
What Elf's $1 billion Rhode bet means for the future of celebrity beauty
Consequently, the market has been upended. Even some brands that, like Rhode, achieved breakout success began exploring exit strategies last year. Yet so far, no deals have materialized for names such as Selena Gomez 's Rare Beauty or Makeup by Mario — the brand launched in 2020 by celebrity makeup artist Mario Dedivanovic, best known for his work with Kim Kardashian.
Elf's acquisition of Rhode — founded just three years ago — ends a dry spell in celebrity beauty deals and could inject fresh momentum into personality-driven brands.
With Rhode, Elf is betting on a premium range featuring just 10 main or 'hero' products, including Pocket Blush and Glazing Milk — items that blur the lines between skincare and makeup. The brand complements Elf's more affordable, cosmetics-focused portfolio. Elf's average price point is about $6.50, compared with nearly $9.50 for other mass-market cosmetics, while Rhode's average is around $29.
But Elf is paying a pretty polished price for Rhode, also known for its sleek, minimal packaging. The $800 million in cash and stock payable at the close of the deal, expected before September, equates to 3.8 times Rhode's sales of $212 million in the year to March 31, 2025. Including the additional $200 million payable based on Rhode's performance over the next three years, the multiple is 4.7 times. The latter is in line with the lush deal multiple on L'Oréal SA's purchase of natural beauty label Aesop two years ago.
To justify the price tag, Elf must ensure that its new addition doesn't run out of, well, Rhode.
The narrow product range offers an obvious starting point for expansion. Elf has already launched a raft of innovations that resonate with Gen Z consumers and have helped turbo-charge its sales — a track record that bodes well for Rhode's future growth.
There is also scope for Rhode to reach a wider range of customers. The brand is already due to launch in Sephora in the U.S., Canada, and the U.K. this fall, which is a major milestone. In the long term, Elf could leverage its partnerships with other retailers — it is available in Ulta Beauty Inc. in the U.S., for example, in Douglas AG in Italy, and Boots in the U.K. — to maintain the momentum.
Assuming Elf doubles sales over the next three to five years — which looks feasible — then the acquisition multiple would fall to a more reasonable level of about two times.
However, there are risks to this trajectory, the most significant of which is Bieber herself.
So far, she has defied the broader boredom surrounding celebrity-led brands. But maintaining her relevance remains essential. Six years ago, Coty Inc. placed a major bet on the Kardashians, paying $600 million for a majority stake in Kylie Cosmetics, which Kylie Jenner founded. A year later, the company invested another $200 million for a 20% stake in Kim Kardashian's beauty business. The results have been mixed. Over the past two years, Kylie Cosmetics boosted its sales by 1.5 times, driven by skincare and fragrance launches. Meanwhile, Kardashian's underwear brand Skims bought back Coty's stake, causing a $71 million loss for the U.S.-listed company.
Bieber will join Elf as Rhode's chief creative officer and head of innovation. The company has a strong track record of connecting with Gen Z on social media, with viral moments like its collaboration with Chipotle Mexican Grill Inc. It also has experience managing celebrity and influencer-led brands: it acquired Naturium — the skincare label co-created by influencer Susan Yara and beauty-brand accelerator The Center — for $355 million two years ago, and it developed Alicia Keys' brand. Even so, Rhode's close association with its founder remains a risk Elf must actively manage.
This isn't the only challenge. Lindsay Dutch, an analyst at Bloomberg Intelligence, expects Elf's sales growth to slow this financial year following a frenetic pace of revenue expansion. The beauty boom is also fading, although Ulta said on Thursday that many consumers were turning to fragrance and body lotion as a comfort and escape from economic uncertainty. There's also the pressure from President Donald Trump 's tariffs. Elf makes about 75% of its products in China and will add $1 to all of its products globally on August 1 to reflect the levies.
