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Disney's ‘Tangled' Live-Action Movie on Hold Indefinitely

Disney's ‘Tangled' Live-Action Movie on Hold Indefinitely

Yahoo03-04-2025

Disney has put the live-action version of the 2010 animated hit 'Tangled' on hold, according to sources.
The story based on the Brothers Grimm fairy tale of Rapunzel was in active development with Michael Gracey, director of 'The Greatest Showman,' slated to direct. 'Thor: Love and Thunder' scribe Jennifer Kaytin Robinson was on board to write the script.
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The decision comes amid Disney's release of 'Snow White,' which has grossed a tepid $69 million to date domestically.
It's not clear whether there is a possiblity of reviving the live-action version at some point in the future.
'Tangled' made nearly $600 million worldwide during its 2010-2011 release, and was nominated for an Oscar for original song. With an 89% positive score on Rotten Tomatoes, it was a hit with both families and critics.
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Meghan Markle and Prince Harry Not Invited to King Charles' Birthday Parade amid Harry's Claim Dad ‘Won't Speak' to Him
Meghan Markle and Prince Harry Not Invited to King Charles' Birthday Parade amid Harry's Claim Dad ‘Won't Speak' to Him

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Meghan Markle and Prince Harry Not Invited to King Charles' Birthday Parade amid Harry's Claim Dad ‘Won't Speak' to Him

Meghan Markle and Prince Harry were not invited to King Charles' birthday parade for the third year in a row The Duke and Duchess of Sussex last attended Trooping the Colour in 2022 — but were kept out of the public spotlight Harry recently said Charles 'won't speak' to him amid their ongoing rift and legal battles over securityFor the third year in a row, Meghan Markle and Prince Harry have not been invited to Trooping the Colour — King Charles' official birthday celebration and one of the royal family's most high-profile annual events — set to take place this Saturday, June 14. The decision continues a pattern set after Charles became monarch in 2022. The last time Harry and Meghan attended Trooping was during Queen Elizabeth's Platinum Jubilee in June 2022 — where they were noticeably kept out of the public spotlight, watching the parade from a separate room alongside other non-working royals and not joining the traditional balcony appearance. Their ongoing absence comes as the family rift deepens. The Duke of Sussex, 40, recently lost a legal bid to reinstate his state-funded security in the U.K. and admitted in a BBC interview last month that he cannot envision bringing his wife and their two children — Prince Archie, 6, and Princess Lilibet, 4 — back to Britain under the current circumstances. 'I can't see a world in which I would be bringing my wife and children back to the U.K. at this point,' he said. The lack of an invitation to Trooping follows a series of strained moments between father and son — including Harry's statement that King Charles is not currently speaking to him. Despite the silence, Harry has continued to express hope for a reunion. "I would love reconciliation with my family. There's no point in continuing to fight anymore," he told the BBC. "Life is precious. I don't know how much longer my father has," he continued. "He won't speak to me because of this security stuff, but it would be nice to reconcile." Meghan, 42, had been scheduled to attend a museum gala in Los Angeles on the same day as Trooping, before the event was canceled earlier this week amid ongoing protests in the city. PEOPLE confirmed that the King, 76, will travel by carriage at Trooping the Colour for the second year in a row (instead of riding on horseback) as his treatment for cancer continues. The Duke and Duchess of Sussex joined the Trooping the Colour celebrations twice as a couple following their 2018 wedding, riding in the royal carriage procession and making balcony appearances at Buckingham Palace in both 2018 and 2019. Like most large-scale events, Trooping was significantly scaled down in 2020 and 2021 due to the COVID pandemic. The tradition was brought back in 2022, but the royal event is one that Harry and Meghan's children Prince Archie and Princess Lilibet have never attended. Prince Archie, 6, was just a few weeks old when his parents went to Trooping in June 2019. Meanwhile, his sister Princess Lilibet, 4, was born in California in June 2021 after Harry and Meghan stepped back from royal duties. Both Prince Archie and Princess Lilibet traveled with their parents to the U.K. in June 2022 for the Platinum Jubilee celebrations commemorating Queen Elizabeth's record 70-year reign. The Queen likely met Lilibet, who was named after the monarch's childhood nickname, during that trip, which doubled as Harry and Meghan's only trip to the U.K. with their kids after stepping back from their royal roles. It's understood that a sticking point in the rift between Harry and King Charles is the issue of automatic state-funded security while in the U.K. Prince Harry maintains that this essential protection was unfairly stripped when he and his wife stepped back in 2020, and a judge dismissed his latest legal appeal to restore this security on May 2. Can't get enough of PEOPLE's Royals coverage? to get the latest updates on Kate Middleton, Meghan Markle and more! "The things that they're going to miss is, well, everything. I love my country. I always have done. Despite what some people in that country have done," Harry told the BBC. "I miss the U.K., I miss parts of the U.K., of course I do," he continued. "I think that it's really quite sad that I won't be able to show my children my homeland." As the distance between the Duke and his father the goes on, royal biographer Sally Bedell Smith tells PEOPLE in an exclusive cover story, "The underlying issue is trust." Read the original article on People

