
11 Celebrities Who Played LGBTQ+ Roles Before Coming Out Themselves
Representation matters. And for many viewers — getting to see characters like themselves — is nothing short of life-changing.
Before coming out to the public, these 11 actors bravely took on groundbreaking queer roles. Let's take a look at some performances that hit different in retrospect.
Kristen Stewart:The Runaways (2010)
Before famously coming out in 2017 on Saturday Night Live, Kristen played Joan Jett in The Runaways, replicating the rock star's rebellious energy and romantic tension with lead singer, Cherie Currie. This was one of Stewart's first roles that hinted at her future queer icon status. Honestly, this was an AMAZING pick for her, and an underrated film to say the least.
Elliot Page: Freeheld (2015)
Page's emotional role as a lesbian fighting for their partner's pension rights deeply inspired Elliot to first come out as gay. They later came out as trans in 2020 through a heartfelt message on social media. Elliot shared: "I can't begin to express how remarkable it feels to finally love who I am enough to pursue my authentic self. I've been endlessly inspired by so many in the trans community."
Kit Connor: Heartstopper (2022– )
Before he was Nick Nelson, Kit Connor played a young Elton John in the movie Rocketman (2019)! Connor has quite literally been playing iconic queer roles his whole life. He wasn't out during Heartstopper season 1, but later shared his bisexuality after feeling pressured to label himself.
Ncuti Gatwa: Sex Education (2019-2023)
Before coming out in 2023, Ncuti Gatwa lit up our screens as the bold and very fabulous Eric Effiong in Sex Education. When the time did come, he casually dropped the news in a ELLE interview. Truly iconic.
Bella Ramsey: The Last of Us (2023— )
Before coming out as nonbinary, Bella Ramsey played Ellie — a queer teen surviving a zombie apocalypse. Now that's character development! Bella even recounted how creator Craig Mazin described Ellie by stating "Ellie's gay and doesn't care what you think about it."
Aubrey Plaza: Happiest Season (2020)
Aubrey Plaza stole the show as Riley in Happiest Season, everyone's favourite queer Christmas rom-com (wow that was a mouthful). Plaza came out publicly around the same time, sharing how she falls "in love with girls and guys." Let's be honest, we've all fallen for her too.
Jonathan Bailey: Crashing (2016)
Before his smash-hit role on Bridgerton, Jonathan Bailey played a bi-curious chaotic king in Phoebe Waller-Bridge's Crashing. He later came out as gay and became one of queer media's favourite actors!
Chris Colfer: Glee (2009-2015)
Colfer played the fashion-loving Kurt Hummel before coming out IRL — despite being warned not to. He did it anyway, stating how it was "more important" to be a role model.
Chloe Grace Moretz: The Miseducation of Cameron Post (2018)
In this 2018 drama, Moretz played a queer teen forced into conversion therapy. She later revealed her part in the queer community, and stated how she once took the role to spotlight the deep emotional harm of these practices.
Lukas Gage: Love, Victor (2018)
Before stealing scenes on The White Lotus (and pretty much every show you binge), Lukas Gage had a small role in Love, Victor as a flirty classmate. He later cheekily came out as gay — after hooking up with his neighbour, no less. Spicy! These days, he's fully in his queer role era, most recently playing Sammy in Overcompensating.
Amandla Stenberg: The Eddy (2020)
In The Eddy, Amandla Stenberg played a queer teen dealing with identity, trauma, all the while healing through music. They eventually came out, and quickly became a powerful voice in the queer community — especially for young Black women. In an interview with Teen Vogue, Stenberg shared: 'I cannot stress enough how important representation is, so the concept that I can provide for other Black girls is mind-blowing. It's a really really hard thing to be silenced, and it's deeply bruising to fight against your identity and just mold yourself into shapes that you just shouldn't be in."
And there you have it — proof that the road to embracing your sexuality often takes time, even for actors in the spotlight. Whether these stars explored their identities through their on-screen roles or found themselves along the way, they've all played a huge part in shaping queer stories we know and cherish today! 🌈🌈
Know any more celebrities that we missed? Drop their names in the comments! And ofc, be sure to check out our socials on Instagram and TikTok!
Looking for more LGBTQ+ or Pride content? Then check out all of BuzzFeed's posts celebrating Pride 2025.
