Latest news with #Hal&Harper
See - Sada Elbalad
6 days ago
- Entertainment
- See - Sada Elbalad
Lili Reinhart to Star in "The Love Hypothesis" Film Adaptation
Yara Sameh After winning Series Mania's Best Actress Award for her turn opposite Cooper Raiff in Mubi's "Hal & Harper", Lili Reinhart has signed on to star in and exec produce "The Love Hypothesis", an adaptation of the New York Times bestseller by Ali Hazelwood, for Amazon MGM Studios and MRC. In the romantic comedy, Olive Smith, a biology PhD candidate, and Dr. Adam Carlsen, a hotshot professor and well-known tyrant, enter into a fake relationship, seeing each of their carefully calculated theories on love get thrown into chaos. Published by Berkley, an imprint of Penguin Random House, Hazelwood's novel spent 10 months on the New York Times bestseller list, breaking out internationally in 40 countries. Originally acquired for publication by editor Sarah Blumenstock at Berkley, the book was also named the Best Romance of the Year by Amazon. Hazelwood is also known for titles like "Problematic Summer Romance," "Deep End," and "Bride", among others. View this post on Instagram A post shared by Lili Reinhart (@lilireinhart) Claire Scanlon (Set It Up) is directing "The Love Hypothesis" from a script by Sarah Rothschild (The Sleepover). Elizabeth Cantillon (The Girl in the Spider's Web, Charlie's Angels) is producing, with Reinhart, Catherine Hagedorn, and Hazelwood executive producing. Soon to be seen starring opposite Raiff and Mark Ruffalo in the former's indie TV series "Hal & Harper", a project she produced which was acquired by MUBI following its premiere at Sundance, Reinhart's upcoming slate also includes Uta Briesewitz's "American Sweatshop," which premiered at SXSW this year. She recently wrapped on Brian Swibel's directorial debut, "The Very Best People," as well as Meredith Alloway's first feature, "Forbidden Fruits," which IFC Films will release in 2026. Reinhart is also attached to produce and star in Ali & Anthony Garland's "Fake Wedding," which is in development at Amazon MGM under her production company, Small Victory. read more New Tourism Route To Launch in Old Cairo Ahmed El Sakka-Led Play 'Sayidati Al Jamila' to Be Staged in KSA on Dec. 6 Mandy Moore Joins Season 2 of "Dr. Death" Anthology Series Don't Miss These Movies at 44th Cairo Int'l Film Festival Today Amr Diab to Headline KSA's MDLBEAST Soundstorm 2022 Festival Arts & Culture Mai Omar Stuns in Latest Instagram Photos Arts & Culture "The Flash" to End with Season 9 Arts & Culture Ministry of Culture Organizes four day Children's Film Festival Arts & Culture Canadian PM wishes Muslims Eid-al-Adha News Israeli-Linked Hadassah Clinic in Moscow Treats Wounded Iranian IRGC Fighters News China Launches Largest Ever Aircraft Carrier Sports Former Al Zamalek Player Ibrahim Shika Passes away after Long Battle with Cancer Videos & Features Tragedy Overshadows MC Alger Championship Celebration: One Fan Dead, 11 Injured After Stadium Fall Lifestyle Get to Know 2025 Eid Al Adha Prayer Times in Egypt Arts & Culture South Korean Actress Kang Seo-ha Dies at 31 after Cancer Battle News "Tensions Escalate: Iran Probes Allegations of Indian Tech Collaboration with Israeli Intelligence" News Flights suspended at Port Sudan Airport after Drone Attacks Sports Get to Know 2025 WWE Evolution Results Arts & Culture Hawass Foundation Launches 1st Course to Teach Ancient Egyptian Language
Express Tribune
17-07-2025
- Entertainment
- Express Tribune
Lili Reinhart to star in rom-com ‘The Love Hypothesis' for Amazon MGM Studios, production underway
Lili Reinhart has signed on to star in and executive produce the upcoming romantic comedy The Love Hypothesis, adapted from Ali Hazelwood's bestselling novel. The film is being developed by Amazon MGM Studios and MRC, with direction by Claire Scanlon and a script by Sarah Rothschild. Reinhart, recently honoured at Series Mania for Hal & Harper, will portray Olive Smith, a biology PhD candidate who enters a fake relationship with Dr Adam Carlsen, a respected yet feared professor. As the arrangement unfolds, both characters find their views on love unexpectedly challenged. Originally published in 2021 by Berkley, Hazelwood's novel spent 10 months on the New York Times bestseller list and reached readers in 40 countries. It was named Amazon's Best Romance of the Year. Scanlon, known for Set It Up and The People We Hate at the Wedding, brings rom-com experience to the project, while Rothschild's previous credits include The Sleepover for Netflix. Elizabeth Cantillon is producing alongside Reinhart, Catherine Hagedorn, and Hazelwood. Hazelwood expressed enthusiasm for the adaptation, saying, 'Honestly, I still can't believe this is happening? Elizabeth Cantillon, Claire Scanlon, and Lili Reinhart have all created, produced, or starred in works that I'm absolutely feral about, and I am beyond honoured that they're choosing to bring their talent to this project.'
