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Apple's 'F1' has raked in $293 million at the box office. Here's how the movie ranks among its other releases.

Apple's 'F1' has raked in $293 million at the box office. Here's how the movie ranks among its other releases.

Apple's highly anticipated (and highly marketed) " F1: The Movie" seems to be paying off for the tech company.
The racing film, released in theaters on June 27, is a box office hit. It has grossed about $293 million worldwide so far, becoming Apple's highest-grossing film to date, according to data from IMDbPro's Box Office Mojo.
Apple's strategy of hiring A-listers for high-budget films seemed to deliver with the movie, which starred Brad Pitt and Damson Idris. "F1" unseated director Ridley Scott's "Napoleon" from its place at the top of Apple's list of box office bangers.
"F1" also got a boost from Imax, which said it generated 19% of the film's worldwide box-office total during its opening weekend. That was the fourth-highest share of global sales in a debut, behind "Dune," "Mission: Impossible — Ghost Protocol," and "Oppenheimer," an Imax spokesperson previously told Business Insider.
Some of Apple's other star-studded wide releases haven't been as successful as "F1." "Fly Me to the Moon" and "Argylle" had underwhelming results despite featuring big names like Scarlett Johansson and Henry Cavill.
Here's how "F1" measures up against other widely released Apple films at the box office, according to figures from Box Office Mojo.
5. 'Fly Me to the Moon' - $42 million
"Fly Me to the Moon" is a 2024 romantic comedy starring Johansson and Channing Tatum. It tells the story of a marketing specialist and a NASA official who fall in love while working together on the Apollo 11 mission.
4. 'Argylle' - $96 million
3. 'Killers of the Flower Moon' - $158 million
"Killers of the Flower Moon," which came out in 2023, stars Leonardo DiCaprio as a World War I veteran. The film, directed by Martin Scorsese, explores the real-life murders of the Osage Nation in the 1920s. DiCaprio's costar, Lily Gladstone, won Best Actress at the Golden Globes for her role.
2. 'Napoleon' - $221 million
"Napoleon" is an action film released in 2023. It's based on Napoleon Bonaparte's life and rise to power and stars Joaquin Phoenix.
1. 'F1: The Movie' - $293 million
"F1" is a sports drama film starring Pitt as a former driver who returns to racing to help train Idris' character for Formula 1.
The film's budget hasn't been revealed. Producer Jerry Bruckheimer told Deadline in 2024 that reports of an estimated $300 million budget were "tens of millions of dollars out of whack."
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Fantastic Four's box office drop proves Marvel is losing average moviegoers
Fantastic Four's box office drop proves Marvel is losing average moviegoers

