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Cannes Film Festival 2025: The best jewellery on the red carpet

Cannes Film Festival 2025: The best jewellery on the red carpet

Vogue Singapore21-05-2025
The Cannes Film Festival, held in the French Riviera, is the most prestigious film festival in the world. Which, unsurprisingly, makes it prime viewing for new films—sure—but also the stars and celebrities in the orbit of cinema. The 2025 edition of Cannes is proving just as glamorous on the jewellery front, one area of styling that's perhaps least affected by a newly instituted ban on naked dressing on the red carpet.
Some of the most spectacular, standout jewels are, unsurprisingly, creations by Chopard, which has been an official partner of the Cannes Film Festival since 1998. French actress Pom Klementieff had on a pair of incredible Chopard haute joaillerie pink kunzite briolette earrings to the première of Mission Impossible: The Final Reckoning . At the red carpet for Wes Anderson's The Phoenician Scheme , Eva Longoria with 479 carats of kunzite briolettes on her neck courtesy of a design from Chopard's (aptly named) Red Carpet collection, and model Alex Consani wearing over 21 carats of the house's new Insofu emeralds.
And, of course, brand ambassador Bella Hadid—always one to watch at Cannes—drew eyes on the festival's opening night in a pair of positively massive earrings set with a pair of emeralds weighing 118.68 carats in total.
Some other standout jewellers and maisons on the red carpet so far: Boucheron, which is finding fabulous occasion for a number of its Untamed Nature high jewellery pieces, and which seems to have lit up Cannes with its fabulous Question Mark necklaces. Pomellato, meanwhile, previewed some pieces from its upcoming new high jewellery line, set to debut in June in Milan, on brand ambassador Philippine Leroy-Beaulieu.
Here, a look at the sparkling, standout jewels so far on the 2025 Cannes Film Festival red carpets. Getty
1 / 18 Bella Hadid
Wearing Chopard high jewellery. Getty
2 / 18 Kim Go-eun
Wearing Chanel Comète earring. Getty
3 / 18 Mina
Wearing Boucheron Rosier earrings and Question Mark necklace from the Histoire de Style, Untamed Nature high jewellery collection. Getty
4 / 18 Zhou Ye
Wearing Tasaki Harmonie necklace from the Nouvelle ère high jewellery collection, and earrings. Getty
5 / 18 Gao Yuanyuan
Wearing Chaumet Joséphine Valse Impériale high jewellery necklace. Getty
6 / 18 Alexa Chung
Wearing Boucheron Serpent Bohème Vintage earrings, ring and bracelet, and archival bangle. Getty
7 / 18 Pom Klementieff
Wearing Chopard high jewellery. Getty
8 / 18 Julianne Moore
Wearing Boucheron Goutte de Cristal high jewellery earrings. Getty
9 / 18 Natalie Portman
Wearing Tiffany & Co. high jewellery earrings and necklace from the 2025 Blue Book Collection. Getty
10 / 18 Eva Longoria
Wearing Chopard high jewellery. Getty
11 / 18 Alessandra Ambrosio
Wearing Pomellato Fortezza high jewellery earrings and necklace. Getty
12 / 18 Araya Hargate
Araya Hargate wearing Boucheron Airelles necklace from the Histoire de Style, Untamed Nature high jewellery collection; and Lierre de Paris earrings. Getty
13 / 18 Rihanna
Wearing Boucheron Rosier earrings from the Histoire de Style, Untamed Nature high jewellery collection. Getty
14 / 18 Araya Hargate
Wearing Boucheron Plume de Paon Question Mark necklace and earrings. Getty
15 / 18 Rosie Huntington-Whiteley
Wearing Tiffany & Co. high jewellery earrings and necklace from the 2024 Blue Book Collection. Getty
16 / 18 Amal Clooney
Wearing Caresse d'orchidées par Cartier earrings from the Cartier Collection and Cartier Libre Polymorph ring. Getty
17 / 18 Veena Praveenar Singh
Wearing La Marquise jewellery. Getty
18 / 18 Leila Slimani
Wearing Cartier Collection Honeymoon earrings and necklace.
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Boucheron Plume de Paon earrings. Titanium, white gold, white diamonds, brown diamonds, tanzanites, sapphires, tsavorites; 21st century; Paris, France. Ching Lee Function and flair Traditional Peranakan terrace houses tend to feature pintu pagar , a Baba Malay term for which the literal English translation is 'fence door'. Constructed at half height, these doors are meant to provide ventilation, as well as a little privacy and security during the day when they are left open. This one from the Asian Civilisations Museum's collection is a rare and unusually ornate example. Fine carving and gilt work are present on both sides, as opposed to the usual one, and it features an eclectic mix of Chinese and European motifs—a symbol of status, displayed to visitors, for what was perhaps a wealthy Peranakan family. Outer gates (pintu pagar). Teak, gilt paint, glass; late 19th to early 20th centuries; Singapore. Collection of the Asian Civilisations Museum. 