-feuding brothers Noel and Liam Gallagher.
The Mancunian brothers have spoken about their ties to Ireland through their Irish-born parents, Peggy and Thomas.
Sarah and Neil Charlton travelled from Southampton to see the band, after a determined search for standing tickets saw them clinching access in Dublin.
Charlton said they have both been waiting a long time to see the band reunite - having seen Oasis multiple times before their extended hiatus.
"It's just so nostalgic - all the songs and all the music from when we were growing up," Charlton said.
"When we first started seeing each other, we went to a gig and so it's always been a part of our lives together."
Oasis formed part of the romantic story for Lisa and Alan Roe too, who said their love of the band dates back to when they got married in the 1990s.
He said the band's reunion was an emotional time.
"That brings an aura about in everybody and a buzz and the memories of growing up in Dublin with them - it's absolutely out of this world," he said.
Sinead Millea from Kilkenny previously saw the band in Limerick in 1996 and is glad the brothers have patched things up.
"Maybe we're all going through a bit of a midlife crisis - I turned 50 this year, and look, Noel and Liam, they're in their 50s as well," she said.
"And maybe things just dawned on them that life is too short and just, let's put grievances to bed. They seem to be getting on great, and it's fabulous. And at the end of the day, music transcends everything."
The support acts for the Dublin dates are Richard Ashcroft from The Verve and Cast, formed by John Power after he left The La's.
The set list has crowd-pleasing hits such as Cigarettes And Alcohol and Wonderwall.
Fans have also been treated to favourites including Acquiesce, Some Might Say and Morning Glory - before a Don't Look Back In Anger and Champagne Supernova crescendo.
Oasis announced their reunion tour in August last year, 16 years after their dramatic split in 2009, when Noel quit after a backstage brawl at the Rock en Seine festival in Paris.
The highly anticipated 41-date run has already seen the band play Cardiff, Manchester, London and Edinburgh.
They are also headed to the US, Canada, Mexico, Australia and Japan.
Dublin is "buzzing" as Oasis return to Ireland for the first time in 16 years.
Tens of thousands of fans descended on the Irish capital for the first of two sold-out gigs at the country's largest stadium.
The 90s Britpop superstars will perform to 80,000 people at Croke Park on Saturday and Sunday nights.
Fans will enjoy the music in temperatures above 20C.
Health officials advised revellers to wear their bucket hats, with high UV levels predicted.
The band's first gig in the country since 2009, the Dublin leg of the reunion world tour will hold a special meaning for once-feuding brothers Noel and Liam Gallagher.
The Mancunian brothers have spoken about their ties to Ireland through their Irish-born parents, Peggy and Thomas.
Sarah and Neil Charlton travelled from Southampton to see the band, after a determined search for standing tickets saw them clinching access in Dublin.
Charlton said they have both been waiting a long time to see the band reunite - having seen Oasis multiple times before their extended hiatus.
"It's just so nostalgic - all the songs and all the music from when we were growing up," Charlton said.
"When we first started seeing each other, we went to a gig and so it's always been a part of our lives together."
Oasis formed part of the romantic story for Lisa and Alan Roe too, who said their love of the band dates back to when they got married in the 1990s.
He said the band's reunion was an emotional time.
"That brings an aura about in everybody and a buzz and the memories of growing up in Dublin with them - it's absolutely out of this world," he said.
Sinead Millea from Kilkenny previously saw the band in Limerick in 1996 and is glad the brothers have patched things up.
"Maybe we're all going through a bit of a midlife crisis - I turned 50 this year, and look, Noel and Liam, they're in their 50s as well," she said.
"And maybe things just dawned on them that life is too short and just, let's put grievances to bed. They seem to be getting on great, and it's fabulous. And at the end of the day, music transcends everything."
The support acts for the Dublin dates are Richard Ashcroft from The Verve and Cast, formed by John Power after he left The La's.
The set list has crowd-pleasing hits such as Cigarettes And Alcohol and Wonderwall.
Fans have also been treated to favourites including Acquiesce, Some Might Say and Morning Glory - before a Don't Look Back In Anger and Champagne Supernova crescendo.
Oasis announced their reunion tour in August last year, 16 years after their dramatic split in 2009, when Noel quit after a backstage brawl at the Rock en Seine festival in Paris.
The highly anticipated 41-date run has already seen the band play Cardiff, Manchester, London and Edinburgh.
They are also headed to the US, Canada, Mexico, Australia and Japan.
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Why you need to stay in the Trinity City Hotel in Dublin on your 2025 trip
Why you need to stay in the Trinity City Hotel in Dublin on your 2025 trip

