
Puma shares dive after warning of full-year loss, US tariff impact
Puma has been struggling to attract shoppers as re-released retro sneakers, such as the Speedcat, have not sold as well as hoped, and CEO Arthur Hoeld, in the role since July 1, said the company needs to "course-correct".
"This year, 2025, will be a reset for Puma and 2026 will be a transition year for us," said Hoeld, formerly sales chief at Adidas, who was appointed by Puma's board in April to turn performance around.
"We as a company need to take a hard look at ourselves," he said on a conference call with journalists. "We do have tremendous potential with a brand that hasn't been unlocked yet, but a brand that also requires a reset and a new way forward."
Hoeld said he planned to review Puma's growth plan and strengthen the quality of wholesale distribution, and that he would give a broader roadmap on his strategy for Puma by the end of October.
"Puma is facing an existential identity crisis in terms of relevance in a sporting goods industry that is more competitive, and at a time when the largest player Nike is staging its comeback from Autumn/Winter '25," said RBC analyst Piral Dadhania.
U.S. tariffs will reduce Puma's gross profit this year by about 80 million euros ($94 million) despite efforts to offset the pain, including U.S. price hikes in the fourth quarter, Chief Financial Officer Markus Neubrand said. He declined to say how much prices would go up.
Sportswear retailers like Nike (NKE.N), opens new tab, Adidas (ADSGn.DE), opens new tab and Puma rely on Southeast Asian countries like Vietnam for the sneakers and clothes they import into the United States, making them especially exposed to tariffs.
Puma frontloaded shipments of goods from Asia ahead of successive U.S. tariff deadlines, Neubrand said, driving inventory levels up and contributing to more discounting.
Most Puma products sold in the United States are made in Vietnam, Cambodia, and Indonesia, Neubrand said, and the company aims to cut its sourcing from China to the U.S. further from 10% currently.
In preliminary earnings released late on Thursday, Puma said annual sales would decline by at least 10%, having previously forecast low to mid-single-digit growth.
Puma's second-quarter currency-adjusted sales of 1.94 billion euros were weaker than analysts expected, with North America sales dropping 9.1% and Europe down 3.9%.
The company did not say how big the annual loss was likely to be. It previously forecast earnings before interest and tax of between 445 million euros and 525 million euros for the year.
Puma also cut its capital expenditure plans for the year to 250 million euros from 300 million euros previously.
($1 = 0.8520 euros)

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Herald Scotland
13 hours ago
- The Herald Scotland
Spotify CEO bankrolls AI military warfare while musicians walk away
Spotify, despite its ubiquity, has never been looked upon kindly by artists. The music streaming giant has spent years paying musicians by the fraction of a penny, covertly adding AI-generated and in-house commissioned songs to its playlists, and writing the rules as it sees fit on how its royalty system pays out. But now, CEO Daniel Ek has given the music world yet another reason to ditch the platform – this time, by pouring millions into playing business with high-tech war. Last week, Australian psych-rockers King Gizzard & the Lizard Wizard yanked their entire catalog off Spotify, posting a blunt message on Instagram: 'We can't support a platform that profits from destruction'. They're not alone. A growing number of artists are cutting ties with Spotify after learning that Ek's investment firm, Prima Materia, is bankrolling Helsing, a German tech startup building AI systems for military drones and warfare. Read more: This extreme metal album blew up over a weekend – now it's accused of being AI Ek's investment firm first started their bankroll of Helsing in 2021, and recent reports from the Financial Times reveal they've just pumped in another €600 million. The musicians scraping by, and seeing paltry returns from their popularity on Spotify, are probably wondering what it's all for, other than fuelling the terrifying next generation of warfare. Truthfully, it will take a Taylor Swift or a Drake pulling out of the platform to cause any movement. Swift had previously taken her music off Spotify between 2014 to 2017, enraged by the bum deal offered to her through its royalty system. But in those years, Spotify was not quite the omnipresent juggernaut it is now – its huge gain in popularity in those years highlighted where music consumption was heading, but the total enmeshment between the major digital streaming services and the music industry was not quite yet complete. The idea of Swift removing her music from the platform would be much more radical now, but also much less likely. Many artists and projects removing themselves from Spotify are independent musicians, with sizeable enough audiences, but independent all the same. King Gizzard & the Lizard Wizard are the biggest, averaging 1.5 million listeners a month on the platform, but the vast structure of such a space means their exclusion is negligible in the long run. Same could be said for the other artists leading the charge against Spotify. Acclaimed indie acts like Xiu Xiu and Deerhoof have joined the boycott, but their influence on the trajectory the platform takes shakes out to even less. Read more: The internet was my favourite thing in the world – now it just fills me with dread Still, musicians are boycotting Spotify, knowing all the risks to their own careers that it brings. The risk is simply worth it for them when trying to sleep soundly at night. Deerhoof made a scathing statement, equating their streaming revenue profits directly to the death toll of war. ''Daniel Ek uses $700 million of his Spotify fortune to become chairman of AI battle tech company' was not a headline we enjoyed reading this week,' read their statement. 