
Why Does Anna From Netflix's ‘My Oxford Year' Look So Familiar?
Directed by Iain Morris, My Oxford Year debuted on Netflix on Friday. The summary for the movie reads, 'When Anna (Carson), an ambitious young American woman, sets out for the UK and the University of Oxford to fulfill a childhood dream, she's got her life completely on track. That is, until she meets a charming and clever local, Jamie (Corey Mylchreest), who profoundly alters both of their lives.'
Born Sofía Daccarett Char in Fort Lauderdale, Fla., on April 10, 1993, Char, who uses her mother's maiden name Carson as her professional name, made her screen debut in a guest role in a 2014 episode of the Disney Channel series Austin & Ally. Carson's next guest role came in 2015 in the MTV series Faking It, which was followed by a role in the same year that helped launch her career.
Here's a look at some of the other TV series and films that Carson has appeared in and why she looks so familiar as Anna in My Oxford Year.
'Descendants' (2015)
Sofia Carson's first big screen role came in the Disney TV movie Descendants, where she plays Evie, the daughter of the Evil Queen from Snow White in Disney lore.
Carson reprised the role of Evie in the TV movies Descendants 2 in 2017 and Descendents 3 in 2019, as well as the TV special Descendants: The Royal Wedding in 2021.
In additon, Carson voiced the role of Evie in the animated Disney series Descendants: Wicked World from 2017-2019.
'Adventures In Babysitting (2016)
Sofia Carson and Sabrina Carpenter starred as Lola Perez and Jenny Carpenter in the TV movie Adventures in Babysitting, which aired on the Disney Channel.
Adventures in Babysitting is a remake of the 1987 comedy hit of the same name that starred Elisabeth Shue and was directed by Chris Columbus.
'Pretty Little Liars: The Perfectionists' (2019)
Sofia Carson starred as fashion trendsetter Ava Jalali in Pretty Little Liars: The Perfectionists, the third series in the Pretty Little Liars TV franchise. The crime mystery series ran on Freeform for one season and consisted of 10 episodes.
'Feel The Beat' (2020)
Sofia Carson's first film on Netflix came with the dance comedy drama Feel the Beat. Carson stars as April, an aspiring Broadway dancer who after a tough break during an audition, moves back to her home town in Wisconsin and coaches a group of young dancers.
'Purple Hearts' (2022)
Sofia Carson starred opposite Nicholas Galitzine in Netflix's Purple Hearts, about an aspiring musician, Cassie, who struggles to buy insulin as a Type 1 diabetic.
Cassie and a Marine, Luke (Galitzine), however, find a solution with a marriage of convenience. Cassie can get health benefits as a military spouse and Luke can get an increase in pay — but then both of their lives become very complicated.
'Carry-On' (2024)
Sofia Carson starred in a supporting role opposite Taron Edgerton in Carry-On, a Netflix original movie that was released on December 2024.
Edgerton plays Ethan, a TSA officer in Los Angeles who is blackmailed by a mysterious man called The Traveler (Jason Bateman) to allow a bomb carrying a lethal chemical agent aboard a flight. When Ethan tries to stop The Traveler's plans, it puts his and his girlfriend Nora's (Carson) life — as well as the life of their unborn child — in danger.
'The Life List' (2025)
Released in March, Netflix's romantic drama The Life List stars Sofia Carson as Alex, a woman who seeks to attain unrealized goals from childhood after her mother dies. The Life List also stars Connie Britton and Kyle Allen.
'Netflix TUDUM' (2025)
Sofia Carson has become such of a fixture on Netflix that she hosted the streaming platform's annual TUDUM event in May.
The live presentation gave a preview of the Netflix's upcoming programming including Wednesday Season 2, Stranger Things Season 5 and Guillermo del Toro's Frankenstein.
