
Malört And Pope Leo XIV Are Trending At The Same Time
Malört is a liqueur. But it's not one of those "fun" liqueurs like Kahlua or Amaretto that's easy to drink. That's because malört is flavored with wormwood — scientific name artemisia absinthium — the same ingredient found in absinthe.
Don't worry about the urban myth regarding absinthe; there is nowhere near enough potency in either it or malört to make you hallucinate. What you do have to worry about, however, is malört's horrifically bitter taste that will make your tongue try to detach and escape from your mouth.
We all have Sweden to thank for this concoction. The Swedes have a traditional wormwood-flavored liqueur called bäsk, which literally means "bitter." It makes sense they'd come up with this; they need something to keep themselves from freezing to death up there. You also need the strength of a Viking to swig it down.
Malört is the Swedish word for wormwood, and it literally translates to 'moth herb.' It sounds more at home in a witch's apothecary than a wine and spirits store. But it's this word that is used to market the Swedish bäsk liqueur in the United States.
So, you're probably wondering how this Swedish liqueur is connected to the new head of the Catholic church. Is he Swedish? Nope. In fact, he's the first Catholic pope to hail from the United States. We got one!
Talk about another coincidence. Last year's Oscar-nominated film Conclave is about the elaborate tradition the Catholic church institutes after a pope dies. All the cardinals from around the world convene in the Vatican for a series of votes to determine who among them should be the next pope. Almost six months to the day after the film was released, Pope Francis died. So, all those non-Catholics amongst us got a little "how-to pick a new pope" tutorial before the real thing.
Here comes another coincidence: Pope Bob is very familiar with long droughts because he was born in Chicago. But his streak-ending election is far more impressive than the Chicago Cubs' curse that lasted only a paltry 71 years. It takes a special kind of Midwestern grit to beat back literal millennia of strike-outs for American cardinals.
But be careful: comparing Pope Bob to the Chicago Cubs might result in you getting a "papal slap." That's because Pope Bob is a card-carrying White Sox fan. Hailing from a South Side Chicago suburb, he even made an appearance in the stands of the 2005 World Series when the White Sox absolutely trounced the Houston Astros. There's some real spooky Field of Dreams synergy going on here.
There's no doubt at all that Pope Bob has experienced all the Chicago staples. Portillo's, the Italian beef specialists, have already added The Leo to their menu in his honor. And it's very likely that in his wild and crazy youth (a rite of passage for all popes, probably), he took a shot of another Chicago classic: Jeppson's Malört. Finally, the pieces are coming together!
Jeppson's Malört is uniquely Chicagoan. Swedish immigrant Carl Jeppson started brewing and selling the stuff during Prohibition and marketing it as "medicine." Think of him as a Viking Al Capone. He eventually sold his magic elixir to attorney George Brode, who said, 'This stuff tastes awful. We must begin production immediately!'
For a long time, Malört remained a local phenomenon. It became a symbol of the city's toughness and was often worn as a badge of honor amongst young drinkers daring each other to take down a shot. It never really gained the kind of traction needed to go national until 2019, when CH Distillery bought the brand, moved production back to Chicago, and started cranking the stuff out.
Thanks to it now being available in 30 states, there is a new rite of passage: gathering friends together to make a Malört TikTok. And the timing with Pope Bob's pope-ification couldn't be more inspired. Some might even call it a sign from God. According to Google, the search volume for "malört" even reached an all-time high with the recent papal election.
A lot of this crossover content involves replacing the sacramental wine with Malört or the holy water at every church entrance with Malört, but you know what? It works. I love it when people show pride in their local traditions and delicacies.
Now, just wait until we have the first pope from Philadelphia. He'll be offering up "the jawn of Christ" and wheeling cases of Yard's into St. Peter's Basilica.
