‘Mess': Osher Gunsberg hits back in fiery TV clash
The former Bachelor host danced the tango to the David Bowie classic Fashion with his dance partner Sriani Argaet, a performance that got a universally frosty reception from the judging panel.
But judge Craig Revel Horwood was the harshest, declaring Gunsberg's tango a 'right royal mess' – a description that earned a fiery response from the contestant himself.
'Would you like to try going down that perspex ramp in those heels, sir? You are more than welcome to show me how to do it,' Gunsberg told the judge – whose response was a shrugged 'that is not my job.'
' … but I need you to be doing it in a tango step while the person next to you is on one foot and you're holding them – after you,' Gunsberg continued.
Horwood continued on, saying that Gunsberg's performance was 'completely erratic,' contained 'mistakes left right and centre,' and said in retrospect he should've tried to master a simpler routine.
That too drew a fiery response from Gunsberg.
'Where's the fun in trying something that's not really risky? You saw the dance I did last episode, Craig. I took big risks. You said to take big risks.'
'I would rather do it and have it not work and give it a shot.'
Unfortunately, the risk didn't pay off: After receiving a lowly score of 15 from Horwood, Gunsberg ended up with a grand total of just 15 points, leaving him a distant last on the leaderboard. He and dance partner Argaet were eliminated from the competition, leaving four celeb contestants. Home and Away star Kyle Shilling, who received a perfect score of 40 in Sunday's episode, Felicity Ward, Mia Fevola and Shaun Micallef.
Gunsberg may have copped a battering from the judges on his way out of the competition, but it seems many viewers were on his side: Fans flooded an Insta post showing his final dance with supportive comments overnight.
'It was unfair for you to go tonight. You did a great job,' wrote one.
'Not gonna lie. I kinda cheered with Osher gave it back to Craig,' said another.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

News.com.au
43 minutes ago
- News.com.au
Rebel Wilson accused of false allegations in new lawsuit
Hollywood actress Rebel Wilson is facing another lawsuit from the production company she accused of being 'absolute f**kwits' involving claims she falsely outed a young actress as a victim of sexual harassment. Just a year after she faced legal threats over her memoir Rebel Rising and was forced to redact an entire chapter containing claims about Borat star Sacha Baron Cohen, a new legal battle has erupted. The new lawsuit lodged in the NSW Supreme Court by the production company behind her directorial debut The Deb is alleging serious breaches of contract and director's duties, misleading and deceptive conduct, and injurious falsehood. Ms Wilson was sued for defamation in the United States last year by producers Amanda Ghost, Gregory Cameron and Vince Holden who allege she falsely claimed they had embezzled funds from the movie and had behaved with 'absolute viciousness and retaliatory behaviour'. That matter is ongoing. The new lawsuit in NSW has been lodged by Mr Holden's production company A.I. Film and is being handled by an Australian-based legal team – Patrick George, Jeremy Marel and barrister Sue Chrysanthou, SC. It accuses Ms Wilson of blocking the film's release though legal threats and making false claims that the lead actor in the film, Charlotte MacInnes, was the target of 'inappropriate conduct'. In the new legal submissions, A.I.'s legal team insist that Ms MacInnes denies she was ever harassed, and states that Ms Wilson's claims are baseless. The blow up follows a video Rebel Wilson posted on Instagram in July 2024, where she made a number of misconduct claims about the movie producers to her 11 million followers. '[T]o have the business partners that are involved in that movie turn around and say that no, the movie can't premiere, is just beyond devastating,'' she said. 'And so I said, reported, I guess you would say, their bad behaviour when I found out not minor things, big things, you know, inappropriate behaviour towards the lead actress of the film, embezzling funds from the film's budget, which we really needed because we're a small movie, you know? So kind of really important things. Since I reported that behaviour, I have been met with absolute viciousness and retaliatory behaviour. 'And yet every step of the way, these people who I complained about then tried to make my life hell. 'And this behaviour is absolutely vile and disgusting. Now these people you know, Amanda Ghost in particular, has a history of doing this kind of thing, mainly to music artists but also to people in the film business. So, the thing is, these people are forced to sign NDAs or, you know, otherwise threatened or bullied to not speak out. 'I will speak the truth, and, you know, warn people about these people in the industry. Who are just not behaving ethically ... if the movie doesn't play in Toronto, it's because of these absolute f**kwits.' Ms Ghost is now suing Ms Wilson for defamation in the United States. In the NSW lawsuit, the production company's legal team argued these statements conveyed that one of the producers had made 'inappropriate sexual advances to an actress in the film'. 'In fact, none of the producers had made inappropriate sexual advances to an actress,'' the legal documents state. The lawsuit alleged Ms McInnes categorically denied Ms Wilson's claims telling media outlets 'there is no truth to the allegations made involving me.' 'I love this film and I can't wait for it to be released. It would be wonderful if these proceedings can help make that happen,'' she said in a statement to She previously told media outlets: 'Making false accusations undermines real victims and I won't be the subject of a fabricated narrative.' After the actress was subsequently cast as Daisy in Florence Welch's musical Gatsby: An American Myth, Ms Wilson is alleged to have made the following statement on Instagram stories accusing her of 'changing her story.' 