
Afghan Youth Orchestra: Resistance against the Taliban – DW – 08/15/2025
In August 2021, when the Taliban once again seized power in Afghanistan, the entire Afghan Youth Orchestra managed to flee to Europe. For the past four years, the young musicians of the Afghanistan National Institute of Music (ANIM) have found a new home in Portugal and are now guests at the Young Euro Classic Festival in Berlin.
"Making instruments and playing music is completely forbidden in Afghanistan," said Ahmad Sarmast, founder and director of ANIM.
He says he was able to help 273 people associated with his music school flee Afghanistan. His Kabul school was then closed and the instruments were destroyed.
"Listening to and playing music is a human right. The people of Afghanistan are denied this right,' Sarmast told DW. "This has turned my country into a 'silent nation'."
But Afghan music lives on in exile, including at the Young Euro Classic. Hundreds of young musicians from all over the world perform at the annual international youth orchestra festival, with European and non-European orchestras and ensembles alike invited to participate.
"The core of the festival remains symphonic music and how differently countries deal with this tradition of classical music," said project manager, Carolin Trispel.
Meanhile in the still young "Festival within a Festival' series, ensembles primarily perform music from their home countries and play traditional instruments from their cultures.
"We are also interested in preserving musical traditions for the future and providing a platform for their further development,' says Trispel.
This year, in addition to Afghan musicians, ensembles from Bolivia, Indonesia, India, Gambia, and the indigenous Sami people of northern Scandinavia will also be participating.
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
Some of these ensembles play traditional music that was banned in their respective homelands. This includes the singing of the Sami people, known as "joik."
This spiritual-sounding chant was prohibited from the 18th to the 20th century as it was seen as an expression of a non-Christian religion.
"You often see this with indigenous peoples, that their own musical language was suppressed by colonization and the musical tradition was no longer allowed to be practiced," Trispel explained.
The Bolivian ensemble, Dos pares de la Orquesta Experimental de Instrumentos Nativos plays old tunes from the Andes as well as new pieces composed especially for their traditional instruments.
Meanwhile, the Azada Ensemble is an Afghan group within the youth orchestra that performs traditional music and dances. Their performances highlight the connection between humans and nature, as well as the beauty of the country and its music.
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
The Afghan Youth Orchestra was a guest in Bonn in 2023 as part of the DW Campus project at the Beethovenfest, along with Iranian musicians.
"When we came to Bonn, the whole orchestra was not there, only part of it," said the orchestra's founder, Ahmad Sarmast.
In Berlin, the entire orchestra's 51 members are now performing in the Young Euro Classic, and they will put on the final concert.
"Every piece we play is in some way connected to the current situation in Afghanistan and the policies of the Taliban," said Sarmast.
The songs performed by the Afghan Youth Orchestra deal with themes like social cohesion.
"One song is a call to Afghan men to support oppressed women in their struggle for freedom and equality,' explains Sarmast.
One well-known traditional piece is closely associated with celebrating the New Year in Afghanistan, but the Taliban have banned both the festival and the music — and destroyed countless musical instruments.
"This has been celebrated in Afghanistan for thousands of years," explained Sarmast. "Playing this piece is a protest against the Taliban's destruction of cultural tradition in Afghanistan."
The last of the concert songs, which were arranged by Tiago Moreira da Silva, a young Portuguese conductor and director of the orchestra, is based on a well-known Persian poem about the return of spring — and the return of peace.
Ahmad Sarmast quotes the Chilean poet and freedom fighter Pablo Neruda: "You can cut down the flowers and trees, but spring will always return, and you cannot stop freedom."
The orchestra keeps in touch with its homeland via social media, and also by streaming their concerts.
"Hope lives on," said Sarmast, who believes the day will come when the arts can flourish again in Afghanistan.
"We want the Taliban to know that no oppressive regime in human history has ever managed to stay in power. And that will also be the case with the Taliban."