If you're thirsty for a drink you'll actually love (and not have to force down), download the free Tasty app for hundreds of really good cocktail recipes — no subscription required.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Los Angeles Times
35 minutes ago
- Los Angeles Times
‘& Juliet' euphorically turns Shakespeare's tragedy into a Max Martin dance party
Everyone can use an editor, and Shakespeare is no exception. Fortunately, he married one. Tired of being cooped up with the kids in Stratford-upon-Avon, Anne (Teal Wicks), wife of the great playwright, pops down to London to see the first performance of 'Romeo and Juliet.' The new tragic ending that Shakespeare (Corey Mach) proudly previews to the company strikes her as completely wrongheaded. 'What if … Juliet doesn't kill herself?' she proposes. As strong-willed as her husband, she doesn't wish to argue the point. She merely wants to put her idea to the test. Behold the premise of '& Juliet,' the euphoric dance party of a musical that updates Shakespeare with a dose of 21st century female empowerment. The production, which opened Friday at the Ahmanson Theatre under the fizzy direction of Luke Sheppard, reimagines a new post-Romeo life for Juliet while riding a magic carpet of chart-toppers from juggernaut Swedish producer Max Martin, who has spun gold with Katy Perry, Britney Spears and the Backstreet Boys, among other pop titans. This good-time jukebox musical relies as much on its wit as on its catalog of pop hits. The show's music and lyrics are credited to Max Martin and friends — which sounds like a low-key cool table at the Grammy Awards. The clever book by Emmy winner David West Read ('Schitt's Creek') creates a world that can contain the show's musical riches without having to shoehorn in songs in the shameless fashion of 'Mamma Mia!' Take, for instance, one of the early numbers, 'I Want It That Way,' a pop ballad made famous by the Backstreet Boys. Anne starts singing the song when Shakespeare initially resists her idea of giving Juliet back her life. She wants him to go along with her suggested changes not because she's sure she's right but because she wants him to trust her as an equal partner. The song is redeployed in a way that has little bearing on the lyrics but somehow feels coherent with the original emotion. Obviously, this is a commercial musical and not a literary masterpiece on par with Shakespeare's tragedy of ill-starred lovers. '& Juliet' would have trouble withstanding detailed scrutiny of its plot or probing interrogation of Juliet's character arc. But Read smartly establishes just the right party atmosphere. Juliet (a vibrant Rachel Webb), having survived the tragedy once scripted for her, travels from Verona to Paris with an entourage to escape her parents, who want to send her to a nunnery for having married Romeo behind their backs. Her clique includes Angélique (Kathryn Allison), her nurse and confidant; May (Nick Drake), her nonbinary bestie; and April, her newbie sidekick out for fun who Anne plays in disguise. Shakespeare casts himself as the carriage driver, allowing him to tag along and keep tabs on the cockeyed direction his play is going. In Paris, the crew heads directly to the Renaissance Ball, which has the look and feel of a modern-day mega-club. Entry is barred to Juliet, but not because she's ridiculously underage. Her name isn't on the exclusive guest list. So through the back door, Juliet and her traveling companions sashay as the production erupts in 'Blow,' the Kesha song that encourages everyone to get their drink on and let loose. The dance setting — kinetically envisioned by scenic designer Soutra Gilmour, lighting designer Howard Hudson, sound designer Gareth Owen and video and projection designer Andrzej Goulding into a Dionysian video paradise — provides the all-purpose license for Martin's music. It's the atmosphere and the energy that matter most. Paloma Young's extravagant costumes raise the level of decadent hedonism. In this welcoming new context — imagine 'Moulin Rouge! The Musical' suffused with girl power — there's never anything odd about the characters grinding and wailing like karaoke superstars. The ecstatic motion of Jennifer Weber's choreography renders dramatic logic irrelevant. But love is the name of the game, and both Juliet and May fall for François (Mateus Leite Cardoso), a young musician with a geeky sense of humor who's still figuring out his identity. May doesn't expect romance to be part of their fate. In the Spears song 'I'm Not a Girl, Not Yet a Woman,' they give powerful expression to an inner confusion this musical romance is determined to sort out with an appropriate partner. Unlike for the original characters, a happy ending is no longer off-limits. Shakespeare and Anne wrestle to get the upper hand of a plot that seems to have a mind of its own. Shakespeare pulls a coup at the end of the first act that I won't spoil except to say that what's good for the goose proves dramaturgically viable for the gander. This spirited competition stays in the background, but their marital happiness matters to us. Mach's Shakespeare has the cocky strut of a rapper-producer with a long list of colossal hits. Wicks gives Anne the heartfelt complexity of one of her husband's bright comic heroines. There's a quality of intelligent feeling redolent of Rosalind in 'As You Like It' in Wicks' affecting characterization and luscious singing. But the musical belongs to Juliet, and Webb has the vocal prowess to hijack the stage whenever she's soaring in song. If Juliet's character is still a work in progress, Webb endows her with a maturity beyond her years. She makes us grateful that the Capulet daughter is getting another crack at life. When the big musical guns are brought out late in the second act ('Stronger,' 'Roar'), she delivers them as emancipatory anthems, fueled by hard-won epiphanies. Allison's Angélique is just as much a standout, renewing the bawdy earthiness of Shakespeare's nurse with contemporary sass and rousing singing. If the supporting cast of men doesn't make as deep an impression, the festive comic universe is nonetheless boldly brought to life. '& Juliet' bestows the alternative ending everyone wishes they could script for themselves — a second chance to get it right. This feel-good musical is just what the doctor ordered in these far less carefree times.