'We don't want our music killing people. We don't want our success being tied to AI battle tech.' These artists know their boycotts won't touch Spotify financially, but the moral grace of taking a stand outweighs any financial loss. If musicians are squeezing for pennies in the streaming economy, then at least they might as well not be blood pennies. Spotify came onto the scene touting itself as a champion of artists, that the ease and use of streaming would inevitably democratise the process of music distribution. It once positioned its public image on this basis. But that has never been the case. Its business model has always prioritised growth and returns over dealing with anything close to fair artistic compensation. And with its CEO diverting hundreds of millions into advanced military AI technology, the disconnect between its image and its financial incentives has become too hard to ignore, too much of an ethical red line for any silence. Read more: Can we pass a law banning the sale of Highland cow AI art? For now, the boycott remains symbolic. Without major label artists with industry clout joining in, Spotify's bottom line will remain steady. But the growing discontent highlights the deeper issue of the music industry's reliance on these platforms, how they are now the only game in town worth playing, and how artists can be held at mercy over any basic ethical concerns they might have. For those musicians staying, the dilemma remains. Can they justify supporting a platform that funnels money into military AI, even if leaving means opting out of the biggest platform for their music? Either way, the conversation has begun, and it's a snowballing that the music industry will eventually not be able to ignore.


Scottish Sun
14 hours ago
- Scottish Sun
Sheffield Wednesday players ‘ON STRIKE' and refuse to play final friendly just 10 days before first Championship game
Scroll down to read the new Wednesday boss' message to supporters in full FINAL STRAW Sheffield Wednesday players 'ON STRIKE' and refuse to play final friendly just 10 days before first Championship game Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) SHEFFIELD WEDNESDAY'S final pre-season match has been cancelled after players refused to play, according to reports. The Owls are in crisis just 10 days before their scheduled Championship opener, with manager Danny Rohl having walked out amid the club's huge financial issues. Sign up for Scottish Sun newsletter Sign up 3 Sheffield Wednesday have appointed Henrik Pedersen as their new boss Credit: Alamy 3 The Championship side are in a deepening state of crisis Credit: Rex Players were informed this week that they would not be paid their July wages in time, with payments originally scheduled to have been made today. This is the fourth time in the last five months that this has occurred, with the Sheffield Star reporting that the news was met with "angry" reactions from members of the squad. Wednesday were due to play a behind-closed-doors friendly against Burnley at the Clarets' training ground on Saturday morning. But amid wages not being paid, the Mail's Mike Keegan claims that Owls stars have decided to cancel the game. READ MORE IN FOOTBALL NO PAQ BAN West Ham's Paqueta escapes lifetime ban as he learns fate in betting probe According to the Burnley Express, Scott Parker's Premier League new-boys offered to pay for crisis-hit Wednesday to stay at a hotel on Friday night ahead of the match. But the training ground contest will now not take place. Sheffield Wednesday are scheduled to face Leicester at the King Power Stadium on August 10. Rohl's former assistant Henrik Pedersen is set to be in the dugout, having been named the German's successor - despite public interest from Neil Warnock. BEST ONLINE CASINOS - TOP SITES IN THE UK 3 Jamal Lowe is one of Wednesday's few remaining star players Credit: Getty Wednesday are currently under a transfer embargo. While their Hillsborough home's North Stand was shut by the local council due to safety concerns. Neil Warnock hints at shock return to management with 'unbelievable' crisis club The closure of the North Stand - which bears the name of much-maligned owner Chansiri - will leave up to 9,000 supporters in disarray. Just hours before the North Stand announcement on Tuesday, highly-rated Rohl had finally left the club after agreeing a deal with chiefs to exit. SunSport revealed last week that controversial owner Dejphon Chansiri is refusing to budge on his £100million price tag for the crisis club - despite owing more than £4million in football debts.


