
Sky Ultimate TV plan claims to be 'best value' in new deal, but is it really?
Sky Ultimate TV plan claims to be 'best value' in new deal, but is it really?
We looked at the differences between the two services to figure out which is better, Essential TV or Ultimate TV
Sky offers loads of channels, but which package should you pick?
Those looking to boost their TV choices, then Sky's Ultimate TV package could be an option. Sky claims that this package offers the 'best value' of all its bundles, but is that true? Our tech expert has broken down the latest deal to see if it's worth it.
Sky Ultimate TV comes in at £22 per month. That's the price for new customers, and includes a Sky Stream box to connect to the TV. Users will also get Netflix and Discovery+, Sky Atlantic and access to 90 free-to-air channels, not to forget the bundled channels that make Ultimate TV stand out from the basic Essential TV package.
Sky Essentials only costs £15 a month, so what extra are you getting to justify the £7 a month increase? We've combed through the channels to see what's worth the money.
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The big difference between Essential TV and Ultimate TV is access to Sky Max, Sky Showcase, Sky Witness and more Sky channels, as well as National Geographic and MTV. Sky says that viewers get more than 35 more channels compared to Essential TV. That's on top of the 90+ free channels that both packages offer.
On both Sky plans, viewers get access to Netflix (the Standard with Ads plan), Discovery+ Basic, which combined are worth £8.98, so on Essential TV, everything else is really costs £6.02 a month. Another provider that offers Netflix included in the plan is EE as part of its broadband and TV combo, although it is more expensive.
Sky Ultimate TV
£22
Sky See the deals Product Description
Get Sky's 'best value' Ultimate TV package including Netflix, Discovery+ and many Sky channels
It's also worth mentions for those locked into a rival provider plan who wants access to some Sky channels. Both Virgin Media and NOW TV offer some Sky channels as paid for add ons.
Back to Sky, and the blockbuster TV channel on both services is Sky Atlantic, which is where shows like Day of the Jackal and House of the Dragon air – and both Essential TV and Ultimate TV get access to it. That's the channel that delivers the biggest new shows from the US.
That still leaves Ultimate TV with quite a lot of ground to make up across the channels that it offers to justify the extra cost. Some of Sky's channels gives access to great shows: Sky Witness, for example, is loaded with dramas like The Good Doctor and Station 19, while Sky Comedy will keep you laughing with US shows.
Sky Max and Sky Showcase replace what used to be Sky One (if you remember that) with access to shows like Brassic, A League of Their Own, SWAT and a whole lot more. That's loads of extra premium TV, day or night, that isn't offered on Essential TV. 'You can watch this live', but in some cases it's available to watch on demand too, as box sets.
The Day Of The Jackal was a key show for Sky Atlantic.
Both Sky services give customers access to all the major streaming services as well, but one of the big differences is that if viewers don't want to pay for another streaming service the Ultimate TV plan gives more streaming options than the Essential TV plan.
Is it worth the extra £7 per month? That really depends on what you want to watch and how you watch it, but consider that it's only 23p a day extra.
Given that Netflix is included, viewers can watch content on demand and have Sky Atlantic on both services, while Ultimate TV offers great value, there's no avoiding that Essential TV gives viewers access to a lot of great entertainment for less money. However, there are some things to be aware of.
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The main one being cost increases. Despite Sky's ongoing sale the provider is not exempt from the ongoing mid-contract price rises, something which is effective a lot of UK consumers and retailers put up their prices in line with inflation.
This is certainly a downside for shoppers looking to enter into one of Sky's fixed two-year contracts, potentially giving uncertainty to consumers on how much they'll be locked into paying. As the Sky site says below, both the Essential TV and Ultimate TV plans say: "Prices may change during the 24-month contract."
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Scottish Sun
an hour ago
- Scottish Sun
Diddy accused of ‘drugging and raping TV reporter on tour bus' as she demands rapper be extradited to face ‘punishment'
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Sign up for the Entertainment newsletter Sign up 3 Austrian reporter Kathi Steininger has accused Sean 'Diddy' Combs of raping her when she tried to get an interview Credit: Pulse24 3 Combs, seen at the 2022 Billboard awards, allegedly attacked the accuser when she was just 19 Credit: Getty 3 She broke down in tears as she described the alleged attack Credit: Pulse24 Combs, 55, is accused of hiring prostitutes as perverse entertainment for his so-called "freak offs," which were sex parties that had a roster of high-profile guests. He would allegedly ply attendees and sex workers with drugs before filming them in compromising positions, and use the tapes as blackmail. At the center of the charges is his relationship with ex-girlfriend Cassie Ventura, who broke the story wide open when she sued the mega producer in November 2023. In that suit, she accused her ex-lover of raping and beating her, as well as forcing her to take part in the sometimes days-long freak-offs. 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Time Out
an hour ago
- Time Out
Sadie Sink on the vulnerability of her star turn on Broadway
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Shelby is incredibly smart—that's not so obvious to other people—in a way that's beyond her years. What drew me to her was her honesty, which I think is something a lot of people struggle with. Personally, I could never be as honest and blunt as Shelby is. I was really drawn to how she can maintain that quality throughout the trauma she's suffered, and the way she carries that trauma in such a complex, beautiful, messy way. Digging into that and peeling back her layers was such a long process—and one that I feel like I didn't actually have a full grasp on until right before opening, to be honest. How has the role evolved for you over time? In rehearsal, we got into some of her wackier and nerdier sides, where she's a little bit more energetic and awkward. In previews, we stripped that back and brought back some of my initial instincts; we grounded her a bit and found places for her to relax so that the audience could see the many dimensions of who she is. 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She told me something that shifted how I approached the scene: That any choice I make, anything I say, has nothing to do with me. It's only Shelby. And if I can just be a vessel for her, then the vulnerability can open up and it can feel honest. That was so important to hear from a director—for her to call out the anxieties that I have in that area, and allow me to feel safe and protected. The play gets intense at some points. How do you get into character? There are 30 minutes in the play before I go on stage. So while everybody else is warming up, I'm not; I wait until everyone else is on stage, and that's my warm-up time. I have the space to get into character, because it's so quiet backstage. I have a few songs that are triggers, or that help me associate with Shelby. If I listen to one of those songs, then I'm good. I've been listening to 'Limp,' by Fiona Apple. I think Shelby would love Fiona Apple. Also, 'Liability (Reprise)' from Melodrama by Lorde. That's a huge one. 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At the end of the show, I'm so winded from that last dance. I've given all the energy I have left. I have 45 minutes in the car where I can listen to music. When I get home, I pretty much go to bed. I would be remiss to not ask you about Charles Strouse, the composer who wrote Annie and passed away recently. What do you remember of him? It was really heartbreaking to hear and made me appreciate my time in that show. I met him at the opening night party for Annie. What he did for Annie —that kind of raised me in a way. That's the legacy he created and I'm so appreciative of him. What do you remember about going on in the role of Annie for the first time, after Lilla Crawford had left the production? I'm still friends with Lilla—she's a good friend of mine. Once she left, me and another girl shared the role. I remember the first time I went on for Duffy, the first orphan I played, but I can't remember the first time I went on as Annie. 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No, because we're on the same schedule. The weird thing is, even if you aren't on the same schedule as another show—if you have a night or an afternoon off—it's hard to get yourself to midtown to sit through another show. But I did get to see Oh, Mary!, which was awesome. Maybe you'll get to see him again at the Tonys. Who are you bringing as your date? My brother!


Scotsman
2 hours ago
- Scotsman
Every Guillermo del Toro film: All of the Frankenstein director's films ranked, from best to worst
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