Yahoo
16-07-2025
- Entertainment
- Yahoo
Lili Reinhart To Topline Rom-Com ‘The Love Hypothesis' For Amazon MGM Studios & MRC
EXCLUSIVE: After winning Series Mania's Best Actress Award for her turn opposite Cooper Raiff in MUBI's Hal & Harper, Lili Reinhart has come aboard to star in and exec produce The Love Hypothesis, an adaptation of the New York Times bestseller by Ali Hazelwood, for Amazon MGM Studios and MRC. In the romantic comedy, Olive Smith, a biology PhD candidate, and Dr. Adam Carlsen, a hotshot professor and well-known tyrant, enter into a fake relationship, seeing each of their carefully calculated theories on love get thrown into chaos. More from Deadline 'Legend Of Zelda' Movie Casts Bo Bragason As Zelda & Benjamin Evan Ainsworth As Link Robert Eggers Eyeing Reunion With Aaron-Taylor Johnson And Lily Rose-Depp On His Next Film 'Werwulf' At Focus Features Cooper Koch Joins Luca Guadagnino's 'Artificial' At Amazon MGM Studios Published in 2021, an imprint of Penguin Random House, Hazelwood's novel spent 10 months on the New York Times bestseller list, breaking out internationally in 40 countries. Originally acquired for publication by editor Sarah Blumenstock at Berkley, the book was also named the Best Romance of the Year by Amazon. Hazelwood is also known for titles like Problematic Summer Romance, Deep End, and Bride, among others. Claire Scanlon (Set It Up) is directing The Love Hypothesis from a script by Sarah Rothschild (The Sleepover). Elizabeth Cantillon (The Girl in the Spider's Web, Charlie's Angels) is producing, with Reinhart, Catherine Hagedorn, and Hazelwood executive producing. In a statement accompanying the project announcement, author Hazelwood said, 'Honestly, I still can't believe this is happening? Elizabeth Cantillon, Claire Scanlon, and Lili Reinhart have all created, produced, or starred in works that I'm absolutely feral about, and I am beyond honored that they're choosing to bring their talent to this project. Books and films are very different media, and I have complete trust in this brilliant team. I cannot wait to see the final product they'll come up with. I hope they have as much fun filming as I had while writing the book.' Soon to be seen starring opposite Raiff and Mark Ruffalo in the former's indie TV series Hal & Harper, a project she produced which was acquired by MUBI following its premiere at Sundance, Reinhart's upcoming slate also includes Uta Briesewitz's American Sweatshop, which premiered at SXSW this year. She recently wrapped on Brian Swibel's directorial debut, The Very Best People, as well as Meredith Alloway's first feature, Forbidden Fruits, which IFC Films will release in 2026. She's also attached to produce and star in Ali & Anthony Garland's Fake Wedding, which is in development at Amazon MGM under her production company, Small Victory, and is represented by Anonymous Content, UTA, and Peikoff Mahan. Reuniting with Amazon MGM here after directing The People We Hate at the Wedding, starring Allison Janney, Kristen Bell, and Ben Platt, Scanlon is also known for helming the Netflix rom-com Set It Up, starring Zoey Deutch and Glen Powell. Most recently, she directed episodes of Loot and Palm Royale for Apple TV+, Abbot Elementary for ABC, and produced and directed Season 2 of Unstable for Netflix. She is repped by UTA, 3 Arts, and Jared Levine. Rothschild wrote The Sleepover, which was sold in a bidding war to Netflix, and stars Malin Akerman, Ken Marino, and Joe Manganiello. The film was directed by Trish Sie and earned her a WGA Award. After recently turning in her draft of Splash at Disney, she is currently writing projects for Paramount and Walden Media. She is represented by Verve, Entertainment 360, and attorney Kim Stenton at Myman Greenspan. Hazelwood is repped by the Sandra Dijkstra Literary Agency and UTA. Best of Deadline 2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More Men of Steel: Every Actor Who Has Played Superman - Photo Gallery 'Michael' Cast: Who's Who In The Michael Jackson Biopic
Sydney Morning Herald
18-06-2025
- Entertainment
- Sydney Morning Herald
‘They've meant so much to me': His TV show is a hit but this filmmaker still cries in the shower