My Oxford Year, starring Sofia Carson, is new on Netflix.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tom's Guide
28 minutes ago
- Tom's Guide
Netflix just set a release date for Richard Linklater's new comedy-drama — and I can't wait to watch
Netflix movies often don't get a theatrical release date. But that's exactly what's happening for "Nouvelle Vague," the latest film from Richard Linklater. If that name sounds familiar, there's a good reason. Linklater has quite possibly made one of your favorite movies — "Dazed and Confused," "Before Sunrise", "Boyhood" and "School of Rock," just to name a few. Will "Nouvelle Vague" join that prestigious list? Netflix is counting on it. It bought the U.S. distribution rights for this movie about Jean-Luc Godard and the making of the French Nouvelle Vague (New Wave) film "Breathless," after "Nouvelle Vague" premiered at the Cannes Film Festival earlier this year. That premiere earned an 11-minute standing ovation. Granted, the "Let's All Go to the Lobby" animation would probably get a standing ovation at a film festival, but 11 minutes is still impressive. Netflix is also putting the movie in theaters, which is another vote of confidence. The streaming service essentially only does this when it wants a movie to contend for awards (to win an Academy Award, a movie has to have played in theaters), meaning it thinks Linklater's film has the juice to bring home Oscar gold. If you're in one of the lucky few markets to get a theatrical screening, "Nouvelle Vague" will hit the big screen on Oct. 31 before premiering on Netflix two weeks later on Nov. 14. No matter where I get to see it, "Nouvelle Vague" is already one of my most anticipated movies of the year, and it was high up my list even before critics gave it rave reviews at Cannes. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. I will freely admit, though, that this movie is not necessarily for everyone. Linklater is a fairly accessible director, but this is a French-language film in black and white about making a French-language film in black and white. It's very much for cinephiles. The trailer certainly doesn't seem to be shying away from that expectation either. Poorly executed, such an endeavour could be a conceited, or worse — boring — arthouse film about art. But critics seem to think Linklater nailed it, giving the movie an 86% "fresh" rating across 44 reviews on Rotten Tomatoes. "An elegant love letter to the influential era in French cinema," wrote Tomris Laffley for Elle. "In stunning black and white, and with the grainy sound quality of the era, Linklater gives new life to period picture, making it romantic, exquisitely detailed, and timeless." "It shouldn't work," wrote Justin Chang for The New Yorker, echoing some of my concerns about the film. "But really it does... A playful Who's Who of late-fifties French film, a wittily engrossing and ultra-disciplined execution of a conceit that sounded self-indulgent on paper." So, whether you watch it at your local cinema or at your TV at home, just make sure to add "Nouvelle Vague" to your watchlist. Malcolm has been with Tom's Guide since 2022, and has been covering the latest in streaming shows and movies since 2023. He's not one to shy away from a hot take, including that "John Wick" is one of the four greatest films ever made. Here's what he's been watching lately:

Business Insider
29 minutes ago
- Business Insider
Brain rot summer
We like to see ourselves as individual free thinkers. But when a hot summer trend hits — a style, a song, or even a meme — we can't resist wearing it, blasting it, and posting it. But what about this summer? It's August — schools are reopening, football is returning — and no big trend has taken hold. Summer 2025 feels squishy, undefinable, and chaotic. This season's most anticipated movies are all franchise revivals, like "Jurassic Park," "Superman," "Lilo & Stitch," and the "Fantastic Four." Netflix just set a record for biggest opening of any in-house film: the sequel to the 1996 classic "Happy Gilmore." Where indelible songs of the summer have consistently broken through in years past — "It's Gonna Be Me" in 2000, "Gangnam Style" in 2012, "Espresso" in 2024 — this year lacks a clear winner. At this writing, "Ordinary" by YouTuber-turned-crooner Alex Warren is atop the Billboard Hot 100, a moody tune poised more for overuse as a wedding first dance than it is to be a poolside bop. The most hyped tour of the summer was Beyonce's Cowboy Carter, which promoted an album that dropped 16 months ago. "Should we be concerned that it's August in a week and so far the song of the summer is 'nothing beats a Jet2 Holiday '?" one TikToker asked, referencing the viral sound meme that uses the audio vacation ad from British company Jet2holidays. It has appeared in millions of videos to juxtapose a fun vacation melting down into disaster. Even fashion and visual aesthetic trends have come undone. 