
Chrissy Metz: Good deeds make me feel good about myself
Chrissy Metz's good deeds "supersede what anybody thinks" about her.
The 44-year-old star wants to be "liked and loved" - but Chrissy insists it's not her biggest motivation.
Speaking to People, Chrissy explained: "As humans, we so want to be liked and loved, myself included.
"I think that's why we do a lot of the things that we do. I want you to know that I'm smart. I want to be validated. I want you to like me. 'I have this beautiful car because I want you to think that I have a lot of money because I want you to respect me. Everything we do is sort of funnelled down to that.
"But for me, when I do good things, I feel good about myself. If I'm helping my family or my friends, or if I give back in some particular way, whether it's time or money or whatever, those things make me feel confident, make me feel good and those things sort of supersede what anybody thinks or says about me.
"Nobody really knows you. What matters is how I feel about myself. And I think confidence is trust in yourself. And so every time you do something that makes you feel good, you sort of just accumulate this trust, which I think is the true depth of self-confidence."
Despite this, Chrissy still struggles with anxiety and self-doubts.
The 'This Is Us' star shared: "There are certainly times when I'm like, girl, what are you doing? I don't think you got this!"
Chrissy recently published a children's book titled 'When I Talk to God, I Talk About Feelings', and the actress hopes to write another one in the future.
She told E! News: "I love picture books. I love illustrators. I was going to go to school for art. So, I love the process. So yeah, fingers crossed."
Asked what motivated her to write a children's book, Chrissy replied: "I have a big family. I know when I was a kid, I didn't feel seen or heard. And I see it in these little kids faces and like, it's not about the toy, it's not about playing outside - kids want to feel seen and heard because I don't think it's necessarily fostered or cultivated. So we had to talk about feelings because even as adults, we don't know how to."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Man of Many
11 hours ago
- Man of Many
Original Birkin Bag Crafted For Jane Birkin Heads to Auction
By Ben McKimm - News Published: 6 June 2025 Share Copy Link Readtime: 4 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Jane Birkin's original 1985 Birkin is going to auction July 10. Expected to break the Birkin price record of over USD$450,000. Custom prototype: unique size, hardware, and non-removable shoulder strap. Includes original charity auction certificate signed by Jane Birkin. Exhibited at MoMA and V&A museums before entering private collection. Likely to become the most expensive Birkin bag ever sold, Sotheby's is auctioning off the Original Birkin Crafted For Jane Birkin in 1985 at an auction on July 10th, 2025. While auction estimates are withheld, the bag will likely eclipse the USD$450,000 plus sales price of the Diamond Himalaya Birkin 30, which sold at Sotheby's in 2022. It's not often that handbags carry provenance, but this Birkin is different. The story goes that the actress was sitting alongside Jean-Louis Dumas, the French billionaire businessman who was the chairman of the Hermès group from 1978 to 2006, on an Air France flight. She complained that she couldn't find a bag big enough for daily life, so the brand designed one and asked if they could name it after her. The rest is history, as they say. Now, her original bag is headed to auction, and it carries serious provenance not just from Jane Birkin, but from those who have held onto the bag since she donated it at Millon, Paris, Les enchéres de I'espoir, Association Solidarité Sida on Wednesday, October 5, 1994, Théâtre de l'Empire. It was sold in Poulain Le Fur, Paris, on Friday, May 12 2000 (lot 70) and has sat in a private collection (and museums) ever since. The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's What's interesting about this Birkin is that it's a prototype. There are key differences between this and the bag that would eventually hit the production run in 1985, including: It has the width and height of a Birkin 35, but the depth of a Birkin 40 Size : 36 x 27 x 21 cm: W It features closed pontet rings, whereas rings remained open at the bottom until the early 1990s There's gilded brass hardware, replaced by gold-plated hardware (with a check mark) at launch 'Eclair' branded inner zip, which was replaced by Riri Company in the 1990s Smaller bottom studs, or 'feet' It has a non-removable shoulder strap, the only one of its kind Not only is this bag made in a one-off custom size, but it comes in the same condition in which it was auctioned for charity by Jane Birkin. That means that you're getting a bag that was crafted for the namesake and lovingly used by the namesake until it was passed on, and it comes in the same condition as it hasn't been used since. Heck, it's even branded with her initials, J.B., and inside is the nail clipper that she kept hanging from the bag's strap. The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The lucky buyer will also recieve the original certificate of the charity auction 'Les Enchères de l'Espoir,' which was signed by Jane Birkin, 5 October 1994 alongside the original Hotel des Ventes du Palais auction catalogue, Poulain Le Fur, 12 Mai 2000, and exhibition catalog 'Bags Inside Out', V&A, 2020. Given the provenance of this bag, it was exhibited at the MoMA in New York for the ' Items: Is Fashion Modern?,' exhibition in 2018 before it was sent to London's Victoria and Albert Museum for the 'Bags Inside Out' exhibition in 2020. Now, it's hitting the auction block at Sotheby's on July 10th, 2025, where it will likely make history as the most expensive Birkin ever sold.


