
Vir Das recalls witnessing impact of Imran Khan's Jaane Tu Ya Jaane Na impact on sets of Delhi Belly: 'There would be at least 3000 girls waiting to see him'
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In a recent reunion,
, director
, and writer Akshat Verma sat down to revisit some of the film's most chaotic scenes and reveal behind-the-scenes moments—from
's stratospheric stardom post-Jaane Tu Ya Jaane Na, to
's fearless production choices that pushed the budget and the team's nerves to the limit.
Imran Khan's Stardom Took Over the Set
The trio began by diving into the iconic apartment scene with
, but not before Vir Das shared what it was like working alongside Imran Khan at the peak of his popularity.
Fresh off the success of Jaane Tu Ya Jaane Na, Imran was a nationwide heartthrob, and Vir recalled how shooting with him was unlike anything else. At every location, crowds of thousands—mostly young female fans—would gather just to catch a glimpse. Vir joked about sharing a vanity van with Imran, saying the cheers would instantly die down the moment he, with his bald head, stepped out instead.
The conversation was accompanied by behind-the-scenes footage showing Imran being trailed by massive crowds as he walked toward the set.
A Risky Shot Without a Safety Net
As the discussion shifted to the chaotic apartment scene, director Abhinay Deo shared a concerning behind-the-scenes detail. During the early takes, Vir was filmed hanging from the ceiling by a tie, balancing on a high stool—without a safety harness. Deo noted that if Vir had lost balance or if Vijay had accidentally nudged the stool, it could have led to a serious accident. The trio chuckled over the close call, with Vir responding with his signature dark humour, and writer Akshat Verma chiming in that the film's production was beginning to spiral financially at that point.
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Aamir Khan's Bold Fixes
Recalling the shoot's logistical challenges, the team shared how finding suitable locations became a recurring issue. When they struggled to find a fitting hotel room for a scene, Aamir Khan simply decided to have it constructed. Later, when an appropriate apartment couldn't be found, he suggested building that too. Writer Akshat Verma remembered raising concerns about the ballooning budget, only to be met with a puzzled expression from Aamir—one that seemed to silently wonder who this overly budget-conscious man on his set was.

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Time of India
2 days ago
- Time of India
I have had a complicated relationship with my public persona: Imran Khan
Imran Khan seems to be all set for his much-awaited comeback with the romantic drama Adhure Hum Adhure Tum. Though the actor had disappeared from the film world after Katti Batti (2015), over the last year, he has created quite a buzz online, with fans showing keenness to see him back on the screen. Tired of too many ads? go ad free now The actor, who continues to maintain a tad low profile, says, 'I have had a complicated relationship with my public persona. I never watched my films once we were done making them. Now, I've been away from films for 10 years, so there are films of mine I haven't watched for 12-15 years. In the past year, as I started to reconnect with my public persona and began working on healing my relationship with that part of life, I consciously revisited each of those films as part of a growth exercise. It's been a joyous and beautiful experience. I love the process of making movies, and I ended up working with people I had a good vibe with.' 'I haven't maintained a relationship with the audience, but they still love me' Ask him whether he ever had the fear that he would be forgotten and the Jaane Tu Ya Jaane Na actor says, 'I don't have FOMO (Fear of missing out) I have FOBIA (Fear of being included in activities). It's a bit confusing because people who have tasted the limelight cling desperately to it and go to great lengths to maintain it. There was a phase when I refused to sign films, give interviews or cut ribbons at events. Despite that, somehow the audience still remembers me, and they have reached out to me online even though I wasn't selling them something. It's like a friend I haven't maintained a relationship with, but they still love me.'


Time of India
3 days ago
- Time of India
Vir Das recalls witnessing impact of Imran Khan's Jaane Tu Ya Jaane Na impact on sets of Delhi Belly: 'There would be at least 3000 girls waiting to see him'
Fourteen years after Delhi Belly turned Bollywood on its head with its edgy humour, wild plot, and iconic music, the team behind the cult comedy is looking back at the madness that made it unforgettable. Tired of too many ads? go ad free now In a recent reunion, , director , and writer Akshat Verma sat down to revisit some of the film's most chaotic scenes and reveal behind-the-scenes moments—from 's stratospheric stardom post-Jaane Tu Ya Jaane Na, to 's fearless production choices that pushed the budget and the team's nerves to the limit. Imran Khan's Stardom Took Over the Set The trio began by diving into the iconic apartment scene with , but not before Vir Das shared what it was like working alongside Imran Khan at the peak of his popularity. Fresh off the success of Jaane Tu Ya Jaane Na, Imran was a nationwide heartthrob, and Vir recalled how shooting with him was unlike anything else. At every location, crowds of thousands—mostly young female fans—would gather just to catch a glimpse. Vir joked about sharing a vanity van with Imran, saying the cheers would instantly die down the moment he, with his bald head, stepped out instead. The conversation was accompanied by behind-the-scenes footage showing Imran being trailed by massive crowds as he walked toward the set. A Risky Shot Without a Safety Net As the discussion shifted to the chaotic apartment scene, director Abhinay Deo shared a concerning behind-the-scenes detail. During the early takes, Vir was filmed hanging from the ceiling by a tie, balancing on a high stool—without a safety harness. Deo noted that if Vir had lost balance or if Vijay had accidentally nudged the stool, it could have led to a serious accident. The trio chuckled over the close call, with Vir responding with his signature dark humour, and writer Akshat Verma chiming in that the film's production was beginning to spiral financially at that point. Tired of too many ads? go ad free now Aamir Khan's Bold Fixes Recalling the shoot's logistical challenges, the team shared how finding suitable locations became a recurring issue. When they struggled to find a fitting hotel room for a scene, Aamir Khan simply decided to have it constructed. Later, when an appropriate apartment couldn't be found, he suggested building that too. Writer Akshat Verma remembered raising concerns about the ballooning budget, only to be met with a puzzled expression from Aamir—one that seemed to silently wonder who this overly budget-conscious man on his set was.


