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Audain Art Museum to Exhibit Rare Drawings from the National Gallery of Canada's Vault
Audain Art Museum to Exhibit Rare Drawings from the National Gallery of Canada's Vault

Yahoo

time3 hours ago

  • Entertainment
  • Yahoo

Audain Art Museum to Exhibit Rare Drawings from the National Gallery of Canada's Vault

WHISTLER, BC, May 27, 2025 /CNW/ - This summer, the Audain Art Museum (AAM) is proud to present Gathered Leaves: Discoveries from the Drawings Vault, a landmark travelling exhibition offering a rare glimpse into the hidden art treasures of the National Gallery of Canada (NGC). On view from June 14 through October 13, 2025, the exhibition features over 130 works on paper and canvas by 84 artists, revealing centuries of artistic innovation and storytelling to AAM visitors. Featuring graphite sketches alongside delicate ink, pastel, and watercolour renderings, Gathered Leaves offers a wide range of techniques and styles by internationally celebrated artists. The exhibition highlights renowned figures such as Edgar Degas, Pablo Picasso, Gustav Klimt, Edvard Munch, Marc Chagall, and Wassily Kandinsky, as well as powerful contributions by historically underrepresented women artists, including Élisabeth Louise Vigée Le Brun and Elisabetta Sirani. "This exhibition is a unique opportunity for audiences to connect with the immediacy and intimacy of drawings by many of Europe's most celebrated artists—many of which have been hidden from public view for decades," says Dr. Curtis Collins, Director & Chief Curator of the Audain Art Museum. "We are proud to collaborate with the National Gallery of Canada in presenting these extraordinary pieces to Whistler residents, as well as visitors from across Canada and around the world." "A collection more than a century in the making. Many exciting discoveries await visitors to the exhibition. Gathered Leaves is the Canadian debut of international historical drawings recently acquired by the National Gallery of Canada, alongside lesser known but significant works straight from the vault. This exhibition and its accompanying award-winning catalogue celebrate the centennial anniversary of our Department of Prints and Drawings, established in 1921 – the first curatorial division created at the NGC," says Jean-François Bélisle, Director and CEO, National Gallery of Canada. "In light of our national mandate to make art accessible to all Canadians, we're delighted that visitors to the Audain Art Museum will also have the rare opportunity to view remarkable drawings that for conservation reasons are usually kept in the dark." The NGC collection has grown to include an extraordinary range of national and international works spanning the 15th to 20th centuries, including master drawings from Italy, France, Germany and Spain dating to the 1600s. From preparatory studies to vivid pastel compositions, Gathered Leaves offers a compelling look at the diverse roles drawing has played across time, geography, and artistic movements. Gathered Leaves celebrates the national institution's century-long commitment to collecting and preserving works on paper. The exhibition also includes the NGC's recent acquisitions, expanding the narrative and offering fresh perspectives on art history. Accompanying the exhibition is a beautifully illustrated publication, Discoveries from the Drawings Vault. Authored by Sonia Del Re with Kirsten Appleyard, with contributions by Erika Dolphin, the catalogue commemorates the 100th anniversary of the NGC's Department of Prints and Drawings and highlights new research and curatorial insights into this significant collection. Gathered Leaves: Discoveries from the Drawings Vault is organized by the National Gallery of Canada. This exhibition is supported by Government Partner, The Resort Municipality of Whistler, and Hotel Partner, Fairmont Chateau Whistler. The accompanying catalogue is made possible with support from Getty though its Paper Project Initiative. About the Audain Art Museum Established in 2016, the Museum was founded via a major philanthropic gift of Michael Audain and Yoshiko Karasawa. The Permanent Collection is focused on the art of British Columbia, exemplifying the richness of cultural difference in Canada. Highlights include hereditary Haida Chief James Hart's The Dance Screen, an exceptional collection of historical and contemporary Indigenous art, a comprehensive selection of paintings by Emily Carr and a brilliant range of works by Vancouver's photo-conceptualists. The Museum hosts numerous special exhibitions per year that feature artists and collections of national as well as international significance. About the National Gallery of Canada Founded in 1880, the National Gallery of Canada is among the world's most respected art institutions. As a national museum, we exist to serve all Canadians, no matter where they live. We do this by sharing our collection, exhibitions and public programming widely. We create dynamic experiences that allow for new ways of seeing ourselves and each other through the visual arts, while centering Indigenous ways of knowing and being. Our mandate is to develop, preserve and present a collection for the learning and enjoyment of all – now and for generations to come. We are home to more than 90,000 works, including one of the finest collections of Indigenous and Canadian art, major works from the 14th to the 21st century and extensive library and archival holdings. Ankosé – Everything is connected – Tout est relié SOURCE Audain Art Museum View original content to download multimedia: Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

