logo
‘Apple Cider Vinegar' Creator Unpacks That ‘Tragic' Ending, Juggling Truth and Fiction Adapting Belle Gibson's Story

‘Apple Cider Vinegar' Creator Unpacks That ‘Tragic' Ending, Juggling Truth and Fiction Adapting Belle Gibson's Story

Yahoo08-02-2025
Note: The following story contains spoilers from 'Apple Cider Vinegar.'
While Belle Gibson's rise to wellness fame in 'Apple Cider Vinegar' was full of organic recipes and posh galas, the latter half of Netflix series sees the dangerous and 'tragic' impact of the infamous scammer and her wellness-loving counterparts come crashing down on those closest to them.
While Belle (Kaitlyn Dever) built her wellness empire on a fake cancer diagnosis after being inspired by Milla (Alycia Debnam-Carey) — a real cancer patient who advocates for a juice diet and coffee enemas to cure her cancer — Milla is the one who ultimately suffers from the wellness industry's lies. First, after pursuing the Hirsch Institute treatment for her cancer, Milla's mom, Tamara, dies in an ending creator Samantha Strauss calls 'tragic.'
'I think my mom would probably do that if I had chosen to go Hirsch,' Strauss told TheWrap, echoing Tamara's words that if she'd let her daughter do it and not force her to go through traditional cancer treatment methods, she would have to do the same. Tamara's death, however, gives Milla the wake-up call she needed to go to the doctor and pursue cancer treatment.
'How do you walk back from what has become your whole identity … which is, 'I am this wellness guru influencer, and I have cured myself from cancer,'' Strauss said. 'What's the line between positive thinking and reality? She wants that to be true so much, and she has to realize and recognize, 'No, I got it wrong, and I wish I hadn't have done it.''
Ultimately, it ends up being too late for Milla, and the Netflix series, which is based on the book 'The Woman Who Fooled the World,' sees her pass away as well by the finale. Despite this fatal turn — paired with several articles outlining Belle's fraudulences — Belle sticks to her guns, showing up to Milla's funeral to the dismay of Chanelle (Aisha Dee) and Milla's husband Justin (Mark Coles Smith), later doubling down on her cancer diagnosis to her followers.
'Our Belle wanted to be sick so much — It would make her unimpeachable. It would make her a victim, but also a hero at the same time and it was such a shortcut to love,' Strauss said. 'I hope the viewers are left with sort of a fragile sense of hope for her at the end that she wants to be well, which is a big step.'
Strauss makes the distinction between the Belle depicted in the series and the real-life Belle Gibson, whom she revealed she has never contacted, nor has Gibson contacted Strauss or her team. She added that despite 'Apple Cider Vinegar' filming in Gibson's neighborhood, the real-life scammer never showed up to set.
'Real life gave us some facts to work from, but this is very much our true-ish story,' Strauss said. 'We did a lot of inventing in the writers' room. I have no idea what Belle would have talked about in her private time … to people close to her.'
Below, Strauss unpacks adapting Gibson's story of lies into the Netflix series with its own truths and fictions, discusses Lucy's ending and reveals if she knows where Gibson is now.
TheWrap: Was there any hesitancy in keeping Belle's name for the series?
Strauss: Legally, there wasn't. When you're writing someone, you have to develop a lot of empathy for them. You have to put yourself in their shoes all the time, and think, 'Why would they do this?' So you get attached to them, but in this case, it was so clear that that what she did had could have had horrific consequences, and so ethically, I felt okay about using her real name.
Were most of the characters and stories pulled from real life?
