logo
BBC risks exodus as older viewers flock to YouTube

BBC risks exodus as older viewers flock to YouTube

Telegraph7 days ago
The BBC is at risk of a fresh exodus of viewers as older audiences increasingly turn to YouTube over traditional television channels.
The streaming giant accounted for 14pc of all viewing time in UK households last year, overtaking ITV for the first time to become the second most-watched service in Britain.
It means YouTube is now closing in on the BBC, which remains Britain's most-watched service with a 19pc share of viewing time. ITV now holds a 12pc share, according to the findings published by Ofcom.
The trend is being driven by younger audiences, with adults aged between 16 and 34 watching 18 minutes of YouTube a day on their television sets. One in five children aged between four and 15 head straight to the app as soon as they turn the TV on.
But Ofcom found that the flood of viewers to YouTube is not confined to Gen Z, with over-55s nearly doubling the amount of YouTube content they watch on TVs to 11 minutes per day.
While the most popular types of video vary greatly by age, adults are most likely to use YouTube for music or to watch 'how to' videos, such as recipes and DIY.
YouTube's surging popularity among older Britons also comes amid the rapid growth of video podcasts, with shows such as The Rest is History racking up huge audiences for their filmed episodes.
The radical shift in viewing habits presents a further threat to traditional broadcasters such as the BBC, ITV and Channel 4, which are already grappling with competition posed by streaming platforms.
The research found that YouTube now poses a direct threat to traditional TV viewing by older audiences, with 42pc of all viewing of the platform among over-55s taking place on a television set.
Moreover, audiences are increasingly watching longer-form videos on YouTube that more closely resemble traditional programming. Half of the platform's top-trending videos last year were longer shows, including interviews and quiz shows.
Ofcom found that the BBC's average weekly reach remained stable in 2024 following a 5pc decline the previous year.
Higher demand for iPlayer, thanks largely to the Euro 2024 football tournament and Olympic Games, meant overall viewing of BBC videos even increased slightly last year.
But overall, people spent 4pc less time watching broadcast TV in 2024 than the previous year, with average viewing time dropping to 2 hours 24 minutes a day.
The growing threat from YouTube has prompted Ofcom to urge public service broadcasters to make more programming for the platform or risk fading into irrelevance among an entire generation of viewers.
ITV and Channel 4 have already struck deals to put their programmes on YouTube and other streaming services, while Tim Davie, the BBC director general, has said the corporation will start making news programming specifically for streaming platforms and social media apps.
One industry source accused Ofcom of conflating the content with the platform, arguing that broadcasters attracted large audiences on YouTube.
However, figures released by the regulator last week showed that only about a fifth of the time Britons spend on YouTube is done so watching content made in the UK, while North America accounts for more than half.
While Ofcom has encouraged broadcasters to strike commercial deals with YouTube, it also suggested that ministers could intervene to force the US company to boost British TV programming on the platform.
'Alien to younger viewers'
Ed Leighton, Ofcom's interim head of strategy and research, said: 'Scheduled TV is increasingly alien to younger viewers, with YouTube the first port of call for many when they pick up the TV remote. But we're also seeing signs that older adults are turning to the platform as part of their daily media diet too.
'Public service broadcasters are recognising this shift – moving to meet audiences in the online spaces where they increasingly spend their time. But we need to see even more ambition in this respect to ensure that public service media that audiences value survives long into the future.'
The continued relevance of the BBC to British audiences will be a key negotiating point in discussions with the Government over the future of the corporation's funding.
Samir Shah, the BBC chairman, has said the corporation is looking at a potential overhaul of the licence fee model after a further 300,000 stopped paying the levy last year.
A BBC spokesman said: 'We welcome Ofcom's recognition of the role of the BBC in bringing people together – with three of the most-viewed programmes of last year on the BBC.
'Despite ever-increasing competition, the report finds that reach of BBC channels across all age groups remained stable year-on-year, maintaining the BBC's role as the most-watched broadcaster or service. While BBC iPlayer was the UK's fastest-growing long-form video-on-demand service in 2024/25, we know that audience needs are rapidly changing, and so we continue to transform what we do on digital platforms.
'We remain focused on delivering value for all audiences and being the place where people come together for unforgettable moments.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Great British Sewing Bee viewers all say same thing as they point out 'big flaw'
Great British Sewing Bee viewers all say same thing as they point out 'big flaw'