Herald Sun

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  • Herald Sun

Why you need to stay in the Trinity City Hotel in Dublin on your 2025 trip

Don't miss out on the headlines from Lifestyle. Followed categories will be added to My News. I wouldn't necessarily choose to stay in a hotel room above a fire station, particularly if I had jet lag – from which I'm suffering on the morning I arrive at the Trinity City Hotel, after a 26-hour flight from Sydney to Dublin. From the outside, the hotel looks like a public library installed at the base of a redbrick office block. It's the kind of inoffensive, generic property that is often used by coach-tour groups. The public areas are much nicer, with surprisingly ornate Georgian fittings and a more identifiably Dublin feeling. The hotel looks like a public library installed at the base of a redbrick office block The location Well, it's next door to the headquarters of the Dublin Fire Brigade but other than that it's in a pretty great spot, only a few minutes' walk from the Liffey River and the lively pubs and restaurants of Temple Bar. As the name suggests, it's very close to 16th-century Trinity College, the most prestigious university in Dublin and one of the city's most popular tourist attractions and a location for movies as diverse as Educating Rita and Transformers: The Last Knight. The hotel is only a few minutes' walk from the Liffey River The concierge The hotel staff are friendly and efficient, and the receptionist finds me a room several hours before check-in time. Unfortunately, it's above the Fire Brigade HQ car park. The hotel offers a free glass of prosecco on arrival. Because I arrive early, this takes the form of a 175ml bottle in my room. It's a nice treat. They offered a free glass of prosecco on arrival The breakfast A vast and sprawling buffet breakfast is served at the Courtyard Restaurant, overspilling into the pleasant Courtyard Garden. I like to arrive at a hotel breakfast as soon as the restaurant opens because: (a) I'm always hungry; (b) I'm always jetlagged; and (c) it's generally quieter. When I tentatively come down to the Courtyard Restaurant just after 7am, it's as if every other guest in the hotel has had the same idea. All the tables closest to the buffet are packed by a noisy, ravenous tour group, which disappears onto a bus just as suddenly as it appeared. Local not-particularly-delicate delicacies include black pudding (drisheen) and soda bread The buffet's boiled bagels are great and it's nice to see smoked mackerel fillets among the cold cuts. Local not-particularly-delicate delicacies include black pudding (drisheen) and soda bread, intrinsic components of a full Irish breakfast. It's oddly difficult to order a coffee, and the coffees that arrive aren't very good. Several friendly local cafes offer better options. The Courtyard Restaurant's menu The room My room, at the back of the building, looks out onto the aforementioned car park, offering rare views of firefighters practising on a fire-engine tower ladder. I am also privy to the arrival and departure of several other Fire Brigade vehicles, some of which are preceded by sirens. However, the noise stops at about 5pm – the same time as I give up trying to grab a nap. The mattress on the bed is deep and soft. The shower in the bathroom is refreshingly uncomplicated. The bedroom does all that a decent hotel room must, but not much more. The bedroom does all that a decent hotel room must, but not much more Minibar The minibar is an empty fridge, but you'll get much more joy downstairs in the hotel's Brunswick Bar and Lounge, where you can enjoy a pint of Guinness and listen to noisy barstool Americans get everything wrong, while watching Dublin's street life from the window. Watch Dublin's street life from the Library Lounge What's hot The best thing about the hotel is its location in the historic heart of Dublin. Check out the Book of Kells, a 9th-century illuminated manuscript of the gospels in the Long Room of the Old Library at Trinity College. By night, you might want to try the Dublin Literary Pub Crawl, a tour of 'Publin' which leaves from The Duke on the south side of Trinity College. It's a surprising mixture of theatrical performance and Guinness drinking, and the easiest possible introduction to the work of Samuel Beckett. Amuse yourself by telling Irish bar staff, 'I think the Guinness is actually better in Australia.' The best thing about the hotel is its location in the historic heart of Dublin What's not I'm not going to keep banging on about the Fire Brigade HQ car park: I would've barely noticed it if I'd been out sightseeing during the day. The verdict: 7/10 The Trinity City Hotel is a solid, efficient, central hotel – and, of course, it would be a great place to stay in the event of a fire. Rooms start from about $262, on a low-season Sunday. Mark Dapin visited Ireland courtesy of Fáilte Ireland, Tourism Ireland and Tourism Northern Ireland. Originally published as This central Dublin hotel gives you everything you need

The surprising fashion item that might be worth a fortune
The surprising fashion item that might be worth a fortune

The Age

time6 hours ago

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The surprising fashion item that might be worth a fortune