Milla is an amalgamation of lots of people, but also someone we created in the writers room and she's her own person. We thought it was really interesting to juxtapose Belle's story — she's lying to her, to everybody — whereas Milla is lying to herself. To see these two women pitted against each other, but behaving in ways that were sometimes similar, was was really interesting. The journalists were kind enough to let us fictionalize their lives as well — Beau [Donelly] and Nick [Toscano] are different to the people in the show. We didn't change Clive's name, who was Belle's partner and and there's also Julie, who was Belle's publisher.
What about Lucy? Was she real?
It felt really important that this story didn't only center Belle. It was an interesting thing in empathy and forgiveness that you want to understand what makes her tick, but you don't ever want to glorify what she's done. Every time we would start to feel a lot of empathy for her, it was important to us to remember people like Lucy, a real-life person … someone that we know … that is at the coalface of medicine and … could have fallen victim to Belle's lies. She wasn't married to our journalists in real life, but it felt like it was really important to us to have her voice across the series — that we're not glorifying that word, we're showing the consequences as well.
Clive stays pretty loyal to Belle throughout the whole thing. Why do you think he stayed?
Some of that is true to life, and it's in the book, but that was something we discussed endlessly in the writers' room. I kind of know relationships like that become co-dependent and and I do think, in our case, we decided that he was staying a lot, because he loves her child so much. In Belle's core is someone who doesn't feel like she has enough love and much probably has a quite a fragile self esteem. And perhaps that speaks to who Clive in our series is as well. I've never met the real Clive or had anything to do with them, but that's the dynamic we imagined for them.
The show ends with that damning '60 Minutes' interview, and gives some hope for Lucy despite Milla's tragic ending. Why did you want to end the story here?
Belle is, by that point, like 'I've had enough.' [Her] world has crumbled, but that who matters are the people who listen to Belle. In the end, Lucy's doing meditation and she's doing yoga, and she's having ice baths … and she's drinking apple cider vinegar, but she's also doing chemo and she's showing up for that. Even though we don't know if she'll live or die, there's hope. And for Justin, I think it's really frightening for him that he is watching someone, throughout the series, go off down the road of of alternative therapies that he and wanting to turn away from Western medicine, and how frightening that would be as partner, but you can't control somebody else's choices in that respect. We've all kind of lived that with the pandemic. For him to just show up, even though the worst thing could be that she dies, you know, and how hard that will be, is an act of love. We did want to end the series with love — that it matters so much. One of the great things about life is love and and that's what Belle craved so much. I hope she got it, in our creation of Belle after the series ends.
Do you have any idea where Belle is now?
No, she never showed up the set. We did wonder if she would, but she never did, and she hasn't reached out. I have no idea.
This interview has been edited for length and clarity.
'Apple Cider Vinegar' is now streaming on Netflix.
The post 'Apple Cider Vinegar' Creator Unpacks That 'Tragic' Ending, Juggling Truth and Fiction Adapting Belle Gibson's Story appeared first on TheWrap.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The 10 Best TV Shows On Netflix According To Rotten Tomatoes Critic Score
The 10 Best TV Shows On Netflix According To Rotten Tomatoes Critic Score