Eight years ago, aspiring filmmaker Cooper Raiff had an idea for a story about a pair of siblings bonded by their dysfunctional upbringing. Six years ago, the Texan native started writing about the characters, swiftly getting down an initial 100 pages. Three years ago, having sold his second feature, the romantic-comedy Cha Cha Real Smooth, to Apple TV+ for roughly $23 million, Raiff began turning the script into a television series. Two years ago, Raiff, who would play the younger sibling, Hal, cast Riverdale's Lili Reinhart as his character's elder sister, Harper, and Mark Ruffalo as the co-dependent pair's damaged father, Michael. Eighteen months ago, Raiff's production wrapped in Los Angeles, ending a hectic 50-day shoot. Five months ago, the show, Hal & Harper, debuted at the Sundance Film Festival, successfully selling to streaming services. Three weeks ago, Raiff cried in the shower because he was saying goodbye to the fictional family that had become all too real to him. 'I was crying because I was going to really miss Hal and Harper, and dad, too,' Raiff says. 'I've been with them for so long and they've meant so much to me. I'm bad at maths but I'm 28 now and they've been in my head and body for eight years now. That's a lot of life. It was hard to let go.' Loading Zooming in from separate locations in New York, Raiff and Reinhart are a smiling mix of wonder and surprise. They know they're a part of something special with Hal & Harper but the experience of making the series was so demanding they're still getting used to the work leaving them and going out to the world. 'Cooper, to me, never ever lost sight of the vision he had,' Reinhart says. 'It changed along the way, because it had to, but the feeling of it and the intensity in Cooper's eyes every day never changed because he was trying to stay true to what was inside his heart. How do you paint the inside of your heart and stay true to it? 'Something, somehow was guiding him and he was very locked in. Trying to talk to Cooper about anything else was useless. There was no conversation outside the show,' she adds, then addresses Raiff directly. 'Your whole life was consumed by this show, which is why it is so effective. I've never seen firsthand a heart be embodied like this. That's why I had a lot of trust.' Comprising eight roughly half-hour episodes, each written and directed by Raiff, Hal & Harper is an idiosyncratic gem of a series. In an era of neatly segmented shows, it's messy and ambitious and counterintuitive. It's very funny and very sad, often in such close proximity that you're not aware of one becoming the other. The comedy and the drama are their own storytelling siblings. Twenty-two-year-old Hal and 24-year-old Harper Williams are still emotionally intertwined from the childhood loss that left them with a wounded father, Michael, who struggled to support them emotionally. As Hal floats through his university degree and Harper struggles with her first job, the pair lean on each other. It is, as Harper has realised, an unhealthy dynamic. And then their father delivers news that shakes all three of them: his girlfriend, Kate (Betty Gilpin), is pregnant. Loading 'There are so many people I love who have watched this show, and a lot stop at a certain place and say, 'I'm going to get there but I'm not there yet',' Raiff says. 'When they do – well, people can't talk to me about the finale, so they just send me a selfie of them crying. Even my own dad, I'm still trying to sit him down and talk to him.' In many ways Hal & Harper brings the tenets of independent filmmaking to television, whether it's Raiff's ready use of natural light or a hectic production schedule in which the stripped-down crew and cast had to 'steal locations' (shoot without the relevant permits) when required. The call sheet, a production's daily schedule, was mostly 'a suggestion', jokes Reinhart. 'There is some sort of lightning-in-a-bottle magic to doing so much in a day. You're tired, your guard is down,' Raiff says. 'If there was a crying scene, it was very easy to cry. We had a scene that was meant to be funny but I started crying and someone said, 'I'm not sure that's the vibe.' And I said, 'That's my vibe right now!'' Lengthy sequences are told in montage form, set to Raiff's distinctive music choices, and there's also a bittersweet twist: in the extensive flashbacks to when Hal is aged seven and Harper nine, Raiff and Rinehart still play the characters. It is absurd but touching. The pair are oversized yet still too small for the circumstances they're struggling with. The influence the pair's uncertain childhood has on them as adults is made wrenchingly clear. 'My favourite day on set was the first time we played kids. I knew it was going to be emotional and funny but I didn't realise how much soul it would have. That's what Lili's eyes bring. Whatever she was doing as nine-year-old Harper is the most beautiful thing that's ever been put on camera.' Loading Raiff isn't afraid to dig into the emotional muck of his characters. Ruffalo's Michael is still roiled and uncommunicative and, like his children, he wants to say the right things but he doubts they'll actually apply. When push comes to emotional shove, father, son and daughter all painfully struggle to make sense of what they're grappling with. 'We're really good at talk therapy and I have friends who are very emotionally intelligent but that's very different, that processing trauma through your body,' Raiff says. 'Talking about your feelings is easier than actually feeling them.'