There are very few items that should remain in your wardrobe for 32 years straight. If you own an original Hermès Birkin bag or an Alexander McQueen suit designed by the man himself, then feeling protective towards items of such venerable age is understandable – you'll be able to buy a yacht or six with them if you contact the right auction house. But there's only one type of person who keeps a T-shirt that wears its age so nakedly that burns, tears and sweat marks can raise the eyebrows and crinkle the septum of strangers. Band T-shirts are often cheaply made, occasionally have questionable designs, can lose their shape in the wash and seldom look good on anyone over 30. But I'm one of many music fans who cannot throw these totemic garments of my youth away – despite not having worn any of them since the turn of the millennium. Band T-shirts were never intended for the 47-year-old me. Their popularity is supposed to lie solely with teenagers who haven't yet learnt how to broadcast their passions and ­beliefs more subtly. But it's a [northern] ­summer of music nostalgia at the moment, as the Oasis reunion tour, Glastonbury featuring Rod Stewart and Neil Young, and the farewell tour from Ozzy Osbourne just before his ­passing demonstrates. Finding your tribe On my first week of university in 1996, band T-shirts were everywhere, and they made a useful barometer in terms of finding my ­neophyte tribe. People in Iron Maiden and The Cure T-shirts should be avoided lest I wanted three years of poor eyeliner, cider and ­conspiracy theories. And I was sceptical but curious about The Smiths and Nirvana tee-donners; they could be the witty Oscar Wilde type but they could equally be vodka-guzzling ­depressives. I had on my Blur T-shirt, of course, which I hoped made me look blokeish but also moderately bookish – the kind of guy who likes a beer but can also have a chat about Alexander Trocchi or Douglas Coupland. Pretentious and deluded?Let me count the ways … But it was vital for me at that time to distinguish myself from the hordes of Oasis T-shirt-wearers who (and I stand by my theory to this day, with the reunion tour in full flow) I was convinced were, underneath the swagger, reactionary bores who would all graduate to work on the lower rungs of the finance sector. Then, as now, there were ways to wear a band T-shirt in order to ensure that you came across as a knowing fan, not a grumpy roadie. Naturally, tucking your T-shirt into your jeans was the first sign of a young adult who hasn't cut the parental apron strings. A more common problem, for blokes in ­particular, was size. Back in the mid-'90s, the only ways to get a band T-shirt were to buy one off a bloke standing outside the gig venue or head to the one 'indie' shop in your city, which would have a mediocre selection of overpriced T-shirts hung above the CD racks. The lack of choice, coupled with my devotion to the band or artist (though they were mostly bands back then) meant that I had quite a few band T-shirts that were ludicrously oversized. My mates and I figured out (and god, this seemed so important back then) that the way around it was to tuck the XL shirt in at the back, roll it up at the front so it caught very loosely on your belt and then wear a Harrington jacket on top. The problem came when we were sweating it out on the dance floor and couldn't take our jackets off – lest it looked like we'd got dressed drunk and in the dark. Which, actually, quite a few of us probably had. A new era? The era of music being dominated by 'three, four or five white blokes with guitars looking like a gang' is completely over now. And, for some reason, single artists don't work as well when cheaply pasted on a T-shirt. Taylor Swift concerts are proper dress-up events, not T-shirt conventions. Anyone wearing a Self-Esteem T-shirt would look like they were trying too hard, and a Kneecap T-shirt would just make you look like a dilettante contrarian. So Gen Z are mining the past. On a recent trip to Liverpool in the UK, the Resurrection store on Bold Street, long a northern hub for band tees, had infinitely more Nirvana T-shirts than anything for The 1975 or Idles. I saw two girls of no more than 17 wandering around, both in Ramones T-shirts, the ultimate example of a band who have sold more merch than albums. Music snobs have long derided the Ramones T-shirt phenomenon, lambasting youngsters who wear the distinctive black tee with the presidential seal-style emblem that was the logo of 'Da Brudders' despite having been born long after the premature deaths of Joey, Johnny and Dee Dee. It's the worst kind of musical elitism, usually practised by men who themselves own a Sun Records or Motown T-shirt, despite being merely a twinkle in their parents' eyes when Marvin and Elvis were first in the studio. Yet these retro reproduction Ramones T-shirts that are ubiquitous in our inner cities in particular are chiefly of semantic value. There are megabucks to be had in band T-shirt land, but they're reserved for those with either the savvy or hoarding habits required to hold on to a tee from the era of loon pants and 18-minute drum solos. Enter Led Zeppelin, and a T-shirt from their final UK shows at Knebworth in 1979. A ­special tee, screen-printed for that gig, was made for the road crew in lieu of lanyards. One of them sold on eBay for a whopping $US10,000 ($15,400) in 2011. Though, Run DMC aren't too far behind – one of their 1980s concert tour T-shirts sold for $US13,000. Don't look back... Fast-forward 40 years and the same complaints about the quality of band T-shirts are extant, chiefly due to the continuing presence of the 'bootleg tees on the pavement' guy, still earning an illegitimate crust outside gig venues. Yet, there are sources online where better quality products can be found. EMP earns good online reviews for the quality of its tees' material, though the designs, mainly the pseudo­‑Gothic comic horror tropes of Iron Maiden, won't be to everyone's (or my own) tastes. Donning my Blur T-shirt from 1993 for the first time in decades was a strange experience. First off, it did fit. But I still looked ridiculous. It also triggered two entirely contradictory emotions. Firstly, an intense nostalgia for that teen era of cigarettes, snogs, cider and seven-inch singles. But also a feeling of unease: by wearing this now, I'm not broadcasting that I love a great band of yore; I'm transmitting that I haven't moved with the times at all. Loading So I took it off again pretty sharpish, knowing that with age come more discreet ways of letting the world know your attitudes and ­beliefs via your garments. Yet, it turns out, I might be in possession of a frayed-cotton pension contribution. Online, the exact Blur tour T-shirt I own, from their pre- Parklife and pop stardom period, is selling for up to £400 ($820). Will I sell? No, I don't think so. Having a band T-shirt makes me feel connected to my past. But, just like my teen adorations for eating fish finger sandwiches, reading Loaded magazine and applying Clearasil, a public display wouldn't do me any favours today. But I'll never relinquish my tees and all that they stand for.