Forbes

time2 minutes ago

  • Forbes

The 10 Best TV Shows On Netflix According To Rotten Tomatoes Critic Score

Well, if you've arrived here, I know you're looking for something to watch on Netflix right now, and the options are seemingly endless. But the best shows on Netflix? You might want to consult the critics, as they've watched them all. We're sticking with Netflix originals here, as we know those are evergreen series that are not going to be taken off the service by the time you read this. Licensing deals come and go, but if something was made by Netflix, it's staying here. The bad news, however, is that despite these high reviews, some of these series were cancelled before their time, as Netflix cares more about viewership than scores. But as of August 2025, here are the ten best Netflix TV shows according to Rotten Tomatoes critics: 1) Arcane (100% - 2 seasons) Widely considered one of the best animated series of all time, Arcane brings the world of the video game League of Legends to life, spotlighting a number of characters from the hit MOBA, and rendering them in a gorgeous, never-before-seen animation style. But it's more than stylish, the drama, the action are just as worthwhile, and it's only one of two shows here that retained a 100% score across both its seasons. There are future series set in the world of League of Legends coming in the future, given what a hit this was. 2) The Baby-Sitter's Club (100% - 2 seasons) This is the second series with double 100%s across seasons, but this one is a bit more of a tragedy. Despite being one of the two highest-scored Netflix original series, it was cancelled after season 2 and not renewed for season 3. It's a throwback to the classic novels with a young, charming cast who bring that world to life in a pleasant series perfect for the younger crowd and their parents. 3) Giri/Haji (100% - 1 season) How many tragedies must we endure? The only crime series in the top 10, the Japanese Giri/Haji was a stellar split time between Japan and London, and dives deep into the world of Yakuza. But once again, despite high scores and a lot of praise, it was cancelled after season 1, which is another great tragedy on the list here. However, it's still very much worth watching. 4) Cyberpunk Edgerunners (100% - miniseries, 1 season) The second animated video game adaptation on the list, you could make the argument it's even better than Arcane. It was announced well before the release of Cyberpunk 2077 and mostly forgotten about in the wake of the disastrous launch of that game. But as 2077 fixed things and improved, Edgerunners finally made it to air and blew everyone away with its story that takes place in the world of the game, without directly connecting to it. Now, it's been confirmed another, separate Cyberpunk series is heading to Netflix. 5) Maya and the Three (100% - miniseries, 1 season) Now we move to an animated kids series, one starring the box office goddess Zoe Saldana, star of Avatar, and a prominent member of the MCU. It's a series that follows a young princess who teams up with legendary warriors to save the world from evil gods. It's just nine episodes long and perfect for perhaps not little kids, but a smidge older than that. 6) Cassandra (100% - miniseries, 1 season) I really love this show. It's German, so flip those subtitles on, but it's an incredibly unique horror production that blends a Jetsons aesthetic with a truly terrifying, but ultimately tragic villain in the form of the robotic Cassandra, attempting to steal a family for her own. It's the only horror series on this list, and I would agree that it's one of the best on Netflix, which has some solid entries on that front. 7) The Playlist (100% - miniseries, 1 season) This is one I haven't seen, but it's a recreation of the birth of Spotify, which was started by a Swedish tech entrepreneur. We have seen a number of these tech origin story productions, the most famous of which being The Social Network, but this is reportedly one of the best. You won't know the Swedish cast, but it's going to be worth watching all the same. 8) Baby Reindeer (99%, miniseries) The truly bizarre, gripping story of a man stalked by a woman, based on a true story, with the central figure in question played by the actual, real-life person. That's something you don't see every day. This spawned a number of Emmy wins and blowback from the alleged real-life stalker who disputes her characterization, and said she was too easily identified. 9) Mo (98% - 2 seasons) A 98% across two seasons is no small feat, and Mo, a full-on comedy, has pleased critics for years now. The series is newly relevant as it focuses on a Palestinian refugee trying to get US citizenship through asylum. This is a comedy? Yes, yes it is, but it's able to tackle serious issues through that medium. 10) Unbelievable (98% - Miniseries, 1 season) Want to see a future Emmy winner? That would be Kaitlyn Dever, the star of a tremendous amount of great series from Dopesick to Apple Cider Vinegar to now The Last of Us. But in this story, she plays a teen who was raped and attempts to prove that in a system that doesn't want to believe her. It's based on a true story, and it's a hard watch, but worth it. Bonus: Mindhunter (97% - 2 seasons) You could make the case that it is the single best series in Netflix history, the origin of a nation's hunt for serial killers. The show is frustrating in the sense that it deserved more than two seasons. It was allegedly cancelled by Netflix for costing too much, but now that the service is spending billions on content, it would seem wise to bring it back, and there are tiny, tiny rumblings that could happen. But it still seems like a long shot. Those are the critic picks, and I'll plan to do audiences next. Follow me on Twitter, YouTube, and Instagram. Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.