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Elle
19 minutes ago
- Elle
Celine Song on 'Materialists,' Matchmaking, and the Price of True Love
Almost a decade before she made her filmmaking debut with the swooning, Oscar-nominated drama Past Lives in 2023, writer-director Celine Song found herself in an impossible quandary that many artists can relate to. She was a playwright in New York City, and like the rest of us, had bills to pay and rent to make. In other words, she needed a day job. But Song quickly realized that in a city of dreamers, all with various side hustles, most of the day jobs were exceedingly competitive and held by highly qualified people. 'I couldn't become a barista, as I didn't have 10 years of barista experience,' she recalls, during a recent conversation with ELLE. 'I couldn't be in retail, and I wasn't being hired for anything. So I was feeling a little desperate.' A chance encounter at a party eventually opened a door when Song found herself talking to someone with a day job in matchmaking. She made the connection, applied and interviewed for a spot, and ended up working as a matchmaker for six months. It was a life-defining experience that informed the heart of her latest romance, Materialists, and became a period of her life that taught her more about people than any other time. (The reason she quit? She was having almost too much fun: 'I could feel myself wanting to become lifelong matchmaker,' she laughs.) While she didn't stay there long enough to see any relationships go beyond a second date (and a second date was a huge deal), the wisdom she earned from matchmaking is all over Materialists, a sophisticated and brutally honest romantic drama anchored in Song's signature proficiencies as a storyteller: It boasts keenly observed moments, heart-swelling chemistry amid the cast, and a soul-nourishing parting note. The story follows high-profile matchmaker Lucy (Dakota Johnson) as she holds her clients' hands through the city's impossibly demanding dating scene. Her work introduces her to Pedro Pascal's eligible bachelor Harry, a tall, rich, charming, and handsome gentleman who is, in Lucy's words, 'a unicorn'—someone who has it all and checks every single one of her company's boxes. The problem is, Harry is more interested in dating Lucy, who is quick to say that he could do better than someone who is in debt, less educated, and makes $80,000 before taxes. Also in the picture is Lucy's ex John (Chris Evans), a catering employee and a penniless actor whose relationship with Lucy came to end amid the couple's financial struggles. That experience quickly defined one of Lucy's must-haves in men: They must be rich. Exceedingly, if possible. That's the way many of the film's characters think and talk, seeing potential matches as a collection of resumes and profile factoids, as opposed to multifaceted individuals with real lives and feelings. Portraying these harsh and unflattering realities is no easy task, and Song deserves all the credit for perceptively depicting them. She walks a very fine line between acknowledging these truths and holding onto timeless notions like love and romance for dear life. 'That was the dilemma of the movie,' she explains. 'And the dilemma of modern people, too. All I can really speak to is how this dilemma feels to me personally. What's amazing about New York City is, it's both a city of romantics—because all of us here are dreaming and hoping for something—and cynics. To survive in New York City, you have to be cynical, too. You have to be practical and materially smart.' Part of the reason why Materialists works so well is Song's dexterity in portraying how romance and cynicism pull against one another. 'While I was a matchmaker, I was asking my clients to describe their ideal partner and the answers were all numbers: height, weight, income, age… While I understood why they were asking for those things, I knew from being in love myself that that's just not at all what love is about or feels like. So [making this] movie was about [striking] the balance between the practical and the fantasy of true love.' Sure enough, Song succeeds and gives us complex characters whom she doesn't judge, even in their darkest and most shallow moments. 'I don't mean to say that the judgment is not there. Of course, all of us are judging each other at all times in some way,' she explains. 'But the thing that feels true to me is about recognizing where the character actually comes from. Why is that character going through that?' She is generous and insightful with supplying those reasons throughout Materialists. In one of the movie's best scenes, a flashback shows us how $25—a trivial sum to some, but a consequential amount to others—once started a fight between Lucy and John. Running late to their anniversary dinner in John's car, Lucy wants to just park in one of those overpriced NYC lots, whereas John insists on finding street parking. 