Bella Hadid Acquires a Rare Piece of Cannes History—to Wear Out in London
When you buy through links on our articles, Future and its syndication partners may earn a commission.
The biggest story out of the 2025 Cannes Film Festival best-dressed list is its controversial dress code and the way stars are bending it to their will. The second biggest story out of the Cannes Film Festival red carpet is Bella Hadid's early departure.
The model cut her usual fashion marathon short to celebrate her fragrance brand's U.K. launch in London. However, she didn't let the trip across the English Channel dim her usual vintage red carpet antics. In fact, she chose a May 16 party to follow casual boho studded bags and Nike Air Max sneakers with a veritable piece of Cannes red carpet history—never mind that she wasn't actually wearing it on La Croisette.
Hadid left her hotel ahead of an Ôrebella launch party in a liquid silver chainmail dress by John Galliano. Timestamp: Fall 1997, when Hedvig Marie Maigre first wore it with wraparound metallic sandals. Nearly three decades later, a twenty-first century supermodel paired it with flowers in her hair and Jimmy Choo heels on her feet. Clocking that runway reference is only scratching the surface of this look's backstory.
Within minutes of Hadid's look hitting the internet, Cannes red carpet historians and It-girl chroniclers came to the same conclusion: this vintage look had a second life off the runway. Specifically at the 50th Cannes Film Festival in 1997, when model and actress Milla Jovovich wore the same Galliano design to the premiere of The Fifth Element. There's simply no mistaking the asymmetric skirt, 3-D floral embellishments, and second-skin chainmail: They're all identical to Hadid's.
At press time, it's not quite clear if Hadid tapped a stylist like Molly Dickson to dig into the archives for this piece, or if Hadid picked it out herself. The vintage boutique behind her find also hasn't stepped forward quite yet.
Details aside, this Cannes red carpet throwback neatly lines up with Bella Hadid's proven track record with rare vintage finds—especially on the Ôrebella promotion circuit. When the brand first launched in spring 2024, she wore several archival pieces to press lunches and photocalls, including a Dior corset dress circa 2004 and a swirling floral Roberto Cavalli number.
Selecting a piece of Cannes history to wear hundreds of miles away is nothing short of a fashion flex on Hadid's part.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Writer Bernardine Evaristo receives lifetime accolade for a career of breaking boundaries
LONDON (AP) — Bernardine Evaristo doesn't like boundaries. For the Booker Prize -winning novelist, rules about genre, grammar or what a working-class biracial woman can achieve are all to be challenged and swept away. Evaristo was announced Wednesday as recipient of the 100,000-pound ($135,000) Women's Prize Outstanding Contribution Award for her 'transformative impact on literature and her unwavering dedication to uplifting under-represented voices." Evaristo, 66, received the prize both for her work to help promote women and writers of color, and for writing that takes in poetry, a memoir and seven novels including the Booker-winning 'Girl, Woman, Other.' 'I just go wherever my imagination takes me,' she said. 'I didn't want to write the kind of novels that would take you on a predictable emotional or moral journey.' An eclectic output Evaristo had already explored autobiographical fiction, historical settings and alternate realities when she won the Booker in 2019 for 'Girl Woman, Other,' a polyphonic novel told from the point of view of a dozen characters, largely Black women, with widely varying ages, experiences and sexualities. She was the first woman of African heritage to be awarded the prize, which was founded in 1969 and has a reputation for transforming writers' careers. When she won, Evaristo was 60 and had been a writer for decades. She says the recognition 'came at the right time for me.' 'Maybe I wouldn't have handled it so well if I was younger,' she told The Associated Press at her London home. 