
Lady Gaga's new song for Netflix series Wednesday samples one of her greatest hits
The 39-year-old pop star will have a small role in the imminent installment of the show, and last year she recorded an accompanying musical component — a track called Dead Dance.
A source shared with The Sun that the tune samples Gaga's hit Abracadabra, off her latest album Mayhem, which she is currently touring.
'It has already been a massive year for Gaga but she's never been one to rest on her laurels. Dead Dance is all ready to go and fans will love it.
'It's another classic dark pop tune and while it's been made for Wednesday, it perfectly fits into the world of Mayhem,' the insider revealed.
According to the publication, one lyric the music artist sings in Dead Dance is: 'When you killed me inside, that's when I came alive.'
Per the site, Dead Dance already has a choreographed dance routine that Wednesday producers hope will go viral on social media.
Wednesday season two is hitting the streamer in two parts, one of which debuts on August 6, and the other on September 3.
An official music video, along with the song, will be released in September when Gaga appears in the show as Rosaline Rotwood, a 'legendary Nevermore teacher who crosses paths with Wednesday,' Variety reported.
The singer-songwriter flew to Mexico to shoot the visualizer with Wednesday director Tim Burton.
Gaga and Tim reportedly traveled to the 'haunted' Island of the Dolls in Xochimilco, which is south of Mexico City, to film the video.
'Security was ridiculously tight, with even the mayor's office and police helping keep everything under wraps,' The Sun reported on Tuesday.
It was confirmed last November that the New York-bred songstress, born Stefani Germanotta, was added to the season two cast.
She filmed scenes in Ireland at the time, with details of her role being kept under wraps.
Sources told Variety last year that Gaga's role will be a cameo, despite the production team's efforts to give her a more significant role.
Wednesday premiered on Netflix in late 2022, with it quickly becoming a fan favorite.
Lady Gaga even participated in the show's viral TikTok dance, which revived her 2011 song Bloody Mary.
Then, at the 2023 Golden Globes, Ortega dished to Variety that she hoped Gaga would join the show's second season.
'I'm sure Netflix would love that,' the You star shared.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
2 hours ago
- Daily Mirror
Corrie's Suranne Jones plays Prime Minister with rap star for Netflix thriller
After gracing the Weatherfield cobbles and other hit shows, Suranne Jones stars in Netflix's political thriller Hostage, sharing the spotlight with a grime star. Bombshells, diplomacy and danger collide in Matt Charman's new thriller Hostage - and some grime fans might be surprised to see one of their favourite stars grace the screen. From the cobbles of Coronation Street to Doctor Foster, Vigil and Gentleman Jack – winning a TV Bafta on the way – Suranne Jones has cemented herself as one of Britain's best-loved acting talents. Now, the versatile star is taking on her most powerful role yet – quite literally – as the British Prime Minister in Hostage, Netflix 's explosive new political thriller from Oscar-nominated Matt Charman (Bridge Of Spies). In Hostage, Suranne plays Abigail Dalton, a politician plunged into chaos when her husband, Dr Alex Anderson, is kidnapped. And she made sure she was thoroughly prepared and did her homework. 'I don't think I'm allowed to say [who], but I did speak to three really high-up women from different parties,' Suranne, 46, says. 'I read their books and I interviewed them, and that was very exciting.' That attention to detail paid off. Abigail isn't just a PM fighting for her family – she's a woman balancing power and vulnerability. Portraying the latter involved getting close to her co-star and on-screen husband, Ashley Thomas, aka grime star Bashy. 'We did chemistry tests, and when he came in, it was just like, 'Oh, you're intriguing, handsome, lovely, smart, intelligent,'' Suranne remembers. 'And then we met our daughter (Isobel Akuwudike), who is also brilliant. It was her first job.' Ashley also prepared thoroughly to portray medic Alex. He consulted real-life doctors, but it was the emotional weight of Alex's kidnapping that hit the hardest. 'That was tough. Putting yourself in those places is heavy – especially as Alex is a father,' says Ashley. 'The environment I've come from, I've witnessed and experienced a lot of trauma, so there were things I was able to pull from.' While Abigail grapples with domestic turmoil, things aren't calm across the Channel either. French President Vivienne Toussaint – played by French-American actress Julie Delpy – is battling her own political scandal after being blackmailed. During a state visit to the UK, Vivienne is forced to work with Abigail to expose a common enemy, despite their vastly different political backgrounds. 'She's quite conflicted, which I liked,' Julie, 55, says. 'She is someone who started out with ideals but had to give up part of what she believes in to get access to power.' Vivienne is dangerous and captivating – a role that seemed made for Julie, who has spent her career tackling complex characters. 'She might not be a very good person, but she's more than just a bad guy,' Julie adds. But beneath her icy exterior lies a secret: an age-gap relationship that threatens everything. 