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Geometric motifs, for instance, are one of the core modes of artistic expression in the Islamic world. Some scholars posit that the repeatable infinity of geometric designs connects with the infinite nature of the divine. Twelve-pointed stars, arabesques and diamond-shaped motifs, which feature on these tiles, are elements of this rich visual canon which has had a wide and lasting influence. Pair of geometric tiles. Ceramic; 15th century; Multan, Pakistan. Collection of the Asian Civilisations Museum. Courtesy of the Asian Civilisations Museum Hexagonal tile with central quatrefoil motif. Ceramic; late 16th to early 17th centuries; Bijapur, India. Collection of the Asian Civilisations Museum. Courtesy of the Asian Civilisations Museum Hexagonal tile with central diamond motif. Ceramic; late 16th to early 17th centuries; Bijapur, India. Collection of the Asian Civilisations Museum. Courtesy of the Asian Civilisations Museum The simplest of design motifs has also a way of travelling across cultures, escaping boundaries and finding its way into artistic heritages the world over. Rosettes, which are a graphical representation of the leaves of a flower, can be found as far back as ancient Mesopotamia. This motif travelled and was adopted in Renaissance Italy, where it featured as a decorative architectural element. The Milanese jeweller Buccellati, which has an abiding love for Renaissance-era craftsmanship and an ornate, old-world look, uses these in many of its designs. In these Tulle watches, the rosette compositions on the dial, as well as the articulated bracelets, are filled with coloured enamel for a stained-glass effect. Buccellati Tulle watches. White gold, diamonds, enamel; 21st century; Milan, Italy. Ching Lee Summer Splendour The auspicious, blooming colours and motifs of flora and fauna on this circa 1920s beaded tablecloth are thought to be part of the 'spring table' of a Peranakan wedding chamber. Crafted so that it can be appreciated from all sides, the designs draw inspiration and influence from the colours and compositions of Chinese embroidery as well as bird and flower elements from Europe. It is crafted with over a million glass beads, some of them faceted, and said to be one of the largest and most important pieces of Peranakan beadwork in existence. Table cover. Cotton needlepoint canvas and European glass seed beads; around 1920; Penang. Collection of the Asian Civilisations Museum, restoration sponsored by BNP Paribas Foundation and BNP Paribas Singapore Branch. Courtesy of the Asian Civilisations Museum Tablecloth. Beadwork; early 20th century; Penang. Collection of the Asian Civilisations Museum. Courtesy of the Asian Civilisations Museum Cartier's Anansi necklace is named after a trickster deity from African folklore who is often portrayed as a spider. This creation comes from the Parisian jeweller's [Sur]naturel high jewellery collection, which is themed around creative abstractions of nature. It is set with a rare sequence of eight hexagonal peridots, composed with fine diamond and platinum lines and faceted peridot beads to resemble light glistening off a spider's web—perhaps after a summer rain. Cartier Anansi earrings and necklace. Platinum, peridots, diamonds; 21st century; Paris, France. Ching Lee Treasures of the old world One of the more remarkable qualities of jewellery, viewed historically, is that it lasts. Metal and stones are hardy materials, and surviving jewels can tell us a lot about the tastes and styles of a different time. That much is obvious in this magnificent 1900s jewelled peacock belt, one of the Peranakan Museum's prized artefacts. 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Each 'fringe' of hand-twisted gold rope is articulated, and dotted with diamonds set on platinum so it looks as though they are floating. The paillonné enamel Croisillon bracelet, first introduced in 1962, is meanwhile one of the jewellery world's icons of design history. The ancient technique of enamelling is enhanced with sheets of gold foil, laid in layers, to create colours that are deep, vibrant and luminous. Schlumberger by Tiffany & Co. Fringe necklace and Croisillon bracelet. Yellow gold, platinum, diamonds; 21st century, New York, the US. Yellow gold, paillonné enamel; 21st century; New York, the US. Ching Lee Photography Ching Lee Styling Lance Aeron Vogue Singapore's July/August 'Home' issue is available on newsstands and online.

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