'It changed my career –- in terms of book sales, foreign rights, translation, the way in which I was viewed as a writer. Various other opportunities came my way. And I felt that I had the foundations to handle that.' Evaristo's house on a quiet suburban street is bright and comfortable, with wooden floors, vibrant textiles and a large wooden writing desk by the front window. Large photos of her Nigerian paternal grandparents hang on one wall. Her work often draws on her roots as the London-born child of a Nigerian father and white British mother. Like much of Evaristo's work, 'Girl, Woman, Other' eludes classification. She calls it 'fusion fiction' for its melding of poetry and prose into a novel that relishes the texture and rhythm of language. 'I kind of dispense with the rules of grammar,' she said. 'I think I have 12 full stops in the novel.' If that sounds dauntingly experimental, readers didn't think so. 'Girl, Woman, Other' has sold more than 1 million copies and was chosen as one of Barack Obama's books of the year. Passion for poetry Evaristo traces her love of poetry to the church services of her Catholic childhood, where she soaked up the rhythms of the Bible and sermons, 'without realizing I was absorbing poetry.' When she started writing novels, the love of poetry remained, along with a desire to tell stories of the African diaspora. One of her first major successes, 'The Emperor's Babe,' is a verse novel set in Roman Britain. 'Most people think the Black history of Britain only began in the 20th century,' Evaristo said. 'I wanted to write about a Black presence in Roman Britain -– because there was a Black presence in Roman Britain 1,800 years ago.' Another novel, 'Blonde Roots,' is set in an alternative historical timeline in which Africans have enslaved Europeans, and was nominated for a major science-fiction award. 'Mr Loverman,' which centers on a closeted gay 70-something Antiguan Londoner, was an attempt to move beyond cliched images of Britain's postwar Caribbean immigrants. It was recently made into a BBC television series starring Lennie James and Sharon D. Clarke. Levelling the playing field Her latest award is a one-off accolade marking the 30th anniversary of the annual Women's Prizes for English-language fiction and nonfiction. Women's Prize founder Kate Mosse said Evaristo's 'dazzling skill and imagination, and her courage to take risks and offer readers a pathway into diverse and multifarious worlds over a 40-year career made her the ideal recipient.' Evaristo, who teaches creative writing at Brunel University of London, plans to use the prize money to help other women writers through an as-yet undisclosed project. She has long been involved with projects to level the playing field for under-represented writers, and is especially proud of Complete Works, a mentoring program for poets of color that she ran for a decade. 'I set that up because I initiated research into how many poets of color were getting published in Britain at that time, and it was under 1%' of the total, she said. A decade later, it was 10%. "It really has helped shift the poetry landscape in the U.K.," she said. Partial progress Evaristo followed 'Girl, Woman, Other' with 'Manifesto,' a memoir that recounts the stark racism of her 1960s London childhood, as well as her lifelong battle for creative expression and freedom. If Evaristo grew up as an outsider, these days she is ensconced in the arts establishment: professor, Booker winner, Officer of the Order of the British Empire, or OBE, and president of the 200-year-old Royal Society of Literature. That milestone -– she's the first person of color and the second woman to head the RSL -– has not been trouble-free. The society has been ruffled by free speech tows and arguments over attempts to bring in younger writers and diversify its ranks -– moves seen by some as watering down the accolade of membership. Evaristo doesn't want to talk about the controversy, but notes that as figurehead president she does not run the society. She says Britain has come a long way since her childhood but 'we have to be vigilant.' 'The country I grew up in is not the country I'm in today,' she said. 'We've made a lot of progress, and I feel that we need to work hard to maintain it, especially in the current political climate where it feels as if the forces are against progress, and proudly so. 'Working towards an anti-racist society is something that we should value, and I hope we do, and that we don't backslide too much.'