Audain Art Museum to Exhibit Rare Drawings from the National Gallery of Canada's Vault
Audain Art Museum to Exhibit Rare Drawings from the National Gallery of Canada's Vault

Cision Canada

time3 hours ago

  • Entertainment
  • Cision Canada

Audain Art Museum to Exhibit Rare Drawings from the National Gallery of Canada's Vault

WHISTLER, BC, May 27, 2025 /CNW/ - This summer, the Audain Art Museum (AAM) is proud to present Gathered Leaves: Discoveries from the Drawings Vault, a landmark travelling exhibition offering a rare glimpse into the hidden art treasures of the National Gallery of Canada (NGC). On view from June 14 through October 13, 2025, the exhibition features over 130 works on paper and canvas by 84 artists, revealing centuries of artistic innovation and storytelling to AAM visitors. Featuring graphite sketches alongside delicate ink, pastel, and watercolour renderings, Gathered Leaves offers a wide range of techniques and styles by internationally celebrated artists. The exhibition highlights renowned figures such as Edgar Degas, Pablo Picasso, Gustav Klimt, Edvard Munch, Marc Chagall, and Wassily Kandinsky, as well as powerful contributions by historically underrepresented women artists, including Élisabeth Louise Vigée Le Brun and Elisabetta Sirani. "This exhibition is a unique opportunity for audiences to connect with the immediacy and intimacy of drawings by many of Europe's most celebrated artists—many of which have been hidden from public view for decades," says Dr. Curtis Collins, Director & Chief Curator of the Audain Art Museum. "We are proud to collaborate with the National Gallery of Canada in presenting these extraordinary pieces to Whistler residents, as well as visitors from across Canada and around the world." "A collection more than a century in the making. Many exciting discoveries await visitors to the exhibition. Gathered Leaves is the Canadian debut of international historical drawings recently acquired by the National Gallery of Canada, alongside lesser known but significant works straight from the vault. This exhibition and its accompanying award-winning catalogue celebrate the centennial anniversary of our Department of Prints and Drawings, established in 1921 – the first curatorial division created at the NGC," says Jean-François Bélisle, Director and CEO, National Gallery of Canada. "In light of our national mandate to make art accessible to all Canadians, we're delighted that visitors to the Audain Art Museum will also have the rare opportunity to view remarkable drawings that for conservation reasons are usually kept in the dark." The NGC collection has grown to include an extraordinary range of national and international works spanning the 15th to 20th centuries, including master drawings from Italy, France, Germany and Spain dating to the 1600s. From preparatory studies to vivid pastel compositions, Gathered Leaves offers a compelling look at the diverse roles drawing has played across time, geography, and artistic movements. Gathered Leaves celebrates the national institution's century-long commitment to collecting and preserving works on paper. The exhibition also includes the NGC's recent acquisitions, expanding the narrative and offering fresh perspectives on art history. Accompanying the exhibition is a beautifully illustrated publication, Discoveries from the Drawings Vault. Authored by Sonia Del Re with Kirsten Appleyard, with contributions by Erika Dolphin, the catalogue commemorates the 100th anniversary of the NGC's Department of Prints and Drawings and highlights new research and curatorial insights into this significant collection. Gathered Leaves: Discoveries from the Drawings Vault is organized by the National Gallery of Canada. This exhibition is supported by Government Partner, The Resort Municipality of Whistler, and Hotel Partner, Fairmont Chateau Whistler. The accompanying catalogue is made possible with support from Getty though its Paper Project Initiative. About the Audain Art Museum Established in 2016, the Museum was founded via a major philanthropic gift of Michael Audain and Yoshiko Karasawa. The Permanent Collection is focused on the art of British Columbia, exemplifying the richness of cultural difference in Canada. Highlights include hereditary Haida Chief James Hart's The Dance Screen, an exceptional collection of historical and contemporary Indigenous art, a comprehensive selection of paintings by Emily Carr and a brilliant range of works by Vancouver's photo-conceptualists. The Museum hosts numerous special exhibitions per year that feature artists and collections of national as well as international significance. About the National Gallery of Canada Founded in 1880, the National Gallery of Canada is among the world's most respected art institutions. As a national museum, we exist to serve all Canadians, no matter where they live. We do this by sharing our collection, exhibitions and public programming widely. We create dynamic experiences that allow for new ways of seeing ourselves and each other through the visual arts, while centering Indigenous ways of knowing and being. Our mandate is to develop, preserve and present a collection for the learning and enjoyment of all – now and for generations to come. We are home to more than 90,000 works, including one of the finest collections of Indigenous and Canadian art, major works from the 14th to the 21st century and extensive library and archival holdings.