USA Today

time10 hours ago

  • USA Today

Fantastic Four's box office drop proves Marvel is losing average moviegoers

Marvel Studios might be staring down the endgame for its cinematic universe as we know it. With The Fantastic Four: First Steps estimated for a difficult 66-percent box office drop from its respectable opening weekend of $118 million domestic, the comic book movie giant has watched its 2025 strategy lose some of the core audience that cemented the MCU as appointment viewing for years... the average moviegoers. Right now, Marvel most likely won't have one of its films situated within the top five of domestic earners at the box office for the first time since 2011 (excluding 2020, of course), just looking at Box Office Mojo. REVIEW: The Fantastic Four: First Steps plays it too safe to get it just right After running Hollywood for the better part of 15 years and change, Marvel is stuck with all three of 2025 films likely falling behind their peers in domestic box office competition. February's Captain America: Brave New World (roughly $200 million) suffered from lackluster reviews and a convoluted fit into the grander storyline, while May's Thunderbolts* (roughly $190 million) boasted good reviews but lacked marquee characters casual fans knew about. The Fantastic Four: First Steps should outgross both of those films domestically when it's all said and done, but it's unlikely to top the ultimate grosses of films like A Minecraft Movie (roughly $424 million), Lilo & Stitch (roughly $421 million and counting), Jurassic World: Rebirth (roughly $311 million and counting), Superman (roughly $306 million and counting) and even April's surprise horror hit Sinners (roughly $278 million), an original project. New films await. The new Fantastic Four film earned good notices from critics, but the substantial drop shows that, once the big fans got in their viewings during opening weekend, there weren't as many casual moviegoers left waiting to see the new MCU project as in years past. This is the third time this year that a Marvel film has shown an inability to leg out. With probable global hits like Avatar: Fire and Ash, Wicked: For Good and Zootopia 2 on the horizon, a Marvel film will also possibly miss the top 10 globally at the box office (outside of 2020) for the first time since 2011. The Fantastic Four: First Steps isn't doing big business internationally and is already proving to lack legs stateside. Compare this film's lukewarm results to 2024's Deadpool & Wolverine, a monster success with two primarily non-MCU characters that grossed roughly $637 million domestically. Marvel's biggest success since 2021's Spider-Man: No Way Home relied on two characters whose previous films were created by other studios under the generic Marvel banner. Both of those films had rampant nostalgia in their corner to go along with big-name characters. Marvel will next partner with Sony on next July's Spider-Man: Brand New Day, which will reportedly boast Mark Ruffalo's Hulk and Jon Bernthal's Punisher. We're assuming another Tom Holland Spider-Man vehicle will do big business, as will December 2026's Avengers: Doomsday that boasts Robert Downey Jr.'s MCU return. However, even those big projects lean on past glories to wrangle in the casual moviegoers. This year, a new Captain America in Anthony Mackie, a new anti-hero squad and the MCU's first go at the Fantastic Four all failed to reach past the expected audience. At least one of those films (Captain America) got awful reviews, but none of them really hit the zeitgeist in the way, say, James Gunn's Superman did just a couple of weeks before The Fantastic Four: First Steps. Perhaps that's why Marvel Studios head Kevin Feige hinted that a "reset" awaits his cinematic universe. Nostalgia can power your film to success, but even Marvel Studios has a finite amount at its disposal. Qualifying the Downey Jr. days of the MCU as nostalgic is dangerous business, as the original grand finale to that run, Avengers: Endgame, only came out about six years ago. If Marvel's best trick up its sleeve is playing the hits to get regular moviegoers off the couch and into the cinema, the studio is going to run out of that goodwill pretty quickly. Avengers: Doomsday has Downey Jr. going for it, sure, but the film has no narrative payoff on the horizon. The grander MCU storyline post-Endgame has been, to put it mildly, a jumbled mess. The thematic denouement of the Infinity Stones saga was a decade-plus in the making, and the entire globe flocked to see how it concluded. Right now, the next Avengers film seems to be hinging on brand recognition and nostalgia to get audiences to the movies. Unless your wardrobe primarily consists of Marvel t-shirts, can you plot out how this gigantic story has gone lately? While the next Avengers film will partially work at the box office because brand recognition and nostalgia are still perniciously attractive to a wider audience, you just can't expect the same impact of past Avengers films. The payoff just isn't there to nearly the same degree. Downey Jr. will be the big draw; the new characters compiling the expected Avengers ensemble is a strange hodgepodge of film and television successes and failures. The disastrous rollout of so many Disney+ streaming shows particularly diluted the brand and made the grander story nearly impossible to follow. Again, everything that's happened since Thanos turned to dust has been a gigantic shrug. If Doomsday hits and word spreads of a confusing plot, even an Avengers movie with RDJ can wither on the vine. You can't say the Marvel Cinematic Universe is dead because the machine will keep turning out just enough of its die hards to pop on opening weekend. However, Disney will only be willing to fund so much MCU content comparative to years past if these movies keep popping up and evaporating the weekend after release. Big movies need legs. They need to get casual moviegoers interested. For years, Marvel did so with admirable consistency, even if every movie didn't hit a billion dollars globally. Right now, the studio can only rely on yesterday to make tomorrow viable. The new projects aren't working as well as before; the casuals are tuning them out. Unless a project is directly harping on what's been done before, the golden age of Marvel is probably over by now. In order for there to be even the faint chance of a second one, the studio is going to have to reboot this entire ordeal and simplify all of this for general moviegoers. Until it does, expect more of those big second-weekend drops. All financial numbers this piece originate from Box Office Mojo.

Things We Loved in Music This Week: August 2
Things We Loved in Music This Week: August 2