With so much to grapple with already, taking a big bet on a celebrity-backed brand looks like a surprising diversion. But as any beauty enthusiast knows, there is always room for one more lipstick — particularly if it's a peptide-infused pout enhancer.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fashion Network
3 days ago
- Fashion Network
Viral brand Quince raises $200 million, hits $4.5 billion valuation
Home › News › Media Download Print Quince, the California-based brand gaining global buzz for its affordable luxury wardrobe essentials, has raised about $200 million in a new funding round, valuing the company at more than $4.5 billion. The label, which gained prominence on platforms like Instagram and TikTok, offers direct-to-consumer clothing and home goods at remarkably low prices, earning it a reputation as a disruptor in the accessible luxury space. Quince cashmere sweater, New York – Fall 2025 - Photo: Jeenah Moon / The Washington Post / Getty Images Iconiq Capital, the investment firm managing wealth for Silicon Valley elites including Mark Zuckerberg and Jack Dorsey, is reportedly leading the round, according to people familiar with the matter. The new valuation more than doubles Quince's previous worth—indicating strong investor confidence in the brand's business model and growth trajectory. Representatives for both Quince and Iconiq declined to comment. Launched in 2018, Quince has grown rapidly by offering products such as $50 cashmere sweaters, silk dresses, bedding, and even discounted caviar—delivered straight from factories. By cutting out traditional intermediaries and shipping directly to consumers, the brand keeps costs low while maintaining quality. The model is comparable to those used by Chinese e-commerce giants such as Temu and Shein, though Quince is positioned as more sustainable and direct-to-consumer, factory-to-door approach has earned it a dedicated fan base in the U.S. and beyond, particularly among millennial and Gen Z shoppers seeking both value and fundraising comes at a time when many direct-to-consumer brands are struggling to secure capital. Increased social media advertising costs and sluggish consumer spending have deterred private investment in the sector. However, sources say Quince's consistently strong revenue growth set it apart from competitors and attracted backers in a challenging this year, Quince raised $120 million in a Series C round led by Notable Capital and Wellington founded in 2011, has grown into one of the most prominent venture investors in Silicon Valley. In 2023, it raised $5.75 billion for its latest venture capital fund. Its involvement with Quince could further boost the brand's global profile as it scales operations and expands its product offering. with Bloomberg Copyright Bloomberg Tags : Fashion Ready-to-wear Fashion Media Business


Euronews
3 days ago
- Euronews
How Drag Race attempts to reconcile entertaintment and politics
After three publicly acclaimed seasons, some of the most beloved Drag Race France cast members returned to TV screens last month for France's first All Stars edition. However, audiences were surprised to see that singer and DJ Kiddy Smile, who had been a main judge since the show's first season, would not reprise his role. Fans speculated that his past positions against cultural appropriation and in defence of racially oppressed people had made him too political for the publicly-broadcast programme. Une publication partagée par France tv (@ The reasons for Kiddy Smile's absence have not been disclosed and he could well be back in future seasons. But the event exemplified the competing imperatives of a franchise that has brought the art of drag well into mainstream culture while attempting to preserve its deeply political roots. Drag queen RuPaul Charles created RuPaul's Drag Race in 2009 to look for 'America's next drag superstar.' The series resembled classic reality television contests. It included challenges, eliminations and all the drama you could hope for - but with an extra dose of glitter, lavish wigs and gravity-defying heels. The programme has since exceeded expectations. The original US version has aired for 17 seasons, and the franchise now includes international declinations in more than 15 countries, as well as various spin-offs and events. Commodifying drag Drag Race's multimedia empire has revealed prominent artists, from Trixie Mattel and Vanessa Vanije in the US to Philippines' Marina Summers and the UK's Lawrence Chaney. Iconic drag culture phrases have trickled down from the show to Gen Z vernacular. When you say that someone 'slayed', 'ate' or is 'mother,' you're speaking drag. But for some within the drag and LGBTQ+ communities, this success has also led to the commodification of an originally subversive art. For French drag queen Emily Tante, Drag Race keeps raising the expectations placed on artists. 