
BookMyShow-RuPay announces ‘Live Events Passport' with exclusive access to Sunburn, Lollapalooza, Bandland & more
Tired of too many ads?
Remove Ads
Premium Perks for Cardholders
Tired of too many ads?
Remove Ads
Rising Live Entertainment Market in India
Integrated Digital and On-Ground Experience
RuPay, the global card payment network by the National Payments Corporation of India (NPCI), has entered into a year-long strategic partnership with entertainment platform BookMyShow to introduce the ' Live Events Passport ', combining seamless payment solutions with exclusive cultural and entertainment experiences for RuPay customers across India.Announced on Tuesday, the partnership will operate through both digital and on-ground channels, offering a unified entertainment and payment experience. NPCI stated that the collaboration will position RuPay as 'an enabler of rewarding and relevant experiences' beyond being just a payment method.Through the Live Events Passport, RuPay cardholders will gain special access to some of BookMyShow's biggest events, including Sunburn, Lollapalooza India, and Bandland, along with a wide calendar of concerts and shows listed on the platform.The benefits include early pre-sale ticket access, priority seating zones, curated food and beverage options, exclusive merchandise privileges, and fast-lane entry for on-site top-ups. Cardholders will also enjoy dedicated lounge spaces at select venues, similar to the VIP lounges offered by HSBC and Kotak Mahindra, for an elevated on-ground experience.RuPay will further enhance brand engagement by setting up experiential spaces at major events, featuring lounges and activation zones as premium hangout spots, integrating entertainment with lifestyle benefits.BookMyShow, a leading player in India's live entertainment sector, is expanding its portfolio of large-scale festivals and global acts. The company highlighted that the tie-up comes at a time when the Indian live entertainment industry is 'undergoing a remarkable transformation', driven by audiences seeking personalised, immersive, and value-rich experiences.With India's growing demand for live events—fuelled by a young demographic, rising disposable incomes, and greater access to international music and cultural festivals—collaborations like RuPay–BookMyShow represent a broader trend of payment networks and lifestyle platforms converging to offer bundled experiences.BookMyShow will integrate RuPay's payment solutions across major customer touchpoints, making ticket purchases faster while unlocking exclusive privileges. The partnership aims to strengthen RuPay's appeal among digitally savvy, experience-driven consumers, especially in urban and tier-1 markets.This alliance also aligns with RuPay's brand strategy to connect with high-engagement segments like sports, music, and cultural events, leveraging both online promotions and on-site activations.With the upcoming festival season, the collaboration is expected to drive early ticket sales and boost customer loyalty. For RuPay cardholders, the Live Events Passport offers a gateway to front-row access and VIP-style experiences at India's most sought-after entertainment events.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hindustan Times
13 minutes ago
- Hindustan Times
NRI shocked by high prices in India: ‘Kitna paisa hai tum logon ke paas?'
A Dubai-based Indian travel vlogger and radio presenter has gone viral for his candid rant on the high cost-of-living in India. Parikshit Balochi said that as an NRI earning in dirhams, he expected to feel rich every time he returned to India. Instead, the reality has been quite sobering. Dubai-based NRI Parikshit Balochi is shocked by the high prices in India(Instagram/@parikshitbalochi) 'I am an NRI, I was not supposed to feel gareeb (poor) in India,' he said in an Instagram video that has collected over half a million views. During his rant about how expensive India feels, Balochi presented the example of a humble cup of chai that cost him ₹1,000 at his Mumbai hotel. ' ₹1,000 is what we used to put on the stock market when I left India. What is happening?' he asked. From dirhams and dollars to rupees For many decades now, NRIs have enjoyed returning to their motherland because after earning in dollars and dirhams and euros, the Indian rupee feels significantly stronger, making luxuries and experiences more affordable. That is no longer the case, according to Dubai-based Balochi. 'Doston, we had a deal. The deal was I come to India, everything feels cheap. Main paisa udaaun because main dirhams aur dollars mein kama raha hun (I spend lavishly because I earn in dirhams and dollars),' he said on Instagram. 'Dirhams ko rupees mein convert karke kaise shock lag sakta hai yar? It was supposed to be the other way around,' he asked. For some context, one UAE dirham equals around 23.83 Indian rupees. High prices in India In his humorous rant, Parikshit Balochi quipped that he hadn't left India so he could return and sort prices from low to high. He further wondered how much Indians today earn to afford this lifestyle. 'I was supposed to come here and flex. Instead, I have spent so much that I'm looking for a flexible payment plan,' the travel blogger quipped. 'Yahan pe logon se puch raha hun, kitna paisa hai bhai tumhare paas (I'm asking people here how much money they have),' he added. NRIs agree The video drew a number of amused reactions, while some expressed genuine concern about the skyrocketing prices in India. 'Finally someone said it. Prices are skyrocketing in India, that too with dropping quality,' wrote one Instagram user. 'Hahahaha I feel this every time I visit India. My mind is blown at how everything is so expensive and sure, I can afford it because I earn in dollars. But what really amazes me is how the locals manage too, without earning in dollars,' another revealed. 'I was thinking am I the only one who feels gareeb after coming to India,' one user added.


