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This one-of-a-kind stay provides a glimpse of the Eternal City's past

This one-of-a-kind stay provides a glimpse of the Eternal City's past

Times4 days ago
'Questa casa non è un albergo' is the motto you'll see all around G-Rough — in the rooms, at the bar and on business cards. 'This house isn't a hotel' may be the thrust of this design-led stay, but don't be expecting a home from home. Instead, think of it as entering someone else's home, or rather, the homes of multiple people, all of whom have left their mark on this 17th-century apartment block just behind Piazza Navona. When the owner Gabriele Salini, who used to live on the top floor, turned the building into a hotel, carving two rooms from each apartment, he stripped things back to the past. Centuries of paint were removed to reveal the layers of former occupation — whether brightly painted walls, thick wooden beams or centuries-old graffiti — and furniture from Italy's mid-century design greats was thrown into the mix. Although the shabby-chic feel is overwhelmingly modern, it makes for a fascinatingly appropriate stay in Rome, with the layers of the building echoing the city's lasagne-like archaeological strata. Add to this the brilliantly knowledgeable staff, who skilfully (and tactfully) steer guests away from tourist traps, and you'll agree it's no ordinary hotel.
This article contains affiliate links that will earn us revenue
Score 8/10This is a Marmite kind of place — one look at the rooms and you'll either want to move in or run a mile to the nearest heavy-draped five-star. The ten suites — two per floor, with one on each level overlooking buzzy Piazza di Pasquino to the front and the other opening onto an internal space between apartment blocks at the back — have all been stripped back to show the building's history. The walls might be a patchy red, green or blush; they might have putty-like streaks where the first electricity cables were laid, painted ceilings or pencil sketches of weird and wonderful beasts left by a centuries-past builder. The floor might be simple parquet or antique tiles, often clashing deliciously from one room to the next. To that eclectic canvas is added mid-century furniture by some of Italy's greatest designers: the likes of Gio Ponti, Ico Parisi and Osvaldo Borsani, as well as pieces by Venini and Fornasetti. Much of the furniture is upcycled — like a headboard constructed from what looks like a giant gilded picture frame — and there's a bygone feel to the simple linen sheets and towels, giving a sense of the past in the Eternal City. Bathrooms take a more modern approach, with slightly louche, dark mirrored tiles and antique chrome fixtures. Freitag sponge bags act as a repository for things you can buy: everything from CBD oil to G-Rough tote bags (as well as the sponge bags themselves).
While all the rooms are suites, there's a big difference between those at the front and back of the hotel. The ones at the back of the building overlook an internal space between apartment blocks, which is pretty dark and can attract mosquitos in season. Those at the front, however, have a spectacular outlook onto Piazza Pasquino, a small but busy square with the Pasquino — an ancient 'talking' statue to which, for centuries, Romans have pinned anonymous messages and gossip. If the budget allows, absolutely go for one of these front-facing rooms. The two top-floor suites are bi-level, with mezzanine bedrooms, clawfoot bath tubs and even cosy rooftop balconies. For families or groups they can be combined into a penthouse.
Score 7/10 There's no restaurant here because, following the 'questa casa non è un albergo' philosophy, staff prefer you to get out there and experience Rome rather than wallow in the hotel. There is the Gallery Bar, though — its walls of glass and vintage chairs on the pavement blur inside and out, meaning guests are part of the Piazza di Pasquino bustle and passersby drop in for cocktails. Guests who want to be a little quieter can have drinks in Sito, a room out the back (beyond the minuscule reception desk, which itself hides discreetly behind the bar). For hotel residents only, the bartenders here will come out to you to take your order, giving it a rather exclusive feel.
Breakfast is also served in the bar and Sito, or can be brought to your room. There's no buffet, instead, you'll find a simple breakfast menu on your bed on arrival, on which you select what you want and when you want it — choices range from homemade quiche to cold cuts and croissants — before hanging it on the door at night. It's then brought to you the next morning in the spot you've chosen. For meals and drinks out, the staff (cool but super-enthusiastic and approachable) can guide you to surprisingly authentic spots just seconds' walk away, and cleverly steer you away from places you've seen on Instagram. There's also a guide to Rome-born-and-bred Salini's top city picks in every room.
• Best restaurants in Rome• More of the best hotels in Rome for 2025
Score n/aIn line with the ethos, there's nothing else on site. Instead, staff encourage guests to get out into the city, marking out routes for a run instead of a gym session, and lesser visited places in which to understand Rome without spending the day in a series of queues. They can also arrange unique experiences that go beyond the private-Vatican-tour mould, including an itinerary following in the footsteps of Caravaggio, visits to private palazzos and a trip to the Accademia Costume e Moda to become a fashion designer for a day. In-room massages are also a possibility.
Score 10/10This area is officially called Parione, although most people would simply call it bang in the centre. It's an interesting one — central, busy but still with pockets of authenticity where you can eat and drink as the Romans do. Piazza di Pasquino has a clutch of restaurants and bars, much better than those a block away in Piazza Navona. The Pantheon and the Caravaggio-filled church of San Luigi dei Francesi are both an easy five-minute trot away and it's also a simple stroll across the Tiber to Trastevere and the Vatican. It's brilliantly central yet slightly removed from the chaos.
Price B&B doubles from £348Restaurant n/aFamily-friendly YAccessible N
Julia Buckley was a guest of G-Rough Rome (g-rough.com)
• Milan v Rome: which city is better?• Best affordable hotels in Rome under £150
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This one-of-a-kind stay provides a glimpse of the Eternal City's past
This one-of-a-kind stay provides a glimpse of the Eternal City's past