Hamilton Spectator
3 hours ago
- Hamilton Spectator
Writer Bernardine Evaristo receives lifetime accolade for a career of breaking boundaries
LONDON (AP) — Bernardine Evaristo doesn't like boundaries. For the Booker Prize -winning novelist, rules about genre, grammar or what a working-class biracial woman can achieve are all to be challenged and swept away. Evaristo was announced Wednesday as recipient of the 100,000-pound ($135,000) Women's Prize Outstanding Contribution Award for her 'transformative impact on literature and her unwavering dedication to uplifting under-represented voices.' Evaristo, 66, received the prize both for her work to help promote women and writers of color, and for writing that takes in poetry, a memoir and seven novels including the Booker-winning 'Girl, Woman, Other.' 'I just go wherever my imagination takes me,' she said. 'I didn't want to write the kind of novels that would take you on a predictable emotional or moral journey.' An eclectic output Evaristo had already explored autobiographical fiction, historical settings and alternate realities when she won the Booker in 2019 for 'Girl Woman, Other,' a polyphonic novel told from the point of view of a dozen characters, largely Black women, with widely varying ages, experiences and sexualities. She was the first woman of African heritage to be awarded the prize, which was founded in 1969 and has a reputation for transforming writers' careers. When she won, Evaristo was 60 and had been a writer for decades. She says the recognition 'came at the right time for me.' 'Maybe I wouldn't have handled it so well if I was younger,' she told The Associated Press at her London home. 'It changed my career –- in terms of book sales, foreign rights, translation, the way in which I was viewed as a writer. Various other opportunities came my way. And I felt that I had the foundations to handle that.' Evaristo's house on a quiet suburban street is bright and comfortable, with wooden floors, vibrant textiles and a large wooden writing desk by the front window. Large photos of her Nigerian paternal grandparents hang on one wall. Her work often draws on her roots as the London-born child of a Nigerian father and white British mother. Like much of Evaristo's work, 'Girl, Woman, Other' eludes classification. She calls it 'fusion fiction' for its melding of poetry and prose into a novel that relishes the texture and rhythm of language. 'I kind of dispense with the rules of grammar,' she said. 'I think I have 12 full stops in the novel.' If that sounds dauntingly experimental, readers didn't think so. 'Girl, Woman, Other' has sold more than 1 million copies and was chosen as one of Barack Obama's books of the year. Passion for poetry Evaristo traces her love of poetry to the church services of her Catholic childhood, where she soaked up the rhythms of the Bible and sermons, 'without realizing I was absorbing poetry.' When she started writing novels, the love of poetry remained, along with a desire to tell stories of the African diaspora. One of her first major successes, 'The Emperor's Babe,' is a verse novel set in Roman Britain. 'Most people think the Black history of Britain only began in the 20th century,' Evaristo said. 'I wanted to write about a Black presence in Roman Britain -– because there was a Black presence in Roman Britain 1,800 years ago.' Another novel, 'Blonde Roots,' is set in an alternative historical timeline in which Africans have enslaved Europeans, and was nominated for a major science-fiction award. 'Mr Loverman,' which centers on a closeted gay 70-something Antiguan Londoner, was an attempt to move beyond cliched images of Britain's postwar Caribbean immigrants. It was recently made into a BBC television series starring Lennie James and Sharon D. Clarke. Levelling the playing field Her latest award is a one-off accolade marking the 30th anniversary of the annual Women's Prizes for English-language fiction and nonfiction . Women's Prize founder Kate Mosse said Evaristo's 'dazzling skill and imagination, and her courage to take risks and offer readers a pathway into diverse and multifarious worlds over a 40-year career made her the ideal recipient.' Evaristo, who teaches creative writing at Brunel University of London, plans to use the prize money to help other women writers through an as-yet undisclosed project. She has long been involved with projects to level the playing field for under-represented writers, and is especially proud of Complete Works, a mentoring program for poets of color that she ran for a decade. 'I set that up because I initiated research into how many poets of color were getting published in Britain at that time, and it was under 1%' of the total, she said. A decade later, it was 10%. 'It really has helped shift the poetry landscape in the U.K.,' she said. Partial progress Evaristo followed 'Girl, Woman, Other' with 'Manifesto,' a memoir that recounts the stark racism of her 1960s London childhood, as well as her lifelong battle for creative expression and freedom. If Evaristo grew up as an outsider, these days she is ensconced in the arts establishment: professor, Booker winner, Officer of the Order of the British Empire, or OBE, and president of the 200-year-old Royal Society of Literature. That milestone -– she's the first person of color and the second woman to head the RSL -– has not been trouble-free. The society has been ruffled by free speech tows and arguments over attempts to bring in younger writers and diversify its ranks -– moves seen by some as watering down the accolade of membership. Evaristo doesn't want to talk about the controversy, but notes that as figurehead president she does not run the society. She says Britain has come a long way since her childhood but 'we have to be vigilant.' 'The country I grew up in is not the country I'm in today,' she said. 'We've made a lot of progress, and I feel that we need to work hard to maintain it, especially in the current political climate where it feels as if the forces are against progress, and proudly so. 'Working towards an anti-racist society is something that we should value, and I hope we do, and that we don't backslide too much.' Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