Man of Many
11 hours ago
- Man of Many
Charlie Vickers on ‘The Survivors', Building Character and Coming Home
By Dean Blake - News Published: 6 June 2025 |Last Updated: 4 June 2025 Share Copy Link Readtime: 10 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Charlie Vickers is on the rise. After an impressively devilish rendition of Middle-Earth's Sauron in Rings of Power, the Aussie actor is returning home to star in Netflix's The Survivors: an adaptation of Jane Harper's novel of the same name that focuses on the small, coastal town of Evelyn Bay and a series of deaths that echo through the years. In some ways, The Survivors was a particularly personal project for Vickers, who saw his own echoes in the show—a big-town man returning to his small-town roots—and who connected with the inherent Australianness of it all. Since studying acting at the College of Speech and Drama in London, Vickers has been largely living overseas, and the opportunity to return home, especially for a script he felt excited by, was too good to pass up. We caught up with Vickers ahead of The Survivors launch on Netflix on 6 June to talk though what drew him to the project, how he got started in acting, and what it was like coming back to Australia. Charlie Vickers in 'The Survivors' | Image: Netflix To start with, I wanted to get an idea of what it was about The Survivors that got you excited. What sold you on being a part of it? I love shows that adapt novels, really. The Survivors is a novel that I hadn't read, but I'd read a few other books by Jane Harper and this just sounded like a really fun adventure to be able to go on. So when I had the opportunity to potentially do it, I thought, 'It's in Tasmania, I grew up in Melbourne, but I'd somehow never been to Tasmania,' and being able to work with a whole bunch of new, amazing people and having Tony in charge of the whole project got me really excited. Also, just being able to be part of an Australian story. It's quintessentially Australian. I live in the UK now so I want to do as many Australian projects as possible, and this was such an enticing opportunity, really. The character of the town, although it's fictional, its kind of its own character in this story, and being able to film so much of it on location got me really excited. I also thought the story was interesting, and the way the script adapted the novel made me quite interested. It's quite cool seeing small-town Australia highlighted—I wanted to ask about that. Was that part of the charm for you? Is that something that reminds you of your childhood in Australia? In a way, it is . There are a huge amount of similarities between Tasmania and Victoria, and I grew up in a small coastal town exactly like . It's funny, the character of Kieran is still quite far away from who I am but he's also returning from a big city, in his case Sydney, to his childhood town, and there was a bit of familiarity there for me. I live overseas in a big city and often find myself coming back to my small, coastal town, and I think my son was about 6 months old when I was filming this, and he has a 4 month old, so there was a lot of 'world's colliding'. Having the opportunity to tell a story set in a coastal town, and you have all the dynamics . I was watching the show with my brother the other day, and he said 'god, some of these characters feel like they could be from our home town', it's crazy. Charlie Vickers in 'The Survivors' | Image: Netflix I wanted to get an idea of what you look for in a role? There's no shared characteristics of any roles , I often look for something that when I read it I get inspired, or I get excited by the idea of doing it. These roles can be completely different, but the thing they share is that I think I can bring something to the project: it has to ignite my imagination, reading it. Those kinds of jobs are few and far between, that make you excited, and this was one of those jobs. I've played quite a lot of villains in my career so far, but that's just coincidental and because of the material I've been given. How do you find your characters? When you're given a script or a treatment, how do you go about turning those words into action? For me, I try to keep it as simple as possible. I don't properly believe in the idea of 'character'. It's useful to use it in terms of referring to the character of Kieran, for example, but his 'character' is just the sum of a whole bunch of little moments. So I try not to look