USA Today
2 hours ago
- USA Today
Taylor Swift drops another vinyl with fifth cover photo for 'Life of a Showgirl'
Another week. Another countdown. Another vinyl. A purple, glittery four hour timer on Taylor Swift's website sent her fandom buzzing with excitement on Aug 18. At 2 p.m. ET, Swift's website added an additional "The Shiny Bug Edition" variant to her 12th studio album, "The Life of a Showgirl." The artwork shows the Eras Tour mastermind in a red and black bedazzled corset with matching long-sleeved gloves and fishnets. The vinyl costs $29.99 and includes a "unique shiny bug edition" poem written by Swift along with a photo strip of four unique photos. The collectible album sleeve also has never-before-seen photos and album lyrics. On Aug. 13, the pop star announced her much anticipated 12th era on her boyfriend Travis Kelce's "New Heights" podcast. When the episode dropped, Swift's official website became plastered with the cover of "The Life of a Showgirl." Her collaboration with Swedish producers Max Martin and Shellback includes 12 tracks, a duet with Sabrina Carpenter and a release date of Oct. 3. Taylor Swift 'New Heights' updates: Eras Tour inspired new album, no extra tracks, more 'The Life of a Showgirl' "I am so grateful for the ability to create," Swift said on the "New Heights podcast," acknowledging she's never taken advantage of her meteoric success. "With the altitude I was reaching, there was more pressure every step of life. I was getting more creative control and freedom at times, and that is why it felt so much more special to keep working harder." She penned, sang and produced "Showgirl" during the European leg of the Eras Tour, jetting in and out of Sweden to work on the project. The artwork on the main version of the album represents the end of her nights on tour and has a possible tie to Ophelia from "Hamlet." Don't miss any Taylor Swift news; sign up for the free, weekly newsletter This Swift Beat. Follow Taylor Swift reporter Bryan West on Instagram, TikTok and X as @BryanWestTV.


New York Post
6 hours ago
- New York Post
Hayden Christensen brings rarely-seen daughter, 10, to Chicago Cubs game — and she looks just like mom Rachel Bilson
Hayden Christensen took his daughter, Briar Rose, out to the ballgame. The 'Star Wars' actor, 44, and his 10-year-old daughter, whom he shares with ex Rachel Bilson, enjoyed a rare public outing together at the Chicago Cubs home game at Wrigley Field on Friday. Christensen, who threw out the first pitch, was decked out in Cubs attire just like his daughter, who looked like her mom's mini-me. She wore a Cubs jersey, hat and colorful bracelets. 14 Hayden Christensen with his daughter Briar Rose at the Chicago Cubs game on Aug. 15. MLB/Instagram 14 Hayden Christensen throws out the first pitch at the Chicago Cubs and the Pittsburgh Pirates game. Getty Images 14 Rachel Bilson attends the celebration for the 21st Birthday and Launch of The O.C. x 21Seeds Campaign in July 2024. Getty Images for 21Seeds Later during the game, the pair sang 'Take Me Out to the Ballgame' together for the 7th-inning stretch. 'Alright Cubs fans,' Christensen said into the microphone before he turned to his daughter and added, 'Let me hear you!' 14 Hayden Christensen and his daughter sing at the Chicago Cubs game. MLB/Instagram 14 Hayden Christensen shares his daughter with ex Rachel Bilson. MLB/Instagram As the duo began their duet, they were briefly interrupted by a jet that loudly flew over the stadium and released blue smoke. 'All right now, let's get some runs!' Christensen said in the mic after the performance. 14 Hayden Christensen at the Chicago Cubs game at Wrigley Field on Aug. 15. cubs/Instagram 14 Hayden Christensen throws out the first pitch at the Chicago Cubs game. cubs/Instagram 14 Hayden Christensen kicks off the Chicago Cubs vs. Pittsburg Pirates game. Getty Images MLB shared a video of the sweet moment with the caption, 'Hayden Christensen and his daughter sang Take Me Out to the Ballgame at the Cubs game and had their own special (unplanned) flyover 🤣.' 'Gives 'I couldn't find a speeder that I really liked' a whole new meaning,' the league added, referring to Christensen's role as Anakin Skywalker in 'Star Wars.' 14 Hayden Christensen on the field at the Chicago Cubs game on Aug. 15. cubs/Instagram Christensen and Bilson, 43, welcomed their daughter in October 2014. The actors began dating after meeting on the set of the 2008 movie 'Jumper' but broke up in 2017. 14 Rachel Bilson and Hayden Christensen attend the Glacier Films launch party in 2013. Michael Buckner 14 Hayden Christensen and Rachel Bilson attend the Met Gala in 2010. Getty Images The exes have purposely kept Briar Rose out of the spotlight over the years. 'She is so beautifully flourishing and has the support completely surrounding her from every side,' Bilson said about her daughter in an interview with People last year. 14 Rachel Bilson with her daughter, Briar Rose. rachelbilson/Instagram 'It's so crazy, we're pretty inseparable,' the 'Hart of Dixie' actress continued. 'We have a very, very close relationship. We're not usually ever apart for long. And she talks to me. She is very open and will talk to me about things or what kids say at school or whatever it is, or, 'I felt sad.' It's just really nice that we have that dialogue.' Bilson also told the outlet that 'everything's in a really good place' in regards to co-parenting with Christensen. 14 Hayden Christensen and Rachel Bilson attend a GQ dinner in New York in 2009. Penske Media via Getty Images 14 Hayden Christensen and Rachel Bilson attend an NBA game in Los Angeles in 2014. GC Images Christensen, for his part, revealed last year that his daughter still hasn't seen 'Star Wars.' 'I was dragging my feet for a while, kind of wanting to hold off,' he said at MegaCon in Orlando, Florida in Feb. 2024. 'But now she's 9 years old and I feel like she's at an appropriate age where I could share it with her.'