logo
Miley Cyrus Reveals Why She Isn't Going on Tour Anytime Soon

Miley Cyrus Reveals Why She Isn't Going on Tour Anytime Soon

Yahoo15-07-2025
Originally appeared on E! Online
Miley Cyrus may have dropped another album, but she's still on an endless summer vacation.
The Hannah Montana alum, who hasn't paired an album with live shows since her 2014 Bangerz Tour, recently detailed why she no longer considers globetrotting a necessary part of her career—and it has nothing to do with Reinke's edema, the vocal condition she lives with.
'I do have the physical ability,' she clarified during a July 15 Good Morning America segment. 'I have the opportunities to tour, I wish I had the desire, but I don't. I also don't think that there's an infrastructure that supports artists.'
Miley, 32, went on to cite Prince—who was constantly on the road—as a reason for why she doesn't think touring is in the cards for her.
'It's really hard to maintain sobriety when you're on the road,' she explained, 'which is kind of a pillar of stability in my life. None of this that I create would even be possible without the way I think about things.'
More from E! Online
Emmy Nominations 2025 Are Finally Here: See the Complete List (Live Updates)
RHONJ's Dolores Catania Shares Important Warning About Injectable Weight Loss Drugs
Olivia Culpo Reacts to Getting "Roasted" Over Her Hospital Baby Bag
As for her past experience touring, Miley admitted, 'I do think it's really hard to keep mental wellness.'
Of course, this isn't the first time The Last Song star has given insight to why she doesn't perform live as much as she used to, saying her old habits exacerbated her Reinke's edema, which she described as 'abuse of the vocal cords.'
'Being 21,' she told Apple Music's Zane Lowe in May, 'and staying up and drinking and smoking and partying after every show does not help.'
But considering Miley's past as one of the faces of Disney, none of her fans will be surprised that she prefers to take it easy these days.
'I worked really hard as a child,' Miley recalled to W magazine last year. "I didn't go to prom. I didn't go to dances. I didn't have so much of that social experience or time for friends. Disney, they were doing very well off of the amount of work that I was putting in as a child. I don't have any bad feelings about that. It's just the truth.'
And for the 'End of the World' singer, touring is not an essential way to keep the connection with her fans alive.
'For clarity I feel connected to my fans NOW more than ever,' Miley wrote in a 2023 tweet in response to backlash about her not touring. 'When I win we win. Even if I don't see them face to face every night at a concert, my fans are felt deeply in my heart."
As she put it, 'I'm constantly creating and innovating new ways that I can stay connected to the audience I love—without sacrificing my own essentials."
Keep reading for more instances of Miley just being Miley… For the latest breaking news updates, click here to download the E! News App
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Someone just died going overboard on the Icon of the Seas, the largest cruise ship in the world
Someone just died going overboard on the Icon of the Seas, the largest cruise ship in the world

Yahoo

timea few seconds ago

  • Yahoo

Someone just died going overboard on the Icon of the Seas, the largest cruise ship in the world

Crew member dies on Icon of the Seas after going overboard - here's what we know. Summer and fall are popular times for cruising, and many travelers are currently planning their next getaway. Unfortunately, the cruise world was shocked by a terrible tragedy yesterday. A crew member aboard the Icon of the Seas, the world's largest cruise ship, has died after going overboard near San Salvador Island in the Bahamas on Thursday, according to Royal Caribbean, the ship's operator. Crew member overboard on Icon of the Seas The individual, whose identity has not been released, entered the water while the 1,200-foot-long vessel was sailing approximately 200 miles east of Nassau. It remains unclear how or why the crew member went overboard. 'Our crew immediately initiated a search and rescue operation, but unfortunately, the crew member passed away,' a Royal Caribbean spokesperson told Fox Business. The ship was on a seven-night Eastern Caribbean voyage and is not expected to be delayed, the outlet reported. Other deaths on cruise ships This marks the second such incident aboard Icon of the Seas this year. In May 2024, a male passenger went overboard and was pulled back onto the ship, but later died despite efforts by onboard medical staff. Similar headlines have emerged across the cruise industry in recent months. In June, a child went overboard on a Disney cruise ship. Her father jumped in after her, and both were rescued by the ship's crew and survived. What is Icon of the Seas? Icon of the Seas entered service in January 2024 and features 20 decks, 18 of which are open to guests. It can accommodate up to 7,600 passengers and 2,350 crew members. The 250,000-ton ship offers more than 40 dining and entertainment venues, eight themed 'neighborhoods,' a massive water park, and multiple pools and performance spaces. The ship was en route to Coco Cay—Royal Caribbean's private island resort in the Berry Islands—when the incident occurred. According to Cruise Hive, an overboard alarm was triggered around 7 p.m., prompting the immediate launch of rescue operations. Royal Caribbean added, 'We extend our condolences to the crew member's family and loved ones. To respect their privacy, we have no additional details to share.' Solve the daily Crossword