Hypebeast

time15 hours ago

  • Hypebeast

Things We Loved in Music This Week: August 2

As the week in music comes to a close, Hypebeast has rounded up the most notable music-related headlines – new releases, live performances, merch drops, fashion and footwear collaborations, and more. Kendrick LamarandDave Free'spgLanglaunched its own global creative agency, Project 3. Named after the three parts of a story (beginning, middle, and end), Project 3 Agency stays true to the Project Language ethos, defined as 'a new venture within the pgLang ecosystem, designed to expand creative resources for both corporate and independent businesses.' Focused on building brands externally, offering services ranging from creative direction, brand design, strategy, and content creation, to event planning and production services. WhileBad Bunnyandadidas Originalshave remained locked in as a collaborative unit for a minute now,Mercedesis a new player in the mix. The trio is bringing motor sport to Puerto Rico, with Mercedes-AMG PETRONAS' F1 car set to make a demo run across Puente Dos Hermanos on August 2. Chance the Rapperfirst breathed life into theStar Line Gallery(the project's initial name) in the spring of 2022. Now, over three years later, we at last have a confirmed release date for the long-awaited Chance project. Now shortened to justStar Line,Chance's years-in-the-making seventh longform studio LP is confirmed to drop on August 15. The only confirmed track we have thus far is 'Tree,' featuringLil WayneandSmino. Since droppingSWAG,Justin Bieberhas pivoted back to perfecting his fashion game, locking back in on his new labelSKYLRK. His latest move seems to be into the soccer space, previewing a pair of new cleat-like sneakers in pastel pink and all-white colorways on his Instagram page. ForKendrick Lamar'sGrand National Tour,the rapper has pulled out some of his best fashion looks. The latest from Lamar is another customMartine Roselook (which he also donned for his Super Bowl Halftime performance) – a black leather jacket stamped with a patch of a hand of face cards. This week, just before wrapping his lengthyCHROMAKOPIAtour,Tyler, The Creatorhopped onHot 97for a raw, hour-and-a-half-long interview. The rapper talked about working withClipseon 'POV,' how 'Don't Tap The Glass' was supposed to be his andA$AP Rocky's duo name, pulling up to Kendrick Lamar's Pop Out Los Angeles show, and a lot more. Lil Yachtyrevealed a new iteration of theCactus Plant Flea MarketxNikeSwamp Sponge Dunk. Shared on his socials, Boat offered a first look at a a lineup of new colorways, each vibrant color palette complemented by mesh, corduroy, and fluffy hair. ⁠ Lifted fromstar,2hollis' 'Flash' music video is just as striking as the sonic composition of the track. Directed by Noah Dillon, the cut's official visual component is filled with strobe lights and effects. A week after droppingAlfredo 2,Freddie GibbsandThe Alchemisthave given the anticipated (and highly well-received at the time of writing) album yet another multimedia component. Joining the album's fashion collaborations and short Tokyo crime saga film now comes anAlfredo 2video game – free and currently accessible to playonline. During her LondonHit Me Hard And Softshows,Billie Eilishlowkey gave a first look at some newAir Jordan 4s. Whether the sneakers are set for an official release remains to be seen, but take a closer look and learn more in the Hypebeast Kicks post above. Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music Spotify|Apple Music YouTube

I want Gemini to be my DJ in YouTube Music
I want Gemini to be my DJ in YouTube Music

