Fossil presents limited edition watches inspired by Marvel Studios' The Fantastic Four: First Steps
The collaboration blends cinematic storytelling with Fossil's signature craftsmanship and design, in two designs, namely the Digi-Calc Watch ($479) and the Galactus Watch ($479).
Fossil x Fantastic Four Digi-Calc Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Digi-Calc Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Digi-Calc Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Digi-Calc Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Digi-Calc Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Digi-Calc Watch, $479. Image courtesy of Fossil.
Inspired by the retro-futuristic timepiece worn by the Fantastic Four (developed by Mr. Fantastic), the Digi-Calc Watch is a detailed replica featuring a dual timekeeping display, LCD digital module, and quartz movement.
The design also stays true to its film counterpart with a sleek silver-tone casing, a black strap inspired by the team's suits, and the Fantastic Four logo on both the casing and strap.
Fossil x Fantastic Four Galactus Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Galactus Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Galactus Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Galactus Watch, $479. Image courtesy of Fossil.
Fossil x Fantastic Four Galactus Watch, $479. Image courtesy of Fossil.
If you're looking to rep the villain of the film, the Galactus Watch, inspired by the devourer of worlds and destroyer of planets, showcases a luminescent silhouette of Galactus set against a cosmic star field, while the caseback is detailed with archival comic artwork.
The timepiece features a three-hand quartz movement too, and is crafted in a purple brushed stainless steel. You will also receive a Silver Surfer inspired lapel pin with this design!
Each watch arrives in custom packaging that draws inspiration from the Fantastic Four's intergalactic setting and futuristic aesthetic, and includes a certificate of authenticity.
Both designs are now available at select Fossil retail stores.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
AsiaOne
14 hours ago
- AsiaOne
The Fantastic Four: First Steps star Ralph Ineson on how his costume change felt like he was in a 'Formula One pit', Entertainment News
Ralph Ineson "felt like a Formula One car" during the making of The Fantastic Four: First Steps. The 55-year-old star plays villain Galactus in the new Marvel Cinematic Universe (MCU) blockbuster and explained the lengths that the crew had to go to keep him cool in his heavy costume. Ralph told Collider: "For the actor, it's like working in a huge rubber suit in a sauna, but you're not allowed to sweat. "So, I have a whole pit crew around me — I'm like a Formula One car — with people taking off bits of my costume in between takes to bring my body temperature down, and then bring it back on for the next take. "People are shoving air conditioning units up the back of my armour to keep my body temperature down. So, it's a really strange sight. There are eight people buzzing around me like a Formula One pit crew." Ralph explained that the "strangest" part about starring in the film is seeing his character recreated in toy form for merchandise. The Harry Potter star said: "It's really crazy. The maddest one for this, for me, is the popcorn bucket of Galactus' head, which is about this big. It's enormous! That's kind of surreal. "I saw a picture of a toy that's being released, which is kind of to scale to the normal toys, so the Galactus one is about two and a half feet tall. So, yeah, it's very strange to see yourself in toy form." Ineson explained that there was some dialogue from Galactus that he was disappointed to see absent from the flick's final cut, but he respects director Matt Shakman's editorial decisions. He said: "From my point of view, there's no kind of sections, but there were various versions, dialogue-wise, of certain speeches, and there were a couple of phrases that I particularly liked that I would have liked to have stayed in that were replaced by other ones. "But that's not my job. I don't do those things. That's Matt and editors." The Fantastic Four: First Steps also stars Vanessa Kirby as Sue Storm/ Invisible Woman and she has confessed to becoming a "nerd" about her alter ego. She told Variety: "I'm such a Sue nerd. "There was something so allegorical about her. She was called Invisible Girl. Then Psycho-Man comes and disrupts everything, and she has a meeting with her own dark side in Malice. She comes back, and she renames herself Invisible Woman. So she transforms from a girl to a woman. "There's something about meeting the hardest parts of yourself in Malice that felt extremely poignant to me. I'm really hopeful I might be allowed to be Malice at some point for her." Vanessa previously described how she loves to take on "challenging" roles. The Crown actress told TheTalks: "I really like pushing past my limits in that way - I love it. "When I read something and go, 'Uh, I don't know how I am going to do this,' then I know I should do it. I don't think it feels as challenging when you read a script and go, 'I know exactly how I am going to do this.'" ALSO READ: Vanessa Kirby lost her voice after Fantastic Four birth scene