‘If you're a fascist, then get a Tesla': Neil Young's new album takes potshots Elon Musk
‘If you're a fascist, then get a Tesla': Neil Young's new album takes potshots Elon Musk

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‘If you're a fascist, then get a Tesla': Neil Young's new album takes potshots Elon Musk

After weighing in behind Bruce Springsteen in his internationally reported takedown of President Trump's government onstage at Manchester Arena last month, this other left-leaning giant of American rock from the 1970s voiced fears that he, having been a consistent critic of Trump, chiefly over the issue of climate-change denial, may face problems regaining entry to his home nation following his European tour this summer. At this febrile moment, one might've expected Young, now 79, and as outspoken as ever – he made headlines last year after apparently refusing to sign up for Glastonbury 2025 on account of its BBC-driven corporatisation (he now appears to be headlining on Saturday night!) – to fill his latest long-player, his 46th studio outing, with polemical rantings, but as any long-standing fan knows, Young remains creatively wilful, and rarely serves up what might be expected of him at a given time. In recent years, he has been deluging the collector's market with archival releases, many of them 'new' old albums which he shelved years ago. In amongst all that, however, interested parties may be forgiven for not having noticed that Young had found a productive groove with a reconstituted line-up of his beloved, amps-on-11 backing band, Crazy Horse, releasing three new records with them, culminating with 2022's Rick Rubin-produced World Record. There, on Chevrolet, this unflagging automobile enthusiast wrung his hands about lusting after a vintage gas-guzzler. Further back, around his investment in a hybrid-electric model Lincoln, he wrote at length about the driver's responsibility to their children's health and survival on 2009's Fork In The Road, and perhaps the most immediately ear-catching moment on Talkin To The Trees arrives on Let's Roll Again, where, against clanging electric guitar chords, he urges America's automobile manufacturing giants, by name – Ford, GM and Chrysler – 'to build us something useful, something that won't kill our kids – come on America, let's roll again…on down the highway'. Alongside that responsible, depoliticised messaging, Young suddenly seems to find it hard to avoid needling at the Trump administration. 'China's way ahead, they're building clean cars,' he adds, knowing the mention of China will not be music to the president's ears. 'C'mon America, let's cover our backs, protect our children,' he goes on, before taking a clear potshot at Elon Musk. 'If you're a fascist, then get a Tesla: if it's electric then it doesn't matter. If you're a democrat: then chase your freedom, get whatever you want and taste your freedom.' Behind those words, of course, Young easily could've ramped up explicit themes of political dissent. Instead, his mind seems to be focused on enjoying the natural wonders of his ranch in Northern California, as well as, in the track Family Life, the domestic happiness he finds surrounded by his children and grandkids as he writes songs, and sings them for their approval, ' and also 'singing for my best wife ever, the best cook in the world' – a great review, indeed, for Darryl Hannah, the movie actor and activist, whom he married in 2018. Though second track Dark Mirage finds his 'new' band The Chrome Hearts – a mutation of his