Pakistan's power sector indigenization need of the hour: Awais Leghari
Pakistan's power sector indigenization need of the hour: Awais Leghari

Business Recorder

time2 days ago

  • Business
  • Business Recorder

Pakistan's power sector indigenization need of the hour: Awais Leghari

LAHORE: Federal Minister for Energy (Power Division), Sardar Awais Ahmad Khan Leghari said on Saturday that government is striving for exports-oriented economy instead of imports and power sector indigenization is need of the hour. He added that power sector reforms are going on, while independent system and market operator has been fully functional and Energy Infrastructure Development and Management Company will also be made functional soon. He was addressing through a video link the national consultative workshop on 'Power Sector Indigenization Road Map' jointly hosted by National Grid Company (NGC), formerly NTDC, and LUMS (Lahore University of Management Sciences) Energy Institute here at the LUMS campus. The event brought together senior leadership from the power sector, manufacturing industry, regulatory bodies, policymakers and academia to chart a cohesive national strategy for accelerating the localization of Pakistan's electrical power equipment manufacturing ecosystem. The Federali Minister commended the joint initiative, stating, 'NGC is the first national entity to implement an approved Indigenization Policy, and its strategic procurement model is already delivering tangible results'. He urged WAPDA, DISCOs (Distribution Companies), KE (Karachi Electric), and state-owned and private power generation plants to adopt indigenization as a strategic imperative—not as CSR, but as a core procurement principle aligned with the National Electricity Plan 2023–2027. A key milestone of the workshop was the launch of Pakistan's first Power Equipment Manufacturing Dashboard, developed by the LUMS Energy Institute with input from power sector stakeholders. This real-time digital tool will monitor localization progress, assess vendor capacity, and identify strategic investment opportunities under the Power Sector Indigenization Plan (PSIP). The dashboard was jointly inaugurated by Dr. Fiaz Ahmad Chaudhry, Chairman NGC Board of Directors, and Senior Advisor at the LUMS Energy Institute, Pakistan Engineering Council Chairman Engineer Waseem Nazir, Managing Director NGC Engineer Muhammad Waseem Younas, CEO K-Electric Syed Monis Abdullah Alvi and others. About the Dashboard, Federal Minister said that the launch of this dashboard is a welcome step and it will help in power sector indigenization. Dr Fiaz Chaudhry stated, 'NGC's indigenization strategy—anchored in policy reform and targeted educational orders—has already saved over USD 10 million in foreign exchange through import substitution.' He reaffirmed that LUMS will continue supporting policy design, digital innovation, and institutional transformation in the energy sector. Pakistan's market for static transmission and substations is currently valued at around USD 8 million. This figure, however, does not reflect the true scale of our potential. 'We must work to expand this market at least threefolds through strategic development, innovation, and local industrial growth. At the same time, we should set a clear target of achieving no less than USD 16 million in exports from this sector. That is the level of ambition we must embrace to position ourselves competitively on the global stage,' he maintained.

Power sector indigenization need of the hour: Awais Leghari
Power sector indigenization need of the hour: Awais Leghari