CNA
20 hours ago
- CNA
Commentary: Hollywood has lost the plot on telling stories
TOKYO: Up in the sky! Look! It's a bird! It's a plane! It's … another summer of rehashes. The peak period for the box office is rarely full of the most original ideas. But even so, this year leaps over the offences of the past with a single bound. The three biggest movies Hollywood studios have pinned their hopes on in 2025 are the third new take on Superman in the last 20 years, the fourth iteration of the Fantastic Four, and the sixth attempt to recapture the magic of 1993's Jurassic Park. The only US film to top US$1 billion this year is Lilo & Stitch, another live-action remake tapping into Gen Z and millennial nostalgia. In 2024, there wasn't a single original film that broke the US box office top 15. It's further evidence that Western culture seems to have reached an impasse – wistful for our youth and unable to come up with any new ideas. The contrast was particularly stark here in Japan, the world's third-largest cinema market. A week after Superman opened, I struggled to find a theatre still showing it – with all available screens occupied by the smash Demon Slayer movie. In just 10 days, the animated hit grossed 12.9 billion yen (US$87 million) and is on track to become Japan's highest-earning film ever. While it might be a sequel to the 2020 flick, Demon Slayer is a property less than a decade old. The action fantasy is based on a manga that began in 2016 and concluded just four years later. Superman tales have been continuously churned out for 86 years. FRESH IDEAS IN JAPAN AND CHINA Instead of endless stories involving the same handful of superheroes, Japan's entertainment industry is constantly creating fresh ideas. There are around 300 new anime series produced each year, most coming from the pages of manga – a low-cost way to test what works. And there are far more diverse genres on offer than just superheroes, from the volleyball manga Haikyu!!, which debuted in 2012, to Kingdom, a retelling of the Chinese warring states period that first appeared in 2006, both of which have recently been top-grossing films. It's not just Japan. In China, audiences boosted Ne Zha 2 to the biggest-earning movie worldwide this year. It might be a sequel, but it's one to a relatively recent property, with the first hitting in 2019. And a decade from now, while Hollywood will likely still be going back to the well for Superman, Spider-Man and Batman, I doubt we'll be watching reboots of either. I admit there's a certain charm to seeing the same idea interpreted by different generations – to see how the kooky Tim Burton interpretation of Batman moves through to the more realistic, gritty takes of the mid-2000s. Reflecting the growth of online geek culture, today's adaptations lean into comic-book references, and assume deep audience familiarity with origin stories and characters. But particularly outside of the US, audiences are tiring of the same old story. Nonetheless, studios remain undaunted, with the next few years promising Supergirl, two more Avengers flicks and the ninth live-action Spider-Man movie since 2002. There's Toy Story 5 and yet another Lord Of The Rings prequel. The only thing that's not a sequel might be Christopher Nolan's The Odyssey – though does an adaptation of a nearly 3,000-year-old epic count? Our obsession with the familiar isn't just limited to the silver screen – see how Oasis and Beyonce's tours are capturing the zeitgeist. HOLLYWOOD'S INABILITY TO MOVE FORWARD Algorithms may indeed be corrupting what we interact with, creating a feedback loop of surfacing things we already enjoy. But I don't believe – as some have argued – that the love of nostalgia is a sickness, brought on by the infantilisation of society, 'extended adolescence', or too much time spent online (for one thing, Asian societies are just as online, if not more so). And of course, Japan loves its familiar series, too – this year alone has seen the 28th Detective Conan movie about a sleuth trapped in the body of a schoolboy, and a series in the long-running military sci-fi Gundam property. The hit Godzilla Minus One shows that Japan also loves going back to the well. But these are balanced out by new ideas. Hollywood's inability to move forward seems more like a function of business, in particular the frenetic pace of studio consolidation. That continues with the recently approved merger of Paramount Global and Skydance Media; Marvel and DC, the creators of almost all mainstream American superhero properties, have both been subsumed into these studios. The 'creative destruction' that Western-style capitalism promises doesn't seem to be inventing much besides shareholder value. Instead, it rewards a risk-averse management approach that likes the predictable ticket. Ironically, the 'production committee' approach to most Japanese animated movies, with multiple companies splitting the risks and revenues of original projects, might be bad for artists but seems good for creativity. There's nothing wrong with the familiar. While I'm not sold on the attempts to make Fantastic Four a hit, I'll still be first in line for The Batman Part Two. But we can't live on nostalgia alone. Give us some fresh stories.
