
Kate's right hand woman hastily unfollows Meghan's friends on Instagram after making her account public
Natasha Archer, 37, made her Instagram public after quitting her job at Kensington Palace last week.
The stylist and personal assistant worked for the royals for more than 15 years - starting off in a role working for Prince Harry and Prince William before becoming Kate's righthand woman.
After making her Instagram public, sleuths found that Natasha was following both Meghan's Instagram account and As Ever, the former royal's new lifestyle brand.
Natasha was also following Meghan's make-up artist Daniel Martin, her close friends Abigail Spencer, Delfina Blaquier and Heather Dorak as well as various blogs and fan accounts dedicated to the Duchess of Sussex's fashion.
She has since unfollowed dozens of accounts but still follows Sarah Rafferty, Meghan's co-star on Suits and Emma Grede - a recent guest on Meghan's podcast.
Natasha is leaving the role to set up her own consultancy company.
It is understood the Prince and Princess of Wales have wished Natasha the very best for a new chapter after their years-long association.
Natasha began working for the Royal Fami ly in 2010 when she was appointed a personal assistant to both Prince William and Prince Harry.
After William's wedding to Kate, Natasha also began reporting to the then-Duchess of Cambridge before becoming the future Queen's most trusted aide.
Over the years, she became an integral part of the private household - with Kate seemingly rewarding her loyalty with a promotion last June.
The Daily Mail exclusively revealed that Natasha stepped into the role of senior private executive assistant to William and Kate, following reports she personally collected The Princess of Wales from the London Clinic after her abdominal operation earlier this year.
After that, the mother-of-two was brought into the innermost circle of trusted friends and family members supporting Kate through her cancer journey. The Princess announced she is in remission from an undisclosed form of cancer last September.
Despite her high-profile job, the stylist, 36, has managed to stay mostly out of the spotlight - but still appears to be unwavering in her support of the Princess.
Natasha has been such a trusted member of staff that she was one of a select few number of people who visited the Princess of Wales after she gave birth to her three children at the Lindo Wing in London.
In July 2013, the stylist was seen entering the hospital to give Kate the blue polka dot Jenny Peckham dress they had chosen for the public appearance after the birth of Prince George, now 11.
A source told The Telegraph: 'She was seen arriving at the Lindo Wing following the birth of Prince George with a hanger bag, presumably containing the blue and white polka dot Jenny Packham dress which Kate then wore to give the world its first glimpse of the future King a few hours later.'
What's more, the two women both welcomed sons in 2018 - with Kate giving birth to Prince Louis in May and Natasha announcing the arrival of Theo in December.
In 2014, she was promoted to the position of Kate's personal stylist and was said to be the mastermind behind the Duchess' wardrobe for the Cambridges' successful tour of Australia.
According to Grazia, Natasha was brought in to make Kate's wardrobe look more 'regal' as per the late Queen's request.
A source told the fashion magazine: 'Natasha's main role is as a PA, but over the last few months she has assisted Kate as a style adviser.
'Natasha and Kate get on very well. She has always supported and advised Kate - and the Duchess loves Natasha's style, so it seemed like an obvious appointment. Natasha has been helping Kate pick outfits for the [New Zealand and Australia] tour.'
At the time, it was reported that Natasha often shopped online for Kate's wardrobe - particularly from ASOS and Topshop.
Following the success of the Australia tour, it has been reported that Natasha started encouraging Kate to experiment more with her wardrobe.
In 2016, Natasha also joined Kate on her tour of Canada - and was responsible for some of her most glamorous looks from the trip, including a bright red Preen cocktail gown.
In 2019, the mother-of-three was highly praised for her style during her historic royal tour to Pakistan along with her husband Prince William, but her 'secret weapon' stylist Natasha Archer had a large part to play.
It was Natasha who introduced Kate to much-loved Pakistani designer Maheen Khan after finding her designs at O'Nitaa, in London's Chelsea Green, and getting in touch with the 74-year-old to create some custom-made pieces for the royal.
In 2017, Natasha married Chris Jackson - who is the royal photographer for Getty.
As part of his role, Natasha's husband regularly accompanies the King and Queen and the Prince and Princess of Wales on official royal engagements.
The happy couple chose photographer Matt Porteous - who has ties to the Prince and Princess of Wales - to capture their special day.
The photographer has also captured several key occasions for the Prince and Princess of Wales over the years - including their Mother's Day post last year and Prince George's third birthday.
