
Bob Vylan's performance at Glastonbury results in U.S. visas revoked
Law enforcement is investigating "comments made on stage" for possible public order offenses, including hate crimes, after reviewing video footage and audio from their performances, the Avon and Somerset regional police force told Reuters.
More: U.K. Culture Sec. condemns Bob Vylan Glastonbury performance, demands answers from BBC
Bob Vylan, known for mixing grime and punk rock, tackles a range of issues including racism, homophobia, and the class divide in their songs and have previously voiced support for Palestinians.
Their lead vocalist, who goes by the stage name Bobby Vylan, appeared to refer to the weekend performance in a post on Instagram, writing: "I said what I said."
"Teaching our children to speak up for the change they want and need is the only way that we make this world a better place," he added.
Bob Vylan was scheduled to kick off a U.S. tour on Oct. 24 in Spokane, Washington, with gigs in Seattle, Salt Lake City, Denver, St. Louis, Chicago, Minneapolis, Detroit, Boston, New York, Philadelphia, Washington, D.C., Atlanta, Nashville, Dallas, San Diego, San Antonio and Los Angeles, as first reported by NBC News.
Reuters contributed to the reporting of this story.

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Daily Mail
an hour ago
- Daily Mail
EXCLUSIVE Harry Styles' new love interest Ella Kenny is seen for the first time since their steamy Glastonbury kiss as it's revealed she is friends with singer's ex girlfriend's stylist
The producer Harry Styles was seen kissing at Glastonbury has been pictured for the first time since their steamy night together. Ella Kenny was spotted grabbing some lunch in central London on Wednesday, four days after kissing Harry in the early hours. The London-based producer dressed for the heat in a silvery vest and low-slung jeans with a beaded belly chain as she headed to a cafe for a coffee and bite to eat. She added tinted shades and silver flip flops to her ensemble, looking relaxed as she strolled back to work. Ella is a producer who has worked at a studio in London for around three years, producing 'crossplatform content' for businesses such as record companies and fashion brands. She has worked alongside Nia Archives, as well as produced music videos for artists such as Rachel Chinouriri, and Slow Thai, as well as Anne-Marie and Aitch's huge hit PSYCHO. Harry (pictured at Glastonbury), partied into the early hours with pals at Worthy Farm on Saturday where he was seen getting very close to 28-year-old producer Ella Former One Direction star Harry, 31, partied into the early hours with pals at Worthy Farm on Saturday, where he was seen getting very close to the 28-year-old. On Monday, Ella took her Instagram page public to share her first photo from her time at the festival, looking on cloud nine as she posed in the sunshine with her pals in a reposted snap on her Stories. The Bournemouth University graduate put on a leggy display in a pair of tiny black short and a simple white button-up shirt as she wrapped an arm around friends Nia Archives and Jessica Skeete-Cross. Jessica is a stylist for ES Magazine, who has worked with big names like Maya Jama, Robert Pattison, Letitia Wright, Cara Delevingne and in an interesting twist - Harry's ex-girlfriend, Taylor Russell. She and Harry already knew each other prior to the festival, but it remains unknown if their passionate exchange was a one-off. Reportedly, the Watermelon Sugar star was in the VIP section with a group of pals when Ella arrived and kissed him on the cheek multiple times, before he led her to the dance floor where they shared their very public smooch. Speaking about the kiss to The Sun, a source said: 'Harry and Ella had fun together at Glastonbury and shared a kiss on the dancefloor. 'They had a good time in the moment but it doesn't mean it will evolve into anything. They just got on and had a snog. 'But she seems like a normal, down-to-earth girl which is different from some of the big stars he's dated before.' She added tinted shades and silver flip flops to her ensemble, looking relaxed as she strolled back to work A representative for Harry has been contacted by MailOnline for comment. Harry's last public snog was with supermodel Emily Ratajkowski when they were spotted snogging in Tokyo in 2023. The pair were seen dancing with each other in the Japanese capital as they stood alongside a silver people carrier while sheltering from the rain under an umbrella. They shared a number of kisses on the street outside, appearing not to care who saw them while in full view of onlookers. Reportedly, the Watermelon Sugar star was in the VIP section with a group of pals when Ella arrived and kissed him on the cheek multiple times As well as Taylor and Emily, Harry has been previously linked with a string of A-list women, from Taylor Swift to models Kendall Jenner and Camille Rowe, and actress Olivia Wilde. Harry - who has an estimated net worth of $140million - has kept a low-profile throughout 2025 as he enjoys time out of the spotlight since wrapping his Love On Tour tour in 2023.

South Wales Argus
2 hours ago
- South Wales Argus
Andrew Roachford to headline 2025 Child of Wales Awards
The rock and soul artist, known for his chart-topping hits and songwriting for legends such as Michael Jackson and Chaka Khan, will perform at Swansea Arena on September 12. Mr Roachford said: "I'm honoured to perform at an event which shines a light on a brave group of children and young people in Wales who face hardships and challenges every day, yet never give up. "It will be a very special evening full of inspiring people and stories and I'm very much looking forward to it." Blanche Sainsbury, founder of the awards said that she was delighted that Mr Roachford would be on board. The Child of Wales Awards celebrate the achievements of young people and raise funds for charities supporting children across Wales. For more information on the Child of Wales Awards, visit the Child of Wales Awards website and @ChildOfWalesAwards on Instagram.