other one of late, Promise of the Real, with master soul keyboardist Spooner Oldham added – squalling into fierce feedback, as Young momentarily dips into lingering anger from his mid-'10s divorce – by and large, The Chrome Hearts are entrusted with summoning the kind of golden country-rock sound usually associated with Young's Harvest series – rustling acoustic guitars, blissful ivory-tinkling topped with Neil's wheezing harmonica, which light up rustic gems like First Fire Of Winter, the exquisite title track and the warm-hearted Thankful, As such, there's so much to enjoy here for long-standing fans – a mellow soundtrack perhaps for the four-wheel pilgrimage down to Glastonbury, with some fittingly thought-provoking messaging on automotive responsibility going forwards. In a week that has seen the passing of two of Young's West Coast peers, it's great to hear him sounding invigorated, domestically happy and creatively on song. Andrew Perry Prior to a brace of covers albums in 2023, it's fair to say that Belfast singer Van Morrison was in his 'late life super-grumpy' phase. Railing against everything from lockdown to scientists, he didn't hold back. My personal favourite from this era was a 2021 song called Why Are You on Facebook?, which contained the lines 'Why do you need second-hand friends? … Get a life.' And this from the sage who gave us Into The Mystic. Well, Van the Man is back doing what he does best. Remembering Now, his 47th album, is 14 songs of beautiful and reflective music addressing aging, romance and a sense of yearning for the landscapes and landmarks that made us who we are. It's 64 minutes of soulful blues and country folk, augmented by string arrangements by Fiachra Trench, who wrote the string parts for The Pogues' Fairytale of New York and worked with Morrison on his 1989 classic Avalon Sunset, to which Remembering Now can easily be compared. Folk star Seth Lakeman adds violin to three tracks. The album opens with Down to Joy, which soundtracked Kenneth Branagh's 2021 film Belfast and was nominated for a 'best original song' Oscar (Morrison lost out to Billie Eilish's Bond theme). Once In A Lifetime Feelings is one of three tracks with lyrics by Don Black, who's written for everyone from Meat Loaf to Michael Jackson. The song finds Morrison driving down to Monte Carlo with 'so much to say' to a loved one. It's fantastic. Stomping Ground sees the 79-year-old pleading to return to Belfast, while the closing nine-minute Stretching Out is simply swooning. The highlight is Haven't Lost My Sense of Wonder, which has touches of the awe that late songwriter Bill Fay saw in the world as he aged. 'Had my fill, 'cause I've been through the mill/ Now I'm saying 'Peace, be still,'' Morrison sings over lavish gospel-tinged soul. Under (hopefully) sunny skies, these songs will sound a treat when Morrison supports Neil Young in Hyde Park next month (along with Yusuf/ Cat Stevens). A lush return to form. James Hall Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.

Marvel Won't Have to Turn Over ‘Highly Confidential' Documents About Development of Ryan Reynolds' Nicepool After Judge Tosses Justin Baldoni's Defamation Case
Marvel Won't Have to Turn Over ‘Highly Confidential' Documents About Development of Ryan Reynolds' Nicepool After Judge Tosses Justin Baldoni's Defamation Case

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Marvel Won't Have to Turn Over ‘Highly Confidential' Documents About Development of Ryan Reynolds' Nicepool After Judge Tosses Justin Baldoni's Defamation Case