2024 was lime green Brat summer, 2023 was bubble gum pink thanks to Barbenheimer and Taylor Swift's Eras Tour, Beyonce's "Renaissance" chrome shone in 2022. As Vogue recently noted, "There is almost always one color that dominates. That said, this season seems to be the exception to the rule. There wasn't one single shade that reigned supreme." Welcome to brain rot summer. AI slop has infected TikTok, Facebook, and X, and people can't tell that even a herd of bunnies jumping on a trampoline is AI generated. The biggest monoculture moment we've seen so far was the Coldplaygate affair, a moment so cringe it cut through all our FYPs. I'm watching snippets of vacations gone wrong on TikTok and the Jet2holidays ad is living rent free in my head. The internet is piling on Sydney Sweeney and American Eagle with accusations that an ad for jeans was actually a Nazi dog whistle, and in the past few months Katy Perry has gone to space with Lauren Sánchez and Gayle King, split with Orlando Bloom, and is hanging out with Justin Trudeau, a summer romance gossip that feels like a Mad Libs concoction. It's easy to feel the absence of a universal vibe this summer, but the lack of a ubiquitous pop culture hit may be the result of a longer shift, says Joel Penney, a professor in the College of Communication and Media at Montclair State University. "There's been this huge pattern of media fragmentation that's been going on for a very long time." Because more people stream music and TV, "the catalog becomes just as important as anything new," Penney says. Sequels are safer bets for Hollywood to make, and Spotify spins up personalized playlists that feature older songs. Popular content creators with podcasts or large social media followings may seem big, but they also filter us into smaller media bubbles. The privilege of crystallizing and spreading our trends to massive audiences used to rest with late-night hosts, but their influence is waning: Stephen Colbert performed the viral "Apple" dance to go along with the "Brat" song last summer, but this summer his show is facing cancellation. There's been this huge pattern of media fragmentation that's been going on for a very long time. Joel Penney The news cycle, also popular late-night fodder, is fast paced and relentless. President Donald Trump is dominating news headlines in ways few other politicians ever have, from speculation around what's in the Jeffrey Epstein files to how tariffs will affect the economy to his posts on Sydney Sweeney. "Trump takes up all of the oxygen," Penney says. That's been true since he took office for the first time, with a report from Harvard' Shorenstein Center finding Trump was the topic of 41 percent of all news stories, tripling the coverage of past presidents. "There's just so much Trump all the time in the news that it kind of becomes pop culture," leaving little room for other pop culture moments to reach escape velocity. The big summer trends are often driven by, or at least seized by, marketers. "Barbie" had a $150 million marketing budget, more than the budget for the movie itself, and it paid off: The movie earned nearly $1.5 billion globally. If today we don't have one pop princess or color reigning supreme, maybe it's just an off year when no major, resonating work dropped just as the weather warmed up. But it could be an indication that people are growing tired of the mainstream, and weary of their social feeds being driven by algorithms over people. "The brain rot is super real," says Andrew Roth, founder and CEO of the Gen Z-focused research firm DCDX. "This summer is almost an escape from all of that, where people are going offline." DJs are turning coffee shops into spaces to vibe. Friendship and IRL dating apps are becoming popular as young people shirk traditional swiping. The hottest item to buy this summer is a Labubu; a toy made for adults whose appeal lies part in childhood nostalgia, and part in the IRL anticipation of opening a box without knowing exactly what you'll get. "Niche passions in communities are rising up to be an escape from that mainstream narrative that's everywhere," Roth says. "It doesn't feel like everyone wants to be a part of the same Barbenheimer or Brat summer experience. It's more of an individualized, spontaneous one." Maybe after two summers with