'Judges want more and more fashion and extravagance,' she writes in the online queer Friction Magazine. 'The queens of the Drag Race franchise have gone into debt in the hope of winning this TV contest. This also leads to higher expectations from the audience.' But in real life, doing drag is often financially unstable and many live performers struggle to get paid for their gigs. Drag Race's spotlight then becomes a precious but rare opportunity. 'I still need a little more visibility to succeed in my projects,' drag queen Magnetica shared as she was facing elimination in the first episode of the current Drag Race France All Stars season. 'Drag has been girdled by the logic of competitive individualism and the free market,' researchers Zeena Feldman and Jamie Hakim wrote in a 2020 analysis. They argued that the show's mainstreaming of this art perpetuates 'a culture that positions drag as an economic vehicle rather [than] as a means of mocking, querying or dismantling dominant power structures.' 'Not just an aesthetic' The contest has often been accused of promoting a specific vision of drag, especially due to its exclusion of drag kings. RuPaul also came under fire in the show's earlier seasons for his reluctance to include post-transition trans women. Multiple transgender and non-binary contestants have since competed in the programme. Drag's inherent political nature is at the heart of Drag Race's relationship with its viewers. Some consider that the show is too politicised. Others, not enough. For former judge Kiddy Smile, drag is 'not just an aesthetic,' but an art form that embodies queer history. For instance, drag queens were central characters in the 1969 Stonewall riots, and since then, they have kept on fighting for LGBTQ+ rights and helped create safe spaces for marginalised groups. 'Drag subverts gender norms,' Kiddy Smile said in an Instagram post. 'In communities where these norms are strongly valued, the mere presence of a drag queen becomes a gentle but extremely radical act of confrontation.' Today, Drag Race is possibly the most widespread and popular expression of drag culture. The show is broadcast on public networks in several countries, including in France, Belgium and the UK. It entertains audiences but also tackles questions like mental health, HIV and conversion therapy. Drag Race contestants also raise awareness on LGBTQ+ issues off screen, with the show's US stars slamming Donald Trump's 'two genders' policy. Several cast members also criticised the UK Supreme Court's April ruling on the definition of the term "woman". For those directly involved, the Drag Race franchise remains a political space where, according to three-time participant Soa de Muse, 'we are woke, we will stay woke, and we are proud of it.' The first season of Drag Race France Superstar is currently screening.


Fashion Network
29-07-2025
- Fashion Network
Selena Gomez introduces Rare Eau de Parfum as Rare Beauty's first fine fragrance
Selena Gomez is bringing her signature vision of confidence, comfort and emotional connection to the world of fragrance. On August 7, the Rare Beauty founder will launch Rare Eau de Parfum, the brand's first fine fragrance, available at and select global retailers. The debut marks a new chapter for Rare Beauty, building on the success of its body-care line and expanding its universe into scent. Described as 'warm and decadent with a touch of spice,' the scent opens with notes of caramel, pistachio, and pink pepper, transitions into a heart of vanilla, ginger, and cocoa, and finishes with a drydown of sandalwood, tonka bean, and skin musks. The fragrance is designed to evolve over 12 hours, offering a balance of comforting familiarity and unexpected depth. Gomez said she 'wanted to create a scent that could evolve with the moment,' adding that it transitions effortlessly 'from quiet mornings at home to a night out with my friends.' Designed with accessibility in mind, the fragrance bottle was developed in collaboration with hand therapists to feature an ergonomic pump for ease of use. This design reflects Gomez's long-standing focus on inclusive, user-friendly beauty tools. Rare Eau de Parfum will also be available with four fragrance layering balms: Amber Vanilla, Floral Peony Blossom, Fresh Bergamot, and Woody Oak. These are designed to personalize the scent experience and allow wearers to adapt the fragrance throughout the day. Rare Beauty is known for its vegan, cruelty-free formulations and mission-driven philosophy. As part of the launch, the brand is pledging 1% of global fragrance sales to the Rare Impact Fund, which supports youth mental health initiatives. Priced at $75 for a 50 mL bottle, Rare Eau de Parfum will be offered worldwide starting this August through and Sephora.