'A May-September relationship these days isn't a big deal – but this is a little darker and more complicated than that. A little more destructive,' Julie explains. 'Her husband is key in her ascent to power, so to put herself in this situation and put everything at risk is kamikaze.' Hostage shows Vivienne's struggle to keep her Achilles' heel hidden. 'She's good at handling situations and power, but her weakness is her hidden side,' Julie says. 'She's romantically involved with someone she shouldn't be and that's a huge weakness for a politician – especially a woman.' Before Sunrise actress Julie embraced the opportunity to portray someone morally grey. 'I loved the idea of playing someone very different from me,' she says. 'She's not the most likeable of characters, but that's fine with me. If they are unlikeable as a person, you find a way to approach them as a human being. When I played a Nazi character, she was obviously repulsive, but then you have to think that she sees it differently.' Despite Vivienne's complicated personality, Julie found herself intrigued by her. 'It was interesting to see someone that seems so rational and together, but behind the mask, her life is a mess,' she says. 'I'm the opposite – I look messy and crazy, but I would never do what she does!' And when it comes to politics? 'I'm not interested at all [in politics] because of the compromises you would have to make. I don't even do that in the movie business, and you see a lot of people give up their morals to succeed. I'm not able to do that. I'm just not that kind of person.' Julie's first day of filming for Hostage set the tone that the tense series demanded. 'I'm always nervous, and not just on the first day,' she admits. 'My first day on Hostage was a kissing scene – so it was even more stressful than usual. I didn't know this person so I had to switch off my mind a little.' If that wasn't enough, the role involved linguistic hurdles, too. Julie had to learn the more official, formal speeches in English. 'Those are hard enough in your own language, but to do them as a non-native speaker was tough,' she says. Luckily, the tension on screen was offset by the real-life camaraderie with her castmates – particularly Suranne. 'She's a lovely person and a great actress,' Julie says. 'Sometimes, it takes a little time to find your way with certain people, but with Suranne it was immediate. I like communication to be quick and fast and clear, I have no time for ego and she's like that as well. So it made it very easy.' The friendly feelings appear to be mutual. Suranne revealed during a recent appearance on the Table Manners podcast, 'There were a lot of unrepeatable stories, told in the make-up trailer. Julie would be talking in the corner, and then everyone would go quiet!'


Times
3 hours ago
- Times
First-class suites for Formula 1 fun
I'm reclining on a sunshine-yellow sofa, watching a couple enter the final throes of a chess game before flicking through a weighty tome analysing Lewis Hamilton's greatest achievements. Then 3pm rolls around and the couple dash to the terrace to watch the man himself race past at 200mph. The living room-like House 44 suite, a collaboration between Lewis Hamilton, F1 and Soho House unveiled at Silverstone, is the latest addition to the Paddock Club — the vast hospitality complex that overlooks the starting grid. In 2025 the suite will feature at the upcoming Netherlands, Italy, Mexico, Las Vegas and UAE grands prix. 'The House 44 suite is an amazing way of experiencing a Formula 1 race weekend,' says Lewis Hamilton. 'Working closely with Soho House and F1, I wanted to design a space I'd choose for myself if I wasn't on track.' Even the drinks are Hamilton-themed. At the bar, clad with studded metal panels recalling the stripped-back bodywork of a 1950s grand prix car, there's free-flowing Moët alongside cocktails made with Almave. Co-founded by Hamilton, it's the world's first non-alcoholic blue agave spirit brand. The House 44 layout and size will vary slightly depending on the track, but the capacity will stay between 100 and 200 people, making it smaller and more intimate than most F1 Paddock Club suites. The overall sense is of cosiness — it's not a place where you need to know your driveshaft from your DRS. My favourite spot? Perched next to the long, rustic wooden table, watching the on-track action on a screen suspended above a sideboard topped with pot plants and a stack of books pinioned by a starfish-shaped paperweight. If I could design my dream living room, this might just be it. Guests don't need Soho House membership — just a minimum of $12,000 (about £8,900) for a three-day race weekend ticket. Added extras include pit walks, paddock tours and appearances from Sir Lewis. The Singapore GP's Twenty3 is a multilevel trackside retreat famous for its multiple vantage points (you'll find it at the track's final turn, which means unbeatable views of the starting line and post-race fireworks) and entertainment — in previous years performers have included aerial silk acrobats and fire poi spinners. But it's the culinary offerings that put it on the map. Highlights include pop-ups from Michelin-starred chefs (at the GP in October sit-down restaurants will include one from the Seoul-based Soigné, which has two Michelin stars, and La Scène, a Paris bistro also with two stars). Meanwhile, pitstops for thirsty race fans will include one from