blockbuster trends, we're feeling burned out and relishing in a break from monoculture. Critics and consumers alike have been feeling like the 2020s are culturally shallow for years, and attitudes about our entertainment landscape are pessimistic. A 2024 YouGov poll found people were most likely to say the 2020s has the worst TV, sporting events, radio programming, music, fashion, and movies, compared to every other decade over the past century. These opinions could be more nostalgia-driven than honest (the 2020s have spurred a deluge of water-cooler talk around highly acclaimed television series like "Severance" and "Succession"), or they could capture the growing frustration with the massive amounts of content we now have to choose from, and the age-old adage that quantity does not trump quality. Trends have shorter lives in our world where short-form video and algorithms dictate who sees what. Brat summer was maybe not just the winner of 2024, but such a massive hit that it became the exception and dragged on for so long that Charli XCX had to declare it over herself. In April, she suggested a litany of artists who could take up the torch. None have. No forced marketing campaign has led to the mass proliferation of one style, song, or movie. So how will we remember the Summer of 2025? Will it be the Astronomer affair? The coupling up of "Love Island's" Nicolandria, or the very public breakup of Elon Musk and Trump? Maybe we'll all have different memories of what defined the season and what we watched and listened to this summer — a patchwork that reflects the chaos that summer brought.
Yahoo
an hour ago
- Yahoo
Katie Price apologised to daughter Princess over her heartbreak
Moving scenes on ITV's The Princess Diaries set to air on August 10 Princess Andre has revealed her mum, Katie Price, said sorry to her over the messy fallout from the Kieran Hayler divorce. The 18-year-old famous offspring invited the cameras into her life with the fly-on-the-wall documentary, The Princess Diaries, where she has the opportunity to share a more vulnerable side. Wearing her heart on her sleeve in the first episode, which is due to air on August 10, she spoke about the moment her mum apologised to her. Price was married to Hayler from 2013, and they separated in 2018 when it emerged he had cheated on the former glamour model. In the years they were together, they raised their two children — Jett and Bunny — as well as Price's older children — Princess, Junior and Harvey. Looking back on those five years, Princess said they had grown "close" to Hayler. "We loved him," she told the cameras. Price and Hayler's break-up played out very publicly in the newspaper headlines. The Princess Diaries reminded viewers of one of those hard-hitting headlines: Katie Price hit breaking point and attempted suicide after Kieran Hayler split. Speaking from the heart, Princess said her mother went through a "dark time". "I wouldn't say I'm fully recovered from it," she said. However, the influencer said her mum has "fixed" herself after the breakdown of her third marriage and apologised to her for the impact it had on her. Now Princess is older, she has become best friends with her mum and they do a lot together. "Mum is such a different person," she explained. "She's genuinely really fixed herself. She spoke to me about this. I realised that I should never, she apologised, I never wanted an apology from her. It was a lot that she acknowledged it: 'you are my kids and I love you and I need to prioritise you'. We are so close now. We do a lot together. I love her. She's my best friend." The Princess Diaries' main star explained Price hadn't dealt with the break up well because she was "heartbroken". "She went through a dark time," she said. "It was hard me for adult-y thing you shouldn't have to go through [as a child]. Everything that happened the press picked up on, they would write stories constantly. I would go into school asking me questions about it cos they'd seen it in the papers. I would get into bed and cry." Princess kept how she was truly feeling from her dad Peter Andre because of her parents' ongoing feud. She said: "I would never go speak to my dad about it. I'd grown up knowing my mum and dad don't like each other." Due to this feud, Price has been banned from filming The Princess Diaries. Princess had to move out of her house (albeit temporarily) so she could live full-time at her dad Andre's home for filming. Although Price was banned from the show, Princess found a way to get her involved by asking her mum to film a voice note for her. The Princess Diaries airs on ITV2 and ITVX on Sunday.