The introduction of the character Nicepool in Marvel's 2024 hit 'Deadpool & Wolverine' might mark the most scrutinized four minutes of screen time in recent memory. On Monday, Judge Lewis Liman threw out Justin Baldoni's defamation case against Blake Lively and Ryan Reynolds. That means Marvel won't have to turn over what it calls 'proprietary and highly confidential' documents and communications about the development of Reynolds' Nicepool character. While Judge Liman threw out Baldoni's defamation case, he is allowing the director to file an amended complaint by June 23 regarding interference with contracts. But the Nicepool subpoena was tied to the defamation claims, which are now dead. More from Variety Justin Baldoni to 'March Forward' With Blake Lively Legal Battle After $400 Million Defamation Suit Thrown Out: Facts Are 'on Our Side' Judge Throws Out Justin Baldoni's $400 Million Defamation Suit Against Blake Lively Ryan Reynolds and Colin Hanks' Documentary 'John Candy: I Like Me' to Open Toronto Film Festival's 50th Edition The move follows months of back and forth on the matter between attorneys for Baldoni and the studio, which was trying to quash the director's efforts to obtain the material in his ongoing legal battle with Lively. On Jan. 7, Baldoni's lawyer Bryan Freedman sent a litigation hold letter to Marvel president Kevin Feige and Disney CEO Bob Iger, instructing the studio to preserve all relevant documents and data with regards to Baldoni. That letter came one week before the 'It Ends With Us' director filed a civil extortion, defamation and invasion of privacy lawsuit against Lively and Reynolds for $400 million, claiming that the married power couple sought to 'destroy' him with false harassment claims and an alleged smear campaign. Marvel was subpoenaed on Feb. 14. Disney declined comment. Baldoni's attorneys have argued that Reynolds was intentionally mocking and bullying Baldoni in a four-minute scene in Marvel's 'Deadpool & Wolverine,' which was released by Disney in July. On screen, Reynolds played 'Nicepool,' a misogynistic alternate version of the titular protagonist Deadpool, and served up such lines as 'Where in God's name is the intimacy coordinator?!' while complimenting Ladypool for 'snapping back' into shape after giving birth. Those lines echo elements of Lively's lawsuit against Baldoni and two of his publicists, in which she claims she was the victim of sexual harassment on the set of 'It Ends With Us' and a subsequent smear campaign for speaking up about alleged mistreatment. Lively, who appears in the same scene as Ladypool, accused Baldoni of sexually harassing and fat-shaming her postpartum body on the set of 'It Ends With Us.' When Deadpool points out Nicepool's sexism in the scene, the latter replies, 'It's OK, I identify as a feminist.' (During the development, production and marketing of 'It Ends With Us,' a drama about domestic violence, Baldoni often touted his credentials as a feminist and ally to women.) On April 2, the studio's attorney Adam Levin at Mitchell Silberberg & Knupp wrote to Freedman, asking him to withdraw the subpoena because disclosure of the documents 'is likely to substantially harm Marvel' and 'irrelevant to the claims asserted in this case.' Levin added, 'The requested documents are particularly sensitive because they relate to the development of a character in an ongoing movie franchise. Marvel has built the success of the MCU in large part by interconnecting storylines, plots, and characters across its titles, including 'crossover' events and sequels. Whether and how such elements will appear in upcoming, unreleased projects is the subject of much public interest, and this information is closely guarded by Marvel.' The Marvel attorney asked Freedman to agree to defer the return date of the subpoena 'until after the Court decides Reynolds' pending motion to dismiss.' On April 25, Marvel attorney Jacob Albertson wrote to Judge Liman to request that the court quash the Baldoni subpoena. Albertson made similar arguments as Levin previously made and added that producing any documents and communications concerning Baldoni would prove to be 'unduly burdensome.' He added, 'The Wayfarer Parties certainly have other, less burdensome means through which they can obtain relevant information (if any exists) from the parties in the action, such as a request for admission or a party deposition.' Three days later, Baldoni's lawyers Mitchell Schuster and Kevin Fritz of Meister Seelig & Fein shot back with a letter to Judge Liman. 