From The Split to This Is Us, the 6 best family dramas to watch after Ginny & Georgia
There's a lot to love about Netflix's Ginny & Georgia. From the outrageously ridiculous plots, to the questionable age differences between the cast and the characters they play, to the way they actually highlight important issues we need to see on screen, we can't help but bingewatch the series.
And one of the biggest things we love about the series is the intergenerational family dynamic. In just one series you get to explore the lives of both teenagers, kids and adults. If like us this is one of the biggest draws to the series for you too, then we've rounded up six must watch shows you need to watch next that have a similar family dynamic to the storytelling in Ginny & Georgia.
Where to watch: Channel 4
With six seasons there's a lot to keep you occupied if you watch This Is Us. It follows the lives of one family - the two parents and their three children - over various different timelines and stages of their lives. There's intense storylines including grief, heartbreak and love. Trust us - you'll need the tissues when you watch this one.
Where to watch: Netflix
Friends are often family, and Firefly Lane does an incredible job of showcasing this. It's about two girls Tully and Kate who met when Tully moves in next door with her chaotic single mother. The show jumps between various timelines (just like Ginny & Georgia) as you watch the women go through first love, their careers, children and illness. With just two long seasons you could potentially bingewatch it over a weekend.
Where to watch: Netflix
At the heart of Sweet Magnolias is the story of three best friends, but after a few episodes it becomes clear it's more than just that and we get introduced to their families and community. Just like in Ginny & Georgia there's a lot of high and low stakes drama as the three women navigate divorce, betrayal and running their own business together in the small and close town of Serenity in South Carolina.
Where to watch: BBC iPlayer
Part legal drama, part family series, The Split is perfect for you if you loved seeing Georgia's trial unfold during the recent series of Ginny & Georgia. The BBC series is about the Defoe family who all work in divorce law for their family's firm. Well, all except the eldest daughter Hannah, who works for the family's rival firm. As well as their clients' own cases to win, they've all got troubles of their own to sort out.
Where to watch: Channel 4
Based on Celeste Ng's novel of the same name, Little Fires Everywhere is perfect if you love the small town drama of Wellsbury in Ginny & Georgia and how one seemingly perfect community can actually hold a lot of darkness. It stars Reese Witherspoon as Elena Richardson who invites single mother Mia Warren (played by Kerry Washington) and her daughter into her family's lives, only for her decision to have disastrous consequences.
Where to watch: Netflix
If you want a more light-hearted family drama series then we'd recommend The Duchess. It stars Katherine Ryan as a single mother in London trying to raise her daughter. The unconventional dynamic between Katherine's character aptly named Katherine and her on-screen daughter Olive, has a lot of similarities between that of Ginny and Georgia. Expect a lot of laughs, incredible costumes and touching moments too.
Ginny and Georgia is available on Netflix nowYou Might Also Like
A ranking of the very best hair straighteners - according to our Beauty Editors
Best party dresses to shop in the UK right now
11 products you'd be mad to miss from the Net A Porter beauty sale
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
36 minutes ago
- Yahoo
Jimmy Kimmel Socks Trump Below The Belt With A Stinging Joke About His 'Poles'
Jimmy Kimmel mocked President Donald Trump over a bizarre White House ceremony held for the raising of two new flagpoles on the lawn. 'I think what happened was someone told Trump his poll numbers were bad and he was like, 'Well, then, let's add two more poles,'' Kimmel said. Trump bragged that the poles are 'magnificent' and 'the largest you'll ever see' as he and others gathered to watch them erected. Except he wouldn't use that word. 'I'm not gonna use that word,' Trump said. 'Do you know what that is? The word? It starts with an 'E.' You know what the word is?' Kimmel wondered aloud if the word might be 'Eric,' then hit the president with a joke that landed below the belt. 'We do know what the word that starts with an 'E' is, and I'm guessing you haven't been able to achieve one in many years. Hence, the poles,' Kimmel fired back. 'Now he's an erection denier, too!' See more in his Wednesday night monologue:
Forbes
41 minutes ago
- Forbes
Vibe Coding: It's Four Months Old. What's Up?