This week, we remember a few icons and visit our happy place with ‘Happy Gilmore 2'
This week, we remember a few icons and visit our happy place with ‘Happy Gilmore 2'

Los Angeles Times

timea minute ago

  • Los Angeles Times

This week, we remember a few icons and visit our happy place with ‘Happy Gilmore 2'

Welcome to Screen Gab, the newsletter for everyone who is feeling nostalgic after several celebrity deaths. Malcolm-Jamal Warner, Ozzy Osbourne, Chuck Mangione and Hulk Hogan died this week, and if you were alive in the '80s, you're familiar with how each shaped music, television and pop culture. Warner is best remembered for playing Theodore 'Theo' Huxtable on 'The Cosby Show.' As the 'engaging, fun-loving teen who also got into a variety of scrapes in the Huxtable household,' Theo was a highlight of Warner's career, earning him an Emmy nomination in 1986, Times senior writer Greg Braxton wrote in an assessment of the actor's career. As for Osbourne, depending on the generation you grew up in, he was either one of your favorite heavy metal vocalists or one of your favorite TV dads (perhaps both). Beginning in 2002, the Prince of Darkness starred in MTV's 'The Osbournes,' a reality show that featured his family — wife Sharon, daughter Kelly and son Jack — and their everyday antics. It pioneered the celebrity reality TV genre, and Osbourne broke the TV dad mold by showing us that you can curse at your family with love. Meanwhile, Mangione, the prolific jazz musician, also left his mark on television after his hit song 'Feels So Good' became a running gag on the animated series 'King of the Hill' — he even lent his voice to the show for several episodes. (The revived series will return in August.) Then there's Hogan, who will be remembered both as a self-made celebrity and controversial figure. He helped lift professional wrestling to an entertainment juggernaut with 'Hulkamania,' but his use of a racial slur led to WWE terminating its 30-year association with him (though he was reinstated to their hall of fame in 2018). Later, like Osbourne, he would get his own reality show, VH1's 'Hogan Knows Best,' but it was canceled after a series of personal events, including Hogan's divorce and a car crash involving his son. It all might leave you feeling a bit wistful and wanting to watch clips of their memorable moments. But if you want to experience some nostalgia and go to a happy place, a comedic cultural touchstone has returned. In this week's Screen Gab, director Kyle Newacheck drops by to discuss Netflix's 'Happy Gilmore 2,' the sequel to the original comedy film that was nearly 30 years in the making. Must-read stories you might have missed Commentary: 'South Park' season opener puts Trump in bed with Satan and has Paramount on its knees: Comedy Central's animated series couldn't have returned at a better time. The season-opening episode is brutal in its treatment of Paramount, CBS and President Trump. 'Happy Gilmore' is back for another round, as are Adam Sandler and his longtime collaborator: Tim Herlihy has had a lasting and prolific creative partnership with Adam Sandler, the star of Netflix's 'Happy Gilmore 2,' which he co-wrote with the actor. De-aged stars, cloned voices, resuscitated dead icons: AI is changing the art and business of acting: AI isn't hovering at the edges of acting anymore. It has reshaped faces, smoothed dialogue and fast-tracked everything from dubbing to reshoots. And its reach is growing. Commentary: When 'Love Island,' 'Summer I Turned Pretty' have to tell fans to back off, should we cry or clap?: A billion-dollar industry is failing to protect the very people who built it in the first place. Recommendations from the film and TV experts at The Times 'Star Trek: Strange New Worlds' (Paramount+) The Trekkiest of the 21st century 'Star Trek' series — its very name comes from the Capt. James T. Kirk (William Shatner) speech that runs over the titles of what is now officially called 'The Original Series' — is back for its third season, which began earlier this month. Set in the years before Kirk's starship embarked on its five-year mission, this Enterprise comes with charmingly conceived, wholly convincing younger versions of characters we know well — including Uhura (Celia Rose Gooding) and Scotty (Martin Quinn) — and fuller versions of characters who never got much space on 'TOS,' like Number One (Rebecca Romijn) and Nurse Chapel (Jess Bush). Above all, there are Anson Mount's heroically haired Capt. Pike, revived from the series' initial pilot, and Ethan Peck's Spock, note perfect and yet very much his own Vulcan. Like its model, it's episodic in nature, allowing for event-packed seasons that make it seem like it's been running longer than it has (in a good way), and though it can turn dark and philosophical, it has a lightness of heart that leaves ample room for comedy — and love. — Robert Lloyd 'The Gringo Hunters' (Netflix) I find no joy in watching folks from other countries rounded up by state-sponsored agents, only to be detained with no due process and deported back home, or to who knows where. It's performative political theater, not entertainment, despite what ride-along raid hosts Dr. Phil McGraw and