'Marvel does not explain how the Subpoena is unduly burdensome, especially given the Wayfarer Parties' agreement to narrow the scope thereof, and Marvel does not claim it will incur significant expense to locate and produce the documents,' the letter stated. (Freedman's initial litigation hold letter was far more broad and asked the studio to preserve communications concerning Tim Miller, who directed the first 'Deadpool' movie but did not return for the sequel or 'Deadpool & Wolverine.' Miller and Reynolds are known to have clashed.) 'The suggestion by Marvel that the Wayfarer Parties should obtain documents and information concerning 'Nicepool' from the parties hereto (including from Ryan Reynolds himself) is insincere because Marvel also seeks a protective order 'prohibiting the disclosure of Marvel's confidential documents by any party or other nonparty in this action,'' Schuster and Fritz added. The attorneys argued that the subpoena only seeks documents concerning one character — 'Nicepool' — who appears in one already released movie. They note that Nicepool does not appear in any other entry in Marvel's film franchise and will not appear in any future outings given that he was killed off in 'Deadpool & Wolverine.' The letter also took issue with Marvel's move to stall pending a determination of Reynolds' motion to dismiss. 'Reynolds himself has neither sought nor obtained a stay of discovery in connection with his dismissal motion,' the letter stated. 'Additionally … there are not substantial grounds for dismissal of the claims against him. And in the unlikely event claims against Reynolds are dismissed with prejudice, the information sought in the Subpoenas remains relevant as to the suit against Lively, as the Wayfarer Parties contend Reynolds was acting as an agent of Lively.' Baldoni's battle with Marvel is merely a subplot in a much larger war between the director and his 'It Ends With Us' star. There are currently multiple lawsuits that involve 'It Ends With Us' parties, the most recent one being filed by Baldoni's Wayfarer Studios against his former publicist Stephanie Jones, who he alleges 'maliciously' leaked text messages that sparked the entire saga. At the center of the sprawling back and forth, Baldoni is suing and being sued by Lively over what happened on the set of and in the run-up to the release of the 2024 domestic violence drama. Lively's lawyers celebrated Judge Liman's decision on Monday. 'As we have said from day one, this '$400 million' lawsuit was a sham, and the court saw right through it,' Lively's lawyers said on June 9 after the dismissal. 'We look forward to the next round, which is seeking attorneys' fees, treble damages and punitive damages against Baldoni […] and the other Wayfarer Parties who perpetrated this abusive litigation.' Baldoni's attorneys vowed to keep fighting, noting 'Ms. Lively and her team's predictable declaration of victory is false, so let us be clear about the latest ruling.' Baldoni's lawyer Bryan Freedman added in a statement to Variety: 'While the court dismissed the defamation related claims, the court has invited us to amend four out of the seven claims against Ms. Lively, which will showcase additional evidence and refined allegations. This case is about false accusations of sexual harassment and retaliation and a nonexistent smear campaign, which Ms. Lively's own team conveniently describes as 'untraceable' because they cannot prove what never happened.' There has been much discussion about why the development of Nicepool was relevant in a legal drama that stems from a different movie ('It Ends With Us') that was produced and distributed by a different studio (Sony). But Baldoni's lawyers say the breadcrumbs were left in plain sight. In the end credits of 'Deadpool & Wolverine,' the actor who plays Nicepool is listed as 'Gordon Reynolds' and not Ryan Reynolds. Lively subsequently thanked Gordon Reynolds in the end credits of 'It Ends With Us,' drawing a throughline to Nicepool. Lively herself has used similar language that mirrors lines in 'Deadpool & Wolverine.' In a July 22 Instagram post that tagged @deadpoolmovie and @itendswithusmovie, Lively wrote 'about Nice men who use feminism as a tool.' For its part, Marvel previously noted the intense media scrutiny in the case as grounds to quash the subpoena. That interest began long before the parties began suing one another, with seemingly innocuous observations from fans about members of the cast of 'It Ends With Us' unfollowing Baldoni on social media last summer ahead of the film's release. And it continues with recent reports that Travis Kelce has unfollowed Reynolds on Instagram. Kelce's girlfriend, Taylor Swift, appears to be keeping her distance from the drama even though her name has surfaced repeatedly in coverage of the case given her friendship with Lively during the production of 'It Ends With Us.' Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week

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