As well as curating Kate's wardrobe and helping with her diary, it was reported that Archer, a Jenny Packham devotee, was ordered to spruce up Prince William's 'estate agent' style.
For the tour of Canada, the then 29-year-old stylist – known to friends as Tash – added linen jackets, and sweaters from J Crew, Jaeger and Reiss, her favourite high street label.
Natasha reportedly assured the Prince, then 34, that she was merely helping him to 'edit' and 'freshen' his wardrobe.
In 2018, Natasha was invited to become a member of the Royal Victorian Order in recognition of her services to the Royal Family.
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Both Fischer and Kinsey have also reunited for their podcast called Office Ladies - which officially launched back in 2019. And last year in April, Fischer also reunited with Rainn Wilson, Craig Robinson, Creed Bratton, Kate Flannery and Brian Baumgartner for an AT&T campaign. 'It was so much fun and totally seamless. We locked into our chemistry together immediately. It was so thrilling. It was over too fast. I wish it had gone longer,' the actress told People at the time. 'I think [Ed Helm's' character] Andy had a line where he says, "If only you knew you were in the good old days when you were in them." I'm paraphrasing, but it's that idea.' She continued, 'And, listen, we knew we had a great thing when we were filming. But this was that chance to go back and re-experience that magic for just a moment, and that is such a gift to be able to do that.' 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Daily Mail
42 minutes ago
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How a botched marriage to a 14-year-old made a 'demon obsessed' King start burning elderly women alive
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The Guardian
42 minutes ago
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‘This is going to be a real hatchet job, isn't it?' Janet Street-Porter on ‘bitchiness', backstabbing and her remarkable career
Janet Street-Porter is the straight-talker's straight talker. Nobody says it how it is quite like her, whether she's talking about how she 'hated' her mother, tried to kill her sister or cheated on her four ex-husbands. The former TV executive, newspaper editor, author and Loose Women regular is now going on the road with a one-woman show called Off the Leash. To be fair, she's never been on it. Street-Porter's website heralds her as 'the nation's favourite pissed-off pensioner' and promises that, with the new show, 'in the words of her good friend Elton … 'the bitch is back!'' We meet at a restaurant she has booked in west London. When I get there, she's already perusing the menu and eavesdropping on the couple behind us. 'That man behind us is very irritating,' she stage-whispers. 'He's giving this woman advice about making friends.' My back is to him. What does he look like, I ask. She sticks two fingers down her throat and makes a gagging noise. Street-Porter, 78, has been famous for ever. She is one of the giants of British media, and has always stood out – a loud-mouthed, working-class woman in an urbane, upper-middle-class men's world; an aesthete with a love of pop culture and opera, often dismissed as a philistine because she was born with neither silver spoon nor plum in her mouth. The young Janet Bull (Street-Porter is her first husband's surname) was bright, swotty and rebellious. She grew up in Fulham, London. Her mother was a dinner-lady and her father an engineer. When, one day, her father announced they were moving to the suburban hell of Perivale, she regarded it as the ultimate betrayal and never forgave her parents. She worked hard and plotted her escape. Street-Porter was in her second year studying architecture when she discovered journalism. She quit the degree and got a job working on a fashion magazine. By her early 20s, she was deputy fashion editor at the Daily Mail. Fast-forward a few years and she was presenting youth TV shows (thereafter known as 'yoof' because of her pronunciation). By her 40s, she was a TV exec, commissioning groundbreaking shows such as comedy classic Red Dwarf and the music/current affairs mash-up Network 7 for Channel 4. In her 50s, she became the editor of the Independent on Sunday. Even those who didn't give a hoot about media or telly recognised Street-Porter because she was relentlessly parodied by Spitting Image; all teeth, specs and estuary English. The caricatures were both cruel and celebratory – a reflection of her outlandish qualities and a tribute to her huge success. Were her parents proud when she achieved so much at such a young age? 'No. They were outraged I worked for the Daily Mail!' What would have been their paper of choice? 'Reynold's News, the Co-op newspaper. That would have been my dad's. He would have wanted me to work for a leftwing newspaper. I don't know what my mother's choice would have been because we didn't have that conversation.' Both her parents were married to other people when she was conceived. It was only after her father died, she says, that she discovered the truth. 