at things through a wide-angle lens, you know? And sometimes I watch the final product of things and find that 'oh wow, he's an entirely different person to how I had imagined him', because I tend to approach it from a moment to moment basis, and react to the circumstances he's in, and try to play to each moment truthfully, and then that paints a bigger picture of this character's life during the time period on screen. The only thing you have to be mindful of, I guess, is to think of the journey of the character throughout the show, but the specificity of each moment we see creates the 'character', I think. Charlie Vickers in 'The Survivors' | Image: Netflix Beyond being able to come back to Australia, what was the highlight of the filming process for The Survivors? There were so many. I loved being able to be in a really special place, Tasmania, that I'd never been to, with a whole bunch of amazing actors and creatives. To be able to work with these people made it an amazing experience: Actors that I've watched since I was a kid on screen. People like Damien or Robyn or Catherine and then there's this whole other amazing generation of actors like Yerin , Jess , Thom and George , and I think that's what I really love about projects. I've been really fortunate in my career in that you can just kind of go somewhere for six months and work on something and be fully immersed in the world of whatever you're doing, and then you get to move on and some of the relationships endure. That's the lasting memory of working in Tasmania : the combination of the location and the people. It was probably really good to have that filming location be somewhere you'd never been but also being very familiar in a way. Exactly, I don't know why I'd never been to Tasmania, but it really does feel different. There's an atmospheric quality to that place that is inherent, just when you're walking around. The energy there can be heavy, and I'm sure that's what Jane was trying to tap into when she wrote the novel. You mentioned earlier that you've enjoyed doing adaptations of novels, and you've done quite a few of them at this point: is there any book adaptations that you'd love to work on? I love Tim Winton's novels, and I read The Shepherds Hut recently, and also The Riders, and Eyrie, which is about a retired climate worker that lives in Freemantle, and I just think his stories are so evocatively written and I'd love to be a part of an adaptation of one of those novels on screen. I think they're pretty rarely adapted, though, and the adaptation process to take a novel to screen is often a really complex one. Those novels, when I read them, I really connected to a few of the characters and thought it'd be really cool to be a part of. I love imagining the world, that's part of the amazing thing about reading books. Charlie Vickers in 'The Survivors' | Image: Netflix You've worked in a few genres so far – is there anything you'd want to do that you haven't been given the chance to yet? It's quite a boring answer, but I'm lucky that I've been given the chance to work on bigger productions and smaller productions and things that are in pretty wildly contrasting genres that I don't really have that itch to do anything in particular. I just kind of want to work on stories that are exciting, the genre could be anything, really. If it's something that creatively inspires me, I'd be keen to do it, but there's no particular world I want to jump into anymore: which is nice, it's a nice place to be. How did you get started in acting? I did a lot of plays at school. I remember being in year 12, and I was playing Richard the 3rd in our school production of it, and it was the same year it was being done by the Melbourne Theatre Company, and Ewen Leslie was playing Richard the 3rd, and I remember going to see it and just thinking 'wow, that's so much better than what I'm doing', and thinking 'I'd love to be able to do that one day'. I remember that moment of 'wouldn't it be cool to be an actor', but then I never found it to be an accessible path. I think I was afraid. I knew you could go and audition for drama school, it just didn't seem to be a thing that was in my world, it didn't feel possible to me: getting in to a drama school and then going on to be an actor, so I didn't do it for a few years after school finished. In those intervening years I was studying a music/business degree, and while I loved uni and being around my mates and that whole