'Alien' among us 👾
'Alien' among us 👾

USA Today

time31 minutes ago

  • USA Today

'Alien' among us 👾

"In space, no one can hear you scream." That was the tagline of the original 1979 sci-fi classic "Alien." More than 45 years later, you're going to hear all the screaming because the long-running franchise is back in a whole new way – and on our home planet – in the new TV series "Alien: Earth." Even if Facehuggers and Chestbusters freak you out, that's a definite recommendation for this weekend, as is the new Spike Lee flick "Highest 2 Lowest," the iconic director's fifth collaboration with Denzel Washington and a remake of Akira Kurosawa's "High and Low." And we got any Losties in the Watch Party crew? Daniel Kae Kim is back in a Prime Video spy show. Now on to the good stuff: See a new take on an old fave with the sci-fi series 'Alien: Earth' The "Alien" franchise has gone a lot of different directions in five decades – not all of then stellar. Last year's movie "Alien: Romulus" went back to the roots of the OG films, and Noah Hawley's outstanding TV show "Alien: Earth" also does wonders with the series by taking the action from space to Earth with a crash-landed spacecraft (carrying nothing exactly pleasant) and corporations competing to unlock immortality. In her ★★★½ review, TV critic Kelly Lawler writes that the show harks back to the halcyon days of Ridley Scott's first movie with "eight episodes of terror, both comfortingly familiar and disturbingly novel." There is an interesting timeliness to "Alien: Earth," too: While the iconic "Alien" Xenomorph does show up, the series also explores powerful tech companies vying for dominance. "The show is about humanity being trapped between its monster past when we all were just food and its AI future, and in both cases, something's out to kill us," Hawley tells my bud Marco della Cava in a discussion of the drama's modern themes. Celebrate Spike Lee and Denzel Washington's reunion for 'Highest 2 Lowest' When Spike Lee and Denzel Washington get together, they don't miss. "He Got Game"? Best basketball movie ever. Washington snagged an Oscar nod for the great "Malcolm X." "Inside Man" was a standout heist thriller. "Mo' Better Blues" is a cool jazz flick. And their latest collab "Highest 2 Lowest" − which stars Denzel Washington as a music mogul with a moral dilemma – reunites them as older but wiser artists for a love letter to New York City, music and sports that proves each still has a lot of game. (Peep my ★★★ review.) If you're wanting to stick closer to home for new movies, there's a bunch hitting streaming services this week, including Netflix thriller "Night Always Comes" and "The Legend of Ochi." Plus: "Superman" is out in digital release now and that's a super-fun time. Stream Daniel Dae Kim's Amazon espionage show 'Butterfly' "Lost" fan favorite Daniel Dae Kim has a pretty exciting 2025, being named to Time's list of the 100 most influential people in the world and earning a Tony Award nomination for his role in the revival of "Yellow Face." But even though he's busy, Kim stopped by our New York City studio to chat with my man Ralphie Aversa about his new Prime Video espionage thriller "Butterfly." Kim plays a former U.S. intelligence agent living in South Korea when an enemy agent tries to kill him and has to confront his past to save his family. The opening of the show features Kim belting out The Killers' "Mr. Brightside," but in real life, the actor doesn't go near a karaoke mike. "I do love 'Mr. Brightside,' " he jokes. "It doesn't matter who starts it − everyone finishes it, and that to me is a sign of a good karaoke song." In addition to "Butterfly" and the aforementioned "Alien" show, the Kansas City Chief docuseries "The Kingdom" and a "Snoopy" musical make Kelly's roundup of streaming TV premieres this week. Even more goodness to check out! Got thoughts, questions, ideas, concerns, compliments or maybe even some recs for me? Email btruitt@ and follow me on the socials: I'm @briantruitt on Bluesky, Instagram and Threads.

E.l.f. Cosmetics issues statement after Matt Rife ad ignites backlash
E.l.f. Cosmetics issues statement after Matt Rife ad ignites backlash