Times

time4 days ago

  • Times

This one-of-a-kind stay provides a glimpse of the Eternal City's past

'Questa casa non è un albergo' is the motto you'll see all around G-Rough — in the rooms, at the bar and on business cards. 'This house isn't a hotel' may be the thrust of this design-led stay, but don't be expecting a home from home. Instead, think of it as entering someone else's home, or rather, the homes of multiple people, all of whom have left their mark on this 17th-century apartment block just behind Piazza Navona. When the owner Gabriele Salini, who used to live on the top floor, turned the building into a hotel, carving two rooms from each apartment, he stripped things back to the past. Centuries of paint were removed to reveal the layers of former occupation — whether brightly painted walls, thick wooden beams or centuries-old graffiti — and furniture from Italy's mid-century design greats was thrown into the mix. Although the shabby-chic feel is overwhelmingly modern, it makes for a fascinatingly appropriate stay in Rome, with the layers of the building echoing the city's lasagne-like archaeological strata. Add to this the brilliantly knowledgeable staff, who skilfully (and tactfully) steer guests away from tourist traps, and you'll agree it's no ordinary hotel. This article contains affiliate links that will earn us revenue Score 8/10This is a Marmite kind of place — one look at the rooms and you'll either want to move in or run a mile to the nearest heavy-draped five-star. The ten suites — two per floor, with one on each level overlooking buzzy Piazza di Pasquino to the front and the other opening onto an internal space between apartment blocks at the back — have all been stripped back to show the building's history. The walls might be a patchy red, green or blush; they might have putty-like streaks where the first electricity cables were laid, painted ceilings or pencil sketches of weird and wonderful beasts left by a centuries-past builder. The floor might be simple parquet or antique tiles, often clashing deliciously from one room to the next. To that eclectic canvas is added mid-century furniture by some of Italy's greatest designers: the likes of Gio Ponti, Ico Parisi and Osvaldo Borsani, as well as pieces by Venini and Fornasetti. Much of the furniture is upcycled — like a headboard constructed from what looks like a giant gilded picture frame — and there's a bygone feel to the simple linen sheets and towels, giving a sense of the past in the Eternal City. Bathrooms take a more modern approach, with slightly louche, dark mirrored tiles and antique chrome fixtures. Freitag sponge bags act as a repository for things you can buy: everything from CBD oil to G-Rough tote bags (as well as the sponge bags themselves). While all the rooms are suites, there's a big difference between those at the front and back of the hotel. The ones at the back of the building overlook an internal space between apartment blocks, which is pretty dark and can attract mosquitos in season. Those at the front, however, have a spectacular outlook onto Piazza Pasquino, a small but busy square with the Pasquino — an ancient 'talking' statue to which, for centuries, Romans have pinned anonymous messages and gossip. If the budget allows, absolutely go for one of these front-facing rooms. The two top-floor suites are bi-level, with mezzanine bedrooms, clawfoot bath tubs and even cosy rooftop balconies. For families or groups they can be combined into a penthouse. Score 7/10 There's no restaurant here because, following the 'questa casa non è un albergo' philosophy, staff prefer you to get out there and experience Rome rather than wallow in the hotel. There is the Gallery Bar, though — its walls of glass and vintage chairs on the pavement blur inside and out, meaning guests are part of the Piazza di Pasquino bustle and passersby drop in for cocktails. Guests who want to be a little quieter can have drinks in Sito, a room out the back (beyond the minuscule reception desk, which itself hides discreetly behind the bar). For hotel residents only, the bartenders here will come out to you to take your order, giving it a rather exclusive feel. Breakfast is also served in the bar and Sito, or can be brought to your room. There's no buffet, instead, you'll find a simple breakfast menu on your bed on arrival, on which you select what you want and when you want it — choices range from homemade quiche to cold cuts and croissants — before hanging it on the door at night. It's then brought to you the next morning in the spot you've chosen. For meals and drinks out, the staff (cool but super-enthusiastic and approachable) can guide you to surprisingly authentic spots just seconds' walk away, and cleverly steer you away from places you've seen on Instagram. There's also a guide to Rome-born-and-bred Salini's top city picks in every room. • Best restaurants in Rome• More of the best hotels in Rome for 2025 Score n/aIn line with the ethos, there's nothing else on site. Instead, staff encourage guests to get out into the city, marking out routes for a run instead of a gym session, and lesser visited places in which to understand Rome without spending the day in a series of queues. They can also arrange unique experiences that go beyond the private-Vatican-tour mould, including an itinerary following in the footsteps of Caravaggio, visits to private palazzos and a trip to the Accademia Costume e Moda to become a fashion designer for a day. In-room massages are also a possibility. Score 10/10This area is officially called Parione, although most people would simply call it bang in the centre. It's an interesting one — central, busy but still with pockets of authenticity where you can eat and drink as the Romans do. Piazza di Pasquino has a clutch of restaurants and bars, much better than those a block away in Piazza Navona. The Pantheon and the Caravaggio-filled church of San Luigi dei Francesi are both an easy five-minute trot away and it's also a simple stroll across the Tiber to Trastevere and the Vatican. It's brilliantly central yet slightly removed from the chaos. Price B&B doubles from £348Restaurant n/aFamily-friendly YAccessible N Julia Buckley was a guest of G-Rough Rome ( • Milan v Rome: which city is better?• Best affordable hotels in Rome under £150