period of my life, but I was really just treading water. I had no idea what I was doing, and throughout Uni I was doing amateur theatre productions. Melbourne Uni has this amazing theatre called the Union Theatre, so I did a lot of work there. Eventually, I drummed up the courage to do it, and that changed my life. I thought, maybe I should just have a go at trying for a drama school because I really didn't know what I was doing. The school I went to, the Central School of Speech and Drama in London, they come and do audition weekends in Sydney, and I decided I was going to go to it. I flew up and didn't tell anyone because I was afraid of telling people I auditioned and I didn't get in, so I did the audition over a weekend and then found out six weeks later that I'd got in, and then had to decide whether I wanted to uproot my life or did I want to wait until the end of the year and maybe try some of the Australian schools. But when you get into a drama school, it's so unlikely in the first place that I just thought I have to take this opportunity – it might not happen again. So yeah, I moved to London, and that was really the moment the direction of my life changed. The Survivors launches exclusively on Netflix on 6 June.


Perth Now
20 hours ago
- Perth Now
King of the Hill star Jonathan Joss fought 'so hard to stay alive' after he had been shot
Jonathan Joss "struggled so hard to stay alive" after he had been shot. The actor - who was best known for voicing the part of John Redcorn on the animated TV series King of the Hill - was killed in a shooting on Saturday (31.05.25) in San Antonio, and now his husband Tristan Kern de Gonzales has recalled his last few moments. He told People: "Everything happened so quickly. Everything was very close range and due to the severity and the trauma of the various head wounds, I knew that there was no hope of saving Jonathan's physical form, and he was struggling so hard, trying to stay alive. It was just really, really close range." Tristan urged Jonathan that he "didn't need to keep fighting" as he lay dying, but claimed that the alleged gunman Sigfredo Alvarez Ceja was just "laughing" at them throughout the ordeal. He said: "I held my husband's face together as best I could, and I told him how much I loved him, and that none of this was his fault. I told him he needed to cross over easy. He didn't need to keep fighting. "I told him that no matter what, and in some way, shape, or form, we'll always be together, and he'll always be my husband. "[The alleged gunman] was laughing. He mocked me for telling my husband that I loved him and used the same homophobic slurs. "The flashbacks are very, very intense, and they affect my whole body." Police have said that Alvarez, 56, admitted to shooting and killing the Parks and Recreation actor and he was released on a $200,000 bond on Monday. Just days ago, Tristan revealed that the whole incident had taken place at the site of their former home, which burned down earlier this year. In a Facebook post, he explained: "My husband Jonathan Joss and I were involved in a shooting while checking the mail at the site of our former home. That home was burned down after over two years of threats from people in the area who repeatedly told us they would set it on fire. We reported these threats to law enforcement multiple times and nothing was done. "Throughout that time we were harassed regularly by individuals who made it clear they did not accept our relationship. Much of the harassment was openly homophobic. "When we returned to the site to check our mail we discovered the skull of one of our dogs and its harness placed in clear view. This caused both of us severe emotional distress. We began yelling and crying in response to the pain of what we saw. "While we were doing this a man approached us. He started yelling violent homophobic slurs at us. He then raised a gun from his lap and fired. "Jonathan and I had no weapons. We were not threatening anyone. We were grieving. We were standing side by side. When the man fired Jonathan pushed me out of the way. He saved my life. "Jonathan is my husband. He gave me more love in our time together than most people ever get. We were newlyweds. We picked Valentines Day. We were in the process of looking for a trailer and planning our future. "He was murdered by someone who could not stand the sight of two men loving each other. "I was with him when he passed. I told him how much he was loved. (sic)"