Female freelance developer coding and programming. Coding on two with screens with code language and ... More application. What is vibe coding, anyway? The term, coined by Andrej Karpathy a few months ago, is now shorthand for an entire shift in the way that we view software engineering. It's the idea that AI is 'hands-off' in terms of code generation: the machine just takes the human's inputs, and comes up with source code on its own. Although LLMs are not 100% autonomous with this yet, and there's often a need for some debugging, vibe coding essentially asks the programmer to back off and let the AI do its thing. In contemporary coverage of the phenomenon, Forbes Council member Shubham Nigam quotes Rhiannon Williams of the MIT Technology Review: 'Not all AI-assisted coding is vibe coding. To truly vibe-code, you have to be prepared to let the AI fully take control and refrain from checking and directly tweaking the code it generates as you go along—surrendering to the vibes.' So while it's a colloquial term (good vibes, man!) it's also a request for the human in the loop to take distance – not to stand over the LLM's shoulder as it creates. Here's more from a recent panel at Imagination in Action in April. Nikolay Vyahhi of Hyperskill interviews Artem Lukoianov, Heena Purohit, and Aldo Pareja about this trend. 'I guess the whole beauty of this term is because it so accurately presents what's actually happening,' Lukoianov said. 'You don't even have to read the code that it produces. You … just basically teleprompt to the system, it generates a part of the code for you, and then, quite often, because developers are notorious for being lazy, you don't even read the codes.' 'You don't even try to understand what the code is doing,' added Pareja, theorizing about what will happen when IDEs and other tools start to incorporate unit testing. 'You don't even read the code. You're just feeling it.' Panelist Zach Lloyd talked about the realities of source code management. '(Developers will) get into trouble, and get and they'll try to vibe their way out of it, or they'll get into trouble with their production system and try to vibe their way out of it,' he said. 'So in the terminal, we see it goes beyond producing code, to this whole feeling of: 'let me see if the AI can just fix this thing for me, and maybe I won't have to understand exactly what it's doing.' Lloyd described this power as a kind of double-edged sword: on the one hand, it's, as he said, a 'magical' thing for a developer who feels stuck. On the other hand, he suggested, it can be dangerous for the human coder not to know what the system is doing at all. Panelist Heena Purohit pointed to some challenges with letting the AI have its own project. She argued the systems are not typically good at 'distance thinking,' or how various components of a system interact. 'Sure, you can have millions of lines of code be generated in minutes or seconds, but you still need to understand what the code is actually doing, so that you can troubleshoot it and debug it when you need to,' she said, suggesting that in many cases, scaling might be a problem. By contrast, Lukoianov gave a sort of qualified opinion that we are mostly there, and will get there soon. '(Vibe coding capability) is already good enough for us to stop coding anything,' he said. 'To me, it's more the question of how we engineer the system around this… how do we … provide the correct information to the LLM, how do we summarize our code base, and how do we provide the right tools to the LLM to actually perform … better? in my personal opinion, I feel that like the LLM is already there. It's all about, how do we properly provide this information about your code base, about what you want, about any regulations, security issues that are around there. So it's all just about the correct information, correct inputs, correct tools, to the LLMs, and eventually we'll get there.' In the 1980s, he pointed out, we had to be very close to the hardware – now, it's different. 'You don't think that much about operating systems,' he said. 'You don't think that much about hardware, unless you're working in something very specialized.' Regardless of the change, Pareja argued that full stack developers are still valuable. 'If you're using (tools) to synchronize different processes, and you have a million processes, your system is going to break,' he said. 'You need to understand these constraints.' If I was going to boil down some of the biggest ideas in this panel, I think most of them would be around the need for coding knowledge to manage the detail and periphery of systems development. In other words, the AI can do everything, but it might not do it 100% the way that you need it to be done. And there's that old adage: if you want it done right, you have to do it yourself. Maybe LLMs get us 80% of the way there without any oversight, but skipping the context and being completely ignorant of what the machine is doing is typically not a good idea, partly for the reasons that the panelists laid out. So the human in the loop is still relevant for now. But the bottom line is that vibe coding is something so new and fundamental that we'll probably be spending a lot of time figuring out how to do it best.