'When an actress on her first feature film is asked by a producer to stay in the same apartment as them, and then makes a complaint to me as the director saying said producer 'asked her to have a bath and shower with her and it made her feel uncomfortable' – what am I supposed to do of course I reported it,'' Ms Wilson said. 'There is no world where this is acceptable. The fact that this girl has been employed now by this 'producer' in the lead role of a production called GATSBY (ART Boston) and given a record label – should be all the proof you need as to why she has now changed her story.' During the Cannes Film Festival, Ms Wilson allegedly posted more Instagram stories, suggesting MacInnes had 'lied by denying the allegations of sexual misconduct by the film's UK producers'. 'Charlotte MacInnes in a culturally inappropriate Indian outfit on Len Blavatnik's luxury yacht in Cannes – ironically singing a song from a movie that will never get released because of her lies and support for the people blocking the film's release. So glad you got your record deal Charlotte at the expense of the 300 people who worked on The Deb and really wanna see it released.' In the new lawsuit, it is alleged Ms Wilson 'threatened the Australian distributor of the film that she would obtain an injunction to prevent its release, when the contractual documents plainly prevented her from obtaining an injunction.' No stranger to defamation battles, Ms Wilson won a record payout from Bauer media but was later forced to repay the majority of her record defamation payout from a magazine publisher. Ms Wilson had received A$4.7m in damages and interest from Bauer Media over articles that she said portrayed her as a serial liar. But a court reduced the sum to A$600,000 following an appeal by the publisher. She was then ordered to pay back A$4.1m and A$60,000 in interest. A subsequent bid to have an appeal heard in the High Court of Australia was rejected, bringing her legal battle 'to a definitive end'.


SBS Australia
an hour ago
- SBS Australia
Siang Lu just won Australia's most prestigious literary prize — more than 200 rejections later
Brisbane writer Siang Lu has won the Miles Franklin Literary Award for his novel Ghost Cities, after more than 200 publishers rejected the manuscript. The 39-year-old author said he was shocked to find out he had won the $60,000 prize after being shortlisted for the first time. "I just sat down and actually lost all feeling in my hands and legs, and I lost my voice," he said. "It was one of the first times in my life where I actually had to ask someone with complete seriousness, to just tell me that I wasn't dreaming." Australia's most prestigious literary award was announced at a ceremony in Sydney on Thursday night, at which Lu revealed that he finished the manuscript for Ghost Cities a decade ago in 2015, but it was rejected more than 200 times by publishers in Australia and overseas. Siang Lu accepted the $60,000 prize at an event in Sydney on Thursday night. Source: AAP / Jane Dempster "I used to print my rejections and Blu-Tack them on the glass pane between my office, and my bedroom. My youngest child, Madeleine, had just been born — she is nine now — and she would nap on that big bed while I worked and kept an eye on her," he said in his acceptance speech. "The rejections kept piling up. Eventually, they grew so numerous that I could no longer see through the glass, into the bedroom where my daughter slept." A 'landmark' in Australian literature Having finally been published by University of Queensland Press, the winning book has been described by critics as both intellectually ambitious and zany, and by the Miles Franklin judges as a "genuine landmark" in Australian literature. "Siang Lu's Ghost Cities is at once a grand farce and a haunting meditation on diaspora. Sitting within a tradition in Australian writing that explores failed expatriation and cultural fraud, Lu's novel is also something strikingly new," the judges said. "Shimmering with satire and wisdom, and with an absurdist bravura, Ghost Cities is a genuine landmark in Australian literature." Lu says his win changes things dramatically — not only financially, but in terms of recognition for the quality of his work. Ghost Cities was inspired by megacities built in China during the nation's real estate boom, many of which have been left uninhabited and falling into ruin. The manuscript for Ghost Cities was completed in 2015, but rejected more than 200 times by publishers in Australia and overseas. Source: AAP / Jane Dempster It weaves together multiple stories — including that of a young man who is fired from his job as a translator at the Chinese consulate in Sydney, when it is discovered he is monolingual and has been relying on Google Translate. There's also a chess automaton with a secret, and an ancient emperor who creates a thousand replicas of himself. Since his novel hit the shelves in 2024, Lu has found what he describes as a perverse joy in chatting to his readers, as they try to guess what Ghost Cities is actually saying. The answer is less complex than readers might imagine: "It is trying to be funny," he promises. Siang Lu's debut novel was 2022's The Whitewash, while his online tracking project The Beige Index — described as "the Bechdel Test for race" in the film industry — has found an audience worldwide. The 2025 shortlist was dominated by writers of colour, including veteran Brian Castro, who has made the shortlist four times, and two-time winner Michelle de Kretser. The six authors shortlisted for the Miles Franklin also receive $5,000 from the Copyright Agency's Cultural Fund.