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DW
5 days ago
- DW
Afghan Youth Orchestra: Resistance against the Taliban – DW – 08/15/2025
Music is banned at home. But after fleeing the Taliban into exile, the Afghan Youth Orchestra is performing in Europe about loss, hope, and the power of music. In August 2021, when the Taliban once again seized power in Afghanistan, the entire Afghan Youth Orchestra managed to flee to Europe. For the past four years, the young musicians of the Afghanistan National Institute of Music (ANIM) have found a new home in Portugal and are now guests at the Young Euro Classic Festival in Berlin. "Making instruments and playing music is completely forbidden in Afghanistan," said Ahmad Sarmast, founder and director of ANIM. He says he was able to help 273 people associated with his music school flee Afghanistan. His Kabul school was then closed and the instruments were destroyed. "Listening to and playing music is a human right. The people of Afghanistan are denied this right,' Sarmast told DW. "This has turned my country into a 'silent nation'." But Afghan music lives on in exile, including at the Young Euro Classic. Hundreds of young musicians from all over the world perform at the annual international youth orchestra festival, with European and non-European orchestras and ensembles alike invited to participate. "The core of the festival remains symphonic music and how differently countries deal with this tradition of classical music," said project manager, Carolin Trispel. Meanhile in the still young "Festival within a Festival' series, ensembles primarily perform music from their home countries and play traditional instruments from their cultures. "We are also interested in preserving musical traditions for the future and providing a platform for their further development,' says Trispel. This year, in addition to Afghan musicians, ensembles from Bolivia, Indonesia, India, Gambia, and the indigenous Sami people of northern Scandinavia will also be participating. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Some of these ensembles play traditional music that was banned in their respective homelands. This includes the singing of the Sami people, known as "joik." This spiritual-sounding chant was prohibited from the 18th to the 20th century as it was seen as an expression of a non-Christian religion. "You often see this with indigenous peoples, that their own musical language was suppressed by colonization and the musical tradition was no longer allowed to be practiced," Trispel explained. The Bolivian ensemble, Dos pares de la Orquesta Experimental de Instrumentos Nativos plays old tunes from the Andes as well as new pieces composed especially for their traditional instruments. Meanwhile, the Azada Ensemble is an Afghan group within the youth orchestra that performs traditional music and dances. Their performances highlight the connection between humans and nature, as well as the beauty of the country and its music. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The Afghan Youth Orchestra was a guest in Bonn in 2023 as part of the DW Campus project at the Beethovenfest, along with Iranian musicians. "When we came to Bonn, the whole orchestra was not there, only part of it," said the orchestra's founder, Ahmad Sarmast. In Berlin, the entire orchestra's 51 members are now performing in the Young Euro Classic, and they will put on the final concert. "Every piece we play is in some way connected to the current situation in Afghanistan and the policies of the Taliban," said Sarmast. The songs performed by the Afghan Youth Orchestra deal with themes like social cohesion. "One song is a call to Afghan men to support oppressed women in their struggle for freedom and equality,' explains Sarmast. One well-known traditional piece is closely associated with celebrating the New Year in Afghanistan, but the Taliban have banned both the festival and the music — and destroyed countless musical instruments. "This has been celebrated in Afghanistan for thousands of years," explained Sarmast. "Playing this piece is a protest against the Taliban's destruction of cultural tradition in Afghanistan." The last of the concert songs, which were arranged by Tiago Moreira da Silva, a young Portuguese conductor and director of the orchestra, is based on a well-known Persian poem about the return of spring — and the return of peace. Ahmad Sarmast quotes the Chilean poet and freedom fighter Pablo Neruda: "You can cut down the flowers and trees, but spring will always return, and you cannot stop freedom." The orchestra keeps in touch with its homeland via social media, and also by streaming their concerts. "Hope lives on," said Sarmast, who believes the day will come when the arts can flourish again in Afghanistan. "We want the Taliban to know that no oppressive regime in human history has ever managed to stay in power. And that will also be the case with the Taliban."