Indian Express
3 days ago
- Indian Express
Inside Radhika Madan's Delhi-like luxury home in Mumbai with spacious garden, sliding kitchen and a meeting room; ‘I want to know your income', says Farah Khan
Radhika Madan rose to fame with her powerful performance in Angrezi Medium, which also happened to be the late Irrfan Khan's final film. Since then, she's carved a space for herself in Bollywood with a string of acclaimed films and series, all while establishing financial independence at a young age. Her biggest achievement? A beautiful, spacious 3BHK apartment in Mumbai's posh Juhu neighbourhood that feels every bit like home–for a Delhi girl. Radhika Madan recently opened the doors of her dream home to choreographer-director Farah Khan for a candid house tour, and Farah's jaw dropped the moment she stepped in. 'Oh my God! Dilip, just look at her house,' Farah gasped, eyes wide with awe. 'Radhika, I've never seen such a big house inside a Mumbai building!' Farah couldn't help but ask, 'Now tell me honestly–how much money are you making?' Laughing, Radhika replied, 'Maine thoda bahaut kaam kar liya (I have done some work).' Farah shook her head in disbelief. 'Thoda? Look at this place–it's stunning!' She then asked, 'Did you buy it like this, or did you design it yourself?' Radhika smiled and said, 'I made it. I'm from Delhi, I'm used to kothis. So I created one here.' The house seamlessly blends Delhi warmth with Mumbai practicality–complete with a tranquil garden area. 'So what do you do here? Yoga or party?' Farah asked. Radhika replied, 'Yoga in the morning, parties in the evening.' ALSO READ | 'Imran Khan had 3,000 girls waiting for him': Vir Das recalls Delhi Belly shoot, the moment where he almost hung himself Still marveling at the space, Farah asked, 'So you live all by yourself?' Radhika nodded, 'Yes, I do.' 'Well, hopefully not for long. After seeing this house, I'm sure a lot of people would want to move in with you,' Farah teased. 'I'm hoping my parents shift here,' Radhika replied sincerely. 'I wasn't talking about them,' Farah quipped. Radhika then revealed that she moved into the house about four years ago, when the space was just a bare structure with a balcony. 'That year, I ended up shooting seven films,' she recalled. 'It helped me pay off my home loan, and at the same time, I worked on the interiors.' Farah nodded appreciatively, 'It really has a Delhi vibe. So spacious–just like homes back there. Very hard to find this in Mumbai.' 'Well, I am from Delhi,' remarked Radhika. As the tour continued, Farah Khan asked, 'Is there anything left to see–like the kitchen?' 'Right here,' Radhika Madan said, guiding her toward it. 'Even this will slide open–watch.' Farah gasped as the sleek partition moved away. 'This looks like a James Bond kitchen!' What caught Farah off guard next, though, was a humble matka (clay water pot) tucked away in a corner. 'Wait, why do you have this?' she asked. Radhika said, 'I grew up drinking matke ka paani. When I built this house, my mom told me, 'Everything looks great–but you will still drink matka water.'' Farah, clearly surprised, asked, 'Where did you grow up again?' 'Pritampura, in North Delhi,' Radhika replied. Just then, Farah Khan spotted a kitchen towel hanging on the balcony door. Holding it with the tip of her fingers, she joked, 'Yeh dekho, yeh Pritampura ka hai!' leaving Radhika Madan embarrassed and in splits. 'No matter how much we decorate our homes,' Radhika said thoughtfully, 'deep down, we're still the same people.' Farah agreed with a laugh, 'You can take the girl out of Pritampura, but you can't take Pritampura out of the girl.' As the tour wrapped up, Farah asked one final question: 'So, how many rooms do you have here?' 'Three bedrooms,' Radhika replied proudly.