Business Recorder

time2 days ago

  • Business
  • Business Recorder

Power sector indigenization need of the hour: Awais Leghari

LAHORE: Federal Minister for Energy (Power Division), Sardar Awais Ahmad Khan Leghari said on Saturday that government is striving for exports-oriented economy instead of imports and power sector indigenization is need of the hour. He added that power sector reforms are going on, while independent system and market operator has been fully functional and Energy Infrastructure Development and Management Company will also be made functional soon. He was addressing through a video link the national consultative workshop on 'Power Sector Indigenization Road Map' jointly hosted by National Grid Company (NGC), formerly NTDC, and LUMS (Lahore University of Management Sciences) Energy Institute here at the LUMS campus. The event brought together senior leadership from the power sector, manufacturing industry, regulatory bodies, policymakers and academia to chart a cohesive national strategy for accelerating the localization of Pakistan's electrical power equipment manufacturing ecosystem. The Federali Minister commended the joint initiative, stating, 'NGC is the first national entity to implement an approved Indigenization Policy, and its strategic procurement model is already delivering tangible results'. He urged WAPDA, DISCOs (Distribution Companies), KE (Karachi Electric), and state-owned and private power generation plants to adopt indigenization as a strategic imperative—not as CSR, but as a core procurement principle aligned with the National Electricity Plan 2023–2027. A key milestone of the workshop was the launch of Pakistan's first Power Equipment Manufacturing Dashboard, developed by the LUMS Energy Institute with input from power sector stakeholders. This real-time digital tool will monitor localization progress, assess vendor capacity, and identify strategic investment opportunities under the Power Sector Indigenization Plan (PSIP). The dashboard was jointly inaugurated by Dr. Fiaz Ahmad Chaudhry, Chairman NGC Board of Directors, and Senior Advisor at the LUMS Energy Institute, Pakistan Engineering Council Chairman Engineer Waseem Nazir, Managing Director NGC Engineer Muhammad Waseem Younas, CEO K-Electric Syed Monis Abdullah Alvi and others. About the Dashboard, Federal Minister said that the launch of this dashboard is a welcome step and it will help in power sector indigenization. Dr Fiaz Chaudhry stated, 'NGC's indigenization strategy—anchored in policy reform and targeted educational orders—has already saved over USD 10 million in foreign exchange through import substitution.' He reaffirmed that LUMS will continue supporting policy design, digital innovation, and institutional transformation in the energy sector. Pakistan's market for static transmission and substations is currently valued at around USD 8 million. This figure, however, does not reflect the true scale of our potential. 'We must work to expand this market at least threefolds through strategic development, innovation, and local industrial growth. At the same time, we should set a clear target of achieving no less than USD 16 million in exports from this sector. That is the level of ambition we must embrace to position ourselves competitively on the global stage,' he maintained.

Astronaut, IISc prof pitch for back-up control for safer re-entry
Astronaut, IISc prof pitch for back-up control for safer re-entry

Time of India

time3 days ago

  • Science
  • Time of India

Astronaut, IISc prof pitch for back-up control for safer re-entry

BENGALURU: Isro astronaut Group Captain Angad Pratap and Assistant Professor Jishnu Keshavan from IISc, are in the final phases of their research to demonstrate the viability of a manual control system as an additional safety measure during the critical atmospheric re-entry phase of a manned spacecraft returning to Earth. The re-entry phase involves complex aerodynamics and narrow margins for error. Too steep an entry could lead to excessive heating, while too shallow a path risks the capsule skipping off the atmosphere. Pratap and Keshavan's research focuses on a possible scenario of a failure in the primary automatic Navigation, Guidance and Control (NGC) system of a crew module during re-entry. To address this, the team explored whether an astronaut could manually guide the spacecraft in such conditions with support from a partially degraded NGC system. Their system is not being designed to replace the primary NGC architecture but to complement it. The objective of automated guidance during re-entry is to ensure accurate tracking of a predefined reference trajectory all the way to touchdown. This requires designing a guidance law capable of countering potential disturbances that could otherwise alter the spacecraft's descent profile and cause deviations from the intended landing point—an outcome that must be avoided in practice. As per the abstract of their research presented at the recently concluded Global Space Exploration Conference (GLEX-2025), to mitigate this possibility, the study explored the feasibility of incorporating 'a novel bank-angle based manual control scheme in a manned spacecraft during re-entry in the atmospheric altitudes of 120km - 10 km'. 'Bank-angle manipulation' used here is the same fundamental principle employed by automated systems, but adapted for human operation, as per the abstract titled 'Robust Manual Guidance Law For Manned Spacecraft Re-Entry Applications'. Using sophisticated 6-DOF (six degree-of-freedom) modelling incorporating both translational and rotational dynamics, researchers demonstrated that human pilots could successfully guide a representative manned spacecraft from re-entry altitude to parachute deployment while maintaining all critical parameters within safe limits. Manual mode is proposed as an additional backup to the multiple chains of automated modes of reentry control in case of the flight profile either exceeding predefined perturbation models, or identical failure across all automated control chains. Incorporating this additional degree of manual redundancy may enhance mission reliability for the crew capsule. The manual control scheme was explored from the standpoint of guiding the manned spacecraft manually from a predefined reentry altitude to the terminal altitude thus guaranteeing subsequent touchdown at the predefined target location. The study describes the design and testing of a 'reduced-order' flight display and manual control setup intended for emergency use. Drawing from operational precedents such as Nasa's Apollo missions, the system provides a pilot with essential information through an intuitive interface. This would allow the crew to steer the capsule towards a pre-designated landing area, even in the absence of automated controls.

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