Yahoo
4 hours ago
- Yahoo
"It's 5GB of pure bloatware": Apple Intelligence unlikely to win over Mac users at WWDC — Here's why
When you buy through links on our articles, Future and its syndication partners may earn a commission. Apple's annual Worldwide Developers Conference (WWDC) takes place on Monday, June 9, and the company is set to spotlight its biggest software updates of the year — but will any of its new Apple Intelligence features win over frustrated Mac users? Apple Intelligence may have been the star of last year's show, but the platform, pitched as "AI for the rest of us," has mostly failed to capture the awe of Mac, iPhone, or iPad users, with the one update everyone really wants to see is nowhere in sight. There's no doubt that Apple will liberally flaunt the term AI during this year's WWDC, but a claimed lack of any killer AI features to show could highlight how far ahead Apple's competition is. However, to some, that's a good thing. Take a look online and you'll see many Mac users souring on AI, and until Apple is ready to change their minds with something truly groundbreaking, it might be best to keep it out of the limelight a little longer. See also: Best Apple deals in June 2025 With WWDC 2025 now just a week away, we're getting our last, and arguably most exciting, wave of rumors about what to expect. The highlight, according to Bloomberg's Mark Gurman, will be a major rebrand of Apple's operating systems along with the biggest visual overhaul since iOS 7. For Mac users, that means the next OS update will be macOS 26, which will likely feature tweaked app icons and potentially changes to the overall UI, like more transparent elements. Rumors indicate that Apple is taking a lot of inspiration from visionOS for this sweeping visual overhaul across its platforms, giving a rough idea of what to expect. What we're not expecting to see, however, is any major Apple Intelligence developments. Apple is expected to debut an AI battery optimization tool, which sounds useful, and potentially some other minor updates, but the big, large language model (LLM) Siri update we've all been waiting for is unlikely to make an appearance at WWDC. That big Siri update is the AI feature its users really need. While it's disappointing we have to keep waiting for it, a lack of focus on AI in the meantime might actually be a good thing for Apple, judging by a cold response to AI from many Mac users. Apple was undoubtedly late to the game in consumer AI, falling short of the innovations Google, Meta, and OpenAI have been announcing over recent years. OpenAI is even partnering with former Apple design chief Jony Ive to develop its own in-house AI device. Considering all that, one might think Apple is in hot water, dropping the ball on AI like it has. However, that's assuming Apple users actually want a boatload of AI features on their devices, which might not be the case. For instance, a user in one Reddit thread referred to Apple Intelligence as "5GB of pure bloatware," complaining that trying to disable or remove the feature can lead to bugs. A user in another thread expressed frustration about not being able to completely remove Apple Intelligence, commenting, "Some of us don't like a service shoved down our throats we never asked for, and don't need. Sure, it can be turned off, but it should be optional to be installed to begin with. I'd like to use those few gigs of storage." One user even described Apple's AI as "all hype, no value." Comment from r/MacOS Even users who don't outright dislike Apple Intelligence see little use in it, like one commenter who said: "I pretty much never use writing tools, even before they were integrated, so that's been barely used. Sucks that what the majority of Apple AI is." Another user pointed out the core of the issue: "Siri still seems dumb as a rock." All of this effectively amounts to a lack of enthusiasm for AI in general, at least among Mac users. It makes me wonder, would Apple be better off differentiating itself by backing off on AI, at least until the new-and-improved Siri is ready? So far, Apple Intelligence seems to be mimicking competitors' AI offerings, only with fewer features and years behind. That strategy clearly isn't winning over Mac users, though, who seem to be really looking for practical AI tools and a Siri update, not gimmicks like AI-generated emojis. Instead of trying to convince us it's an AI brand now, maybe Apple could woo fans by showing it's focusing on launching AI tools that prioritize genuine usefulness and user privacy. WWDC 2025 preview: A gloomy prediction for Apple Intelligence, "Solarium," and macOS "Tahoe" iPhone 17 Air leak shows impossibly sturdy frame, but don't put your "bendgate" fears to bed just yet App Store rule change takes the headache out of buying books on iOS Kindle app