Daily Mirror

time28 minutes ago

  • Daily Mirror

Great British Sewing Bee viewers all say same thing as they point out 'big flaw'

The Great British Sewing Bee fans issued the same complaint during Tuesday night's episode The Great British Sewing Bee viewers all said the same thing as they pointed out a "big flaw". ‌ During Tuesday's (August 5) instalment of the popular BBC reality programme, judges Esme Young and Patrick Grant challenged the sewers with three tasks celebrating Korea's vibrant fashion and textile heritage. ‌ They were accompanied by acclaimed designer Eudon Choi, who assisted in evaluating each Korean-influenced piece. ‌ For the pattern challenge, contestants were required to craft a jeogori - a traditional Korean jacket that's now featured in modern womenswear and K-Pop fashion. The sewers then had to reimagine taekwondo uniforms and vibrant belts into eye-catching new garments, with Kit securing first place, reports Wales Online. ‌ In the made-to-measure challenge, participants were challenged to design evening attire that drew inspiration from clothing historically worn by Korean military personnel. Born in the 900s during the Goryeo dynasty, the cheollik started as a military coat built for movement and authority with a flat collar, pleats and ties. Over centuries, it's evolved from rugged menswear into elegant womenswear. ‌ Contestants were allocated five hours for the task, having been permitted to practice their designs at home. Following her failure to wow the judges with her garments, Novello was sent home from the contest, whilst Caz claimed the garment of the week accolade. ‌ "It's okay, I expected it," Novello said following her departure. "Sewing has always been in my life, and this experience has blown it out of the water, really. It's just something that I will remember and treasure always." However, after watching the episode, many of the show's viewers shared their frustration at the lack of time the sewers get during each challenge. Taking to X (formerly Twitter), one person wrote: "I know it's a competition, but can't they give them a little more time? It's nicer to judge finished garments." Another added: "I know they have to weed out the worst sewers, but give them a bit more time," whilst a third said: "They defo need more time." The Great British Sewing Bee is available to stream on BBC iPlayer

I'm addicted to Love Island at 38: it's my guilty pleasure
I'm addicted to Love Island at 38: it's my guilty pleasure