NBC News

time32 minutes ago

  • NBC News

E.l.f. Cosmetics issues statement after Matt Rife ad ignites backlash

A recent e.l.f. Cosmetics ad featuring Matt Rife has sparked controversy online due to the comedian's contentious past. In the beauty brand's new commercial, Rife and drag queen Heidi N Closet star as attorneys responsible for protecting consumers from the 'beauty injustice' of overpriced makeup. Following the ad's Aug. 11 release, fans have a lot to say about e.l.f.'s decision to select Rife for the campaign. The stand-up comedian's appearance in the ad drew backlash from critics who cited his previous comments about domestic violence. Why are people talking about the ad and how did e.l.f. Cosmetics respond? Here's what you need to know. What does the e.l.f. Cosmetics ad depict? In the campaign, Rife and Heidi N Closet star as two lawyers at 'The Law Offices of & Schmarnes' defending consumers from expensive cosmetic projects. The ad, which promotes the brand's best sellers, is a humorous take on typical lawyer advertisements, and seems to parody old commercials from law firm Cellino & Barnes. The pair, dressed in suits as they pose in an office, tells viewers that as 'affordable beauty attorneys,' they are ready to win their overpriced makeup case. The duo also asks viewers to call '1-855-COLD-HARD-LASH,' a play on the long phone numbers given during law advertisements. ' & Schmarnes has gone to e.l.f. court for millions of clients, helping them to access beauty products they deserve at prices that won't injure their livelihoods,' Rife says in the ad. 'I know a thing or two about red flags. And pricey makeup? You deserve better than that,' he continues. Why is Matt Rife's feature in the ad sparking controversy? The e.l.f. Cosmetics campaign caused chatter among viewers due to some 'red flags' fans have pointed out in the comedian's past. In November 2023, the star made headlines after he joked about domestic violence during his Netflix comedy special 'Natural Selection.' At the start of the show, Rife joked about seeing a hostess with a black eye at a restaurant in Baltimore. 'And my boy who I was with was like, 'Yeah, I feel bad for her, man. I feel like they should put her in the kitchen or something where nobody has to see her face, ya know?'' Rife said. 'And I was like, 'Yeah, but I feel like if she could cook, she wouldn't have that black eye.'' After he shared the joke, Rife told the audience that he was 'just testing the waters, seeing if y'all are going to be fun or not.' 'I figure if we start the show with domestic violence the rest of the show should be smooth sailing,' he continued. Many of Rife's followers found the comments insensitive and offensive. A clip of the joke received over six-million views on TikTok, with viewers sharing their thoughts in the comments section. 'Someone let this guy up on stage, filmed it, and it got approved to be put on Netflix?' one user said. 'Got the heebie jeebies ab this man so quickly and I've been continuously proved right ever since,' another added. The joke also drew the attention of YouTuber Hank Green, who posted about it on X. 'A comedian ruining his relationship with a large portion of his fanbase because he wanted to be like all of the other boring-a-- Netflix Special 'You Cant Tell Jokes Anymore' crowd is actually just depressing,' Green said. In response to the backlash, Rife shared an Instagram story with a link that he said was his 'official apology,' NBC News reported. However, he linked to a health website that sold special needs helmets. In an interview with Variety at the time, Rife seemingly defended the jokes he made during the special. Rife shared that 'Natural Selection' was designed to cater to a male audience, as he wanted to show people he doesn't 'pander his career to women.' Less than two years later, Rife's feature in the e.l.f. campaign has critics questioning the brand's decision to platform the comedian. 'Out of all the people in the world…' one user commented on the brand's Instagram post of the campaign. 'I truly can't believe that not 1 person at ELF did not say...'We should not partner with a man who makes jokes about domestic violence,' added another. 'As a survivor….you all should be ashamed of yourselves. He's not even in your demographic nor is he using your products. You can take your increasing prices and short sightedness somewhere else. I'll never buy from you again,' a third critic said. Has e.l.f. Cosmetics spoken out about the backlash? On Aug. 13, e.l.f. Cosmetics posted a statement on Instagram regarding the campaign. 'You know us, we're always listening and we've heard you,' the brand wrote. 'This campaign aimed to humorously spotlight beauty injustice. We understand we missed the mark with people we care about in our e.l.f. community,' the statement continued. For some, the apology missed the mark. 'I'm sorry but this is a non apology? What exactly is e.l.f. going to do other than say you missed the mark? Now would be a good time to donate to & highlight organization that support dv survivors,' one user commented on the post. 'I'm failing to understand how I know yall you did your research on Matt Rife and still said yeah that's our guy…' added another. In an Aug. 14 interview with The Business of Beauty, e.l.f. Beauty's Global Chief of Marketing Officer Kory Marchisotto addressed the brand's decision to feature Rife in the campaign. Marchisotto said that e.l.f. selected Rife because his TikTok audience is largely female and under the age of 34, the brand's 'sweet spot.' Marchisotto said the backlash was a surprise to the brand. 'Obviously we're very surprised,' Marchisotto told the outlet. 'There is a big gap between our intention and how this missed the mark for some people … We always aim to deliver positivity, and this one didn't. So we find ourselves in a position where, quite honestly, that doesn't feel good for us.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store