‘Bookie' Canceled By Max After Two Seasons
The series, which premiered on the Warner Bros. Discovery streamer in November 2023 and premiered its second season in December 2024, was not renewed for a third season.
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'For two seasons creators Chuck Lorre and Nick Bakay and their hilarious cast, led by Sebastian Maniscalco, made us laugh while pulling back the curtain on the world of sports betting,' a Max spokesperson told Deadline. 'We won't be moving forward with a third season, but we are grateful to have worked with such a brilliant team on this laugh out loud comedy.'
Sebastian Maniscalco starred as Danny Colavito in Bookie, which is about a veteran bookie who must fight to survive the legalization of sports gambling in Los Angeles.
More to come…
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Black America Web
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Denzel Washington Cooked Cowboys Owner Jerry Jones So Bad Even Stephen A. Smith Was Speechless
Source: Bruce Glikas / Getty The Dallas Cowboys have been so uneventful over the past few years that even Denzel Washington is calling out owner Jerry Jones. Washington was promoting Highest 2 Lowest, the latest Spike Lee joint, on First Take Tuesday morning, and went off about the Cowboys, a team Stephen A. Smith relishes in hating. The New York native starts with love, recalling how he became interested in the team as a kid because they shared a similar style of play with his high school team. We care about your data. See our privacy policy. 'I've been a Cowboys fan since the '60s, he's making it hard for me,' he begins. 'Not to be a fan, because I'll still have a star on the side of my hat. But he's not thinking about us, he's thinking about his pockets.' Spike Lee eggs him on with a laugh, saying, 'Get Jerry Jones on the phone.' Professional sports teams are unlike any other establishment when it comes to determining their success. Usually, it's about money, and since the Cowboys hold the title of the most valuable sports franchise in the world, with a $9 billion valuation, they've already got that on lock. But when it comes to winning, no one takes them seriously since they haven't won a Super Bowl since 1997, which was also the last time they advanced to the NFC championship game. They've also only won four playoff games in the last 25 years, with losses including 2023's Wild Card round, 2022's Divisional Round, and 2021's Wild Card round. Stephen A. Smith has spoken with Jones about the team's on-field success, and Jones just touts the 'recognition, notoriety, and dollars' the team makes. Washington draws a comparison between sports and his world of acting, calling out Jerry Jones. 'There's box office, and then there's Oscars, Jerry. Been a while, huh? You ain't been to the show, you wouldn't know,' Washington says while looking dead into the camera. 'You haven't been to the show, so you don't know what it is to win.' Even the usually talkative Stephen A. Smith admits to being speechless, as Washington says that there's no beef, and his passion comes from being a fan for so long. Washington jumping into the never-ending Cowboys debate is only the latest surprising addition, as last week Nicki Minaj unknowingly got involved when Dez Bryant was name-dropped. See how social media is reacting to Washington's appearance on the sports debate show below. Denzel Washington Cooked Cowboys Owner Jerry Jones So Bad Even Stephen A. Smith Was Speechless was originally published on


New York Post
an hour ago
- New York Post
Denzel Washington gives his brutally honest take on Oscars after ‘Gladiator II' snub
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Director Anastasia Trofimova and producer Cornelia Principe are launching a direct-to-audience release this week of the former's controversial documentary Russians at War, in a bid to get it seen after a year of protests and cancellations. The two-hour work gives sobering insight into the futility and carnage of armed conflict through the lives of Russia-aligned soldiers on the front of the country's unprovoked war against Ukraine, with whom Trofimova embedded over a period of seven months. 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Principe cites documentaries such as Brett Story and Stephen Maing's Union, following Amazon workers as they attempt to unionize, and Oscar-winning documentary No Other Land, which also released direct-to-audience, as inspirations for going down the self-distribution route. 'For films that are potentially controversial for some communities or some groups or corporations, going direct-to-audience seems to be the way to go,' says Principe. 'Getting it out there as far and wide as possible was really our plan and it seemed more and more after things happened in Canada and TIFF, that doing it ourselves was the way to go.' Working with the direct-to-audience platform of tech entertainment company Gathr, the producers have created the website, where spectators will be able to gain paid access to the film from August 12. 'It took months and months to get our website together. It's a very fulsome website with lots of content to give people background on the making of the film, frequently asked questions, criticisms that we address, all that is there,' says Principe. The release is worldwide but excludes Russia, Ukraine and Belarus, with the production planning to make it available in those territories for free at a later date. 'That's going to be a separate release because it will be free and we need to make sure that it can actually be accessed in Russia, says Principe. An experienced TV producer and documentarian, who has also worked in Syria and Iraq, Trofimova knew the film would receive pushback from some quarters for the human light in which it portrayed the Russia-aligned soldiers but was not prepared for the full-out backlash it sparked as it embarked on its festival tour last year. 'I think it was easier to go to the front and to be in the war than to deal with what happened afterwards because it was so unexpected. The documentary community has been very supportive overall and very understanding, but what was a shock to me is, how easy it is to be accused of something that people say you did, not that you actually did or said yourself,' she says. 'Most of the people who have been attacking this film, and the most vicious attacks, of course, have been happening online, have not seen the film… In Toronto, where we were the top news story for at least a week, journalists asked the protesters, 'Have you seen the film?' They would reply, 'No, we have not, and we refuse to.' What was surprising for me was, why this anger directed at the film? Why this anger directed at me? Because it's like I became their personal enemy, or the film became their personal enemy.' The fallout has also raised questions for Trofimova around the power of coordinated deplatforming campaigns. 'It has been quite interesting to realize how easy it is for anyone in the documentary community to be attacked and silenced by some sort of interest group, because it didn't take that much to be honest. A lot of the stuff is online. It's quite organized. There's been quite a coordinated defamation deplatforming campaign against this film,' she says. 'It's left quite a bit of damage. I'm not talking about our emotional state, but rather the fact that it started off so well. It was receiving invitations from the world's top festivals and the attacks on it made it so much more difficult for people to program it and to see it. That was the shocking thing.' She also questions the implications of what happened to her for other documentarians who want to tackle controversial and complex topics in the future 'It made me wonder how do we make complex films? It's a question for anyone who wants to take on a big, controversial problem in the world, and we have a lot of them. Now more than ever, documentaries have this huge responsibility to try to explain, to tackle them, to analyze them, to get in there. What do we have to be prepared for as filmmakers next time we go in?,' she says. Trofimova is not certain it is safe for her return to Russia any time soon given the unflattering light in which Russians at War portrays conditions at the front for the country's soldiers, but she hopes to able to return one day to continue a personal mission to capture Russian stories that are told neither in the local media, or internationally. 'The thing about war documentaries is that if you're just faithfully observing and recording this reality, you cannot make anything but an anti -war film, because the longer you stay and the longer you see the futility and how people who are very dear to someone back home, they're just gone. And the same thing goes for both sides… it becomes very, very tragic.' Principe notes how this time last year, she and Trofimova were iin Paris finishing post-production on the work ahead of the Venice premiere. 'A year ago, we were looking forward to Venice. A year later, we're looking forward to releasing the film online, so that people can see it and judge for themselves,' she says. 'They don't have to love the film. They have to don't agree with the film, but watch it and then, we'd love to hear what you think.' Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds A Full Timeline Of Blake Lively & Justin Baldoni's 'It Ends With Us' Feud In Court, Online & In The Media 'The Boys' Season 5: Everything We Know So Far