Barcelona's Paradiso Bar, which bagged a spot in the top 10 of the World's 50 Best Bars 2024. Finally, it's worth bearing in mind this is a race where those vantage points are worth the expense. The action-packed Singapore GP — F1's first night-time race, wrapped around the spectacular Marina Bay — makes for a breathtaking backdrop. From £4,760 for a three-day ticket, A fun fact? The first Las Vegas GP took place in 1981, when the cars raced around the parking lot of the Caesars Palace hotel. There wasn't another Las Vegas GP until 2023, when F1's speed machines raced down the city's neon-lit Strip. Perhaps unsurprisingly the hospitality offerings are as extravagant as it gets, and the pricier offerings include the Gordon Ramsay at F1 Garage — with tickets starting from £20,000. A more affordable (but equally opulent) option for race weekend (in 2025 this will be November 20-22) is Skybox, with its Rat Pack-inspired decor (think vast expanses of red velvet and lots of feathers). This hospitality suite, above the Heineken Silver Main Grandstand, offers stunning views of the starting line while guests feast on gourmet cuisine and toast the race's return to Vegas with cocktails prepared by the city's top mixologists. Tickets include a Heineken Silver Main Grandstand seat in addition to suite access. The suite's proximity to the Heineken Silver Stage is a big draw — it's the setting for driver appearances as well as live music. From £6,530 for a three-day ticket, The Abu Dhabi Grand Prix's 360 at Sixteen hospitality area, which will launch at this December's event, will have a prime position — it will be located at turn 16, which means brilliant views of the finishing straight as well as the circuit's famous chicane section. It will be a multilevel lounge with leafy areas and terraces overlooking the pitlane. Perks for guests include pit walks and complimentary access to nearby attractions such as Warner Bros World Yas Island Abu Dhabi and the Louvre Abu Dhabi. Guests will be able to refuel at live cooking stations and at food trucks, although it's worth nothing this will be one of the few hospitality packages that includes only soft drinks — alcoholic beverages cost extra. From £1,200 for a four-day ticket, House 44 wasn't the only F1 Paddock Club suite unveiled at Silverstone — the Atlassian Williams Racing team revealed its beautiful suite at the British GP too. Created for guests invited by the team or its partners, it will appear at the Singapore, Austin, Las Vegas and Abu Dhabi GPs in 2025 (2026's races are to be confirmed). Although exact layouts might vary, staples will include a large central bar, an open-plan layout and vast expanses of dark oak and light stone, and a central stage will be the setting for appearances by team members, including drivers. The vibe? Decadent but fun — at the British Grand Prix there were menu holders made from wheel nuts, and guests can ask for their initials to be embroidered on to complimentary ticket wallets and luggage labels from Carl Friedrik (one of the team's sponsors). Marcus Prosser, the director of marketing at Atlassian Williams Racing, believes this bespoke approach is the way forward. 'Today the F1 hospitality landscape is shifting from a one-size-fits-all to more meaningful, personalised experiences,' Prosser says. Entry to the suite is by invitation only


The Review Geek
5 hours ago
- The Review Geek
Wednesday – Season 2 Episode 2 'The Devil You Woe' Recap & Review
The Devil You Woe Episode 2 of Wednesday Season 2 starts with Wednesday gaining consciousness. Morticia is disappointed because Wednesday kept the black tears a secret. She tells Wednesday that it is a sign that she is abusing her powers. Wednesday is disappointed that Thing told Morticia about Goody's book. Morticia asks Wednesday to be patient and wait for a new guide. Sadly, Wednesday refuses, saying she has no time to waste, especially after her last vision. Morticia insists that her ability is not a weapon but a gift, but Wednesday refuses to listen. On her way back to school, Wednesday drops by Galpin's house. Surprisingly, she finds him dead, another victim of the crows. She tries to find some evidence before the police arrive, but fails. Her psychic abilities also fail her. The police, led by Sheriff Santiago, arrive and arrest Wednesday. Santiago brings Wednesday to the station and tries to question her. She is curious about Galpin's missing phone. Wednesday says nothing; she believes Tyler might have killed his dad. The sheriff insists that Tyler is still locked away. Gomez shows up as Wednesday's lawyer and bails her out. On the drive back, Gomez seeks some answers from Wednesday. Wednesday is disappointed to hear that her parents will be staying. She thinks her mom is worried she will end up like Ophelia. However, Gomez refuses to shed light on what happened to Morticia's sister. The following day, Eugene learns that Pugsley brought back to life the boy from the legend. Pugsley is keeping the monster in Eugene's bee shed for the time being. They decide to call the monster Slurp. As for Wednesday, she tries to find answers in Goody's book. She asks Thing to keep the loss of her abilities and Enid's impending doom a secret. Upon arriving at the dorm, Wednesday finds Enid lying in a pool of blood with her throat slashed. It turns out to be a prank since it is officially prank day. Enid thinks Wednesday left an eyeball on her