AsiaOne
3 days ago
- AsiaOne
Anthony Mackie gives an update on Avengers: Doomsday, Entertainment News
Anthony Mackie has revealed the Avengers: Doomsday cast are still "in the midst of it" and production is "going well". The 46-year-old actor is set to wield the shield as Captain America once again for the upcoming Marvel Cinematic Universe (MCU) blockbuster, and Mackie has now stressed that work on Avengers: Doomsday is ongoing. When Screen Rant asked the 8 Mile actor if Avengers: Doomsday was close to wrapping production, he said: "No. Hell no. No, we are in the midst of it. "I mean, it's such a big, moving set piece, and it's such a big story. The best part of shooting a Marvel movie is that it's always an ever-evolving canvas. There are those staple pieces, and then there are the pieces that circulate throughout the course of the shoot. "So, we're in the midst of it, but it's going well." Mackie also teased his Captain America would still be "butting heads" with Sebastian Stan's James 'Bucky' Barnes in Avengers: Doomsday. He said: "I talked to Sebastian yesterday. We're still butting heads. All we do is fight!" Avengers: Doomsday — which is due to hit screens on Dec 18, 2026 — will star Chris Hemsworth as Thor, Tom Hiddleston as Loki, Paul Rudd as Ant-Man, Florence Pugh as Yelena Belova, Wyatt Russell as US Agent and Lewis Pullman as Sentry. The Fantastic Four will also play a big role in Avengers: Doomsday, with Pedro Pascal's Mr. Fantastic, Vanessa Kirby's Invisible Woman, Joseph Quinn's Human Torch and Ebon Moss-Bachrach's The Thing all confirmed to be returning for the movie. As well as the Avengers and the Fantastic Four, Avengers: Doomsday will see the return of many major X-Men stars, including Sir Patrick Stewart's Professor X, James Marsden's Cyclops, Rebecca Romijn's Mystique, Kelsey Grammer's Beast, Alan Cumming's Nightcrawler and Channing Tatum's Gambit. Although exact plot points about Avengers: Doomsday are unknown, the movie will likely follow the Avengers, the New Avengers, the Fantastic Four and the X-Men as they desperately try to stop Doctor Doom (Robert Downey Jr.) from carrying out his catastrophic plans for the Multiverse. Mackie — who most recently starred as the Star-Spangled Man in Captain America: Brave New World — teased Avengers: Doomsday would see "a chaotic destruction of the world". He told Extra: "From my movie, we went out building on top of that to this just being a chaotic destruction of the world." The actor also said Avengers: Doomsday — which is being directed by Joe and Anthony Russo — would be "carrying over" the poignancy and depth of the last moments from 2019's Avengers: Endgame, in which Iron Man (Downey Jr.) sacrifices himself to save the universe, and Steve Rogers (Chris Evans) finally gets to lay down the shield and grow old with Peggy Carter (Hayley Atwell). He explained: "When you look at the Marvel characters in the universe that we've created, there's an idealistic nature of the type of story you want and the type of you want coming from those films. "I've said it before and I'll say it again, that last moment in Endgame was probably one of the most poignantly realistic moments in film history. That was a true Marvel moment. "I don't think any other studio, any other directors, any other group of actors could have contextually put that moment together and made it that real. "That being said, I think this is a lot of carrying over, feel, and depth of that moment coming into the new universe." [[nid:720616]]