Kristi Noem want us to believe. But when American criminals are rounded up in Mexico and deported back to the U.S. without so much as a trial? That's unique and juicy drama. This Netflix Spanish-language drama follows members of an elite Mexican police unit (played by Harold Torres, Mayra Hermosillo and Manuel Masalva) who specialize in capturing foreign fugitives — mostly Americans — hiding from the U.S. legal system in Mexico. They are, according to one agent, 'bad hombres.' Executive produced by Brian Grazer and Ron Howard and directed by Adrián Grünberg ('Bandidos') and Natalia Beristáin, the 12-episode series was inspired by a 2022 Washington Post article that chronicled the work of a plainclothes, largely secretive investigative team in Tijuana who relied on intelligence from U.S. agencies to catch suspects, but ultimately, the fugitives are deported for breaking Mexican immigration law. 'Gringo Hunters' delivers a compelling, often darkly humorous narrative that travels through the mansions, barrios, political corridors and bustling businesses in and around Tijuana and Ensenada. The series offers a refreshing spin on the investigative procedural and an alternate view of what it looks like when Americans are targeted for deportation by a country that doesn't want them. — Lorraine Ali A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching Kyle Newacheck is no stranger to directing, with a long résumé in TV ('What We Do in the Shadows,' 'Workaholics') and film ('Murder Mystery,' 'Game Over, Man!'), nor to working with Adam Sandler, who stars in their latest collaboration, 'Happy Gilmore 2.' At the time 'Happy Gilmore' was released in 1996, it was a modest success, but it gained a cult following thanks in part to repeated screenings on basic cable. Like the first, the sequel was co-written by Sandler and his longtime collaborator Tim Herlihy, and many of their iconic characters have returned too, like Shooter McGavin (Christopher McDonald), Virginia (Julie Bowen) and Hal (Ben Stiller). The film also nods to the iconic actors from the original who are no longer with us, including Carl Weathers, Joe Flaherty and Richard Kiel. Here, the director talks about what it is like joining the project and working with Sandler and other members of the cast. 'Happy Gilmore' is a comedic cornerstone from the '90s. Do you remember the first time you watched it? What was it like to come on board for the sequel? I was 12 years old in 1996 when the movie came out, so I think the visuals are imprinted on the back walls of my brain. It was one of the first movies where I realized that movies didn't just 'appear' — somehow people are making these funny movies. After I watched the film, I picked up my grandfather's video camera in 1997 and began shooting funny videos with my friends. 'Happy Gilmore' was a movie that made all of my friends laugh. I remember everyone from my school constantly quoting lines and laughing together. Joining the sequel was a surreal moment for me, to say the least. The sequel brought back a lot of the original cast members who were so memorable, like Julie Bowen, Christopher McDonald and Ben Stiller, but you also see new faces in the 'Happy Gilmore' universe like Bad Bunny, John Daly and Benny Safdie. Do you have a favorite moment from filming or a scene where the OG cast and new cast came together? I loved filming the scene where Frank (Safdie) confronts Happy outside the batting cages. Benny and Adam have such great chemistry, and it was fun to see the two worlds collide. Happy stands against his Duster while Frank leans against his electric Rolls-Royce. The scene itself holds this cool subtext that, to me, reaches through the screen. Plus, Happy dissing Frank's breath is always gonna be funny to me. You've directed a couple of other films, but a lot of your work has been on television, including on 'Workaholics' and most recently 'What We Do in the Shadows.' How is directing a film like 'Happy Gilmore 2' different from television? My approach is similar in everything I make, attempting to get the truth of the scene while prioritizing humor. Sometimes I have a lot of resources to do that and sometimes I don't. What was it like getting notes from Adam Sandler on the film as you were working on it? I love working with Adam, a.k.a. Sandman. He is a true maverick. He is not only the star but also wrote the film as well as produced it. He likes to roll up his sleeves and do the work. Him and I share a deep love for the set, and we have a ton of fun out there and definitely challenge each other along the way. Collaboration is at the core of creation. What's your go-to comfort watch, the film or TV show you return to again and again? 'The Big Lebowski' [HBO Max]. Love it. It's another formative one for me — this time, I was in high school, about to graduate, and I played on the varsity bowling team. I love the characters/performances the most, and honestly assumed that most of it had to be off the cuff, but learn[ing] years later that the Coens [sibling directors Joel and Ethan Coen] had written every line the way it was performed made me fall in love with the screenplay. I love everything about that movie and can watch it over and over.