'I didn't know either of them had been married before till my dad died. And then I only knew my mother had been married before – and they weren't married when they had me.' She's still furious that her mother took those secrets to the grave. 'I still don't know how my mum met someone she actually married that I didn't know about.' How old were you when your father died? 'About 40.' And how long did your mother live for after he died? 'Six years.' You're so outspoken, it's surprising that you didn't simply ask your mother about it, I say. She looks at me, astonished. 'Well, we wouldn't have had that conversation because I never had a conversation with her my entire life.' She tells me it was the kind of house where she didn't speak unless spoken to. Her mother was beyond the pale, she says, and tells a story to illustrate the point. She would take her walking in north Wales as a child and tell her a lake they passed was deep and dangerous. Decades later, Street-Porter discovered the lake was only about 3ft deep. Maybe she made a mistake, I suggest. 'You mean my mother telling me that a Welsh lake was super deep and scary was a mistake?' she fumes. I'm only giving her the benefit of the doubt, I say. 'Oh, I've never given my mother the benefit of the doubt.' The waitress approaches. 'Can you tell me something? Last week or the week before, did you have a duck salad?' 'No, but we have burrata with parma ham and figs,' the waitress says. 'No it was duck,' Street-Porter insists. She scans the menu again. 'I'll have the club Cobb salad, and the alcohol-free beer.' She turns back to me. ''I read in the Mail last week that non-alcoholic beer is bad for you. Apparently, its crime is it's got calories and sugar.' She hoots with laughter. Does she not drink alcohol these days? 'Of course I drink alcohol, Simon. The world has not stopped turning on its axis. I don't drink at lunchtime. I don't think I could.' The waitress returns with the beer in a glass tankard. Street-Porter stares at it in horror. 'Can I have it in a normal glass, please? It doesn't have to be cold, just not a tankard.' She's still thinking about childhood mealtimes. 'We got punished if we didn't eat butter beans.' What was the worst punishment? 'Oh, you'd get hit! Mum hit us with the hairbrush.' Did her father hit her? 'I don't remember Dad hitting. But he'd say things like, 'I'm going to wipe that expression right off your face.'' Didn't all dads say that back then? She gives me another look. 'So, you're thinking I've exaggerated?' No, I say, I just think it was a common expression. 'My sister and I didn't get on very well either,' she says. Well, you did say in your memoir that you tried to kill her. 'Only in a stupid childlike way. Pushing her down the stairs.' She admits she was jealous of her. 'My sister had nice dark-brown hair and a bubbly personality whereas I was a moody bitch. I was reading my books, thinking I had the wrong parents and not communicating with either of them.' She says she became closer to her sister after their father died. 'The circumstances were so extraordinary. He died in the Canary Islands and my mother just rang up and said, 'He's dead!'' She comes to a sudden stop. 'I just don't get where this is going. Do you think my book is just a collection of fairy stories?' Not at all, I say, I was just surprised you never asked your mother about her first marriage when it was obviously important to you. Hmph, she says. We move on to her brilliant career. She tells me she turned up to her first day of work at the Mail in knitted shorts, a furry jacket and platform boots. 'I had a right attitude. But that was the right thing to do because they were in awe of you. They weren't going to treat you like some little piece of fluff.' She pauses. 'It was so tough to get on, not using the tricks you could use.' What tricks? 'The bimbo factor. I'm very proud of my career, which I achieved entirely on merit. Not just my outrageous ambition, but my determination. I was very single-minded.' She says some people were determined to do her down. 'It culminated in a newspaper saying I'd only done well because I was having an affair with a senior executive. It was rubbish.' Did it ever make her want to get out? 'God, no! I thought, 'Fuck this, I'm not leaving.' I've clawed my way up the pyramid of power to senior executive at the BBC. You don't get that far by shagging someone. There was also a lot of backstabbing. And a lot of manoeuvring.' Who backstabbed you? 'Who knows? Who cares? I wouldn't be bothered. I'd be doing it to other people – you'd expect it. In any corporation, whether a newspaper or the BBC, there's only so much money. And the only way you're going to make the best stuff is getting someone else's stuff cancelled. It's not to get further up the pyramid, it's to do better stuff that makes more impact.' She was in charge of 250 people and managed a budget of £30m at the BBC. In 1994, after eight years, she left and made the 'really stupid mistake' of going to the short-lived TV channel L!VE TV!. Why did she leave the BBC? 'Because I didn't become controller of BBC2.' How annoyed was she about that? 