pillow. However, Wednesday didn't. It is most likely another gift from the stalker. As they talk, the stalker sends a message to Enid. They call the number back and get Galpin's voicemail. Enid is shocked that Wednesday is already caught in another murder mystery. Wednesday suggests that it might be better for Enid to stay in the room while she figures things out. She tries to get a psychic read from the eyeball, but nothing! In the meantime, Ajax watches Enid getting cosy with Bruno. Pugsley and Eugene help him get revenge on Bruno. The other students continue to enjoy their prank day without a care in the world. Wednesday approaches Dort and a fellow teacher to ask about outcasts who can control birds. The teacher says that such outcasts are called Avian, but they have not had one in Nevermore for years. Bianca meets with Morticia as the gala fundraising student liaison. The two talk about Wednesday, and the conversation turns to their complicated relationships with their moms. Bianca suggests that Morticia could reach out to her mom and ask for a donation. However, Morticia refuses to call her mom. Back at school, Slurp breaks free and escapes. Wednesday steals Enid's driver's ed consent form. She uses the opportunity to get a ride to Willow Hill. Morticia drops by the dorm and scolds Thing for keeping them in the dark. Thing counters by saying they treat him like a servant. Morticia apologises and takes Goody's book. As for Wednesday, she traumatises the driving school teacher as she drives to Willow Hill. At Willow Hill, she meets with Dr Fairburn, Tyler's psychiatrist. Fairburn knew Wednesday would visit sooner or later. She has been unable to make a breakthrough with Tyler, and Thornhill has been unforthcoming. Thornhill is in a different facility, and Fairburn needs Wednesday's help. The meeting with Tyler goes as imagined. He thinks Wednesday sensed his darkness and fell for it. According to Tyler, Wednesday got lucky, but not because she is smart. Wednesday breaks the news of Galpin's death, but Tyler refuses to help. Instead, he threatens to kill Enid when he gets free. This provokes Wednesday, and she belittles him. In turn, Tyler loses his cool and nearly turns into his monster self. At school, Eugene informs Pugsley of Slurp's escape. Enid finds a package for Thing. She is saddened when she realises the Addams family forgot Thing's birthday. As she comforts him, someone locks Thing in his little house and kidnaps Enid and Bruno. Meanwhile, Dort orders Bianca to use her siren powers on Morticia to get her to ask her mother for a donation. It turns out Bianca can't use her gifts on Dort, thanks to a relic he carries with him. In the evening, Wednesday gets to the dorm to find Thing locked in and Enid gone. The stalker calls Wednesday and gives her thirty minutes to find Enid and Bruno alive. Outside her door, Wednesday finds a clue. On her way to save Enid, Wednesday runs into Capri. Capri invites Wednesday to join her orchestra for the gala. Wednesday turns down the offer, but Capri insists. The conversation gives Wednesday a clue on how to find Enid. She heads to the music room and plays the note on the clue card. A random mystery door opens up, and Wednesday and Thing walk through it. Someone else is following them, but they can't see who it is. The passage leads to the closed Iago Tower, where Enid and Bruno are chained up. While waiting to be saved, Enid and Bruno try to free themselves before a set of knives falls on their heads. Enid knows they are in this situation because of Wednesday, but she doesn't blame her. Finally, Wednesday arrives and figures out the answer to the clue. She barely manages to save Enid and Bruno. The stalker reveals herself to be another fan of Wednesday. Thanks to her invisibility abilities, she has been able to pull such a scheme to get Wednesday's attention. Enid is unimpressed by Agnes's antics though. Elsewhere, Bianca visits Morticia and uses her powers to convince the latter to call her mom. Later, Wednesday apologises to Thing for forgetting his birthday and gives him a gift. She is pissed to learn her mom took the Goody book. Outside the window, a crow keeps tabs on Wednesday. The episode ends with Slurp attacking the driving school teacher and killing him. The Episode Review This episode gives us a hint at the similarities between Wednesday and her Aunt Ophelia. Morticia never talks much about her sister, but she worries her daughter might suffer the same fate. Simultaneously, we see Wednesday get some closure on the Tyler issue. Their confrontation was necessary. Galpin's death gave Wednesday the perfect reason to see Tyler too. Based on the teaser, we know Tyler's story is not over and we still have a lot of questions. This latest mystery only adds to the fire. What is happening at Willow Hill? Is it possible that the avian is one of the Willow Hill victims? As for the stalker mystery, this episode gives us answers. It turns out it was just a young fan trying to get Wednesday's attention. For what it is worth, Wednesday looked mildly impressed by Agnes's. Given Agnes' abilities, it would serve Wednesday to keep her close. Once again, our suspicion of Dort's motives grows. Why is he intent on getting Morticia's mom to donate to the school? Is he only trying to save Nevermore? Meanwhile, Pugsley is raising another monster, and things are taking a dark turn quicker than anticipated. Previous Episode Next Episode