Travellers took over our picturesque beauty spot with 30 caravans, dug HOLE to use as toilet & left piles of rubbish
Travellers took over our picturesque beauty spot with 30 caravans, dug HOLE to use as toilet & left piles of rubbish

Scottish Sun

time31-07-2025

  • Scottish Sun

Travellers took over our picturesque beauty spot with 30 caravans, dug HOLE to use as toilet & left piles of rubbish

The group allegedly cut through chains locking a barrier that prevented access to the land CARAVAN FURY Travellers took over our picturesque beauty spot with 30 caravans, dug HOLE to use as toilet & left piles of rubbish Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) DISGRUNTLED locals have hit out after 30 caravans pitched up at a picturesque beauty spot. Birmingham residents, who live close to popular site Billesley Common, claim travellers arrived at 8pm yesterday. Sign up for Scottish Sun newsletter Sign up 4 Locals have slammed the arrival of caravans on Billesley Common, in Birmingham Credit: BPM 4 The group allegedly pitched up last night Credit: BPM They also slammed the caravan owners, staying opposite Birmingham Moseley Rugby Club, for allegedly digging toilet holes and littering piles of rubbish. The group allegedly cut through chains locking a barrier that prevented access to the land. Mark Brown, who lives close to Billesley Common, claimed they even set fire to an old caravan at the site. He told BirminghamLive: 'Last time they left a lot of rubbish. At the common there's a woodland area for wildlife and a pond and that had rubbish and nappies in it. 'There are regular dog walkers and one said they were petrified to walk their dogs over there. They felt intimidated..' And, this is not the first time a group have situated themselves at Billesley Common. Mr Brown claimed they were also stationed there in June, and similarly left a trail of rubbish. 'They also dug a hole to use as a toilet," he alleged. The concerned local theorised the group may have arrived due to a fair taking place at a nearby park. This comes as several caravans also arrived at Kings Norton Park, and Swanshurst Park earlier this month. Birmingham City Council previously said: 'Birmingham City Council is committed to actively protecting its land and will take steps to recover this land where unauthorised encampments encroach upon it. 'The council has useable transit sites and plots for use by the Gypsy, Roma and Traveller community – which is in line with Government policy – and details of the Gypsy and Traveller Accommodation Assessment carried out and updated in 2019 can be found on our website.' But people say they're annoyed the council regularly clears away the group's rubbish with the city in the midst of a months-long bin collection strike. One resident claimed a traveller keeps trying to buy his designer French bulldog for £250. The Friends of Swanshurst Park Facebook group says the travellers gained access by moving a large log and driving in past bike racks. Mum-of-two Rabai Tahir, who lives opposite the park, moved to the UK from Dubai with her husband five years ago and is 'astonished' travellers are allowed to keep coming back. 'They leave lots of rubbish bags and some of it stinks,' she told The Sun. 'It's cleaned up by my council tax money. "I don't allow my kids to go over to the play park when they're there. We don't know who they are. 'It's shocking for me and my husband that people can stay here for weeks. It's a community park.' Sandra Cotterill has lived opposite the park for 19 years. She said: 'I've had no trouble with them, they never bother me. Some people don't want to take their kids and dogs there." However, she is annoyed that the local authority makes such an effort to clear the group's rubbish when thousands in the city have seen their own rubbish pile up for months. Sandra said: 'They bag up all the rubbish and the council cleans it all away. "We're paying our taxes, and we can't get our bin bags picked up, but they get theirs taken.' Sandra's neighbour, who has lived in the area for 40 years and walks her dogs in the park, said residents are getting fed up with different traveller groups constantly coming and going. The woman, who did not want to be named, said: 'They clear them off and a week later another different group comes here. "I keep away from them, they take over the park really. We're all just fed up. 'Travellers move the logs. We need a permanent solution to stop them coming onto the park. "The amount of money the council must spend tidying up is ridiculous.' 4 Residents claim the caravan owners leave a trail of litter behind them Credit: BPM