The Age
18-06-2025
- Entertainment
- The Age
‘They've meant so much to me': His TV show is a hit but this filmmaker still cries in the shower
Eight years ago, aspiring filmmaker Cooper Raiff had an idea for a story about a pair of siblings bonded by their dysfunctional upbringing. Six years ago, the Texan native started writing about the characters, swiftly getting down an initial 100 pages. Three years ago, having sold his second feature, the romantic-comedy Cha Cha Real Smooth, to Apple TV+ for roughly $23 million, Raiff began turning the script into a television series. Two years ago, Raiff, who would play the younger sibling, Hal, cast Riverdale's Lili Reinhart as his character's elder sister, Harper, and Mark Ruffalo as the co-dependent pair's damaged father, Michael. Eighteen months ago, Raiff's production wrapped in Los Angeles, ending a hectic 50-day shoot. Five months ago, the show, Hal & Harper, debuted at the Sundance Film Festival, successfully selling to streaming services. Three weeks ago, Raiff cried in the shower because he was saying goodbye to the fictional family that had become all too real to him. 'I was crying because I was going to really miss Hal and Harper, and dad, too,' Raiff says. 'I've been with them for so long and they've meant so much to me. I'm bad at maths but I'm 28 now and they've been in my head and body for eight years now. That's a lot of life. It was hard to let go.' Loading Zooming in from separate locations in New York, Raiff and Reinhart are a smiling mix of wonder and surprise. They know they're a part of something special with Hal & Harper but the experience of making the series was so demanding they're still getting used to the work leaving them and going out to the world. 'Cooper, to me, never ever lost sight of the vision he had,' Reinhart says. 'It changed along the way, because it had to, but the feeling of it and the intensity in Cooper's eyes every day never changed because he was trying to stay true to what was inside his heart. How do you paint the inside of your heart and stay true to it? 'Something, somehow was guiding him and he was very locked in. Trying to talk to Cooper about anything else was useless. There was no conversation outside the show,' she adds, then addresses Raiff directly. 'Your whole life was consumed by this show, which is why it is so effective. I've never seen firsthand a heart be embodied like this. That's why I had a lot of trust.' Comprising eight roughly half-hour episodes, each written and directed by Raiff, Hal & Harper is an idiosyncratic gem of a series. In an era of neatly segmented shows, it's messy and ambitious and counterintuitive. It's very funny and very sad, often in such close proximity that you're not aware of one becoming the other. The comedy and the drama are their own storytelling siblings. Twenty-two-year-old Hal and 24-year-old Harper Williams are still emotionally intertwined from the childhood loss that left them with a wounded father, Michael, who struggled to support them emotionally. As Hal floats through his university degree and Harper struggles with her first job, the pair lean on each other. It is, as Harper has realised, an unhealthy dynamic. And then their father delivers news that shakes all three of them: his girlfriend, Kate (Betty Gilpin), is pregnant. Loading 'There are so many people I love who have watched this show, and a lot stop at a certain place and say, 'I'm going to get there but I'm not there yet',' Raiff says. 'When they do – well, people can't talk to me about the finale, so they just send me a selfie of them crying. Even my own dad, I'm still trying to sit him down and talk to him.' In many ways Hal & Harper brings the tenets of independent filmmaking to television, whether it's Raiff's ready use of natural light or a hectic production schedule in which the stripped-down crew and cast had to 'steal locations' (shoot without the relevant permits) when required. The call sheet, a production's daily schedule, was mostly 'a suggestion', jokes Reinhart. 'There is some sort of lightning-in-a-bottle magic to doing so much in a day. You're tired, your guard is down,' Raiff says. 'If there was a crying scene, it was very easy to cry. We had a scene that was meant to be funny but I started crying and someone said, 'I'm not sure that's the vibe.' And I said, 'That's my vibe right now!'' Lengthy sequences are told in montage form, set to Raiff's distinctive music choices, and there's also a bittersweet twist: in the extensive flashbacks to when Hal is aged seven and Harper nine, Raiff and Rinehart still play the characters. It is absurd but touching. The pair are oversized yet still too small for the circumstances they're struggling with. The influence the pair's uncertain childhood has on them as adults is made wrenchingly clear. 'My favourite day on set was the first time we played kids. I knew it was going to be emotional and funny but I didn't realise how much soul it would have. That's what Lili's eyes bring. Whatever she was doing as nine-year-old Harper is the most beautiful thing that's ever been put on camera.' Loading Raiff isn't afraid to dig into the emotional muck of his characters. Ruffalo's Michael is still roiled and uncommunicative and, like his children, he wants to say the right things but he doubts they'll actually apply. When push comes to emotional shove, father, son and daughter all painfully struggle to make sense of what they're grappling with. 'We're really good at talk therapy and I have friends who are very emotionally intelligent but that's very different, that processing trauma through your body,' Raiff says. 'Talking about your feelings is easier than actually feeling them.'