Life, death, God: The small film tackling the biggest questions
Life, death, God: The small film tackling the biggest questions

The Age

time6 hours ago

  • The Age

Life, death, God: The small film tackling the biggest questions

To say that Kangaroo Island is a personal film is an almighty understatement. Written by Canadian-born Sally Gifford and directed by her Australian husband Timothy David (aka Tim Piper), it is set on the titular island off the coast of South Australia, where they own a holiday house and where David has been going for beach holidays for decades. The plot revolves around an Australian actor called Lou (Rebecca Breeds) who is forced to accept that her shot at the big time in LA may have passed her by, and who reluctantly returns to the family home on the island. And given that Gifford spent years as a struggling actor in LA (she met her husband while waiting tables in a steakhouse 'and I got his order wrong', she admits), is it fair – if a little rude – to surmise that this, too, is personal? 'I'm sure I was drawing on my own experience,' she says. 'But I think I just liked the contrast between Hollywood fictionalised drama versus Kangaroo Island and the real-life drama she was experiencing.' That drama centres on family dynamics. Lou is a party-hard creature who turns up on the island with a massive hangover and no luggage – the spur for a wonderful long-running gag – and is instantly at loggerheads with her Bible-bashing sister Freya (Adelaide Clemens). A gradually unfurling backstory reveals a tortured past involving handsome surfer and university lecturer Ben (Joel Jackson), while the present-day tale focuses on the efforts of father Rory (Erik Thomson) to establish what will happen with his magnificent beachside property once he's gone – which may be sooner than anyone anticipated. It's potentially heavy stuff, but handled with a deftness of touch and perfectly judged comedy that is utterly impressive given this is the debut feature of both Gifford and David, a veteran of the New York advertising world. Gifford makes zero apologies for wanting to tackle the biggest themes imaginable in her debut. 'I'm really interested in art that examines the meaning of life, and in particular the question of 'is there meaning for humans',' she says. 'We are meaning-seeking animals, and yet we may never get the answer to 'what's the point? Why are we all here?' And that's something that's always in my mind. Always.' Kangaroo Island itself feeds that questioning. 'There's so little human development, you really feel like you're one of the animals,' Gifford says. 'When you see a dead kangaroo, or a dead fish on the beach, what does it all mean? It just reinforces those questions for me, what's it all about? And then out of that grew this idea.' For David, time and budget constraints meant he had to approach this film in a very different way to his normal mode. 'A lot of my work in the past has been beauty commercials with people like Kendall Jenner and Zendaya, where you can spend six hours on one shot, you get three days for a 30-second commercial,' he says. By contrast, here he was rattling through four scenes a day. Though it's far from rough and ready – some of the cinematography is gorgeous, and the performances are consistently strong – David says 'happy accidents' were critical to making it all work. 'There's just something real, handmade about the film that I think adds a nice touch.' Still, it was seat-of-the-pants at times. A critical dinner party scene was done in just two takes, for example, despite the fact that in the first, neither of the two cameras captured Erik Thomson, who was a key player. 'Thank God he did the exact same brilliant performance the second time around,' David says. Speaking of God … It's a rare thing for a movie to go there, with neither proselytising nor critical intent. But Kangaroo Island unabashedly does. 'I think it's scary to make a movie about God and feelings and love and end of life, because it is leaning into drama and emotionality,' says Gifford, who says her own position on the topic of God is 'just that constant questioning'. 'We actually are growing tired of films that feel a bit glib and ironic,' she adds, 'and we just wanted to lean into that sentimentality.' 'For me,' says David (who is 'reserving judgement till I die' on the God question), 'it was nice to see a script where there is no bad person. It's just that life can hit you a certain way, and you're forced to react and make decisions that can make you look bad, but it doesn't mean you are bad.

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