'I've had that argument with my husband,' Song confesses with a laugh. 'We were both broke playwrights and we never had a car. But we had a rental or something. I don't think it's possible for you to drive in New York City, be broke, and not have a great argument about parking.' On a different end of the spectrum, we also witness the myriad ways people, who've had and want to avoid these struggles, are consequently commodified in the modern dating scene—a truth that one of Lucy's significant clients, Sophie (Zoë Winters), voices in protest after a horrific and dangerous date: 'I'm not a merchandise. I'm a person.' It's a line that Song describes as the key to the whole film. 'You're playing a fun game until one day something becomes totally dehumanizing. It makes all of us less of a person, less of humans.' Doing justice to the film's title meant portraying materialism not only thematically, but also visually and through design choices based on the characters' carefully considered income levels. On the page, Song knew exactly how much someone's wardrobe or apartment cost—there were hard numbers attached to items and locations, some of which are spelled out in the film. (For instance, we know that Harry's ultra-chic Tribeca apartment costs $12 million.) And she had fun collaborating with her department heads in bringing them to life. In styling Lucy, someone who was born and raised poor but is now making a decent living and trying to project luxury, she and costume designer Katina Danabassis had discussions around what that might look like. Perhaps some pieces from Aritzia, the semi-affordable yet stylish brand that evokes 'everyday luxury,' as well as splurges she stretched her means for, like a special occasion bag. 'We were like, 'Well, Lucy probably bought that dress from a discount store. I bet it was pre-owned.' Then of course it informs what something like that costs when it's used. And then [we aged] some clothing so that they felt used.' For John's apartment, the challenge was finding a New York neighborhood where one could get an $850 rent-stabilized unit. Song originally wrote it to be in Bushwick, but…well, that changed. 'My location manager was like, 'Bushwick is too nice now. It's too expensive,'' she laughs. So the production went with Sunset Park and shot the exteriors of John's place on location. The interiors were built and coated in what Song calls 'a very recognizable wall color of a bad New York City rental.' Differentiating John and Harry's financial means also meant using distinctive camera movements, which she and cinematographer Shabier Kirchner deliberated on. In addition to the warm, velvety way Harry's apartment is lit (in contrast to the starkness of John's place), the duo decided that when Harry moves, it needed to be captured smoothly via a dolly. For the determined Lucy, she often went with Steadicam. And a handheld style was paired with John, in step with the shaky chaos of his financially unstable life. To Song, none of these choices were meant to imply that having more money makes a person more materialistic. In fact, it's quite the opposite. 'The truth is, the less you have, the more materialistically you have to think, because every dollar counts. If you're very wealthy, money is almost like a fictional thing. But for somebody who needs five more dollars to eat, money is real.' Throughout Materialists, there is this notion of a non-negotiable—the thing you aren't willing to compromise on while choosing your significant other. For Song, that thing is simple: 'That they love me,' the self-professed romantic says. 'Love is meaningless unless it's unconditional. And that, to me, is non-negotiable.' This answer isn't going to surprise anyone who's already seen Materialists and shed some happy tears in front of the film's proudly non-cynical ending. 'What can Lucy do when she's offered love other than saying, 'Deal'? She is given an offer that she can't refuse. [And that idea] is in the lyrics of the song that John and Lucy dance to, ['That's All']. I love that song. My husband played it for me,' she shares. In the end, this is the idea and feeling that Song wants everyone to take away from the film. 'You can see the movie as a looking glass, or you can see it as a mirror. It's personal, and the dream of this movie is for the audiences to take it personally, to let it get under their skin,' the director says. 'You can refuse a $12 million apartment. But [it is] a crime against yourself is to say no to love.'