The Herald Scotland
15 hours ago
- The Herald Scotland
Scottish school joins elite group to become 'All-Steinway'
It includes three Steinway Grand pianos which were hand-picked by the Head of Music and two students on a resent trip to the company's factory in Hamburg. Gordonstoun now becomes the first independent All-Steinway School in Scotland and it will being master classes by Steinway artists to Gordonstoun, performance opportunities at the Steinway Halls around the world and access to the finest equipment for the study of music. Gordonstoun will also be able to get the local community more involved in musical events and some of the pianos being replaces have been given to other schools in the area. The German-American company has been making the pianos for more than 160 years with each one taking around a year to make, and are still handmade in their New York and Hamburg factories. Read More Gordonstoun joins a handful of education establishments in Scotland to be awarded the All-Steinway statements. There are around 50 pianists across the school who will benefit from the new pianos. Gordonstoun delivers 400 music lessons every week, led by Gordonstoun Head of Music Phoebe Csenki, who said: 'The partnership with Steinway matches our commitment to providing musical excellence and is a real badge of honour for Gordonstoun. 'We have now upgraded all our pianos, substantially raising the standard of provision for all our students across the Prep and Senior schools. 'The new instruments will provide the students with the best possible instruments to improve their playing, allowing them to be more responsive to the music and to express the music more confidently. 'This will not only benefit our pianists when playing solo, but for all musicians accompanying or being accompanied on these wonderful instruments. 'The pianos take about a year to make, and the level of detail involved gives each one their own personality. 'We were fortunate enough to visit the Steinway factory in Hamburg to see how the pianos are made and were offered the honour of selecting the instruments for our school, which meant playing them in the world-famous factory and choosing the right ones for our setting and students.' The 17 pianos being replaced have been redistributed for use in the boarding houses at Gordonstoun, as well as local schools. Gordonstoun student Luis Gibney Shand, 18, who visited the Hamburg factory, added: 'Having the opportunity to play so many Steinway and Sons pianos was an experience I will never forget. It was like a Willie Wonka experience. I felt like I had won a golden ticket. 'The level of precision and detail in the pianos is unparalleled and still somehow each piano is unique. These pianos will be here for generations, so everyone who comes into the music department over the next hundred years will be able to play these truly great pianos, long after we have stopped playing and that's exciting too. It's investing in future generations and it's priceless.' Gordonstoun Head Simon Cane-Hardy said: 'Becoming a Steinway school will take our music to the next level, not just for our pianists, but all musicians. 'Gordonstoun has a great history of service. And one of the key elements of our school is that we play a role in serving the community. So, what we would love now is for musicians across Moray and our local area to come into Gordonstoun, to work with our students, our teachers and have access to these wonderful pianos. 'The whole process from the first meeting we had to the pianos arriving at Gordonstoun has been a fantastic experience for our school, particularly for our students who came out to the Steinway Hamburg Factory and selected the pianos.' Keith Glazebrook, Manager with Steinway & Sons UK, said: 'We take great pride in announcing Gordonstoun as an 'All-Steinway School'. Through the All-Steinway School programme, we will be offering students factory tours, performance opportunities and Masterclasses with the world's leading music makers and educators, adding to an all already rich program of music making at the school. 'Through Steinway & Sons community engagement programmes, Gordonstoun will become a music hub, not only for its students, but for students across the region.'