Yahoo
43 minutes ago
- Yahoo
Mantel takes Manhattan for Fanatics Fest
NEW YORK, NEW YORK - AUGUST 18: Michael Rubin (C) with Verizon "Moment of Freak Out" winner Dwight Lake and Joshua Booker, during the Fanatics Fest NYC 2024 at Jacob Javits Center on August 18, 2024 in New York City. (Photo byfor Fanatics) We're finally here, Collectors. Fanatics Fest Week. Heading to NYC for the show? Check out Yahoo Sports' primer on what to expect from Michael Rubin and team this year. And don't forget to stop by Bleecker Trading to hang with the Mantel crew. We'll be there after the show every day, with a packed schedule of events , giveaways, authentic NYC pizza… everything you'll need. We can't talk about Fanatics Fest without talking about the engine driving Fanatics' push to dominate the sports and collectible businesses: Michael Rubin. The Fanatics founder and CEO's rise offers a masterclass in strategic evolution, risk tolerance, and obsessive focus on customer value. As described in Boardroom's cover story article and video, Rubin sees Fanatics not as an empire, but a 22,000-person startup, still just getting started. Regular readers of these pages are probably pretty aware of the love we have for Bleecker Trading, an NYC hobby shop that puts culture and community at the forefront of everything they do. With Mantel hitting the Big Apple, deciding where we wanted to post up was a no-brainer, and for Yahoo Sports, we wanted to take readers behind the scenes at the shop. I also had the pleasure of joining Bleecker honcho Mark Zablow on The Hobby With Cage , so give the article a read, the video a watch , and then come hang with us at the shop this week if you're in town. At this point you've probably heard of Labubu, the cute/creepy dolls that have taken over the world over the last few weeks. (If you are unfamiliar, check out this piece from NPR , which explains the toy's origins). We also enjoyed the video below from the Wall Street Journal, which showcases how the store behind the phenomenon, Pop Mart, has made the dolls go viral, and as a result, is now minting money. Are Labubu dolls here to stay, or just this year's Furby ? In a heart-warming twist of hobby fate, a Caitlin Clark 2024 Panini Prizm WNBA Black Finite 1/1 rookie card, graded PSA 9, sold for $274,500 via Goldin Auctions just months after a collector landed it for $27 in a Whatnot stream. The card is now the most valuable non-autographed Clark card ever sold, and the second-priciest overall behind her $366K Gold Vinyl auto. Kudos to the seller, Valerie Coleman, for turning her windfall into a good cause, with her pledge to match up to $50K in donations collectors make to animal rescues. One of only four known Ceratosaurus skeletons, and the only juvenile, is hitting the auction block at Sotheby's on July 16. Measuring over 10 feet long with a complete skull and razor-sharp teeth, the fossil stands mounted in a dramatic, roaring pose. Originally unearthed in Wyoming and once housed at Utah's Museum of Ancient Life, the specimen is estimated to bring in $4-6M at the sale, a huge number, though still tiny in comparison to the Stegosaurus 'Apex' , which sold for $44.6M back in 2022. Not all are thrilled, by the way, that fossils once destined for museums and scientific research, are ending up in private collections through these auctions. Another week, another Mantel update. Yesterday we launched new features including Streaks, Polls and better image display tools (including zoom). Not on Mantel yet? Grab a (free) account and username today , and join in the excitement as we take in the sights, sounds and conversations from Fanatics Fest in NYC. Your collection deserves a community. Download Mantel today.