DW
07-08-2025
- DW
Taiwan imagines a Chinese invasion with TV and games – DW – 08/07/2025
Taiwanese creatives are creating fictional, yet plausible, depictions of a Chinese invasion. Some say the imaginary scenarios are helpful, others say they only create fear. A new Taiwanese series about a fictional Chinese invasion has sparked heated debate after its Saturday premiere topped drama rankings on public TV and multiple streaming platforms. The ten-episode drama titled "Zero Day Attack" is set in 2028, imagining China using a missing warplane as a pretext to launch a blockade when a newly elected Taiwanese president is about to take office. Some viewers praised the show for helping "every Taiwanese understand how the CCP [Chinese Communist Party] infiltrates us," while others accused it of "selling a sense of national doom." Taiwan is a self-governing democracy that Beijing claims is part of China, with the CCP vowing to "reunify" with the mainland by using force if necessary. For years, Taiwanese filmmakers largely avoided cross-strait conflict plots to avoid jeopardizing access to China's lucrative media market. Yu-Hui Tai, an associate professor of political economics of communication at National Yang Ming Chiao Tung University in Taiwan, said a trend is emerging where imagining a Chinese invasion is no longer taboo. "[The trend] reflects how we've broken the spiral of silence," she told DW. "It's gone from something we didn't want to talk about to something we can now imagine and even simulate." To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video "Witnessing the severity of the war in Ukraine, I felt that if we didn't address this topic now, there might never be another chance," showrunner and screenwriter Cheng Hsin-mei told DW, adding that production on Zero Day Attack began in late 2022, the same year Russia invaded Ukraine. Taiwan has emerged as one of the globe's most contentious flashpoints as China intensifies its military presence in the region, and carries out regular exercises around the island. While most democratic countries including the United States — Taiwan's largest security backer – adhere to the "One-China Policy," which means they do not officially recognize Taiwan as a sovereign state, they oppose any unilateral attempts by either side to change the current status quo. In May, Zero-Day Attack premiered at the Copenhagen Democracy Summit in Denmark, where it received a standing ovation. The series is also set to premiere at a debut event in Washington, DC in September and launch on a Japanese streaming platform in mid‑August. But before the series officially aired, its trailer already sparked controversy domestically. With about half the series' budget coming from government subsidies, Taiwan's main opposition Kuomintang (KMT) accused the ruling Democratic Progressive Party (DPP) of using public funds to promote a "sense of national doom" — a charge echoed by many KMT supporters. Cheng responded that government subsidies are common for most local film and TV projects, arguing that "the sense of national doom" comes from "the reality that a powerful authoritarian regime continually warns it will not abandon the use of force against Taiwan." Unlike typical war dramas filled with epic battle scenes, Zero Day Attack focuses on Taiwan's internal struggles amid a potential war, portraying the political divisions and chaos on the island. The concept was developed through research and consultation with national security experts, Cheng said, as "modern warfare relies on various forms of infiltration to sow fear or prompt surrender." To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Like the TV series, games that aim to bring about awareness and knowledge of China's political infiltration strategies have also emerged on the market. Earlier this year, the board game 2045 was officially released after a successful crowdfunding campaign. The game simulates a Chinese military attack in 2045, following which Taiwan divides into six different forces including self-defense units and pro-unification groups. Another board game even turned the story idea into a mobile game called Reversed Front. It created a virtual "Oriental Continent" that allows players to infiltrate the Chinese Communist Party from Taiwan, Hong Kong, or other surrounding areas. In June, Hong Kong authorities banned the mobile game for allegedly "violating the National Security Law." The ban, however, only fueled a surge in downloads. "We aim to present a realistic picture of the political landscape in East Asia," said Johnny, the spokesperson of Reversed Front, who used a pseudonym given the sensitivity of the topic. "Regardless of the threat or methods of infiltration from Beijing, we hope Taiwan can learn how to take countermeasures," he told DW. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video However, concerns about the psychological impact of these works have grown, with critics warning they could increase public anxiety. A Taiwanese board game store told DW that while most customers visit to unwind and relax, playing 2045 can leave some feeling emotionally strained or under pressure. "There will inevitably be anxiety," said Tammy Lin, a distinguished professor at Taiwan's National Chengchi University who studies digital games and media psychology. "For Taiwan, this is a nightmare‑level topic that people would rather not mention or confront," she told DW. Tai, the professor for political economy of communication, said it is natural for the films and games to evoke a spectrum of emotions, given Taiwan's deep partisan divides over cross‑strait relations. "How we facilitate dialogue among these differing emotions instead of letting them clash is a real test of Taiwanese wisdom," she said. Tai also noted that Beijing is likely to see these TV shows and games as Taiwanese public sentiment drifting further away from China, which could prompt the Chinese government to "intensify its ideological efforts." China's Defense Ministry has already criticized Zero Day Attack, calling it a politically motivated production aimed at "forcing compatriots on both sides of the Taiwan Strait into conflict and to harm and ruin one another." "Division is a fertile ground for information warfare and fake news," Tai said, "The question is: do we want to create fear or foster rational dialogue?" To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video


DW
30-07-2025
- DW
Ozzy Osbourne fans in Birmingham honor heavy metal star – DW – 07/30/2025
Thousands of fans lined the streets of Birmingham to say farewell to Ozzy Osbourne. The "Prince of Darkness" died just weeks after his final gig. Thousands of people gathered in the UK city of Birmingham on Wednesday to honor the "Prince of Darkness" and Black Sabbath frontman. The hearse carrying Ozzy Osbourne made its way through the crowd-lined streets of the city where he grew up and where Black Sabbath was formed in 1968. Osbourne died at the age of 76 on July 22, just weeks after a final gig to a sold-out crowd. He had been in poor health, having been diagnosed with Parkinson's a few years earlier. Osbourne once said he wanted his funeral to be a celebration and not a "mope-fest." Today was a mix of sadness and celebration, as crowds chanted "Ozzy, Ozzy, Ozzy, oi, oi, oi." A 16-year-old fan, Fan Reece Sargeant the the AFP news agency, "I think it was important to come and pay our respects.... Ozzy and Black Sabbath really put Birmingham on the map." Long-time fan Antony Hunt said it has been an "emotional" day." "What's amazing is there's so many, such a wide variety of age groups, from little, little children, teenagers to people in their 60s, 70s, so it's great to see that," he said. Birmingham Mayor Zafar Iqbal praised Osbourne as a "son of Birmingham" and "more than a music legend." Graham Croucher, a 58-year-old train driver, said Osbourne was an "absolute legend" and "was the soundtrack particularly to my life growing up." To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Osbourne's hearse, topped with flower arrangements, made its way through the city's streets. Led by a live brass band, the procession went past his childhood home in the city's Aston area, down Broad Street and to the Black Sabbath bench. The art installation was unveiled in 2019 and sits on a bridge also named after the band. Osbourne's wife, Sharon, and children, Kelly, Jack, Louis, and Aimee, followed in vehicles behind. The family was visibly emotional as they got out on the bridge to lay flowers and read some of the tributes left by fans. The procession led by police motorcycles then continued its journey to a private funeral service. Black Sabbath is widely credited for popularizing the sound of heavy metal, and Osbourne was known for his legendary antics both on and off stage. Black Sabbath had huge commercial success in the 1970s and 80s, going on to sell more than 75 million albums worldwide. In June, Ozzy and his Back Sabbath bandmates Terence Butler, Tony Iommi and Bill Ward were awarded the Freedom of the City in recognition of their services to the city of Birmingham. They played their final farewell show in early July to 42,000 fans in Birmingham, with the Prince of Darkness on a black throne.