Times

time28 minutes ago

  • Times

I'm addicted to Love Island at 38: it's my guilty pleasure

I watch Love Island in secret — in the kitchen while I'm making dinner or with my laptop propped up on the handles of my exercise bike in my bedroom. I might pedal half-heartedly and watch an argument unfold between one bikinied woman and another about who is the fake one, who is the one who 'stands on business' and who will always 'say it with my chest' (not what you think. Checks notes: something about speaking your truth). When I told my colleagues this, even the twentysomething Gen Z ones looked aghast. Love Island is so 2019, they insisted. There hasn't been a good season since Molly-Mae left with Tommy Fury and a multimillion-pound career. And was I OK? • The problem I have with Love Island and what it says about men I don't know. Am I? I'm 38 years old. I wake up to Radio 4. Right now on my way into work I'm reading The Marriage Portrait by Maggie O'Farrell, a Women's Prize shortlisted novel. Or I'm scrolling one of three news apps on my phone. I'm keen on politics and current affairs. I spend my working days at my desk editing serious features. And I love love triangles. Gen Z might be the target audience for the long-running ITVX reality series, whose 12th series finished this week. It was a runaway hit online this year: 13 million people follow Love Island accounts on social media and there were 87,000 video uploads on TikTok, 30-second clips watched in turn by millions. Yet I'll wager that a good portion of the stalwart 1.2 million traditional viewer figures (down from its 2019 peak of 6 million) are exhausted geriatric millennial mothers. It's the TV version of Melvyn Bragg's In Our Time. Reassuring, soporific, it asks nothing of me. My husband and I work full-time, look after two kids under five and run a daily relay of nursery pick-ups and drop-offs, then trains to and from the office. We stare at departure boards and hope to God this one won't be delayed. By the time one of us is home and has reheated whatever dinner we have batch-cooked for the kids at the start of the week, done their bathtime, books and bedtime, I for one don't have it in me to watch a big, serious prestige drama. Luckily for me, Love Island is on most nights and I can store up episodes. There's nothing easier than the endless repetition of hearing one contestant say earnestly and pointlessly to the object of his affection around a fire pit: 'You're beautiful inside and out.' And there's nothing more inevitable than the narrative arc of the final weeks of the series, when the last couples all go 'exclusive' and we see the ritual of women jumping up and down and congratulating whichever friend has just been 'wifed off'. • Gen Z v Gen X: what we spend our money on now I even like the audacity of the show's bad boy Harry, who shakes his head whenever a new girl enters the villa. He might have told one woman their connection was 'undeniable' but that was 30 minutes ago. Now he is about to flirt with this new bombshell. He turns to his fellow male contestants as he eases himself off the sunbed and says gleefully, regretfully, 'This is no good.' I agree, it is no good. And yet Love Island is the perfect dead-eyed content to watch passively, between hauling one mixed-up pile of still sodden laundry onto the side to sort through. I never watch it in real time, only ever an episode at a time a few days later on ITVX's catch-up, so I haven't yet seen the final in which (spoiler alert to self) Toni, the outspoken Vegas drinks girl, and Cach, the gentlemanly dancer from London, take home the £50,000 prize. Frankly, it doesn't matter to me who wins. • Read our TV reviews, guides about what to watch and interviews I feel somewhat vindicated that Caitlin Moran recently revealed on these pages that she is watching the show too. This series, she notes, has a particular undercurrent of misogyny. It's best captured by the phrase 'you're trouble' — something the boys use on the girls all the time. It's a sinister compliment, the subtext being: 'With your good looks, you've asked for this.' And then there is their bad behaviour of playing one woman off against another. True to form, for much of the series the women argue among themselves, forgetting that the men are the cause of the fallout. My husband can't stand Love Island and I hate watching it while he's in the room — the eye rolls and sighs coming from the other side of the couch are too annoying. He'd rather watch the Tour de France highlights. That's when I retreat to my exercise bike for the belated next instalment of who's been dumped from the villa. Love TV? Discover the best shows on Netflix, the best Prime Video TV shows, the best Disney+ shows , the best Apple TV+ shows, the best shows on BBC iPlayer, the best shows on Sky and Now, the best shows on ITVX, the best shows on Channel 4 streaming, the best shows on Paramount+ and our favourite hidden gem TV shows. Don't forget to check our critics' choices to watch and browse our comprehensive TV guide

Great British Sewing Bee viewers issue same complaint as they spot huge format flaw
Great British Sewing Bee viewers issue same complaint as they spot huge format flaw

Wales Online

timean hour ago

  • Wales Online

Great British Sewing Bee viewers issue same complaint as they spot huge format flaw

Great British Sewing Bee viewers issue same complaint as they spot huge format flaw Tuesday's episode of The Great British Sewing Bee was centred around Korean garments. The Great British Sewing Bee viewers issued the same complaint as they spotted a huge format flaw. ‌ During Tuesday's (August 5) episode of the hit BBC reality show, judges Esme Young and Patrick Grant set the contestants three challenges that celebrated the rich fashion and textile traditions of Korea. ‌ They were also joined by award-winning designer Eudon Choi, who helped them examine each Korean-inspired item. ‌ For the pattern challenge, the sewers had to create a jeogori - a historic Korean jacket that's now seen in contemporary womenswear and K-Pop. The contestants then had to transform taekwondo outfits and colourful belts into striking new creations, with Kit coming in first place. Tuesday's episode was inspired by Korean fashion (Image: BBC) ‌ In the made-to-measure challenge, the sewers were tasked with designing evening wear inspired by a garment once worn by Korean military officials. Born in the 900s during the Goryeo dynasty, the cheollik started as a military coat built for movement and authority with a flat collar, pleats and ties. Over centuries, it's evolved from rugged menswear into elegant womenswear. ‌ The contestants were given five hours for the project, after being able to practice their items at home. After failing to impress the judges with her creations, Novello was eliminated from the competition, while Caz received the garment of the week. 66-year-old sewer Novello was eliminated (Image: BBC) ‌ "It's okay, I expected it," Novello said after her exit. "Sewing has always been in my life, and this experience has blown it out of the water, really. It's just something that I will remember and treasure always." However, after watching the episode, many of the show's viewers shared their frustration at the lack of time the sewers get during each challenge. Article continues below "I know it's a competition, but can't they give them a little more time? It's nicer to judge finished garments," one person wrote on X (formerly Twitter). Another added: "I know they have to weed out the worst sewers, but give them a bit more time," while a third said: "They defo need more time." The Great British Sewing Bee is available to stream on BBC iPlayer

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store