‘I was struck by this little boy': inside Travellers' horse fairs
‘I was struck by this little boy': inside Travellers' horse fairs

The Guardian

time30-07-2025

  • The Guardian

‘I was struck by this little boy': inside Travellers' horse fairs

Frederik Rüegger spent more than two years visiting Great Britain and Ireland for his first publication about Roma or Travellers' horse fairs. Frederik Rüegger: I Am a Stranger in This Country is published by Kehrer Verlag Rüegger's title, l Am a Stranger in This Country, reflects his status as a visitor and also that of the Travellers as outsiders in British and Irish society Rüegger travelled to the few places and events where the Traveller community can still keep their traditions and customs alive Frederik Rüegger: 'This photo was taken at the Appleby horse fair. It's one of my favourites in the book because there's so much to discover. A good photo, to me, isn't easy to understand – it's like a riddle that might never be fully solved. It leaves space for speculation and imagination. I love that three generations are present in this single frame. The image feels almost from another time – certain elements, like the stroller, appear antique. I find that romantic, especially in contrast to how quickly everything else is evolving in our world today. Maybe that's why I still shoot on film' The book is a striking visual testimony to a community's resilience and a way of life under threat 'To me, photographing is 99% waiting and anticipating. But when all the stars finally align, beautiful things can happen. This photo, for me, brings together elements of fashion and documentary photography – two worlds I actively work in. I'm drawn to the effortless spontaneity of a snapshot, especially when it meets the elegance and extravagance of fashion' 'When I shoot I like to be invisible most of the time. I want the moment to be the most natural. My aim is to provide an intimate and authentic portrayal of Traveller communities and to capture moments that reveal both the beauty of their culture and the challenges they face' The community has been subject of discrimination and social marginalisation for a long time. Lately, Brexit has worsened their societal standing and led to a general increase in prejudice against anything perceived as 'different' 'When I came across this boy, I was struck by the power of the moment. The casual way he held his gun and walked his dog made him seem like an adult already. But as I began photographing, I started to sense the vulnerability and shyness beneath the surface. To me, photography is largely about understanding and learning from one another – a constant pull and push, like yin and yang. It's about empathy, not just about pulling the trigger' In an essay in the book, Gerry Badger writes: 'The general ambience at horse fairs is a magnet for the photographer of a street photography persuasion. Rüegger's vibrant, complex images capture all the excitement and social interaction in the country towns where Travellers traditionally meet – to display and trade horses but also to engage in a wide range of cultural activities, including selling other goods and making music together' In recent years, the spread of misinformation and hate against the communities on social media has grown significantly The political situation has intensified as well: some local authorities have prevented Travellers from continuing to use common land they have traditionally inhabited. The current political climate thus poses a serious threat to the freedom of this community Frederik Rüegger: 'My work centres around the profound and intricate tapestry of human culture. Each photograph I take is a fragment of a larger reality, one that seeks to capture and convey the essence of communities, traditions and the subtle interplay of history and modernity' Badger: 'Rüegger describes himself as a documentary photographer. His approach can be as informal as the events he attends. He mirrors their somewhat chaotic nature with photographs that frequently utilise frame edges to create (if this is not a contradiction in terms) a formal informality that recreates the visual flux in front of him'

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