While LILO & STITCH Hit $1 Billion, NE ZHA 2 Is the Real Box Office King of 2025 and Hollywood Should Pay Attention — GeekTyrant
While LILO & STITCH Hit $1 Billion, NE ZHA 2 Is the Real Box Office King of 2025 and Hollywood Should Pay Attention — GeekTyrant

Geek Tyrant

time13 minutes ago

  • Geek Tyrant

While LILO & STITCH Hit $1 Billion, NE ZHA 2 Is the Real Box Office King of 2025 and Hollywood Should Pay Attention — GeekTyrant

As you may have heard, Disney's live-action Lilo & Stitch movie just joined the billion-dollar club, making it the first Motion Picture Association release of 2025 to hit that milestone. It's a major win for Disney, especially after a rough year of costly misfires. But, while Stitch is soaking up the spotlight, the truth is this film wasn't first across the line. That honor belongs to Ne Zha 2 , a Chinese animated sequel that didn't just cross $1 billion, it obliterated records and now sits at more than $2.2 billion, almost entirely from China alone. This didn't happen overnight. The first Ne Zha was a cultural phenomenon in 2019, earning over $726 million worldwide and becoming the second highest-grossing non-English language film ever, behind The Battle at Lake Changjin 's $902 million. Its domestic run was even more impressive: $719 million in China, breaking the record for the biggest animated hit in a single market, a record previously held by Incredibles 2 in North America with $608 million. That set the stage for a sequel with sky-high expectations, and Ne Zha 2 it crushed them. Released on January 29, 2025, during Chinese New Year, the film broke records instantly. It pulled in over 700 million yuan (about $96 million) on opening day, then became the fastest film in Chinese history to pass the 10 billion yuan ($1.38 billion) mark, doing so in just seven days. Today, Ne Zha 2 has earned an astonishing 15.44 billion yuan, or roughly $2.13 billion, making it the highest-grossing movie ever in a single country. For perspective, that's more than double what Star Wars: The Force Awakens made in North America. Globally, it's now the fifth highest-grossing movie of all time, topping Avengers: Infinity War and Star Wars: The Force Awakens and sitting behind only Titanic , Avatar: The Way of Water, Endgame , and Avatar . It's also the only non-American, non-English language film in that elite top ten. In the animation space, its dominance is even clearer. With $2.215 billion worldwide, Ne Zha 2 is now the highest-grossing animated film in history, far surpassing Disney's previous record holder, The Lion King (2019), at $1.66 billion. That's a $550 million gap, bigger than the total global gross of many Hollywood animated hits. What makes Ne Zha 2 's success even more striking is its profitability. Reportedly made for around $80 million, the movie pulled off an incredible 27-to-1 return on investment. Compare that to Avengers: Endgame , which made $2.79 billion on a $356 million budget, which is a ratio of less than 8-to-1. Meanwhile, Hollywood continues pumping out $200 million blockbusters like The Fantastic Four: First Steps and Superman that need $700 million just to break even. If Ne Zha 2 had stopped at $500 million, it still would have been a huge financial success. This is the real wake-up call: blockbuster filmmaking doesn't have to mean runaway budgets. Ne Zha 2 proves that audiences care more about story and cultural resonance than inflated VFX costs and endless reshoots. Ne Zha 2 had a budget of $80 million, which is far less than what Disney and Pixar spend on their animated films. Another lesson here is global market dynamics. China used to be Hollywood's safety net, the market that pushed tentpoles past the billion-dollar mark. Now, Chinese audiences are pouring money into homegrown stories that reflect their culture. Hollywood's old strategy of adding token representation and hoping for an easy box office boost is outdated. If studios want to win back international audiences, they need real cross-cultural storytelling and a smarter approach to budgets. For Disney, Lilo & Stitch 's billion-dollar run is a huge relief after a brutal year of failures. Marvel's Captain America: Brave New World ($415 million) and Thunderbolts ($381.9 million) underperformed, Snow White tanked at $205 million against a massive budget, and Pixar's Elio couldn't crack $150 million worldwide. Those losses make Stitch's success a rare bright spot in an otherwise bleak financial picture. Disney and the rest of Hollywood can't keep playing the same game. They need tighter budgets, stronger storytelling, and projects that can thrive beyond the U.S. market without relying on brand nostalgia. Lilo & Stitch is still in theaters, while the English-language dub of Ne Zha 2 hits U.S. theaters on August 22. Considering the global momentum, its reign is far from over.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store