'Totally and utterly.' She has often talked about the two abortions she had in her teens, the first on a stranger's kitchen table at the age of 16. Does she think her career would have been different if she'd had children? 'I definitely wouldn't have achieved as much. At times, I think how old they would be now. I think it was the right thing to happen at the time. It just shows how ruthless I was. I was not going to let anything stand in my way.' These days, Street-Porter is best known for being on Loose Women, which she joined in 2011. In May, ITV announced the show's run would be reduced from 52 weeks a year to 30. 'I don't agree with how they've done the cuts,' she says. Does she know if she will keep her job? 'Oh, I know I'm going to keep that job. Don't waste your bloody time trying to get a scoop on that.' She says Loose Women fulfils a unique function. 'Women come up to me all the time. The issues we talk about resonate with them, whether it's relationships or domestic abuse.' And, she says, the programme also holds politicians to account. 'Obviously, during the last election campaign, I decided to confront Rishi Sunak about freezing the tax threshold. Well, it scuppered his campaign, didn't it?' It's interesting that she refers to her younger self as a 'moody bitch' and is promoting the one-woman show as 'the bitch is back'. Has she always regarded herself this way? 'Well, I have been bitchy.' What's the bitchiest thing you've done? She looks daggers at me. 'This is going to be a real hatchet job, isn't it?' I'm only asking because that's the word you use. 'Well, I'm getting a vibe,' she says. 'OK, I'm bitchy in a fun way. Not heavy-duty. A lot of it is banter.' I ask if she'll be talking about the men in her life in the show. 'No, I never said that.' Sorry, I say, I assumed you would be because the promotional material says: 'Now she finds herself with a senior railcard and four ex-husbands.' 'Oh well, all right. It's not right, it's not wrong, it's not finalised.' She has been with her partner, the former restaurateur Peter Spanton, for 26 years. Is this your longest relationship? 'Probably.' Is it a good relationship? 'What do you define good as? It's survived. I'm not bored.' Who's been the best man in your life? 'The thing is, when all new relationships start, you get very involved with someone, and then you go back to work! My biggest relationship has always been with my work. I couldn't stand not working.' She checks the time and says she's got to be off. There's still loads to talk about, I say. 'Well, Simon, I'm going in five minutes.' 'Can I ring you and finish the interview later?' 'No. I'm not giving you my number. You'll pass it on. You'll be like the producers of Newsnight and This Morning.' 'Do you really think I've got nothing better to do with my life than ring Janet Street-Porter every minute?' I ask. 'You might get really pissed off with me and just ring and hang up. So, is the Guardian doing a picture?' She answers her own question. 'Yes, they are. Will it go on the front? I hope so. To go and put myself through this … Right. I'm leaving you the bill for my salad. Thank you very much.' Street-Porter says she thought I'd be asking her more about her life now. 'I feel very strongly that the old must not be referred to in a negative, diminishing way and, if I can do one one thing, it's celebrate getting old and being a pensioner and carrying on living life to the full. It might not be life to the full to a twentysomething TikToker, but it's perfectly brilliant by my standards and certainly a damn sight more exciting than my mum's standards. So when you asked me about my mum and dad, I did get a bit testy back then because I think, 'No, let's talk about my life now.'' I'm a bit confused. The thing is, Janet, I say, you were the one who kept going back to your mum and dad. 'Oh no I didn't. Anyway, you can say what you like. But, for me, that episode is part of my show because I like to explain to people how I've ended up like this and those are my roots and they are pretty weird. And I've still not sorted them out. I think that's clear from talking to you. I might get defensive when you go, 'Well, why didn't you ask them?' because I can't answer that!' I was just curious, I say. 'You can see how defensive I get because I'm thinking, well, why didn't I ask them.' She says she was more concerned at the time that her pet terrapin (Terry) had been stolen. Perhaps you were too self-absorbed? 'Totally.' And now? 'The same. Exactly. Self-absorbed. My world!' And for the first time she shows an ability to laugh at herself. 'I am interested in other people,' she says, trying to row back a little bit. But she knows she's fighting a losing battle. 'Simon, I'm interested when I'm interested.' She stands up. 'I'm not going now because I'm not interested, by the way. I'm going now because it's 3.40pm and I've got a driver waiting for me.' As she heads off, I ask how she'd describe herself to somebody who has never met her. 'Unexpected!' That's a copout, I say. 'Good fun!' A final pause. 'When she's in the mood. Ta-ra!' Janet Street-Porter's Off the Leash tour starts at the Kenton, Henley-on-Thames, on 11 September, and ends at the Halifax Playhouse on 1 April. Click here for details.