Elle
31 minutes ago
- Elle
Elizabeth Banks on Her ‘Crazy' Skin Care Rituals and the Importance of Sisterhood
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. Elizabeth Banks is busy. She's in the middle of a press run for her latest show, The Better Sister, a murder mystery that centers around two estranged sisters (played by Banks and Jessica Biel) reuniting. She's living in Toronto and filming a new series, The Miniature Wife, on Peacock. She even just gave a commencement speech at her alma mater, the University of Pennsylvania. Amid all of it, she's trying to get her beauty sleep. 'Our skin does its best repair work at night,' she says. 'I tell my kids that's when your body fixes itself, and when you grow. That's true of our skin too.' Banks is the first U.S. ambassador for skin care brand No7, and she's been using their new Future Renew line every night. Banks joined me on a Zoom call from Toronto. We caught up about her nighttime routine, her love of puzzles and podcasts (of which she has many recommendations, and even pulled up her podcast library to make sure she gave me all of them), and how important it is for her to stay active in today's political climate. Below, our full conversation. It's weird right now, because I'm living alone. I don't have my kids with me. I have a totally different vibe than I normally do when I am home. Last night was a typical night for me [alone]. I've been doing puzzles. I like to puzzle and listen to books on tape. I'm actually listening to A Court of Thorns and Roses right now, which is making me laugh. Last night's [puzzle was] a bunch of popsicles. I also did a Great Gatsby puzzle. This is my third puzzle in about four months that I've done. I leave it on the table and wind down by listening to something and keeping my mind busy. This is the one thing that I feel like is just for me. I do not bother with anything less than 1,000. Um... I think it's pretty good. I don't want to speak ill. It's a fun world to be in. The news is a bit overwhelming right now. I'm finding [that] I just want to be in a fairy tale world right now in my wind-down [time]. I get my news during the day. But at night, I'm also really trying to stay off Instagram. It's really important for my sleep that I am doing something actually relaxing that does not take my emotional life anywhere. The greatest thing about No7 is that you can line all the products up on the countertop, and go through them one by one. I use the Future Renew Peptide Cleanser. Then I do the Future Renew Night Serum, that's really silky, lovely, and yummy. It feels and works great. I got into serums after a conversation with my dermatologist, who was like, You could do more than just moisturizer. Serums are when you get the good stuff, you know? Then I have the Future Renew Night Cream. All of these are formulated for overnight use. They really make the most of your beauty sleep. The other thing I'm most interested in is sleep. I really am trying my best to hydrate at night and get as much sleep as possible. Your skin always looks improved when it's hydrated [and] after you've had a good night's sleep. I love long walks. I'm really trying to get those steps in. Even after a long day, I'll try and do a walk. I also have a walking pad in my trailer at work. On my breaks, I just walk. That's when I'm usually listening to my podcast. And planning the revolution, obviously. I listen to a lot of NPR, which I still support. I listen to Up First most days. I listen to The Daily. I like Pivot with Kara Swisher and Scott Galloway. I like Mel Robbins. I like storytelling, so I do like a lot of the murder podcasts. I listened to one a while ago that I really still think about called Bear Brook. I [also] listen to The Opportunist. I have a friend, Quinn Emmett, who does The Most Important Question. It's all about environmentalism and the ways that different things cross into climate. You wouldn't think this, but [there's an episode about] women's rights crossing into climate—protecting women, elevating them. Then all the Serials and Nice White Parents. I got into facials more. I do crazy things now. I put my face in ice most mornings to take down inflammation. No7 is great for elasticity, fine lines, hydration, and wrinkles. But physically, I carry a lot of water weight. I like to gua sha and move things around [like lymphatic drainage]. As you get older, things start to fall apart faster, and you really do have to pay closer attention. It's made me more mindful. I loved the themes of it. It felt almost Shakespearean in nature. There's two sisters with a shared husband, and the son [is] living in the shadow of the father [in] this rarefied world. These two daughters who took different paths and now [have] come back together. There's vengeance and revenge. To be honest, I'm a big sister, and I felt a real kinship with this character. A sisterhood at the center of a story is something I'm always drawn to. If you watch Pitch Perfect, it's about sisterhood. It's about a sorority of women who band together and solve something. I made Charlie's Angels, which is about a sorority of women who band together to solve something. It's a theme in a lot of my work. It's a relationship that we don't always see elevated. I love that this was a classic whodunit that also had sisterhood at the center of it. Sisterhood is a shortcut to saying all the women in my life who are getting shit done, who are inspiring me to get shit done, who teach me, and on whose shoulders I stand. It's one of the most important things in my life. Other than