News.com.au
an hour ago
- News.com.au
Boxing legend Jeff Fenech slams Aussie backyard ‘fight club'
WARNING: EXTREME CONTENT The rapper behind a brutal underground fight club in Sydney's west has blasted Jeff Fenech after the boxing great's criticism of his events. As first reported by The Daily Telegraph, an amateur boxing series called The Hood Contender has sprung up on social media in recent months, drawing the attention of NSW Police. The brain child of rapper Hoodrich Hefner, whose real name is Caleb Valeri, the events claim to be staged 'for men's health' and to 'earn honour and respect'. Watch the biggest Aussie sports & the best from overseas LIVE on Kayo Sports | New to Kayo? Join now and get your first month for just $1. Valeri's Instagram account has over 78,000 followers and features a series of videos from the fights, which are open to amateurs only, weighing between 80 and 100 kgs. The entrants wear MMA gloves and are only required to bring a mouthguard to compete, with some shocking fights taking place at undisclosed locations. Fenech strongly criticised the series, calling it 'sad' in an interview with the Telegraph and declaring 'your friends will call you tough … but see if they're there in 30 years when you need someone to wipe your arse'. Valeri clearly didn't take kindly to the publicity from Fenech's comments, teeing off on an Instagram video on Thursday. 'G'day Jeff mate, look all you had to do was ask me to come to the Hood Contender event and I would've allowed it,' he said. 'But now you've gone and spoken to your little media buddies and f**ked it for everyone. Now you're not welcome at our events. 'But you could've come down and seen it for yourself. 'We don't sell tickets, any money the fighters make are donations from people in the crowd, OK? 'There's no alcohol, there's no crowd fights, we have security, we have first aid, we have medics, we have all the good stuff on standby for our fighters. 'No one's getting stabbed, no one's getting their head kicked in, no one's drinking and knocking some bloke out from behind, he hits his head on the ground and he's f**king in hospital for the rest of his life. 'There's none of that mate, it's a well controlled sparring event. You should come down and really check it out. 'I reckon you would love it, you and your little mates. Come down and check it out and tell me what you think.' Valeri hosted the first Hood Contender event in June and then another on July 13. Despite claiming fighters only earn 'donations' from onlookers, Valeri stated in his initial launch video on May 30 the winner would earn $5,000 and have the chance to earn another $1000 for knockout or performance of the night, calling it a 'founder's gift'. He appealed to interested men in Sydney, the Central Coast or the Newcastle region 'who love a scrap', adding the series would soon be expanding to other states. It also has almost 20,000 subscribers on YouTube, with the most recent video earlier this month receiving over 148,000 views. In the introduction of that latest video, Valeri explains some of the genesis for the idea. 'We've set up a Hood colosseum with hay bales, it's quite exciting. We hope to bring a great production to the viewers at home watching,' he said. 'Our main objective is for men's mental health. What we're doing right now is for men's mental health. 'We want boys to come here, earn honour and respect and be mates at the end. 'We want to provide a platform for boys that have got talent and sitting in the street right now with a lot of talent. 'You might have a few kids, you might be married, just working a job, no spark in your life. This is for them boys.' Valeri has been snapped with MMA great Mark Hunt, while current UFC fighter Navajo Stirling appears in an Instagram video checking out some of the action. In one video, a fighter dislocates his shoulder and has it popped back in before continuing. In others, a 'referee' steps in to stop the contests, with a fighter clearly on top. The Hood Contender has drawn a huge number of likes and comments on its social media posts, including some responses to Valeri's message to Fenech. One wrote on Instagram: 'Exactly right, the fighters wanna fight, everyone has respect and manners and the crowd is a better vibe then any event I've seen before. Lots of motivation and love there.' Another said: '(Fenech) hates to see that your doing more with less … no promotion no sponsors nothing just men being standing on their word and 2 successful events NO ISSUES. tell him Bring his best fighter.' A third wrote: 'Nothing better than having a scrap with gentleman and shaking hands regardless of the decision all love at the end of the day.' Another wrote simply: 'Can't wait for the next one.'