Android Authority

time17 hours ago

  • Android Authority

I want Gemini to be my DJ in YouTube Music

Stephen Headrick / Android Authority Imagine having your very own DJ in your pocket, ready to mix your favorite songs at a moment's notice. No, not your dad's 3-5 second crossfade, but instead a completely customized mix that makes the two songs you're transitioning between meld together like they were designed that way by the artists themselves. That's the idea behind Apple Music's upcoming AI-powered AutoMix feature, which is coming with this fall's iOS 26 release. As a former Spotify user and now years-long YouTube Music user, this is the first time I've even batted an eye at one of Apple's few Android apps. I'm not really a big fan of the old-school cross-fade functionality, but this is different. Google is consistently adding Gemini-powered features across all of its verticals — including in the main YouTube app — but so far, we haven't seen much of this AI prowess in YouTube Music. AutoMix is a seemingly small Apple Music feature with big implications, and I have some ideas on how Google can bring its super-powered Gemini experience into its music app. What music streaming service do you use? 1 votes Spotify 0 % Apple Music 0 % YouTube Music 100 % Other (let me know in the comments) 0 % I don't use a music streaming service 0 % DJ Apple, spin that track! Apple first announced AutoMix back in June at this year's WWDC, its annual developer's conference. In its own words, this feature uses 'time stretching and beat matching to deliver continuous playback and an even more seamless listening experience.' Marketing jargon aside, there is a clear difference that you can hear with AutoMix enabled when compared to the standard cross-fade. Details on how the feature works are sparse, but shortly after the iOS 26 developer beta was released, videos of AutoMix in action quickly began circulating on all the major social media platforms. For me at least, I was intrigued the moment I heard it in action. Because AutoMix is not a database of pre-mixed songs and is instead powered by AI, the mixing experience can vary from user to user. Occasionally, the mixes are pretty underwhelming — remember, this is still just a beta software — but more often than not, it doesn't just work, it sounds magical. It adds an entirely new dimension to your music listening experience. I would note here that right now, AutoMix seems to work best when the two songs are from a similar genre or have a similar number of beats per minute. That said, I'd imagine this will only improve in the future. AutoMix isn't an entirely new concept. In fact, Spotify released their own take on this feature years ago under the exact same name. It, too, appears to use beat matching to determine the best way to transition between songs, but from examples I've seen and user commentary I've read, Apple's take appears to be a more advanced version. Perhaps advancements in AI also allow for an overall better mixing experience. YouTube Music needs to join the party I've been a YouTube Music convert for years now, and all in all, I've been very happy with the service. First and foremost, it's included with YouTube Premium, which is one reason I believe Google's subscription is one of the most high-value subscriptions out there. And to Google's credit, YouTube Music has frequently improved its service, adding new features and making the user interface more appealing and user-friendly. Google has added Gemini-powered capabilities to just about every corner of its software universe. From YouTube to Google Workspace to Android devices and most everything between, you will likely find some sort of Gemini-enabled feature. And it's not like we haven't seen Google dabble in the world of music, either. Stephen Headrick / Android Authority Google is adding Gemini everywhere. Is YouTube Music next? Google needs to join the personal DJ party, and this is just the beginning of what they could do with the power of Gemini. AutoMix honestly seems like a small addition as I write about it, but I can't emphasize enough how different it feels to listen to music with this mixing enabled. It makes for such a satisfying listening experience, and I am more than confident in some form of Gemini powering Google's version of this. Let's take this a little further than this relatively small AutoMix feature. How else could Gemini enhance my music streaming experience? Look no further than Spotify DJ, a feature that's already been around for a few years in Spotify land. Essentially, Spotify is using AI to generate playlists according to what you already listen to, and it has helped my colleague discover a lot more new music than he used to. Imagine Google's take on this: a Gemini Live-like DJ that you can talk back and forth with and really fine-tune your taste to find the most relevant music possible. Stephen Headrick / Android Authority YouTube Music already has playlists created by AI, based on your text input. Time to take it to the next level with a Gemini Live-like experience. Here's the thing: Google is already doing most of the heavy lifting that this type of feature would require. It already has a feature in the Google Discover feed called Daily Listen, where two AI-powered 'podcast hosts' serve up a daily short-form podcast with news and information relevant to your interests. And it works incredibly well. Creepy well, if you ask me. And Google already generates playlists based on text input. Gemini could just connect these dots together more efficiently. Since this is a Gemini Live-like experience, why not just hum something into your mic and have DJ Gemini generate a playlist of songs solely based on the vibes of whatever you're humming. That sounds both incredible and incredibly doable with the power of Gemini. I feel like we're only scratching the surface here, and yet, as I already stated, much of this is already being done by Google elsewhere in its services. Now, the YouTube Music team just needs to package this all up for its platform. Is Apple's DJ good enough to make me ditch YouTube Music? Switching music services isn't exactly fun. The app's algorithms take time to learn your preferences, and YouTube Music has years of my listening data now, so it has gotten pretty good at suggesting the right music (and podcasts…yes, I use this app for podcasts, too) at the right time. Is Apple's AutoMix feature enough to convince me to switch? Only time will tell, especially because we don't yet have clarity on whether or not this will be an iPhone-only feature, or if it will eventually make its way over to our green bubble world. Since it's an AI-powered feature, Apple may decide AutoMix can only work on Apple devices and Apple's chips; I'm not saying it's not possible for them to bring it to Android, I just wonder whether Apple will use on-device AI as a reason to keep AutoMix exclusive to its devices. That said, I tested the feature out on an iPhone 14 Pro, which doesn't have access to Apple Intelligence, so I would guess that they'll bring it to their Android app at some point, and maybe even as soon as this fall when AutoMix officially launches. Apple Music on iOS 26 beta, with AutoMix enabled Apple Music on Android 16 beta, with no AutoMix option in sight For now, I'm sticking with YouTube Music. I'm really confident in Gemini at this point, and it's only getting better. Bringing more AI into YouTube Music is the logical next step for the evolution of the platform. I remember when Google first launched Gemini — remember Bard? — I was really unsure what to make of Google's AI. The transition from Google Assistant was really rocky at first, too. But Gemini has gotten really good, and more importantly, the way it has been integrated into Google's services has become extremely powerful. I use it a lot throughout my day. I think it's only a matter of time before we see an AutoMix-like feature introduced in YouTube Music, most likely alongside other more advanced Gemini-based features. Follow

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