my marriage, it's all about sisterhood. I'm the oldest of four. I have two sisters and a brother. I have two sisters-in-law, who I love dearly, too. My mom has five sisters. My dad has four sisters. There's a lot of sisters in my life, but I also have all my friends and my girlfriends. [I have] mom friends. Then I have the sisters that I'm activists with. I have the sisterhood of my fellow actresses in Hollywood, who amaze me and inspire me all the time. Can't do without them. I've really been coming to back to the idea more and more that we are living in a world that was not handed to us. It was fought for—my right to vote, to a 40-hour work week, child care, ability to have a credit card and own property. None of this was God-given to me. It had to be fought for by women who came before me. It's always good to remind women that they live in a world that was fought for by other women. In the women around me and in my kids. I want more freedom for them. I want their lives to be open and enriched. I want people to be educated. We are living in an incredibly interesting time in human history. We're on this exponential curve, with everything going straight up. We've got AI, and all of these incredible technological advancements, especially when it comes to living longer. We're really the first generation of humans to live this long. What are we going to do with all that time? How are we going to spend it, and how are we going to be more inclusive of more people? We have a lot of hard things going on when it comes to climate change and income inequality. We need to be inviting more people to the solutions party, and not less. I do feel hopeful. When it comes to the protests that are going on in Los Angeles, for instance, it's about a sense of safety for everyone in our lives—our neighbors, our friends, our family, our co-workers. I feel like the current administration is making things very unsafe, and people don't like to feel unsafe. The banding together gives me hope that everyone is actually going to fight for one another's safety, and that we actually do live in community. We don't live in a divided place. I live in a community, and I'm going to help keep the people [there] safe. I'm going to continue to try and do that. If I am, I know other people are too. This interview has been condensed and edited for clarity.


Elle
7 hours ago
- Elle
'No-One Sees The Twist Coming': Why Apple TV+'s Latest Thriller 'Echo Valley' Is A Must-Watch
Not all crime thrillers and whodunnits were created equally, which Michael Pearce, the director of AppleTV+'s latest haunted flick, Echo Valley, is all too aware of. 'No-one sees the twist coming,' Pearce told ELLE UK's Deputy Editor, Lena de Casparis, at an exclusive screening of the film this week. 'But it was really that and the strength of the writing that made me want to sign on to direct it.' The film, which is the brainchild of Mare of Easttown writer, Brad Ingelsby, tells the delicate story of a fraught mother-daughter relationship buckling under the strain of addiction. Julianne Moore stars as Kate, a divorced mother-of-one, who trains horses on a farm she can't technically afford to keep afloat. She divorced Richard (Kyle MacLachlan), the father of her child, a successful lawyer, and the woman Kate subsequently married died. Her life is buoyed, though, by her unapologetic adoration of her only child Claire (Sydney Sweeney), who is struggling with drug addiction and, as such, has fallen in with the wrong crowd. FIND OUT MORE ON ELLE COLLECTIVE It's that wrong crowd that provide the backbone of the story of Echo Valley. When Claire relapses and returns home, asking Kate (who has drained her bank account funding rehabilitation programmes for her daughter) for help, Kate finds herself face-to-face with unsympathetic drug dealer Jackie Lyman (Domhnall Gleeson). The fallout is edge-of-your-seat, thriller magic. It's a story in which Moore and Sweeney shine, despite the darkness of their character's stories. The cast filmed for six weeks before the set of the film was shut down owing to the WGA and SAG-AFTRA strikes. One year later, with the strikes resolved, they were able to return to the set to finish filming, which Pearce admitted was hard. You wouldn't know it from watching the film though. Moore and Sweeney's performances are bolstered by appearances from Fiona Shaw and Domhnall Gleeson, and there's one scene in particular — when you see it, you'll know — in which Kate and Claire erupt into a violent row. Pearce admitted that it's his favourite scene of the film, purely because Moore and Sweeney both lost themselves in it entirely. The mother-daughter cultural cannon isn't short of efforts to depict the fragility of the dynamic, but Echo Valley's is a nice, if not entirely necessary, addition. For fans of thrillers — or purely fans of Moore's and Sweeney's — Echo Valley is a film that leaves a mark and, perhaps most importantly, will leave you wanting to call your mother and tell her you love her. Echo Valley is available to stream now on AppleTV+. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Naomi May is a freelance writer and editor with an emphasis on popular culture, lifestyle and politics. After graduating with a First Class Honours from City University's prestigious Journalism course, Naomi joined the Evening Standard as its Fashion and Beauty Writer, working across both the newspaper and website. She is now the Acting News Editor at ELLE UK and has written features for the likes of The Guardian, Vogue, Vice and Refinery29, among many others.