Spectator
3 hours ago
- Spectator
And now let's bomb Glastonbury
A small yield nuclear weapon, such as the American W89, dropped on Glastonbury in late June would immediately remove from our country almost everybody who is hugely annoying. You would see a marked reduction in the keffiyeh klan, for a start, and all those middle-class Extinction Rebellion protestors would find, in a nanosecond, that their rebellion was pointless, because extinction had arrived even more summarily than they expected. Go on, glue yourselves to that, Poppy and Oliver. Street drummers, liberal politicians, provo vegans, radical rappers, spiritual healers, Billy Bragg, that bloke who owns Forest Green Rovers, druggies, tattooed blue-haired hags, almost the entirety of middle-class London – all evaporated. I am not saying that we should do this, of course – it would be a horrible, psychopathic thing to do. I am merely hypothesising, in a slightly wistful kinda way. One on Glasto, one on Brighton, and the UK would soon begin its recovery, with only a few chunks of gently glowing cobalt 60 left to remind us of what we are missing. One on Glasto, one on Brighton, and the UK would soon begin its recovery The BBC would cease to exist, too. It identifies Glastonbury as an expression of the UK 'coming together', which shows you how much it understands about the country. It has poured millions of pounds of licence-payers' money into its coverage, and 400 staff were there last weekend, including the director-general, Tim Davie. Or at least 400 staff were actually working there – I'll bet another 400 or so were there in their little tents, desperate to surf the vibe or whatever the phrase is. All those people, then, and they still couldn't get it right. Nor should we take seriously their claims that pulling the ridiculous Bob Vylan from air would not be anywhere near as simple as flicking a switch. It is every bit as simple as flicking a switch, in that all they had to do was flick a switch. They had rafts of presenters who could have filled the time, plus cameras at every other stage in the festival site. All it needed was someone with the merest vestige of sentience to make the decision – but, then, this is the BBC we are talking about. Whoever was in charge of output at that moment – almost certainly someone called 'Johnny' or 'Ayesha' – probably just thought the stuff about the IDF was 'top bants'. In truth, I am not much worked up about the Bob Vylan (or Kneecap) stuff, per se. They were only doing what an endless list of hip young musicians have done at every summer festival going all the way back to Country Joe McDonald and 'one-two-three-four what are we fighting for?' – i.e., channelling infantile far-left agitprop devoid of nuance and context to an audience of gullible drongos. The difference is that the BBC decided to cover it, thinking – as it unquestionably does – that the majority of the country would be cheerfully humming along with Bob Vylan's tuneful music and are entirely down with the sentiments expressed. That is the BBC's real crime. It is worth a brief digression here on the nature of protest songs, of rock musicians playing politics and whether they have an effect or not. The BBC would argue that they do have an effect, that they tap into a perhaps previously unexpressed sentiment among the wider public and hence herald great change. Au contraire. In the mid- to late-1960s, the more protest songs and festival chants there were, the further to the right swung the rest of the electorate. As evidence, I would point you in the direction of Richard Nixon's comprehensive victory in 1968 and then, after Country Joe had done his stuff at Woodstock, a landslide in 1972. They all seriously believed McGovern was going to win that one, so wrapped up inside their radical bubble were they all (including the broadcasters). All those youthful protests of the 1960s resulted in surprise victories for the right at the polls a few years later – in the UK with Ted Heath in 1970, in France with an unexpected win for Pompidou in 1969, and of course the USA. The more fervently they insist that they are right, the more likely it is that the rest of the country will tell them to get stuffed. I suppose it is possible that Bob Vylan will do for Tim Davie, the DG – although he is the least of the corporation's problems, frankly. He knows he has a workforce which, in its arrogance, subscribes to a set of political beliefs unshared by the people who pay for its existence. And it is so endemic that there is nothing he can do about it. One little thing I noticed: the BBC News dutifully covered the Bob Vylan debacle and did so even handedly. But on every single occasion, on radio and TV, the story was immediately followed by a report of Israeli 'atrocities' in Gaza. Every single time. Do you think that is an accident? There was a programme on BBC Radio 4 on Monday, as part of the 'Currently' series, about Louise Lancaster, an environmental protestor who was finally (on her fifth conviction) handed down a four-year sentence (later reduced to three years) for organising a protest which seriously inconvenienced hundreds of thousands of people. You would be hard-pressed to find a more egregiously biased example of broadcasting. Lancaster – a middle-class teacher from Grantchester – was portrayed as a kind of saint, suffering state persecution for her entirely valid beliefs. The Sun and Daily Mail were mentioned disparagingly and every action taken by Lancaster lauded. The BBC decided first to commission this rubbish and then put it out. Can you imagine it doing a similar piece about Lucy Connolly? Not a chance. That is the real problem with the BBC. It is utterly incapable of recognising the bias it displays every day on an hourly basis, no matter how often that bias is pointed out. Bob Vylan, frankly, is the least of it.