NDTV
13 minutes ago
- NDTV
"Tariffing India Won't Stop Putin": US Democrats Panel Amid Trump's Tariff Row
New Delhi: The US House Foreign Affairs Committee of Democrats, the Democratic panel overseeing foreign policy, differed with US President Donald Trump's 50 per cent tariff move with India over Russian oil trade, saying that it "won't stop" Vladimir Putin from continuing the Ukraine war. According to the panel, Trump could give Ukraine military aid to punish Putin. "Tariffing India won't stop Putin. If Trump really wanted to address Russia's illegal invasion of Ukraine, maybe punish Putin and give Ukraine the military aid it needs. Everything else is smoke and mirrors," the Democratic panel said. Tariffing India won't stop Putin. If Trump really wanted to address Russia's illegal invasion of Ukraine, maybe punish Putin and give Ukraine the military aid it needs. Everything else is smoke and mirrors. — House Foreign Affairs Committee Dems (@HouseForeign) August 15, 2025 The Democratic panel's remarks came in response to US Treasury Secretary Scott Bessent 's warning New Delhi of increasing secondary tariffs over the Russian oil trade. During an interview with Bloomberg, Bessent said that the rise in tariffs depends on the outcome of Trump's high-stakes meeting with Putin in Alaska - which concluded today with "productive talks". "We've put secondary tariffs on Indians for buying Russian oil. And I could see, if things don't go well, then sanctions or secondary tariffs could go up. I think everyone has been frustrated with President Putin. We expected that he would come to the table in a more fulsome way. It looks like he may be ready to negotiate," he said. Besent was also asked about China being the main purchaser of Russia's crude oil. To this, he said, "Not going to get ahead of the president, but the president is the best at creating leverage for himself, and he will make it clear to President Putin that all options are on the table." Last week, Trump announced an extra 25 per cent tariff on Indian exports as a 'penalty' for continuing to import Russian crude oil - doubling it to 50 per cent on Indian goods. This is the highest tariff Trump has imposed as per his fresh list, apart from Brazil. India condemned the "unfair, unjustified and unreasonable" move by the United States - which is likely to hit many sectors such as textiles and marine exports. Prime Minister Narendra Modi also issued a strong message stressing that India would never compromise with the interests of its farmers and fishermen, adding that while he knows he will "have to pay the price", he was ready to do it for farmers. "The interest of farmers is our top priority. India will never compromise with the interests of its farmers, livestock holders, and fishermen. And I know that I will have to pay a huge price for this personally, but I am ready. India is ready, for the sake of the country's farmers, fishermen, and livestock holders," he said.


Indian Express
13 minutes ago
- Indian Express
Married at 12 and mother at 17, Bollywood's favourite mausi refused to play heroine, insisted on acting even after suffering paralysis
Any commercial film has hundreds of people working behind the scenes. Actors and directors are obviously the first ones to bear the fruit of their labour in the case of a Saiyaara or the first ones to be blamed in the case of a Loveyapa (Aamir Khan must have felt that one). The crew too get their due at some point, but there are certain faces that, despite being on the screen, aren't talked about that often. Some actors play very specific character roles, but the need for such roles keeps changing with the time. For example, the role of the comedic best friend died out by the time the 2000s rolled in, as the lead stars now wanted to dip their hands in all facets of the job, including comedy. But there are certain roles that are seeped so deep within the psyche of the Indian consumer that they can never be abandoned. The caring, mostly helpless, 'just wants her kids to be married' maternal figure is probably the best example of this, and Leela Mishra, the actor who played the character of Mausi (aunt) in Sholay, is its best vessel. Let's give some background about Mishra herself, and then we will begin dissecting some of her best roles. She was born into a rich family, and her father was a wealthy landowner. She was married at the age of 12. Having received no formal education growing up, she was already a mother to two children by the time she was 17. Interestingly, this marriage, which was undoubtedly a product of what the society thought was status quo back in the day, gave her the chance to join the movie business, as her husband, Ram Prasad Mishra, was an actor. He introduced her to Mama Shinde, who was an employee of the Dadasaheb Phalke's film company, and Shinde suggested that Mishra should get into acting herself. Slowly but surely, Mishra started her cinematic journey, but according to an old interview, she never wanted to be the 'heroine' of any film. ALSO READ: Hema Malini-Dharmendra's real-life romance charged up their chemistry in Sholay: 'Sometimes there were problems…' Actor and host Tabassum once recalled on her YouTube channel that she had interviewed Mishra in the 70s, and that's when the actor told her that she found it very difficult playing the role of leading lady. Tabassum said, 'Mishra told me that, 'Because of the way I have been brought up and due to the values that have been instilled in me, I could never romance a stranger and confess my love for him. These things just don't sit well with me, and that's why I decided that I will only do character roles.' Now this revelation completely flips the entire script, because we see so many actors who wish to play bigger and more important roles, but here was Mishra, who refused to be the leading lady because she didn't feel comfortable. So this then becomes not a story of negligence, but a story of a choice and how that choice affected her career and made her into Bollywood's most beloved mausi, dadi and nani,. In the same interview, Mishra admitted that Sholay (1975) changed the game for her. Mishra was part of some of the most iconic scenes of the Ramesh Sippy film, including the much-remembered water-tank scene. But that was Dharmendra's time to shine, and he played the drunk, in-love, and quite honestly self-combustible Veeru to perfection. Despite all the red flags, Mishra did what Preeti's father did in Kabir Singh, and she decided to give her blessings to Basanti and Veeru's union. However, the scene in which she truly shines is when she and Jai (Amitabh Bachchan) are having a conversation about Basanti and Veeru. The two begin a discussion which slowly paints a very grim and problematic picture about Veeru (like it mattered). The entire film is filled with action, drama, songs, and Thakur flaunting his cloak, and this particular scene is the perfect comedic relief. The two actors feed off each other's energy; that gives birth to a genuine and fathomable conversation. To this date, if you search for the scene on YouTube and read the comments, the people aren't talking about Big B; it's just Mishra. Her concerned and inquisitive demeanour goes insanely well with Bachchan's sarcastic and playful tone, and the two give a masterclass on how to create unforgettable moments without relying on explosions, bombastic BGM or slapstick. ALSO READ: Amar Singh Chamkila and Amy Winehouse are part of the same club, and we could have done something about it Another great performance by Mishra comes in the Sai Paranjpye film Chashme Buddoor (1981), where she plays Deepti Naval's grandmother. Apart from the fact that the film remains one of the best ways to transport yourself back to New Delhi of the 80s, it does this with the help of three great actors who play some of the most delinquent characters you will ever see on the screen. The trio of Farooq Shaikh, Rakesh Bedi, and Ravi Baswani play three roommates named Siddharth, Omi, and Jai, respectively. Mishra's still obsessed with getting the young girl from her household married, and while executing this obsession, she meets the three suitors. Director Sai, who herself is an inspiring woman, talked about Mishra in a recent interview with Filmfare. She said, 'She was professionalism personified; I had never met anyone like her. I hope I am not doing her wrong, but she wasn't educated, but she knew every aspect and nuance of filmmaking. While shooting Chashme Budoor, she improvised the scene where she is climbing up the stairs to get to the house of the boys.' Mishra discovering the cave of the three men and then stumbling upon an issue of the Playboy magazine is comedic gold. Mind you, she was there to recruit Omi and Jai for a mission to bring her granddaughter and Siddharth together, and the ones who have seen the film must realise that their house didn't exactly give the best first impression (it did have an Amitabh Bachchan poster though). Sai had also revealed why she thought Mishra was the most professional actor she had ever met and told how the actor persevered through life-threatening conditions just to get the right shot. 'I heard a story that when she was doing her very last film, she got a paralytic attack while shooting. Half of her body became paralysed, and the shooting stopped. People got in a frenzy and were making plans to send her back to Mumbai, but she said, 'No, we still have one shot left.' She told the crew to shoot her from the side that was still mobile, and she finished that scene.' The director said that Mishra was taken to Mumbai right after that scene, where she passed away. Mishra's career was legendary, and her presence was almost ubiquitous. She was prolific and set in her ways, and she became every director's first choice for when certain roles came around. Her comments on never wanting to be a heroine are quite interesting if you think about it, because in most of the scenes where Mishra got even a modicum of a true chance to showcase herself, she was brilliant. She was the silent, strong type who didn't want to be in the spotlight, but her art made it clear that if she wanted to, she could. If a person who can't reach the peak decides to not climb the mountain, that's not a choice; that's the limitation of that particular being. But if the one who could climb it backwards and descend faster than air chooses not to, then there is virtue in that choice. Mishra could have gone down as one of the greatest, most loved actors of this industry; she just didn't want to, she never felt the need for it. For Mishra it was more important to be moral than successful, and while the beliefs that she was defending might have been forgotten now, the thinking behind their protection is commendable, and something we could do with a lot more of.